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Sennheiser Introduces evolution 912 Boundary Microphone at NAMM Show
Sennheiser is introducing a new condenser boundary microphone, the e912, at the 2006 NAMM Show. A companion to the e901 boundary mic for bass drums, the e912 is designed for picking up speech, vocals and acoustic instruments, and, in particular, grand pianos.
"The e912 is an ideal solution for a wide range of applications – from musical instruments to theater and opera house stages, from churches to conference centers and lecture halls," says Robb Blumenreder, Sennheiser's MI product manager. The pre-polarized condenser microphone with half-cardioid pick-up pattern has a wide frequency response (from 20 to 20,000kHz) and a maximum sound pressure level of 136dB. The e912's very flat housing makes it virtually inconspicuous while it's extremely robust design copes well with the rigors of being used on a stage floor.
A rubber plate on the underside of the e912 ensures that vibrations are not transmitted and mounting slots on the underside allows the microphone to be securely fastened on a stage, on a conference table or lectern. The e912 weighs in at a mere 350 grams (approx. 12 ounces) enabling it to be easily positioned in a variety of applications. The preamplifier electronics are integrated into the microphone and the gold-plated XLR-3 connector is surrounded by the enclosure in such a way that the connection isn't compromised. The e912 is available in two colors - cream white and black - to blend in easily with the installation environment. The e912 offers users a professional, versatile microphone that excels even in diverse applications such as speech, vocals or instruments.
16th January 2006
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