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Autograph Introduces Meyer Sound to Several New Users
Autograph Sales has continued to introduce new customers to Meyer Sound, specifically to their celebrated Ultra Series range.
Among the new customers is Stage Sound Services who is based in Cardiff and has become the first rental company in Wales to invest in Meyer Sound. The four UPJ-1Ps and two UMS-1P subs will immediately be put to work on the UK theatre tour of Dracula. The production will run for twenty weeks with Christopher Cazenove staring as Van Helsing. Dracula’s sound designer Fergus O’Hare specified the Meyer Sound cabinets.
Phil Hurley, Stage Sound Services’ MD, is an existing Autograph Sales customer and is thrilled to join the Meyer Sound fold. “I feel this is just the beginning of our commitment to the product range,” he says, “enhancing the choice of products available to our growing client base.”
Westminster Sonus, a leading conferencing and meeting company based in Slough, Berkshire, have acquired four Meyer Sound UPM-1P loudspeakers. These are being used, as part of their press conference kit, predominantly on government business for the prime minister and his visiting presidential guests. The UPM-1Ps will also be employed during the upcoming G8 international summit.
Finally, Noizeworks, an audio consultancy with sales, hire and installation services, has purchased from Autograph Sales, several UPA-1P loudspeakers and UMS-1P subwoofers. They have sold these to their client, ChristChurch London, a church that meets every Sunday in a suite at the New Connaught Rooms in the heart of the city. ChristChurch store a full sound and communications system at the venue, designed and supplied by Noizeworks, to roll out each week.
Rhys Scott, the Church’s sound coordinator, looked at several different loudspeaker options and opted for Meyer Sound after a successful demo arranged by Autograph Sales’ Graham Paddon. Rhys explains: “Having active loudspeakers was a significant feature because of portability, so Meyer Sound was an obvious choice. We also wanted a transparent system and the configuration of the loudspeakers we chose, does just that. We don’t want people thinking about the PA - just enjoying what they hear."
10th February 2005
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