equipment news

Digital Projection Reveals New 3-chip Titan Projector Line with Warp & Blend 3D Capability

Digital Projection International (DPI) has announced a major expansion of their flagship Titan projector line with the 12,000 lumen Titan 800. Incredibly compact for its lumen performance, the Titan 800 platform incorporates DPI’s advanced image Warp and Blend capabilities, a wide variety of native resolutions, optional active 3D connectivity, and a host of professional features to suit almost any commercial or staging application imaginable. The Titan 800 platform joins DPI’s already robust commercial AV product line-up, which now incorporates over 30, 3D capable precision displays.

Delivering 12,000 lumens of dazzling brightness, the new Titan 800 projectors make advanced 3-chip DLP performance available in an incredibly compact chassis. Utilizing DPI’s new, advanced electronics, all Titan 800 models provide the user with the ability to make extensive geometric warp correction via the adjustment of an interpolated grid array of up to 16 x 16 nodes. Furthermore, up to eight maps can be generated, downloaded and stored within the projector’s electronics. On board adjustments for Pincushion, Barrel, Cornerstone, Vertical and Horizontal Keystone, and even Image Rotation, are also standard in the new Titan 800 displays.

Superbly capable edge blending and multi-projector tiling is provided by way of high bit depth processing that ensures a seamless, contiguous image can be created from multiple projectors. Black Level Uplift in all non-blend areas guarantees uniformity across the screen, even when dark image content is displayed. Additionally, end users can choose to utilize the Titan 800’s onboard tiling function by assigning each projector a position within an image matrix. The video processing then automatically extracts the appropriate segment of the input image and enables blending for the appropriate edges.

3D functionality is optional within Titan 800 displays. Titan displays with 3D operability include DPI’s exclusive 3D advances that further extend the remarkable flexibility engineered within each Titan display. Applications with 120 Hz native sources can utilize the High Bandwidth Input, eliminating the need for frame doubling. For 60 Hz 3D applications, DPI’s built-in Dual Flash Processing enables distribution of 3D content via 60 Hz formats by frame-doubling the signal within the projector. This produces the low flicker image characteristics of a native 120 Hz source without the infrastructure costs associated with distributing and switching ultra-high bandwidth signals.

Announced as a complement to the four-lamp Titan Quad displays introduced at InfoComm 2011, the new Titan 800 capabilities perfectly complement other legacy characteristics that have made DPI’s precision displays the go-to standard for commercial venues for over 15 years. The new projectors employ two 400 watt high intensity discharge lamps to produce powerfully bright imagery, making them suitable for a wide variety of demanding medium and large venue applications. DPI’s ColorMax technology presents the most flexible colour management system available today, and serves as a powerful colour calibration tool, whether the installation calls for a single projector or an array of projectors in tiled / blended applications. A remarkable range of lens shift allows for extensive installation flexibility, further augmented by an array of fixed and zoom lenses with throw ratios ranging from .73 to 11.2:1.

3rd February 2012

Panasonic Unveils 152” Touch Panel for First Time at ISE 2012

Panasonic Europe used ISE 2012 to unveil an interactive 152” for the first time in Europe, using a touch panel provided by trusted partner U-Touch. This large display was complemented with the launch of a new range of Panasonic touch panels for interactive signage, education and business applications, available in 42”, 50”, 60” and 65”. These panels offer dual touch technology through infrared technology for enhanced image quality and interactivity.

The new range is designed to make business meetings, school lessons, signage and broadcast processes a more interactive experience. The panels are an ideal teaching aid and provide an interactive alternative to traditional white boards, allowing for improved classroom communication. These reliable displays offer a fixed LAN terminal and 100,000 hours of panel life also make them suitable for two-way digital signage for example in hotels and airports.

The screens offer high enhanced image quality and clarity as well as faster response times with no drift, ensuring improved reliability and greater longevity. Moreover, dual touch infrared technology provides enhanced functionality such as pinch to zoom. Users have the option of touching the screen with their finger, with a felt-pen or with an optical electric pen for example for carrying out interactive presentations or lessons.

“The touch screen market has exploded over the past year and the customer demand for touch-enabled technologies has massively increased across a variety of sectors,” commented Yojiro Matsubara, director of professional displays in Europe. “We have developed these panels to make any meeting, lesson or broadcast more interactive and therefore more stimulating, while at the same time ensuring that all-important image quality, as well as delivering in terms of cost and style. We are thrilled to showcase U-Touch’s 152” touch display and our new range of touch panels at ISE as they demonstrate the cutting-edge applications of our partners’ and our own innovative products.”

These touch panels are available now.

3rd February 2012

Safer Laser Delight from Eurolite

With the VLS, Eurolite of Germany offers a new series of professional laser projectors: six models with different performance categories, but with one collective aspect which has been given prominence: safety of users and audience.

Featuring a special safety system the series stands out of the price category it belongs to. Active beam monitoring controls both modulation as well as the mechanical shutter. As a result there is the active prevention of dangers like frozen beams or too small a beam angle during the operation.

If, for example, the supply line to the emergency stop is accidentally cut off, the mechanical shutter immediately closes and the laser is turned off. A similar procedure takes place when the internal signal transmission to the mirror galvanometers or the lasers is interrupted and disturbed respectively. In these situations the safety system takes over instantly.

In addition, the operator is always able to halt the projection via the emergency stop, which influences both shutter and laser. Another safety characteristic is the obligatory key switch which protects against unauthorized access.

For further prevention of danger during the operation all models have been equipped with high-speed galvos which reduce the beam's resting times and ensure fluent animations. While four lasers feature 30 kpps (kilo points per second – unit of galvanometers) the top star VLS-1200 RGB is optionally available in a cheaper version with 20 kkps or as top model with 40 kkps.

All models can be controlled via ILDA protocol, DMX, sound or auto mode. Show files can be saved on an SD card (included with delivery) and operated easily via DMX. The internal ILDA players offer the opportunity to start files via the display at any time.

For perfect usage of the VLS lasers Eurolite also presents the elaborate Eurolite HE control software. Delivery also includes an ILDA interface and more than 150 laser shows on DVD. The software controls up to 16 projectors simultaneously.

3rd February 2012

Christie J Series Races Across Europe

The European market has wasted no time in affirming Christie’s belief in the strength and relevance of its new J Series projectors. Christie Partners and resellers are reporting major sales — right across the EMEA territories, and across the entire product range.

When designing the J Series, which marks the next generation of its 3-chip DLP Xenon platform, Christie set out to target a variety of applications within the rental staging and fixed install markets — as well as the advanced visualisation segment — by making the products available in three resolutions, SXGA+, HD and WUXGA.

The new J Series replaces the existing Christie Roadster and Mirage 3-chip DLP Xenon models and offers the flexibility for customers to continue using existing Xenon product accessories — lamps, stacking mounts and lenses — as well as newer M Series input cards and lens accessories. New features include WUXGA resolution in a Xenon projector and embedded Christie Twist™ that allows for image warping (without the need to purchase additional electronics cards), plus Intelligent Lens System (ILS™), edge blending and colour-matching capabilities.

In addition, J Series gives the customer the option of choosing 3D, via the Mirage J Series, or retrofitting it at a later stage via an easy upgrade. And at the same time, eco-friendly and energy-efficient features help reduce cost of ownership by lowering power consumption and extending projector life.

The result is superior performance, higher brightness (up to 22,000 lumens output), excellent colour reproduction and stable colour temperature — packaged in the most compact chassis in its class.

In the UK, where Christie’s EMEA operations are headquartered, advanced projection specialists QED Productions have ordered eight Mirage WU20K-J 20,000-lumens, native 1920 x 1200 3-chip DLP projectors. These are high-performance, active stereo projectors providing exceptional 3D performance.

 "This is a milestone investment for QED,” said company director, Paul Wigfield, "both because it takes our current stock of Christie Roadsters to over 50 machines and because it reaffirms how Christie has continued to innovate and lead the industry. The new J series not only integrates with our existing fleet but it also provides additional functionality and improvements. "The Mirage WU20K-J is the flagship model of the range, delivering the highest overall brightness, the highest resolution, and incorporates the latest in triple flash 3D technology.”

The native 1920 x 1200 resolution enables shorter throw distances to be more easily achieved when blending multiple projectors, and for projection mapping applications QED believes that this will quickly become the de facto projector of choice.

“No other projector can deliver as much brightness, quality and resolution in such a compact chassis, and no other projector is so versatile,” believes Wigfield.  Because the Christie J series is backward compatible to our existing fleet and lamps modules and in addtion to sharing common electronics input cards with the M Series, this also provides an extra dimension to our rental fleet and to what we can offer our customers.

On mainland Europe, Christie’s long-term German partner, Vision Tools, is another leading rental staging and sales company that has become an early adopter, jumping headlong into J Series technology. The company purchased eight Roadster HD20K-J and has already used the products for a large event in Kazakhstan — shipping the products to site straight off the plane.

Stephan Schlüter, owner and general manager of Vision Tools, immediately commended the excellent performance and image quality. “Our customer was looking for a large projection in portrait mode, which is now easily accomplished with the new Christie J Series. It saved both time and money as handling and set-up was much quicker than expected,” he observed.

Meanwhile, Christie’s Swiss distributor Visopta AG has supplied eight Roadster S+22K-J and two Roadster HD20K-J to auviso, which has taken the opportunity to ramp up its rental fleet. The Lucerne-based company is a technical service provider for events and installations and depends on cutting-edge equipment. auviso general manager, Martin Elmiger, liked the robustness of the product and sent his new Christie J projectors direct to an ice pavilion where they were used to display live camera feeds and lighting effects. The confidence to invest was further underpinned by the back-up auviso receive from Visopta, and Christie’s German office.

Over in France no fewer than 21 Roadster J Series projectors have been sold within the first two months to six different Partners. This includes ten and six projectors, respectively, to Alabama and Leni alone — who instantly recognized the benefits of the J Series with a massive vote of confidence.

“The new J Series has got off to an incredible start in France, and instantly captured the market’s imagination,” stated Pascal Gervais, director of Christie France. While Leni has invested in six Roadster WU20K-J’s, Alabama were also clear in their intentions. "To complete our rental fleet, it seemed obvious to focus on the new potential of the J Series," said Joel May, associate director ofAlabama. "Our six new Christie Roadster S+22K-J and four WU20K-J are equipped with Christie Twist technology and we have the additional benefits of a memory zoom and focus with DMX communication possibilities, which provides ease of use in all configurations.

Finally, in Italy Christie’s Independent Sales Consultant officeEhome Italia confirms that it has sold five powerful Roadster HD20K-J projectors to long-established rental house, Milano Music Service (MMS) for use in stacked configuration for a video mapping exercise for manufacturers, Brembo.

2nd February 2012

TV One Launches the new CORIOmaster C3-540 Series Video System

The new C3-540 offers a new, more efficient approach to building video systems. Using TV One's latest CORIO3 technology, it gives the user access to new levels of video processing power to achieve new heights of creative and dynamic video displays. All this is possible in one 4RU chassis.

CORIO3 video processing technology allows the use of layouts which define where each output is used. Outputs can be independently rotated through 360° in real-time, without adding delay, for use in creative video wall applications. Projectors can be used off axis with brightness controls to aid in an even distribution of the projected image. Warping controls allow for projection on curved surfaces and multiple layouts can be used at the same time or one layout can be designed to tie multiple projectors or monitors together as one large image.

Edge blending, monitor walls and multiple projectors can show any combination of inputs by setting up canvases to design each layout without the limitation of a monitor or projector dedicated to just one source input. Multiple canvases can be used at the same time to define multiple layouts to aid in choreographing a video design.

To further assist functionality, multiple windows can be used to design a canvas with the capability to resize and rotate each window on the canvas which is then sent to the predefined layout. The same canvas can be sent to more than one layout design. This allows for duplication in more than one area or used for status display on one monitor of the entire canvas.

The CORIOmaster also includes a multi-viewer to monitor the inputs to aid in previewing the sources during live events or used as a status monitor in various types of installations.

Control of the CORIOmaster is provided by a multiplatform software package that provides an intuitive way of setting up layouts and defining the canvas to be used for each layout. Presets can be saved and recalled.

High on power in its capabilities, but low in its power consumption, the COROmaster typically requires only 160 watts, fully loaded. A traditional video system that performs the same tasks can consume ten times as much energy. Over its life, that is a lot of savings.

The C3-540 has 16 Universal AV Module slots available and the CORIOmaster automatically recognizes the modules inserted as either input or output modules. This allows up to 32 I/0's and since there are no dedicated input or output slots when using 2-Channel DVI-U configurations can range from 30x2 to 2x30 and anything in between. This flexibility allows end user configurations to be based on their own needs. Additional DVI-U modules can be added later in spare slots without having to reset the unit. The new Universal DVI-U format accommodates DVI, HDMI, RGB, YPbPr, Composite or S-Video. All AV modules are hot swappable and recognised for immediate auto configuration.

In addition the CORIOmaster provides independent Up, Down and Cross conversion for every output between a variety of analog and digital video formats thru WUXGA.

All the functions can be controlled via serial connection via RS-232/422/485 or IP. An optional front panel LCD option makes direct setup easy. The unit is housed in a standard 4RU rackmount case and features an optional redundant hot swappable internal PSU and power inlet.

2nd February 2012

Music Folders Extra Discount During February

Music education and performance equipment specialist Black Cat Music is currently offering Music Folders with an additional discount. This offer only applies during February, so anyone looking to take advantage of this money saving opportunity to kit out their choir or orchestra with a matching set of music folders is urged to act promptly.

The elegant music folders benefit from hard-wearing leatherette covers, brass bound corners and hand-stitching, designed to provide protection for music as well as looking smart during concerts. At a modest extra charge music folders can be customised with gold-blocking with the name and crest of the choir, band or orchestra, to further enhance the group identity. There is a choice of styles with expanding pockets or retaining strings for choirs and expanding pockets, pencil pockets and windows for orchestral use. Music folders are available in a choice of three colours – Concert Black, Royal Blue and Cardinal Red.

1st February 2012

Arena Group Ahead of the Curve with Arcus

The Arena Group looks towards a curved future with the launch of Arcus – its new temporary events structure which delivers extended structural integrity and interior design options among its features.

Arcus, with striking curved roof shape and expanded interior dimensions, is being launched in time for major events across London and the UK this year. The proprietary structure is the result of a of £5.8m investment in research and manufacturing by the Group.

New features include improved viewing from a cantilever balcony, and energy efficient horizon glass and solid wall systems, which improve thermal and acoustic insulation qualities. The contemporary designed multi-storey structure also features a new glass handrail system, 50 per cent less upright pillars for added creative design possibilities, smooth panel walling system for easy graphic applications and an optional atrium.

The Arena Group will be installing Arcus for the first time at this May’s BMW PGA Golf Championships at Wentworth Club, before rolling it out across prestigious London-based events in the summer.

Grahame Muir, managing director Arena Structures and Arena Seating, comments: “We have designed Arcus with our clients' expectations and feedback in mind. This combined with our sector expertise and industry knowledge has resulted in a structure we expect to become the première choice of for our clients during 2012 and beyond. Arcus further strengthens our overlay and design services and has been created to set new standards in entertainment and viewing structures.”

Arcus is available in sizes spanning 10, 15, 20 and 25 metres and includes design-led Arena interior with a range of linings and solid internal walling system facilitating plasma screen fixings, lighting systems and hidden air conditioning units.

1st February 2012

New Range of Column Speakers

A new range of three ETS slim design, weather-proof speakers has been introduced which feature extruded aluminium cabinets with an aluminium front grille. All of which are completely hose-proof and weather proof with an IP66 rating.

Each model offers five power taps from the 2-way speakers with additional integrated tweeters for a clear and crisp sound. The range topping ETS-240TW features eight speakers and four tweeters and can be tapped at 40/30/20/10/5 W, resulting in an impressive 90dB.

Adam Garner, sales manager for Monacor UK Ltd commented: “The new ETS-240TW/WS, ETS-220TW/WS and ETS-210TW/WS combine all the advantages of a column speaker with an excellent sound quality and particularly high stability level.”

Each model is supplied with mounting brackets and a connection cable.

31st January 2012

Barco Adds New Member to its HDX Family of three-chip DLP projectors

Barco has added a new unit to its HDX range of three-chip DLP projectors. The HDX-W18 is the latest addition to the successful HDX family, sharing the on-board image processing, compact design, easy servicing, and preview mode features with its W12 and W14 cousins, but clocking in at 17,500 lumens. Barco will unveil the HDX-W18 at ISE from 31 January to 2 February 2012.

“After our very successful introduction of the HDX-W14 last year, we are excited to expand our HDX range with a 17,500 lumens unit. This new model supports the customer requirements of getting more brightness out of compact projector systems,” says Chris Colpaert, director of strategic marketing ProAV at Barco. “The HDX is equipped with Xenon lamps and contains a high contrast optical engine. This results in stunning colour reproductions, presenting audiences with crisp and vivid images on every occasion.
“The on-board image processing technology is based on Barco's renowned ImagePRO signal processor, which offers high quality and flexible scaling capabilities and has been a reference in the events market for many years,” Mr. Colpaert continues. “This additional feature set boosts creativity and decreases the time it takes to get sources on screen the way users want.”

Barco's HDX projectors consist of only five building blocks, which makes them exceedingly easy to maintain. They come with a WUXGA (1920x1200) resolution, which even exceeds industry-standard full HD. The projectors feature control through a user-friendly, built-in colour LCD screen with a preview mode – and, thanks to a straightforward user interface, the projector can be set up in no time. Furthermore, users can easily control the HDX via a smart phone or tablet computer.

At Integrated Systems Europe 2012 you will find Barco in hall 11, booth #11H65.

31st January 2012

Barco LiveDots expands LED Product range

Barco LiveDots is expanding its LED range with three new products: a 5.5 mm pitch black face indoor LED display, an 8 mm outdoor SMD LED display system, and a single-piece outdoor LED billboard. All three innovations will be showcased at ISE in Amsterdam RAI, from 31 January to 2 February 2012.

“Our LED product range consists of three platforms covering a wide spectrum of applications. The X-series is our premium product line, offering unprecedented image quality; the T-series is dedicated to 24/7 operation for branding and advertising applications where total cost of ownership is key; while the C-series is our mid-end offering, providing Barco image quality at an attractive pricepoint for both event and permanent installations,” says Carl Rijsbrack, CMO of Barco LiveDots. “We are happy to introduce a new product for each of these platforms – this will enable us to meet our customers' needs even better.”

The cross-rentable CX-8, which offers excellent contrast and image quality, is the first true high-resolution outdoor LED display for the rental and staging industry. Thanks to its modular design and low weight, the CX-8 is simple to install and service. It features auto-calibration and auto-redundancy to guarantee worry-free operation. Furthermore, its sea-worthy standard makes the CX-8 highly suitable for cruise ship installations, in addition to event and retail applications.

The C5 is the latest addition to the C-series. A 5.5 mm pitch black face indoor LED display for rental and fixed install, the C5 offers a 10% resolution premium over established 6 mm products on the market. Other significant technical features include a flown weight of less than 40 kg per m², integral concave and convex curving, no fans (resulting in silent operation) and, most importantly, Barco's network-to-network interface, which allows full integration with the DX-700 processing unit.

The Digital City Posters are part of Barco's T-series and come in two variants: the DCP-0710 has a surface area of 6.8 m² and a resolution of 300x216 pixels, while the DCP-0810 has a surface area of 8 m² with a resolution of 320x240 pixels. Thanks to Barco's proprietary color signature technology, the DCP-0710 and DCP-0810 deliver an excellent balance between brightness and contrast, guaranteeing exact reproduction of brand colors at all times. The Digital City Posters provide powerful imagery in combination with 24/7 reliability and a low cost of ownership. With less power consumption and a lighter weight than similar products, they are a perfect fit for advertising and branding applications.

Barco's new LED displays will be presented at Integrated Systems Europe 2012 in the Amsterdam RAI, from 31 January to 2 February 2012. You will find Barco in Hall 11, booth #11H65.

27th January 2012

Panasonic Introduces New Short Throw Projectors with Interactive Features

Panasonic Europe has announced a new short throw LCD projector range (PT-TW231R and PT-TW230) with a resolution of WXGA (1280x800) and 2.500 lumens of brightness. The PT-TW231R model is further equipped with a feedback camera for interactive functionality on various projected surfaces. The short throw distance required for setup and the interactive feature together make the PT-TW230 Series an ideal solution for engaging students in the classroom, or conducting collaborative meetings and presentations.

The TW Series is designed with a carefully engineered short focal lens that allows the device to project a 1.3m wide image from a mere 65 cm (2.13ft) away from the display surface. This installation flexibility prevents the projector’s light from shining into the presenter’s face and disrupting the class and or meeting. In addition, using the projector from room to room is extremely easy as the projector can be placed at the end of a table and still project a large image from such proximity. The mobile use of the projector is further enhanced with the built in interactive function, available on the PT-TW231R model, which allows the user to interact with the projected image on multiple surfaces without the need of a specialised board. A pen and a pointer containing infra-red sensors are included with the PT-TW231R that sends the signal back to the camera module on the projector so that the users can write text, graphics or lines on the projected images.

“The new compact short throw projectors are a universal solution, combining the advantages of short distance projection with the flexibility of a portable projector,” says Hartmut Kulessa, marketing manager for projectors at Panasonic System Communications Company Europe. “The TW series can be easily carried from room to room and still deliver in table top position large, shadow free projection from a close distance. The interactive features of PT-TW231R make this product act like an interactive whiteboard just on any wall, but without the cost and the hassle that comes with the installation of the board.”

With enhanced usability, the new projectors also require low maintenance with a long lamp lifespan and a durable multi-layered filter, both with a replacement cycle of up to 4.000 hours. The Multi Projector Monitoring and Control Software provided by Panasonic, allows the projector to be monitored for lamp hours and projector status remotely, saving time and money from maintaining the projectors.

The TW230 Series comes equipped with a 10 Watt audio and a HDMI digital input terminal. The startup screen can be customised using the Logo Transfer software from the Panasonic website to customise the projector and for theft prevention.

27th January 2012

New Workflow Tools for d&b Users

d&b audiotechnik has announced several new updates for their ArrayCalc simulation software, R1 Remote control software and the R10 Service software as well as a firmware update for the E-PAC amplifier - yet one more step in the increased efficiency of workflows for d&b audiotechnik users.

The new d&b ArrayCalc V6.7 software available in March 2012 will contain the d&b R1 Remote control software's export function. This function removes the original copy and pasting process of the amplifier settings from the simulation software ArrayCalc to the R1 Remote control software. It automatically generates a workspace in an R1 project file as well as exporting the amplifier settings to an R1 control settings file. This workflow sequence replaces the manual process entirely. From virtual optimization in the ArrayCalc simulation software to the rapid verification of the simulated settings and the fine adjustment in real life on site, using this d&b software offers an effective workflow for the user from their mobile workplace: the laptop.

The service workflow has also been streamlined so that the d&b R10 Service software from V2 onwards automatically and on demand searches for the latest available amplifier firmware versions and Remote software updates on the d&b server via the internet and downloads them. This removes the need to manually look for any updates on the website.

Finally and being typically d&b, even though the E-PAC amplifier was discontinued in 2007 it is still being supported with a new firmware update V4.17. For further information and to download the update go to the d&b website.

26th January 2012

Allen & Heath Launches Two New ZED Models

Allen & Heath has added two new models to its ZED range of multi-purpose live sound and recording mixers. The new ZED-16FX and ZED-18 each have 10 fully-featured mono channels and three or foue dual stereo channels, respectively, fulfilling the demand for increased channel counts in a compact format.

In keeping with the rest of the range, both mixers have a connection for USB send and return for recording, playback and effects. The 10 mono Mic/Line inputs feature Allen & Heath’s acclaimed DuoPre two stage preamp, 3-band MusiQ EQ with swept mid frequency, and 100mm faders, all in a compact, rack mountable format. The stereo inputs have 2-band EQ and inputs for extra sources, and there are four auxes accessible from each mono and stereo channel.

Additionally, the ZED-16FX has a built-in FX processor with TAP tempo delay settings and a 24 bit/48kHz conversion rate, with access to a comprehensive set of 16 in-house designed effects derived from Allen & Heath’s iLive pro touring digital mixing system.

“The ZED-18 and 16FX are the perfect size and format for so many applications. In a rack-sized chassis we’ve packed in 10 mono channels while retaining all the stereo inputs (on ZED-18 there are seven stereo inputs including the USB). The monitoring and output configuration is the same as the ZED-14 and 12FX, which is really useful in both live sound mixing and studio situations, and they are designed and built to last for ages. Having just used one for a fantastic gig with The Deadly Gentlemen (perk of the job!), I can say that they are an absolute joy to mix on!” comments Allen & Heath R&D designer, Mike Griffin.

Cakewalk’s SONAR X1 LE music production software is bundled with the ZED-18 and 16FX mixers, enabling the user to perform many different tasks, for live performance, live recording, studio recording, or studio mixing. The combination of ZED and SONAR allows the user to capture a straightforward recording of a stereo mix, record tracks individually to build up a song, or insert an FX plug-in from SONAR.

ZED mixers are built to a professional standard, with rotary controls secured to the front panel with steel nuts and high quality components have been used throughout, including Neutrik mic XLR and 1/4" jack connectors.

24th January 2012

Allen & Heath Unveils the New GLD Live Digital Mixing System

Allen & Heath has unveiled GLD, a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug & play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).

At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, eight stereo FX returns fed by iLive’s acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.

GLD-80 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag and drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in four layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixer‘s local I/O comprises four XLR mic/line inputs, four XLR line outs, four RCA inputs, two RCA outputs, and digital outputs in SPDIF and AES3 formats.

The GLD-80 connects to a range of plug and play I/O racks to ‘build’ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (eight XLR inputs, four XLR outs each) can be connected over 120m CAT5 runs using A&H’s dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.

GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heath's ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLD's extensive soft-patching.

“Designing a system which is suitable for both the professional engineer and occasional user has been a priority. With GLD, our aim was to take much of the complexity out of digital mixing, opening up the tremendous benefits of digital technology to a wider group of customers, such as the rental companies, houses of worship and live venues where our GL series analogue mixers have been working so successfully for years,” comments A&H MD, Glenn Rogers. “GLD offers high quality processing and stunning sonic performance. Key to the system is GLD’s remote plug and play I/O audio racks for flexible, easy set-up system building.”

24th January 2012

LEE Launches New Website

The new LEE Filters website is now live.

The site is the result of extensive research undertaken with lighting professionals to find out exactly what customers want from the website.

The feedback received by Lee played a crucial part in the design, navigation and content of the site and the company hopes users will like the improvements that have been made, and that the site becomes an invaluable working tool.

www.leefilters.com

24th January 2012

Dynacord Promatrix 8000 Now Certified to the EN 54-16 Fire Safety Standard

Dynacord has announced that its Promatrix 8000 combined ProAudio and voice alarm system has achieved certification to the EN54-16 fire safety standard.

Released early in 2011, the Promatrix 8000 combines professional sound with voice alarm functionality to eliminate the need of venues having to rely on separate systems to perform these functions. EN54-16 certification of the system now provides these venues with the possibility of having an integrated audio standard voice alarm and public address system meeting the latest fire safety standards.

Originally introduced as a European standard for fire alarm systems, EN 54 has now been extended to cover voice evacuation to meet a growing trend in the market towards integration of fire alarm and voice evacuation systems. Now, with the extension of this standard, all products used in a voice evacuation system that’s part of, or connected to, a fire alarm system, are subject to the European Construction Products Directive and by European law have to be certified according to the EN 54 fire alarm product standard.

23rd January 2012

Yamaha Launches DXR and DXS Digital Loudspeakers at NAMM 2012

Following the success of Yamaha DSR series of portable active loudspeakers, NAMM 2012 saw the company launch the DXR series and DXS series subwoofers.

The DXR series comprises four full-range models: the DXR8, DXR10, DXR12 and DXR15, complemented by the DXS12 and DXS15 active subs. All featuring a highly compact and versatile design, suitable for a wide range of applications where class-leading sound pressure levels and high-definition sound are essential.

In the development of this new range, Yamaha collaborated with loudspeaker giant NEXO, whose insight and expertise as an industry leader in touring-grade sound reinforcement ensured that the DXR and DXS series deliver the ultimate in portable sound.

Each enclosure houses a high-efficiency, 1100W Class D amplifier, delivering an SPL of up to 133dB. Minimal distortion transducers, which provide a very flat frequency response and high output, have been customised to perfectly match the amplifier's properties, producing impressively deep bass, clear mid-range and accurate high frequencies. An all-new, universal switched mode power supply ensures the DXR series is suitable for worldwide use.

The DXR series features Yamaha's proprietary FIR-X tuning’ which achieves superior clarity and imaging than is possible with regular crossovers. D-CONTOUR dynamic multi-band processing is also employed for clear, powerful and consistent sound throughout all output levels. Two settings are provided - FOH/MAIN or MONITOR - optimising the loudspeaker for front of house or monitoring applications.

The DXS series subwoofers include powerful D-XSUB processing and exclusive DSP presets for highly flexible control of the low end. Yamaha's innovative DSP also provides tour-proven protection functions, which ensure all the vital components perform at their maximum potential, even after extended periods of use.

Rugged, non-resonant ABS enclosures on all models are designed to allow seamless adaptability in a wide range of applications, from front of house or stage monitoring for bands, solo musicians and DJs to installation in commercial and public premises, churches and schools.

The DXR series is equipped with rigging points compatible with standard eyebolts, while optional U-brackets are also available for horizontal and vertical mounting. The series also features a dual-angle pole mount socket, three-channel on-board mixer, flexible IN/OUT connectivity and linking capability. This allows DXR loudspeakers to make up a full sound reinforcement system alone or seamlessly integrate into a setup with DSR or DXS Series speakers.

“Working with NEXO was an obvious step in taking the DXR and DXS ranges to the highest level of performance. Liaising closely with their engineers at their state-of-the-art facility greatly contributed to the astonishing SPL and unmatched reliability of these new loudspeakers,” says Toshiaki Kamiya, engineering manager, speakers and amplifiers group, Yamaha Pro Audio Division.

“By combining Yamaha's signal processing, acoustic and amplifier technologies with NEXO's invaluable insight and experience of loudspeaker design, we have not only extended our ranges of high-power, professional active speakers, but we have also made a significant addition to our overall portfolio of pro audio solutions,” adds Kazunori Kobayashi, general manager of Yamaha pro audio division.

23rd January 2012

Yamaha Launches New MGP Mixer Range at NAMM 2012

As 2012 marks the 40th anniversary of Yamaha first analogue console and the 25th anniversary of its first digital console, it is an appropriate time for the company to launch a series of compact mixers which make optimum use of both technologies.

Capitalising on the success of the MG series consoles, the MGP series comprises two models, the MGP12X and MGP16X, which respectively offer 12 and 16 channels of hybrid analogue/digital mixing in a very small footprint of (respectively) 348mm and 447mm wide, by 495mm deep.

An outstanding feature of the MGP series is Yamaha new discrete Class A microphone preamps which, together with the proprietary X-pressive EQ, capture the ultimate in analogue authenticity and reproduce the unique frequency characteristics of sought-after classic EQ modules. Much more than just a means of tweaking a mix, X-pressive EQ is a powerful sound-shaping tool, which gives the MGP series an impressive dynamic range.

Another ground breaking feature is the Stereo Hybrid Channel. Combining simple, analogue-style control with sophisticated digital functions, a powerful DSP engine within the channel provides three essential features that are staples of both installed and live sound applications - Ducker, Leveller and Stereo Image. With a mid-sweep, three-band EQ for nuanced sound control and high-performance on-board A/D and D/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.

Further advanced technology, courtesy of Yamaha quarter century at the vanguard of digital mixing consoles, includes advanced REV-X reverb and classic SPX digital multi-effects, the latter featuring 16 advanced effects with editable parameters.

USB connectivity provides smart integration with an iPod or iPhone, delivering high-quality digital playback while charging the device. By downloading Apple's free MGP Editor software, the iPod or iPhone functions as a flexible controller, giving the user more detailed control of the console's effects parameters, Hybrid Channel settings and iPod playback level.

In addition, high quality standard features include 48V phantom power, upgraded single knob compressors (with LED indicators) on each channel, an impact-resistant metal chassis, durable integrated 19” rack ears and a multi-voltage, internal power supply which allows for worldwide use.

“This all-new MGP Series was designed as the premium line-up addition to Yamaha's current MG Series. For users who prefer the analogue way of working, it offers new levels of sonic quality, functionality and reliability,” said Kazunori Kobayashi, general manager of Yamaha pro audio division.

In addition to complete redesign of the internal analogue circuitries and components, we wanted the MGP Series to offer most beneficial and flexible digital features in order to give them a significant advantage in wide variety of environments, particularly in event and installation applications.

 

23rd January 2012

New Low Cost, High Performance Radio Microphones

Cambridge Consultants, a leading technology design and development firm, has launched a reference design for low cost, high performance radio microphones using the Digital Enhanced Cordless Telecommunications (DECT) platform. By taking advantage of DECT, Cambridge Consultants’ new radio microphone design delivers higher audio quality with no interference and quadruples the range of existing radio microphone technology, whilst also lowering the total bill of materials (BOM) costs to under £12 for each microphone.

The new microphone design deploys Cambridge Consultants’ DECT-based Salix audio distribution platform, delivering high quality 15kHz audio bandwidth with automated set-up and frequency management. DECT has a dedicated licence-exempt band in most countries worldwide and also ensures that the new microphone platform has high spectral density, allowing up to 40 microphones in a single space without mutual interference or spurious effects. It also extends the range of radio microphones up to 100 metres without requiring line of sight to the transmitter, as opposed to existing technologies that typically allow a range of 25 metres. DECT’s automatic frequency band allocation ensures that the new microphones can be ‘paired’ with the receiver(s) with a simple button press.

“Many users of radio microphones are faced with significant frequency management issues that are difficult to solve with limited budgets or in-house expertise. Consequently, we have designed our new platform specifically to enable ‘fit and forget’ deployment - saving set-up time and cost whilst at the same time delivering significantly improved audio performance and range,” commented Tim Whittaker, system architect in Cambridge Consultants’ wireless division. “DECT is a rock solid radio technology which is why we consider it ideal for installed audio, where quality and stability are the key criteria. The fact that DECT is a well-established technology also means that chips are made in huge volumes and are widely available, which enables the development of extremely low cost transmitters and receivers.”

The tested and proven microphone system reference design is available as a hardware documentation package including photoplot and assembly information, with executable software for both transmitter and receiver ends. Alternatively, source code licensing is available for custom design. It comprises a transmitter board of suitable size to fit within a hand-held microphone or belt-pack transmitter, and a receiver board with diversity antennas. Pairing a microphone to a receiver is by a simple one-step user process. A modern high quality, low latency music codec delivers audio with a 15kHz bandwidth.

Tim Whittaker from Cambridge Consultants will be demonstrating the Salix-based microphones as well as audio distribution systems at Integrated Systems Europe (ISE), Amsterdam, 31st January – 2nd February 2012 on stand no. 7v208.

20th January 2012

Mackie Increases Mixer Performance With New Op-Amp Design

Mackie has announced a partnership with New Japan Radio Corporation to develop a new op-amp exclusively for Mackie mixers. The new M-80 op-amp performs exceptionally well, offering low noise, high drive and class-leading channel separation. Implementation into the existing Onyx, VLZ3 and ProFX series mixers is currently in progress.

“We are exceedingly happy with the design from New Japan Radio,” remarked Nathan O’Neill, VP Engineering for LOUD’s MG Group. “The M-80 op-amp improves both channel separation and stereo field clarity, making multi-track recordings and stereo mixdowns more realistic. Our mixer designs are never final. If there is a way to improve performance, we will always follow that path.”

The M-80 op-amp is an improved version of the NJM4580, utilising additional technology derived from NJR’s flagship “MUSES” series sound op-amps. Aside from increased performance specifications, the M-80 op-amp also features the Mackie “Running Man” logo.

20th January 2012

At Last Simple MADI Connectivity Thanks to DiGiCo’s UB MADI

Until now, MADI connectivity on a desktop or laptop required a format such as PCI or ExpressCard. This involves an inconvenient and time consuming set up operation on a desktop, whilst it is increasingly difficult to find a laptop with the necessary slot. DiGiCo Solutions’ UB MADI eliminates this frustration.

Being launched at the 2012 NAMM show in Anaheim, California, UB MADI allows any computer to instantly connect to MADI via the most standard connector of all, USB 2.0. In fact, over the last decade, you would have been hard pushed to find any desktop or laptop without a USB 2.0 connection.

UB MADI uses the latest Stealth Digital Processing FPGA technology straight out of DiGiCo’s award winning SD range of consoles, yet fits into your top pocket and delivers 48 simultaneous inputs and outputs, totalling an unprecedented 96 channels of audio I/O over USB 2.0.

Once the low latency driver is installed, UB MADI is a simple plug-and-play device, automatically detecting the MADI input format and clock selection. UB MADI then communicates with the preferred PC or Mac as a standard ASIO or Core Audio interface.

Despite its ground-breaking performance, UB MADI requires just a single USB cable, providing both audio and power connectivity. Unlike existing PCI based solutions, UB MADI is fully hot pluggable, booting within seconds of its connection.

“Delivering the convenience of USB combined with Stealth Digital Processing to professional audio engineers working with MADI has been a massively rewarding experience. Taking USB audio into the professional space has meant facing some significant challenges: from meeting PCB footprint and power constraints to, most importantly, the chipset selection and firmware design,” comments the UB MADI project manager.

“Having an R&D team that strives to push technology and deliver something considered impossible is motivational for the whole company,” says James Gordon, DiGiCo’s managing director. “I am very proud of their achievement in this new area for DiGiCo. UB MADI will be a real problem solver for anyone wanting MADI connectivity on their computer and, as with all our Stealth Digital Processing based products, UB MADI has even greater potential for the future.”

UB MADI moves into full production in early 2012, with the first orders being fulfilled during ProLight+Sound.

www.digico.org

19th January 2012

Pro Audio Stash Launches New Slide-and-Rotate Racking System

Pro Audio Stash (PAS) has launched its unique new R8010 19-inch Slide-and-Rotate racking system to provide ultimate flexibility for 19 inch racking set ups that are installed in tight and/or difficult to access spaces.

This innovative system has been developed in response to extensive feedback, and has a wide range of applications as a versatile solution for the installed rack units that can be easily rotated 90 degrees in either direction once pulled forward from the home position for full accessibility, maintenance, etc.

It’s ideal for any location where space is at a premium, for example AV installations on cruise ships where the rack needs to be locked into position with the base plate being screwed to a solid surface, or for clubs/theatres/studios where space is often limited.

For high-end commercial and residential installations, the Slide-and-Rotate rack can be fitted easily into enclosed spaces and hidden discreetly from view, whilst being fully on hand for servicing, upgrading or changing, etc.

The rack system can be built up to any height for specific and custom purposes and will house any standard 19 inch rack mounting device. Versions currently available include 6, 8, 12, 16 and 20 U, with load capacities of up to 40kg (88lbs) accommodated by all sizes.

A stylish, ergonomic, retractable cable management bar at the back has been designed to track and keep all the cables organised neatly within the structure, which expands and contracts as the rack is slid forward and moved back into place.

The Slide-and-Rotate system is quality engineered to the same exacting specifications for which all Pro Audio Stash products are renowned, ruggedly constructed and with reliability to the fore.

Available initially as the rack superstructure, in the future, wood and steel cladding will be offered, so clients can match and finish the rack product according to their exact needs.

18th January 2012

New Licence-Free Multi-Frequency Microphone Systems

Brand new for 2012 is this pair of licence-free multi-frequency microphone systems. With either a hand-help microphone transmitter (TXS-611SET) or pocket transmitter with tie clip microphone (TXS-631SET) both units operate on the licence-free 863-865MHz frequency. With 80 selectable channels these units offer a perfect solution for adapting market.

Neil Clayton, managing director of Monacor UK Ltd commented: “With all the changes from the digital switchover the wireless microphone sector has become a very complicated issue, with many customers not knowing what they can and cannot use. These licence-free models take this burden away and let the user get on with what they bought them for.”

Both the TXS-611SET and TXS-631SET feature ACT functionality for transmitting the selected frequency to the transmitter via infra-red signal. Other features include automatic scan, volume and squelch controls, and channel and battery status. All this in a robust metal housing.

18th January 2012

Allen & Heath Launches Two New ZED Models

Allen & Heath has added two new models to its ZED range of multi-purpose live sound and recording mixers. The new ZED-16FX and ZED-18 each have 10 fully-featured mono channels and three or four dual stereo channels, respectively, fulfilling the demand for increased channel counts in a compact format.

In keeping with the rest of the range, both mixers have a connection for USB send and return for recording, playback and effects. The 10 mono Mic/Line inputs feature Allen & Heath’s acclaimed DuoPre two stage preamp, 3-band MusiQ EQ with swept mid frequency, and 100mm faders, all in a compact, rack mountable format. The stereo inputs have 2-band EQ and inputs for extra sources, and there are four auxes accessible from each mono and stereo channel.

Additionally, the ZED-16FX has a built-in FX processor with TAP tempo delay settings and a 24 bit/48kHz conversion rate, with access to a comprehensive set of 16 in-house designed effects derived from Allen & Heath’s iLive pro touring digital mixing system.

“The ZED-18 and 16FX are the perfect size and format for so many applications. In a rack-sized chassis we’ve packed in 10 mono channels while retaining all the stereo inputs (on ZED-18 there are 7 stereo inputs including the USB). The monitoring and output configuration is the same as the ZED-14 and 12FX, which is really useful in both live sound mixing and studio situations, and they are designed and built to last for ages. Having just used one for a fantastic gig with The Deadly Gentlemen (perk of the job!), I can say that they are an absolute joy to mix on!” comments Allen & Heath R&D designer, Mike Griffin.

Cakewalk’s SONAR X1 LE music production software is bundled with the ZED-18 and 16FX mixers, enabling the user to perform many different tasks, for live performance, live recording, studio recording, or studio mixing. The combination of ZED and SONAR allows the user to capture a straightforward recording of a stereo mix, record tracks individually to build up a song, or insert an FX plug-in from SONAR.

ZED mixers are built to a professional standard, with rotary controls secured to the front panel with steel nuts and high quality components have been used throughout, including Neutrik mic XLR and 1/4" jack connectors.

17th January 2012

W-DMX Revamps Website for 2012

Wireless Solution Sweden AB is starting the new year with a new makeover of the W-DMX website, www.wirelessdmx.com, providing the latest material on their award-winning line of wireless DMX products.

The revamp has addressed some of the most common items that users look for when visiting the site, including an easy to navigate product page with all the latest products in the G4 line including transceivers, receivers, repeaters, antennas, tools and accessories. The site also lists W-DMX OEM partners, a worldwide map of distributors and a current list of upcoming trade shows. Case studies and current news are also available.

Most importantly, the new site has updated and simplified an area to download software, manuals and catalogues, which the company considers important to access on a 24-hour basis. The company also worked with search engines to make this information easy to find online.

Wireless Solution CEO Niclas Arvidsson comments: “Websites are one of the most important sources of information today. We redesigned our site to best serve not only those seeking data about our products but also sources for our growing worldwide base of OEM partners and distributors. We constantly seek feedback on how to provide the best products and resources available and we think our new website is a great improvement.”

17th January 2012

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