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Bartlett Introduce TM-125 Supercardioid Boundary Mic
From the design team who brought the world the PCC-160 comes the TM-125. This supercardioid boundary mic is designed for use on the theatre stage to pick up actors in drama or musicals. Other intended uses are capturing the footwork of dance groups, and picking up speech in boardrooms, conferences, pulpits, and altar tables.
Miniature capsule technology prevents phase cancellations due to sound reflections off the stage floor or table top. This results in a wide, smooth frequency response free of comb filtering, so speech sounds clear and natural.
With its thick steel housing and rugged construction, the TM-125 can withstand heavy footsteps that would destroy other microphones. All electronics are inside the housing. An XLR-TA3F mic cable is included. The supercardioid polar pattern of the TM-125 helps gain-before-feedback, and provides excellent isolation from sounds behind the mic, such as a pit orchestra.
10 out of 10 Productions has been awarded UK sole distribution rights for the TM-125 microphone, a re-working of the industry-standard PCC-160 (TM) stage-floor mic developed by Bruce Bartlett/Steve Mills and Tom Lininger for Crown. Fully supported from their London base, all warranty issues are dealt with by 10 out of 10's in-house repair technicians for a speedy turn-around should any problems ever arise.
Bartlett professional microphones are guaranteed not to malfunction (except in cases of abuse) for a period of three years from the date of first purchase. Mic cables and paint finish are excluded from this warranty.
This microphone will be available for dispatch by end of June 2009
www.10outof10.co.uk
15th May 2009
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