direct from: www.etnow.comRegularsContentsthis monthJobs and CareersWeb DirectoryFeaturesIssue: 321Absen Steals the Show at Fête des Vignerons with World’s Largest LED Floorpage 18November 2019UNTOLD’s vision for the 2019 festival followed the worldwide trend of creating a larger and more impressive performance area than in the past.PROLIGHTS Panorama IP Airbeam moving beams recently lit up North Yorkshire’s skyline with stunning big air looks for ‘Harrogate 1571’.Artiste Monet at Historic Blackpool Illuminations page: 14page: 22page: 2page: 31pages: 28 to 31This year’s event transformed the Theatre D’Amour into an experimental art installation with effects from Elation Artiste Monets.LIGHTING | SOUND | VIDEORIGGING | STAGING | DRAPESw: hawthorn.bizt: 01664 821 111e: hire@hawthorn.bizFLX S24 Control up to 48 LED moving lights & conventionals 24 multi-function faders 49 playbacks – with submaster & full cuestack functionality 48 groups 19inch rackmountable - six units highAVAILABLE TO HIREAllen & Heath Announces Third Instalment in 96khz Mixer Trilogy: AvantisAllen & Heath has revealed its new 96kHz digital mixer, Avantis, the third to be based on the company’s XCVI FPGA engine. Avantis puts Allen & Heath’s next-generation technology in a 64 channel / 42 configurable bus console, with twin Full HD touchscreens, extensive I/O options and processing from the company’s flagship dLive mixing system.More on page 8PROLIGHTS for Harrogate 1571 International Festivalpage: 27MILOS Performs Steel Truss Magic at UNTOLDcontents this monthNovember 2019page no.FeaturesTECHNICAL STANDARDS FOR PLACES OF ENTERTAINMENTRevised in February 2017 Available now from www.etbooks.co.ukpage : 8page : 10page : 13page : 1014 MILOS Performs Steel Truss Magic at UNTOLD UNTOLD’s vision for the 2019 festival followed the worldwide trend of creating a larger and more impressive performance area than in the past, and testing the loading limits of support structures.15 EM Acoustic equips new arts venue in Milton Keynes The Sky Room is fully equipped with an EM Acoustics sound system based on the ubiquitous EMS Series and the dedicated installation i-Series range supplied by event production specialists, Hawthorn. 16 Highlite International Experience Day 2019 The latest event was held at the company’s Kirkrade HQ in the Netherlands on Monday 30th September18 Absen Steals the Show at Fête des Vignerons with the World’s Largest LED Floor An event like no other, the Fête des Vignerons is held once every 20 years at a temporary stadium on the edge of Lake Geneva. This year’s event received a technological boost in the form of a gargantuan LED floor from Absen subsidiary VISS Display, provided by rental house, Alabama.20 KV2 Audio pops up in The Den with Royal Exchange Theatre, Manchester Pro audio specialists, Autograph Sales & Installations, provided key elements of the sound reinforcement equipment for the new space including seven EX10 compact, full range active loudspeaker systems from KV2 Audio and an Allen & Heath Qu-16 rack- mountable digital mixer.21 MLA Gets it Right on Sundown Festival Debut Crowds at he eighth Sundown Festival were treated to the award-winning optimisation technology of Martin Audio’s Multicellular Loudspeaker Array.22 PROLIGHTS Panorama Airbeams are a Beacon of Light for Harrogate 1571 International Festival Event PROLIGHTS Panorama IP Airbeam moving beams recently lit up North Yorkshire’s skyline with stunning big air looks for ‘Harrogate 1571’, part of ‘Harrogate Welcomes the World’ celebrations supporting the UCI Road World Cycling Championships and acknowledging the spa town’s heritage.23 Painting with Light Celebrates 20 Belgian visual design studio Painting with Light (PWL) has celebrated 20 years of utilising multiple media and luminescent sources.24 L-Acoustics Kara and A Series headline at Magazine London Magazine London is a new, purpose-built space that fills a gaping hole in the capital’s current offering of large event venues. New resources include L-Acoustics A Series and K Series PA systems, specified by consultant technical director Simon Jones, and supplied by HD Pro Audio.26 Triple E provides Modtruss support for Italia Conti production When Triple E was approached to supply ModTruss for one of the school’s recent productions it was an opportunity to support the young performers in more ways than one! Despite the short lead time of one month, Triple E worked with the school’s production team to provide a bespoke platform, stairs and handrails which formed a centrepiece of the stage set for the production of ‘Life’s Just a Bowl of Conti’s’ for a one week run.27 Artiste Monet and 4Wall at Historic Blackpool Illuminations 4Wall Entertainment contributed to this year’s event by transforming the city’s Theatre D’Amour into an experimental art installation that incorporated effects from Elation Artiste Monet LED moving head luminaires. from the editordirect from: www.etnow.comEntertainment Technology is published 12 times a year in conjunction with the leading industry portal www.etnow.comEditor: John OffordTechnical Editor: Jackie StainesPublished by: Entertainment Technology Press LtdThe Studio, High Green Great ShelfordCambridge CB22 5EGTelephone: +44 (0)1223 550805Fax: +44 (0)1223 550806Website: www.etnow.comemail: editor@etnow.com© Entertainment Technology Press Ltd.Subscription Rates:Annual Subscription for 12 issues (UK): £27.50Annual Subscription (overseas): £50.00Subject to acceptance, subscription is free to UK based industry professionals.Subscribe online at: www.etnow.com/etmag/Opinions expressed in Entertainment Technology are not necessarily those of the publishers. All rights are reserved and reproduction of any part in whatever form is prohibited without the prior permission of the publishers.etnow.com (entertainment technology news on web) is the industry portal site with news from around the world added daily under various sector headings coupled to an extensive archive. The site also features a books section where titles from Entertainment Technology Press can be ordered online via our secure Sage Pay credit card services.Issue: 321Theatres Trust launches Theatre Photograph of the Year CompetitionTheatres Trust, the national advisory public body for theatre, has launched a new photography competition to celebrate the UK’s glorious theatre buildings and the magic that happens inside them. It has the support of its ambassadors Matthew Bourne, Miranda Hart and Jude Law.Miranda Hart says: “Theatre continues to transform me into a childlike state of awe and wonder and I am never freer and happier watching it or making it. So to have the Theatres Trust Photograph of the Year competition as a way to find great talent to capture, curate and celebrate the majesty that is theatre is a wonderful thing. It will be hard not to want to pick them all!”Open to amateur and professional photographers alike, entries are invited across three categories: Beautiful Buildings – photographs highlighting the wonderful architecture of theatre buildings, old or modern, small or grand. This could be the exterior of a building, an inside space or a particular design detail; Connecting Communities – photographs celebrating how theatres are central to their communities. This could be a theatre shown as part of its local area or how the theatre brings people together; Entertaining Evenings – photographs capturing the joy of going to the theatre. This could be the excitement of a performance or a lively bar / café before a show. Matinee photos are welcome too!From the category winners, one image will be chosen as the overall Theatre Photograph of the Year. There is also a special category for younger budding photographers – the Young Theatre Photographer of the Year prize is open to anyone aged 16 or under. Entrants are also being asked to provide the story behind their photographs, whether that is their special connection with the theatre depicted or what the image says to them.As well as the glory of winning the competition, there are also prizes, thanks to the generosity of Theatre Tokens. Each category winner and the Young Theatre Photographer of the Year will win £250 worth of Theatre Tokens, which can be spent in more than 250 theatres across the country. The overall winner will receive an additional £250 of Theatre Tokens.The competition is open for online entries now with a deadline of 30 March 2020 for submissions. The competition is sponsored by Aecom and Theatre Tokens. The initiative has the backing of the UK’s major theatre operators including Ambassadors Theatre Group, Delfont Mackintosh Theatres, HQ Theatres and LW Theatres who will promote it to their audiences. Other theatres are encouraged to get in touch with the Theatres Trust if they want to support the competition too.November 2019news4Three ESTA standards reaffirmed and publishedOn 9 September, ANSI’s Board of Standards Review approved the reaffirmations of three ESTA standards. The new editions are now published and available at no cost from the tsp.esta.org website or for purchase from ANSI and IHS. The three standards are:ANSI E1.27-2 – 2009 (R2019), Recommended Practice for Permanently Installed Control Cables for Use with ANSI E1.11 (DMX512-A) and USITT DMX512/1990 Products, is a standard, as the title says, for permanently installed control cabling, not for portable cables. Portable cables are covered by ANSI E1.27-1.ANSI E1.30-10 – 2009 (R2019), EPI 32 Identification of Draft Device Description Language Modules, is a recommended way of identifying a Device Description Language Module for ACN as a trial version, one under development, not for release yet. ANSI E1.30-10 is part of an open series of E1.30 documents that suggests ways of doing common tasks with ANSI E1.17, Architecture for Control Networks.ANSI E1.30-3 – 2009 (R2019), EPI 25 Time Reference in ACN Systems Using SNTP and NTP, is another recipe in the E1.30 cookbook for ACN, Architecture for Control Networks. It offers ways of providing a time reference so that events can be synchronized.The standards have a retail price of $40 each, which is the price from the ANSI or IHS on-line standards stores, but they are available at no cost from tsp.esta.org/freestandards because of the sponsorship of ProSight Specialty Insurance.Triple E rolls out banners for Sherborne Girls SchoolThe start of the new academic year at Sherborne Girls School in Dorset has seen a welcome addition to the impressive school campus. The Merritt Centre, a new arts centre, is now fully operational and students will be able to take full advantage of the facilities including the Gransden Hall, a new-build recital hall which has been fitted out with twelve custom designed Triple E VariRoller variable acoustic banners.Triple E responded to architect Burrell Foley Fischer’s request to provide a full project service for the install which included the design, manufacture, construction, testing with bespoke laminated fabric and installation planning.“The brief was to produce effective acoustic baffling to ensure the hall was tuned for a variety of performance types as required by Sherborne Girls’ extensive music programme,” explained David Edelstein of Triple E. “We also had to ensure that the design and finish of the banner assemblies reflected the aesthetics of Burrell Foley Fischer’s design for the brand new recital hall. Our VariRoller system formed the basis of the design. To meet this requirement we manufactured bespoke veneered boxes to house the VariRollers, which were profiled to fit neatly into the angled roof space.”Mark Foley, Burrell Foley Fischer explained: “Triple E provided a cost effective and good quality solution for us in the new Merrit Centre, where the live acoustic of this voluminous recital hall needed to be attenuated to levels that were acceptable for speech and recorded sound. They were knowledgeable and approachable and had to slot in with a programme that required precise dimensions and finishes to match those used elsewhere in the hall. The quality of finish, installation and product have lived up to our high expectations and has contributed to the overall success of the project.”For the installation of the VariRollers, Triple E contracted the installation company Hiykon Group. Their operations director Stephen Brown is an installer with over 18 years’ experience of production venue installations, who said: “This was our first time installing VariRollers, although we have installed similar banners with Triple E. The VariRoller offers a neat and effective solution for spaces such as the Merrit Centre as they offer user-friendly operation for bringing the banners in or out to suit the requirements of the venue at any particular time. VariRollers are the ideal solution where at times windows or displays need to be accommodated; but when the space needs to benefit from the acoustic properties of the roller material and you can transform the venue with a quick and efficient push of a button.”The results have been well received by the school and the music department staff is delighted with the difference the VariRollers have made to the sound when performing. They are amazingly effective and they are ideal for the flexibility in sound depending on the instruments performing. They also allow flexibility with regards to the level of resonance and clarity of sound varying with each instrument and size of the audience,” comments a senior member of the teaching staff.www.triplee.ltd4Issue: 321news5Altman Lighting announces SIREN Series LED FollowspotsContinuing to build upon its line of next generation LED luminaires, Altman Lighting has announced the new SIREN Series AFS-500 and AFS-700 followspots. Designed to be a powerful yet economical solution for any theatrical design, the new SIREN Series followspots provide the full functionality of a traditional followspot but are packed with powerful new feature sets and operator enhancements.“Understanding the need for high-performance LED luminaires in today’s theatrical environments, we are very excited about the introduction of our new AFS-500 and AFS-700 LED followspots,” said Nicolas Champion, Altman Lighting vice president of sales and marketing. “Along with the recently released AP-150 LED Par luminaire, our SIREN Series of cost-effective theatrical solutions were engineered to meet and exceed the expectations of lighting professionals worldwide.”The most compact of the SIREN Series LED followspots, the AFS-500 is a lightweight, 490 Watt, colour-changing followspot with a rich feature set. Using the on-board controller, the luminaire’s dimming, colour wheel, iris and CTO features can all be controlled manually or via DMX. Combined with an available colour boomerang and a manual zoom range from 7-13 degrees, the AFS-500 produces over 10,000 lumens of output for industry-leading power and flexibility in an affordable lighting solution.Delivering almost 14,000 lumens with range up to 200 feet, the AFS-700 is the maintenance-free workhorse followspot the industry needs. With a precision zoom system that delivers a 7-13 degree motorised or manual beam spread, the luminaire’s 18-facet iris, dimming, CTO, and colour wheel can all be controlled via DMX, or on an adjustable control pad that adapts for right or left-handed operators. Additionally, with its quiet 37dBa maximum cooling system, the AFS-700 can be placed anywhere in your acoustically sensitive lighting environment.“Both the AFS-500 and AFS-700 LED followspots were designed in the traditions of quality and affordability which are known to be a foundation of Altman Lighting,” added Pete Borchetta, Altman Lighting product innovation. “While introducing several key, new features, these performance-driven and energy-efficient luminaires are packed with powerful capabilities that will accentuate any theatrical or live event lighting design.”The compact and extruded aluminium design of the SIREN Series followspots allows for discrete luminaire placement, and each comes complete with a front-end accessory holder for traditional after-market accessories.November 2019news6Shure UK Completes Pro Audio Team with Regional ManagerShure UK has announced a new hire which completes the UK Pro Audio Group team, welcoming Peppe Mallozzi as regional manager. Peppe is a well-known and trusted face in the pro audio industry, with a background in live sound and theatre which will support and expand the Pro business in the south of the UK. Peppe will be responsible for continuing to work with existing customers, develop new customer relationships and alongside the rest of the team, build brand awareness in the concert touring, theatre and broadcast markets.Peppe joins the team after eight years at Autograph as sales engineer, where he was responsible for large-scale wireless projects across the UK and wider entertainment industry. He comments: “I am very excited about my new venture at Shure UK, a company of which I have worked with for many years. I look forward to working with customers in London and the South and developing new relationships in an industry I am proud to be a part of.”Peppe reports to Stuart Moots, associate director, pro audio at Shure UK who adds: “Peppe’s knowledge and experience make him an ideal fit for this role. As a trusted face within our industry, he is able to hit the ground running. With the right team in place, we are now ideally positioned to continue our growing success in theatre and broadcast, while also leading the way in touring and live events. The future looks bright for Shure UK Pro Audio.”Purchase Agreement Sealed for Bristol-Based SLXSpecialist hire and events business, SLX, has been sold by the Stage Electrics Group in a transaction led by the existing chief executive of the hire and events business, Alastair Currie (pictured).SLX has a heritage dating back more than 40 years and serves the live events, hire abd broadcast markets throughout the UK. All staff will transfer as part of the transaction which completed on Friday 11th October 2019.Alastair Currie says: “Two years ago I joined SLX and at the time had no idea what an amazing business I would find. SLX is brimming with some of the most knowledgeable, talented, passionate and dedicated individuals I’ve ever come across. From delivering on incredible West End productions and national tours to utterly unique corporate events as well as being in house providers at nationally recognised top tier venues, I couldn’t be prouder of the work we do. There is still an incredible untapped opportunity and I’m confident our plans for significant investment in the latest lighting products and further investment in our technical team will enable SLX to quickly become recognised as the leading player in the hire and live events sector.Maria Townsend, CEO of Stage Electrics Group, commented: “We believe that this decision is extremely positive for Stage Electrics; it will enable us to target our management time and focus our resources more effectively. As a market leader in installation, sales and venue services both in the UK and overseas, we felt the timing was right to concentrate purely on our core businesses.”he only you needNovember 2019news8Painting with Light Introduces RealitesPainting with Light has developed ‘Realites’, an ingenious real-time virtual lighting design tool for balancing and fine-tuning the lighting of people and 3D objects in relation to digital scenery that is appearing on LED video screens in the background or foreground of the same scene.It enables the lighting designer or programmer to light both the video content, which will already have a pre-determined ambience, and the actors or set around it, using the show lighting console, and without the video content needing to be re-rendered. This is a hugely flexible solution for video-orientated shows, creating highly realistic effects as the blend between 2D and 3D elements onstage becomes imperceptible. Additionally, lighting on both the actors and digital backgrounds can be perfectly matched or contrasted to achieve the exact desired effect, bringing a perfect visual harmony to each scene.The big advantages are the real-time workflow and rendering; an extremely fast production process offering ultimate flexibility for video and scenic content right up until the show or event goes ‘live’ and the expansion of creative possibilities in a show environment.Realites is also very budget-friendly! PWL initially developed the technique for Studio 100’s “40-45” spectacle which launched in 2018. The production is still thrilling audiences at the Pop-Up theatre in Puurs, Belgium.The ‘virtual lights’ are additional lights to those on the actual physical lighting rig in the theatre or performance space. They are built into a 3D model which is loaded in the video server being used on the show and can be called up and accessed via the lighting desk. Virtual ‘real lights’ can be assigned and selected, then all the standard parameters: position, pan, tilt, intensity, focus, iris, beam shaping, etc, accessed and applied for the screen content. They can then be recorded into the same cue which is controlling the real lighting of the set, scenery or people in the scene.It functions similar to lighting a 3D model in drawing and visualisation software. Being able to treat the screens in this way is a very efficient way to work during programming, technical and rehearsal periods. The adaptability means that should video content change for various reasons, re-lighting it is faster and more straightforward.Realites is proprietary to PWL and will be used on all relevant future digital scenery projects to bring finesse, detail and another aspect of this leading design studio’s unique approach to ‘painting with light’.To experience Realites, check Painting with Light’s YouTube channel to get a glimpse of the technology!Allen & Heath Announces Third Instalment in 96khz Mixer Trilogy: AvantisAllen & Heath has revealed its new 96kHz digital mixer, Avantis, the third to be based on the company’s XCVI FPGA engine. Avantis puts Allen & Heath’s next-generation technology in a 64 channel / 42 configurable bus console, with twin Full HD touchscreens, extensive I/O options and processing from the company’s flagship dLive mixing system.“Joining dLive and SQ, Avantis completes our trilogy of next-gen 96kHz consoles,” says Rob Clark, Allen & Heath’s managing director. “Avantis takes many of the features that have made SQ and dLive so popular, putting them in a stand-alone 64-channel mixer that offers a new UI experience, connectivity with our Everything I/O ecosystem, and the dPack option which gives you access to our advanced dLive processing options if and when you need them.“On top of that,” adds Rob, “we’ve taken a new approach with the industrial design, coming up with a full metal chassis that’s super-strong, lightweight and looks fantastic.”Encased in its alloy shell and tubular frame, the Avantis control surface is centred on the two full HD touchscreens and their corresponding rotary controls.“Having two touchscreens isn’t a new concept, but we realised we could use it to unlock exciting new possibilities, which led us to develop Continuity UI,” says Andy Bell, Allen & Heath’s R&D director.“Within seconds of getting hands-on with Avantis, engineers are going to appreciate the seamless flow between the physical controls and the on-screen software. You can work gains and pans on the rotaries, then at the touch of a soft key switch to EQ or dynamics across the whole strip. The console also provides a highly configurable FastGrab tab on the right-hand side of each screen, offering another way to quickly and easily access control of aux sends, EQ, compressor and FX on the currently selected channel or spot channel. “Ultimately, with Continuity UI, the engineer decides how they’d like to work, not the mixer.”While many users will choose to pair Avantis with the 48 in / 16 out GX4816 audio expander, Avantis is part of Allen & Heath’s Everything I/O ecosystem, which means whether an owner/operator looking to build a compact system or a rental company with existing Allen & Heath stock, Avantis allows true flexibility by connecting to a huge range of audio expander hardware. Avantis is also compatible with Allen & Heath’s range of ME Personal Mixers and IP hardware remote controllers.For local I/O, Avantis is well equipped with 12 XLR analogue inputs, 12 XLR analogue outputs, plus AES (stereo in, two stereo out). Two additional I/O ports allow Avantis to benefit from the full range of current dLive option cards, including Dante (64 x 64 and 128 x 128), Waves, gigaACE, MADI and more, expanding the scope for system integration, FoH / monitor splits and multi-track recording.Right out of the box, Avantis is loaded with processing tools designed to meet the demands of most users and applications, including compressors, EQs and Allen & Heath’s acclaimed RackExtra FX units (12 slots). Upgrading to dPack expands Avantis further with additional dLive processing including the Dyn8 dynamics engine (up to 16 instances), DEEP Compressors, and the Dual-Stage Valve preamp. dPack purchasers will automatically receive all future DEEP and FX updates free of charge, future-proofing their investment.“In the gap between SQ and dLive, the mixer market is littered with 48kHz DSP-based ‘old-school’ consoles,” says Nic Beretta, Allen & Heath’s head of product. “Avantis brings next-generation performance across the board. Customers in venues, houses of worship, touring and the rental market are going to be seriously impressed by how well this ticks the boxes. It’s a really exciting mixer at a compelling price.”KV2 Audio partners with RADA to offer training opportunities for sound studentsKV2 Audio has announced a partnership with RADA (Royal Academy of Dramatic Art) to support the training of young students in theatre sound production. KV2 has provided a range of EX Series loudspeakers to equip RADA’s Jerwood Vanbrugh and Gielgud theatres, and will also offer masterclasses on sound design and the use of point source technology in a theatre environment.RADA’s head of sound, Steve Mayo, is delighted that KV2 has chosen to become a RADA in-kind partner. “These partnerships are the life-blood of hands-on training for our students,” he declares. “I am very eager for our sound students to have the opportunity, not only to work with high quality, modern equipment, but also to meet the people behind it. “The support we’ve had from KV2 has been invaluable in paving the way for this partnership, from our initial conversations at ABTT in June through to them organising for all our students to have a proper demo of the full KV2 range at PLASA last month.”7news9Issue: 321AES Technik appointed reseller for Artistic Licence in GermanyFollowing a hugely successful PLASA London show, Artistic Licence welcomes Frankfurt-based AES Technik as a value added reseller for its products in Germany.As technical services provider and project integrator working with many leading brands, AES is known for its high level solutions across a broad sector including conferences, trade fairs, award presentations and concerts.Artistic Licence CEO Wayne Howell comments: “As a UK based manufacturer facing Brexit uncertainties, it’s very important for us to maintain a strong international profile and ensure a business-as-usual approach. We have some incredible new products, our trailing edge mains dimmer, sunDial, won the Gold Innovation Award at the PLASA show and I think many people will be surprised at just how keen our pricing is these days. Growing our European distributor base is an obvious move, and we are excited to be increasing our visibility in Germany through this new initiative with AES Technik.”www.artisticlicence.comIntroducing Image Spot MiniRosco has announced the release of the Image Spot Mini LED projector. This ultra-compact and lightweight version of the popular Image Spot fixture features many of the same qualities, including powerful output and crisp imaging.“The Image Spot Mini was a natural progression for the product range,” reported Sky Bembury, Rosco’s product manager for architecture and entertainment lighting. “Twenty-first century lighting designers, in both live entertainment and architecture, are more determined than ever to preserve the mystery of their lighting, focusing more on the effect than the luminaire producing it. We decided to create one of the smallest, most unobtrusive, image projectors in the market to properly address this desire. Not only does it keep to the high quality and superior lumen output of our standard Image Spot, our main goal was for it to virtually disappear in a space.”Unlike other small gobo projectors, Rosco Image Spot Mini does not compromise on output and image quality. Measuring a mere 4.7in x 3.4in x 1.9in (119mm x 84.2mm x 48mm), it can generate up to 1,050 lumens of light output to provide vivid and clear image projections.The fixture accepts virtually any Rosco gobo that has been sized to fit the Image Spot Mini, including standard designs from the Rosco gobo catalogue or custom gobos for bespoke installations. The fixture also features highly efficient optics to provide sharp gobo projections up to 26 feet (8m) away. Whether you need to project textured patterns, images or text, the fixture’s uniform beam of light ensures crisp, bright images from edge to edge. There are three Image Spot Mini Lens Optics available: 11º, 17º and 25º, for precise control of the fixture’s beam.Discreet and easily concealed, Image Spot Mini can enhance any venue with vibrant imagery, including retail environments, museums, theme parks, and hospitality venues such as restaurants and hotels. The Image Spot Mini fixture is available in two models: 3000K warm white and 5500K cool white, making it ideal for a wide range of applications. Weighing only 2.2lbs. (1kg), the Image Spot Mini can be installed virtually anywhere and a track mountable version of the fixture can be specified for quick and easy installation. Rosco also offers the Image Spot Mini UV for black light gobo projection, which is useful for themed attractions and dark ride installations.The Image Spot Mini is housed in a robust, IP65-rated enclosure, enabling it to perform perfectly indoors and outdoors. The fixture features on-board controls, as well as DMX and 0-10 VDC dimming control options to provide flicker-free dimming from 0% – 100%.“In architecture, the fixtures should be minimal so as not to interfere with the design,” remarked Amé Strong, vice president – Rosco Architectural. “The Image Spot Mini is extraordinarily bright for its size, satisfying the architectural lighting designers’ demand for small fixtures with big impact.”Next >