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Philips Vari-Lite VLZ Profiles keep it cool and beautiful for Gary Numan’s Savage tour

11/12/2018 - Production News

UK – Signify has announced that its Philips Vari-Lite VLZ Profile LED luminaires were chosen to meet some specific stage lighting demands on the...

RCF Group Announces the Acquisition of DPA Microphones

11/12/2018 - Business News

Denmark – RCF Group, one of the fastest growing organisations in the Pro Audio market, has announced the signing of a definitive agreement for the...

Robe Has a Good Laugh with Anders Matthesen

11/12/2018 - Production News

Denmark - Eleven trucks of production equipment is a lot for one stand-up comedian, but delivering the nuances of live comedy in an arena format is a...

11/12/2018: Lenny Sasso Looks to Future on Jacob Sartorius Tour with Chauvet Professional
11/12/2018: DiGiCo Desks Shine on Mike Shinoda’s Solo Tour
11/12/2018: Showtec Singapore Invests in Claypaky’s Latest Fixtures
10/12/2018: Indiana’s New Albany High School Debuts Elation Rig on “The Wizard of Oz”
10/12/2018: HSL Group Invests in 100 Chauvet Professional Maverick MK3 Wash Fixtures
10/12/2018: Theatre Consultants Theatreplan Chosen to Work on the Transformation of The King’s Theatre Edinburgh
10/12/2018: Restored Frankfurt Old Town Opens with Drone and Proteus Show
10/12/2018: A High End team for ETC
10/12/2018: Outline’s Superfly Goes Stateside with TAPFS
07/12/2018: Robe _CONNECTIONS_ for VodafoneZiggo
07/12/2018: Volt Lites Adds Ayrton Ghibli and Mistral-TC Fixtures to Growing Inventory
07/12/2018: Southern Hemisphere first as L-ISA hyperreal technology is used for Harry Potter and the Prisoner of Azkaban in Concert live performance
07/12/2018: Chameleon Touring Systems Balances Old and New at Mercedes Benz Fashion Week with Chauvet Professional
07/12/2018: Indigo at The O2 Stages Stunning Performances with New Lighting Rig

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Title:: Pages From Stages
Author:: Anthony Field

Anthony Field explores the changing style of theatres including interior design, exterior design, ticket and seat prices, and levels of service, while questioning whether the theatre still exists as a place of entertainment for regular theatre-goers.

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