direct from: www.etnow.com Regulars Contents this month News and Features Web Directory Features Issue: 375 Britannia Row Designs Live Audio for 2024 BRIT Awards page 18 May 2024 page: 14page: 20 page: 31 Rhapsodya by Claypaky Low-noise multi-spectral RGBAL LED fixture Claypaky Rhapsodya emerges as a groundbreaking, low-noise multi-spectral RGBAL LED fixture meticulously designed for various applications such as touring, live events, theatre and TV production, and managed by a specially crafted, internally developed firmware algorithm. It is an evolution of Sinfonya, particularly regarding the focus on quality of optics and colour management and the whisper- quiet operation even at full output. Rhapsodya has a stunning new product design that is sleek and modern, with a double power output (24,000 lm) compared to Sinfonya. More on page 4 page: 22 The production and lighting design for Slovenska Muska was created by Crt Birsa who used 355 Robe lighting fixtures among the 500+ on the rig. Rockhal Club in Luxembourg is amongst the latest to have taken stock of Ayrton Mistral S and Levante S fixtures supplied by Belgian distributor, FACE. The new F1 Arcade has become the latest venue to benefit from a high-quality AV solution incorporating a multi-zone audio system from KV2. Ayrton for Luxembourg’s Rockhal Club Robe has a Laugh with Lado Bizovicar The New F1 Arcade Revs Up with KV2 page: 4 to 30 page: 2contents this month May 2024 page no. Features page : 4 page : 5 page : 8 page : 8 TECHNICAL STANDARDS FOR PLACES OF ENTERTAINMENT Revised in July 2020 Available now from www.etbooks.co.uk 24Parisian Théâtre de la Renaissance Chooses ETC’s Halcyon The renowned Théâtre de la Renaissance is the latest venue in France to choose ETC gear to upgrade its lighting. ETC dealer So What & Co supplied High End Systems Halcyon Titanium fixtures for the Parisian theatre. 25Martin Audio CDDs and ADORN Help Boost the Sandbox VR Experience For sound reinforcement, Sandbox VR opted for Martin Audio’s popular CDD coaxial differential dispersion series, as they often have in the past. 26Dyn Media and NEP Germany Pioneer Remote Production with DirectOut PRODIGY System Solution NEP Germany was contracted as the production service provider to develop a remote production infrastructure. At the core of the audio workflow is a comprehensive system solution from DirectOut Technologies. 28Joe Beardsmore Flows on Tom Odell Black Friday Tour with Chauvet and Colour Sound Experiment Busking his show on a ChamSys MagicQ 250M Stadium console, Joe Beardsmore of Phosphor, moved seamlessly in sync with the Brit Award- winning singer-songwriter and his seven-piece band, blending shadows and brightness, silhouettes and distinctive light angles to underscore the heartfelt narrative of this approximately 90-minute show. 30Young Voices and Britannia Row Create Opportunity for Children to be Heard Young Voices, the largest children’s choir concerts in the world, returned to UK arenas for a 30-date tour with audio design and delivery from Britannia Row Productions. 13Luna Simpson Becomes 29th Winner of Long-Standing Sennheiser LIPA Scholarship The 2024 winner of the Sennheiser Student Scholarship programme is Luna Simpson, a first-year student of the BA (Hons) Sound Technology course. 14Robe Has a Laugh with Lado Bizovicar at Slovenska Muska Event The production and lighting design for Slovenska Muska was created by Crt Birsa who utilised 355 Robe lighting fixtures in the 500+ luminaires on the rig. 16Broadweigh Takes to the Road with Madonna To handle the challenges of this tour, Art McConnell of A.M.G. Rigging brought Broadweigh on board to help monitor the loads. 18Britannia Row Designs Live Audio for 2024 BRIT Awards The multi-artist live music event, which sits within a televised awards show, requires the audio team to ensure the overall production comes together cohesively, a task Britannia Row is well versed in. 20Ayrton ‘Winds’ Rock Luxembourg’s Rockhal Club Rockhal Club in Luxembourg is amongst the latest to have taken stock of Ayrton Mistral S and Levante S fixtures which were supplied to the venue through Ayrton’s Belgian distributor, FACE. 21CUBE Studio Expands Virtual Production Horizons with Brompton LED processing CUBE Studio’s state-of-the-art full-service virtual production studio incorporates the latest VP tech including Brompton Technology LED processing. 22The New F1 Arcade in Birmingham Revs Up with KV2 The new F1 Arcade has become the latest venue to benefit from a high-quality AV solution incorporating a comprehensive multi-zone audio system from KV2. from the editor direct from: www.etnow.com Entertainment Technology is published 12 times a year in conjunction with the leading industry portal www.etnow.com Editor: Jackie Staines Production: Jackie Staines Published by: ET Press Ltd The Studio, High Green Great Shelford Cambridge CB22 5EG Telephone: +44 (0)1223 550805 Fax: +44 (0)1223 550806 Website: www.etnow.com email: editor@etnow.com © ET Press Ltd. Subscription Rates: Annual Subscription for 12 issues (UK): £27.50 Annual Subscription (overseas): £50.00 Subject to acceptance, subscription is free to UK based industry professionals. Subscribe online at: www.etnow.com/etmag/ Opinions expressed in Entertainment Technology are not necessarily those of the publishers. All rights are reserved and reproduction of any part in whatever form is prohibited without the prior permission of the publishers. etnow.com (entertainment technology news on web) is the industry portal site with news from around the world added daily under various sector headings coupled to an extensive archive. The site also features a books section where titles from ET Press can be ordered online via our secure Sage Pay credit card services. Issue: 375 The Association for Lighting Production and Design (ALPD) announces its Awards for Excellence for 2024 The ALPD will again be awarding in three categories: Lighting Design, Production Electrics and Programming, with each of the fantastic prize bundles being tailored to the specific needs of that speciality. The Lighting Design Award is by application, the candidates for the Fred Foster Production Electrician Award and the Anne Valentino Award for Excellence in Programming are by nomination. The ALPD encourages lighting professionals who work alongside a production electrician or programmer whom they consider to be exceptional and worthy of recognition, to nominate them. There are full details on the ALPD website (thealpd.org.uk) and its quick and easy to do: www.thealpd.org.uk/training/alpd-awards-2024 The Michael Northen Award is sponsored by the Go Live Theatre Projects (previously the Mousetrap Foundation) Vectorworks and ETC. The winner of this award will receive a £500 voucher prize, a 512 ETC nomad package, a Vectorworks licence for 12 months and an introduction to an industry professional to set up some mentoring. The winner will also receive a copy of Michael’s book, “Northen Lights”. Applications are welcome from current students (not just those on vocational theatre courses), Affiliate members of the ALPD and recent graduates (who graduated no earlier than 2021) even if they are not currently a member, who have demonstrated strong, imaginative and creative lighting designs, detailed production documents or thorough programming files. The Fred Foster Production Electrician Award is sponsored by ETC and dedicated to the late ETC CEO, Fred Foster. The winner of this award will receive an engraved trophy sponsored by ETC. In a change to previous years, this award is open to nominations rather than applications. Nominees will be pursuing full-employment in a production electrics career; they will have predominantly worked in the presentation of live performance in places of entertainment, i.e. on theatre, dance or opera productions in theatres and opera houses or on theatrical experiences in non-conventional spaces, either in-house or as a freelancer. They will have achieved a mastery of their chosen discipline. They will have consistently delivered at a level of excellence throughout their career. They will have sought to promote best practice and technical excellence while delivering world class performance. They will be a great collaborator. They will be worthy of recognition. The Anne Valentino Award for Excellence in Programming is sponsored by ETC and dedicated to Anne Valentino, who has been a key contributor to console development and design for both Strand and ETC. The winner of this award will receive an engraved trophy sponsored by ETC. The criteria for nomination are as follows. They will have been pursuing full employment as a programmer, they will have predominantly worked in the presentation of live performance in places of entertainment, i.e. on theatre, dance or opera productions in theatres and opera houses or on theatrical experiences in non- conventional spaces either in-house or as a freelancer. They will have achieved a mastery of their chosen discipline. They will have consistently delivered at a level of excellence throughout their career. They will have sought to promote best practice and technical excellence while delivering world class performance. They will be a great collaborator. They will be worthy of recognition. The Awards will be presented at the RCSSD/ALPD New Technology Showcase in January 2025. Further Information, terms and conditions and details of how to apply are available on the ALPD website at: www.thealpd.org.uk/training/ alpd-awards-2024 All submissions must be received by midnight on the closing date: Thursday 31st October.May 2024 news 4 Encore Adds Stefica Divkovic to Global Leadership Team Encore, a leading global event technology and production services company, has named Stefica Divkovic the managing director for Europe, the Middle East and Africa (EMEA). In her new role, Divkovic will develop and execute Encore’s strategic plan for the EMEA region. Divkovic has extensive experience driving business growth, managing operations and transforming corporate cultures in highly competitive environments. Additionally, she has a strong focus on delivering excellent customer experiences. She previously served as the senior vice president of the EMEA region at Everbridge Inc., focusing on scaling customer and partner relationships across the region. Prior to that, she led Verizon’s DACH and EMEA businesses and held senior leadership positions at other large global organisations, such as T-Systems. “Stefica exhibits the best leadership characteristics for the managing director role in EMEA,” said Dustin Worley, SVP of International at Encore. “Her experience across multiple industries positions her to lead a complex organisation across multiple cultures and languages. Most importantly, she shares Encore’s core values and commitment to customer service excellence.” “I am excited to join the Encore family and lead the EMEA region,” commented Divkovic. “Encore has an impressive track record of delivering innovative event experiences for clients and venue partners across the globe. My commitment to always putting the customer first and delivering exceptional service is unwavering. Regardless of our customers’ location, our primary goal is to surpass their expectations with every interaction. This is an exciting opportunity for me to lead by example and motivate our team to achieve greatness together.” www.encoreglobal.com TMB and Main Light Team Up to Help One of our Own As Russia’s war of aggression against Ukraine continues, Zinteco Productions, a cornerstone in Ukraine’s entertainment production community for over 25 years, needs our help. The ongoing conflict has brought the Ukrainian entertainment industry, like all normal life, to a standstill and Zinteco’s operations have been severely impacted. TMB has collaborated with Main Light LLC to make some of Zinteco’s Solaris Flare Q+ fixtures available to cross-rent in the US market. One-hundred percent of the rental revenue generated will pass on to Zinteco, whose principals – good friends of TMB for many years – still live in Kyiv and whose time is now 100% devoted to supporting Ukrainian refugees and defense efforts. Events like the Red Hot Chili Peppers concert, supported by Zinteco in Kyiv prior to the war, serve as reminders of the vibrant entertainment scene that Ukraine possessed and highlights the importance of preserving and supporting it, especially during challenging times. Renting out Zinteco’s Solaris Flare Q+ lights not only provides practical support for Zinteco but also sends a powerful message of support for the Ukrainian people. It’s a testament to the resilience and solidarity of the global entertainment industry. www.tmb.com Rhapsodya by Claypaky Low-noise Multi-Spectral RGBAL LED Fixture Claypaky Rhapsodya emerges as a groundbreaking, low-noise multi-spectral RGBAL LED fixture meticulously designed for various applications such as touring, live events, theatre and TV production, and managed by a specially crafted, internally developed firmware algorithm. It is an evolution of Sinfonya, particularly regarding the focus on quality of optics and colour management and the whisper-quiet operation even at full output. Rhapsodya has a stunning new product design that is sleek and modern, with a double power output (24,000 lm) compared to Sinfonya. Rhapsodya’s cutting-edge technology introduces new features that promise to reshape your lighting experience, whether you’re on stage or in the studio: ACCUFRAME: Traditional fixtures utilised four focal planes, often leading to a loss of sharpness. Rhapsodya features a new approach with ACCUFRAME, utilising two focal planes to achieve a remarkable level of precision. Enjoy quicker, more accurate re-focusing while preserving the sharpness of lighting effects, making your work easier and performances more stunning. Say goodbye to time-consuming re-focusing and hello to streamlined performance. LINEAGUARD: This is a new frost system that features pairs of blades for superior uniformity and reduced unwanted reflections. This feature creates a more pleasing audience experience and guarantees a much smoother and softer entrance of the filters. ABSOLUTEPOSITION: Rhapsodya’s Absolute Position feature, for advanced pan and tilt control, remembers fixture positions in real time, allowing for precision re-positioning with no distracting movement during hard resets. This breakthrough enhances the precision of re- positioning and saves time since the time for refocusing before the show is always limited. TONEDOWN: It ensures an unprecedented level of quiet on stage, with noise levels as low as 27dB, allowing for a truly immersive experience. In intimate moments, you can even use the fixture without the fan, creating room for captivating new choreography. The days of disturbing background noise are behind us. ACCUTUNE: Rhapsodya incorporates AccuTune, Claypaky’s in-house firmware algorithm, ensuring precise control over the multicolour LED engine. This delivers vibrant, high CRI and high-TLCI light optimised for both stage and TV. The simplicity of operation saves valuable time ensuring the uncompromising quality. COLORMATCH: With the latest calibration feature, integrated with Claypaky’s CloudIO software, you can effortlessly match the light output and colour temperature of all your fixtures for a flawless performance. This guarantees consistent, perfectly tuned lighting, regardless of the age or brand of your fixtures. COLORSTRING: The independent control of the four LED stripes within the engine unlocks a new level of graphics and colour effects. This feature empowers you to create intricate and dynamic lighting displays. With Colorstring, your lighting design possibilities are limitless. Achieve stunning graphics and colour effects, making every performance an unforgettable masterpiece. CUTTING-EDGE OPTICAL SYSTEM: Claypaky proprietary optical system sets the stage for exceptional efficiency and precision. With a broad beam angle potential of six to 60 degrees, Rhapsodya adapts seamlessly to venues of all sizes without compromising on performance in both large and intimate spaces. COLOR WHEEL EXPANSION: Rhapsodya’s colour wheel builds upon the foundation of Sinfonya, offering additional red, green and blue options. This expansion adds three crucial points to the gamut that were unattainable with the engine’s native colours. With an extended colour palette, your creative horizons are limitless. FUNCTIONAL DESIGN: Rhapsodya boasts a sleek, ergonomic design that not only enhances aesthetics but also reduces internal noise reflections, further elevating your shows’ performance. Rhapsodya is more than just a fixture: explore its exceptional features and witness the future of lighting innovation. www.claypaky.comIssue: 375 news 5 New PA Vertical Tower 1 Introducing TAF’s new PA Vertical Tower 1 (PAV1)! It’s the right choice for safely and securely hanging heavy speaker arrays at large-scale events. And due to its versatile design, the PAV1 not only serves as an independent PA tower or part of a stage set-up, but also as stable support for LED walls. Utilising TAF’s specially designed top section and heavy-duty HT44 or TT44 truss segments with quicklock connection system, you are provided with certified loading up to 1,000kg at heights up to eight metres. Stability is ensured by its robust base, which accepts ballast up to 2,000kg and features strategically placed attachment points for guy wires or manual or electric hoists. Uneven ground is easily tamed by its four independent spindles forsafe and stable horizontal levelling. Outriggers are available for additional stability when required. •High strength and stable support of speaker arrays or LED screens •1,000kg max. loading •Eight metres maximum height •Choice between HT44 or TT44 truss segments with quicklock connection system for quick and easy set-up •Robust top section with hanging points •Up to 2,000 kg ballast on compact base with four independent spindles for convenient levelling •Attachment points on base for guy wires and manual or electric hoists Brompton Technology Welcomes Broadcast Specialist Sebastian Kanabar as new Technical Sales Consultant Brompton Technology, the world’s leading LED video processing manufacturer, has announced the appointment of Sebastian Kanabar as technical sales consultant, focusing on the broadcast and film industries. Based at the company’s headquarters in Chiswick, Kanabar brings over two decades of experience in senior technical, sales and product management roles at Prokit Europe, Holdan (part of the Midwich Group), NM Productions and Pixel Engine. With a passion for technology and creativity he has had the opportunity to work with many well-known companies including Panavision, Sky, NBC Universal and CNN, as well as leading lighting and camera manufacturers like ARRI. Most recently, he was technical director at a UK-based VFX company, handling projects for high end technology and automotive brands. “Working in a variety of roles has given me an understanding of the entire production cycle,” he explains. “I wanted to delve deeper into product management and business development, as that’s where my true passion is. When the opportunity arose with Brompton, a company I knew well from my previous work, I was thrilled to join them!” In his role as a technical sales consultant at Brompton, Kanabar is keen to leverage his existing contacts within the broadcast and film industry, as well as establishing new connections. “Brompton has unique selling points that no other LED processing manufacturer possesses,” he notes. “I will be supporting Adam [Callaway, global lead, virtual production and broadcast] and Patrick [Goodden, technical sales manager] on the business development front, as well as working with Brompton’s large-scale broadcast clients in future. “There are some incredible people working at the company, and everyone shares the same mentality in terms of dedication to Brompton’s customers and partners, as well as the forward-looking ethos.” As part of the company’s sales team, Kanabar will report to director of sales, Lotta Schiefer. “Sebastian’s valuable experience in the broadcast and film industries will help us expand further into these markets,” Schiefer concludes. “His technical mindset, coupled with a willingness to always go the extra mile for the customers makes him a great fit for the team.” Lynx Pro Audio Expands the CPS Series, its Range of Coaxial Point Source Systems Lynx Pro Audio has announced the expansion of the CPS series, a range of high ‐ power coaxial ‐ powered point source systems designed especially for medium ‐ sized events and fixed installations. This year, in the latest edition of the ISE expo, the brand has presented the expansion of the series with two new full ‐ range point source enclosures: the CPS ‐ 210 and the CPS ‐ 14, both of them with active and passive versions. The series is completed with two ultra ‐ compact passive enclosures. The brand introduced the CPS ‐ 214 enclosure last year, which remains the most impressive system thanks to its powerful punch, along with the subwoofer of the series. Recently added to the catalogue, both the CPS-210 and the CPS ‐ 14 have the peculiarity that they allow you to choose between two coverages: 90° x 60° or 60° x 40°. Both are designed for medium ‐ sized events and large fixed installations, feature integrated 64 bit/96KHz DSP with FIR linear phase filtering. The CPS ‐ 210 enclosure is an extremely powerful and compact 3000W tri ‐ amplified three ‐ way system. It features two 10” neodymium speakers and an exclusive 1.4” coaxial compression driver. The CPS ‐ 14 enclosure is also a 3000W tri-amplified three ‐ way system but features a single 14” neodymium speaker and a unique 1.4” dual-diaphragm coaxial driver. According to Jesús Fuentes, Lynx Pro Audio product manager: “The idea is that the CPS series becomes a large family of coaxial point source enclosures with different powers to cover a wide variety of set-ups and needs.” The series is completed with two ultra-compact passive enclosures, the CPS ‐ 5 and CPS ‐ 4. These small enclosures are easy to set up and transport, designed to deliver clear, balanced sound in short throw applications and are suitable for indoor installations and as background sound reinforcement. The CPS ‐ 5 has a 5” coaxial speaker and a 70° conical dispersion, while the CPS ‐ 4 has a 4” coaxial speaker and a 90° conical dispersion with no secondary lobes throughout the frequency range. All CPS Series active enclosures use Lynx Pro Audio’s integrated DSP, a design by the company’s engineering team, offering the latest advances in digital processing, such as FIR filters, which offer superior frequency response and linear phase. The latest 32 bit/96KHZ AD/DA converters make the system one of the most advanced and innovative point sources on the market, resulting in sound quality completely unaltered from its original purity. To handle the basic adjustment options of the internal DSP, the cabinet has a rear panel with a 2.8” IPS screen that serves as a user interface. It has a convenient joystick control that allows the user to control, select and adjust different parameters such as gain, delay, input EQ and cabinet presets. The two enclosures have two Ethernet ports that allow them to be controlled through the OCS platform to facilitate monitoring and processing which, together with the Rainbow 3D electroacoustic prediction software, offers a complete design tool.May 2024 news 6 Highlite UK Relocates and Appoints New Sales Director Highlite International has announced an exciting operational restructure and relocation of its customer support and services within the UK. Highlite’s UK operations have recently relocated to new facilities in Colchester. The move sees the expansion of the regional offices, service department and UK stockholding, as well as the welcoming of a newly appointed sales director, David Drane and an increase in support resources and technician team members. The new facilities and operational changes provide Highlite with a long-term strategic move for accelerated growth and enhanced value for its customers. Allowing for a larger UK stockholding of new and popular product lines from Highlite’s long-established core brands: Showtec, Infinity, DMT, DAP, Artecta, Showgear and Wentex. The partnership will also house a purpose-built repair and service centre. Heading up the operation is David Drane, who has over 23 years of experience in the professional sound, lighting and AV industry and is no stranger to Highlite and its reputable brands. Between 2006 and 2017, David was a regional sales agent for Highlite in the UK and has remained in the rental and installation sector ever since. Commenting on his recent move and appointment, David said: “I am thrilled to be back supporting Highlite and look forward to a natural progression of new challenges and responsibilities. A large part of my day-to-day role will be supporting the account agents and customers with the things they expect, with advice, quotations, sales and importantly, after sales support. The relocation will allow us to build on the available resources and increase the UK stock for a demanding market. “Over the next few months of integration, I look forward to reconnecting with industry colleagues and customers, old and new. In 2024, Highlite International celebrates the impressive milestone of 30 years in business, including over 20 years trading in the UK and Ireland. Joe Marter becomes General Manager at Version 2 TV, broadcast and event lighting rental specialists, Version 2 Lights, has announced the promotion of Joe Marter to general manager. Marter joined V2 four years ago as a project manager and has since worked on a number of high-profile productions, most notably the Platinum Jubilee of Queen Elizabeth II. Interestingly, it was also ten years ago that Joe joined Aurora as a technician. The progression is a testament to Joe’s hard work, dedication, broad skill set and attention to detail which has seen him come through the ranks. Joe’s new role at V2 will see him assume full day-to-day internal responsibilities at the company’s Childs Court Farm Campus. Joe will continue to project manage a small number of long-term clients, with Simon Perrott taking on a senior role within the rental team. Litepanels Launch the Astra for All Weathers Litepanels, a Videndum brand, has announced the launch of the new Astra IP bi-colour LED panel range, marking a significant advancement in durability and weatherproofing features for the renowned Astra line of products. Building on the success of Astra with over 80,000 fixtures in the industry, the Astra IP range is an environment-resilient evolution of Litepanels’ acclaimed fixture. With its robust construction, the Astra IP range is built to withstand even the toughest outdoor conditions. Available in three different sizes for the perfect fit, from on-street reporting to studio settings. “This latest evolution of the industry-favourite Astra range shows our commitment to producing fixtures to match our customers’ needs, focusing on fast and practical features,” said Litepanels head of product management, Michael Herbert. “We understand the challenges professionals face in demanding environments, so we engineered the Astra IP range to meet those challenges head-on, providing quality lighting solutions for the toughest assignments.” Astra IP delivers powerful output to light even the brightest location. Equipped with ultra-efficient LEDs and a tighter beam angle, Astra IP provides flattering and accurate white light from 2,700K to 6,500K at any intensity level, with or without diffusion. An LCD screen provides instant confirmation for users to colour match multiple fixtures with confidence. Built to withstand the rigours of outdoor shoots and adverse weather conditions, Astra IP is IP65-rated for protection against dust and water ingress. The weatherproof design ensures reliable performance in rain, snow, or high humidity environments. With an integrated power supply and optional Gold Mount, V-Mount and BP-U battery plates, Astra IP is a fast to set up, dependable lighting solution in any location. The new Astra IP range includes the following models: Astra IP Half: Compact and lightweight at just 6.2lb/2.8kg, the Astra IP Half offers a powerful lighting solution for small spaces and low ceilings, delivering weatherproof performance with an impressive 1500 lux output at 10ft/3m. Astra IP 1x1: With a compact form factor and a weight of 9.7lb/4.4kg, the Astra IP 1x1 provides exceptional white light output with 3000 lux at 10ft/3m, delivering exceptional, consistent high-quality white light in any conditions. Astra IP 2x1: Designed for indoor and outdoor productions, the Astra IP 2x1 delivers practical and high-quality white light with a powerful output of 5500 lux at 10ft/3m. Its IP65 rating ensures durability and reliability in challenging outdoor conditions. Audient ORIA Now Shipping Audient has announced that ORIA, the all-in-one audio interface and monitor controller designed specifically for multi- speaker arrays ranging from stereo to 9.1.6 set-ups (and everything in between) is now shipping. Having already caused a splash at its launch earlier this year, bagging a Music Editors’ Choice award at NAMM as well as featuring on the front cover of Music Tech digital, ORIA is now available to buy. ORIA’s drivers can be downloaded from the Audient website enabling both macOS and Windows users to install the ORIA desktop app. macOS users will be able to immediately benefit from the full Sonarworks integration giving them the ability to measure and calibrate a Dolby Atmos set-up in less than an hour. The full Windows Sonarworks integration is not currently available but is expected to be released imminently. In addition, Audient’s ORIA is now officially certified by Dolby. For more information on ORIA please visit the Audient website.the ultimate revolution RIVALE PROFILE is the first ultra-equipped luminaire in AYRTON’s brand new ‘ULTIMATE’ series, all models being perfectly homothetic and sharing common features, delivering previously unimaginable weight to output ratios. Developed for mixed use indoors and outdoors, and in all conditions, RIVALE PROFILE, with its unique visual signature, is unparalleled on the market. Weight determines performance, and RIVALE PROFILE weighs only 30.8 kilos. To allow you more creativity and freedom in your lighting design, RIVALE PROFILE has been provided with continuous rotation of the pan and tilt movement. RIVALE PROFILE, a unique projector that boasts performance, creativity, subtlety and power, is the most versatile fixture created by AYRTON to date. A truly innovative luminaire with no equivalent on the market… RIVALE PROFILE www.ayrton.eu EXCLUSIVE DISTRIBUTOR FOR THE UK AMBERSPHERE SOLUTIONS LTD - Phone: +44 20 8992 6369 - info@ambersphere.com - www.ambersphere.com 9S 6S 3S 3 Series - Source 450 W - 6500 K Zoom aperture 4° to 52° IP Rating IP65 Frontal Lens 160 mm Weight 30.8 kg Lumens 30,000May 2024 news 8 Stage Electrics Supplies the Liverpool Institute of Performing Arts with a New, Energy-Efficient LED Lighting Upgrade from ETC Stage Electrics, a leading technical solutions company, has supported the Liverpool Institute of Performing Arts (LIPA) in successfully upgrading from tungsten to new, energy-efficient LED lighting, which empowers the next generation of performers. Lead production technician at Liverpool Institute of Performing Arts, Matthew Weeks, approached the Stage Electrics team about upgrading their existing tungsten lights to LED and enhancing their existing LED rig. Working closely with Matthew, Matt Jones and Jonathan Thornhill, production technicians at the University, the Stage Electrics team conducted extensive trials with various demo kits from multiple brands. A process Stage Electrics is uniquely placed to offer its clients; this ensured that the chosen solution would perfectly align with LIPA’s requirements and performance standards. LIPA chose an ETC LED lighting rig, consisting of 36 ColorSource V Fresnel lights, 12 ColorSource V Profile 25/50 fixtures, 26 Lustr 2s, and a Gio @ 5 console. The venue, which plays host to a diverse range of productions where flexibility is important, made this decision based on the flexibility offered by this set-up. Matthew Weeks expressed his delight with the collaboration, stating: “We reached out to Stage Electrics to start the phased replacement of our tungsten fixtures to new, industry-standard LED lighting. We were provided top-quality products from a supplier who gave us unmatched support, communication and knowledge. Our sales representative was exceptional from start to finish and our new system has resulted in multiple benefits, from a smaller footprint of equipment for storage to reduced power usage.” He continued: “Many of our new products can also be powered in a daisy chain, reducing cable runs and power circuit requirements. Stage Electrics provided the right products at the right prices, making the process seamless.” For venues looking to upgrade their tungsten lighting to energy-efficient LED rigs, Anna Western, sales director at Stage Electrics, said: “By supplying energy-efficient lighting solutions to customers, Stage Electrics not only makes performance possible but ensures it is sustainable, too.” She added: “Anybody wanting to learn more should contact their Stage Electrics account manager. Elation KL Series PAR Light Now Available in IP65 Version Elation‘s popular KL Series full-colour PAR light is now available in an IP65 version, the KL PAR FC IP, that makes it an even more versatile luminaire for production settings indoors or out. This theatrical and broadcast-grade luminaire pairs modern technology with classic design, serving as an excellent key, fill and area wash light source for broadcast environments, film, theatre or any production requiring outstanding colour quality. Outstanding colour rendering quality, fully variable CCT control and remotely adjustable LED refresh frequency – all in a traditional PAR form factor – make the KL PAR FC IP an excellent choice for today’s fast-paced production environments. Its fully weatherproof IP65 protection gives this versatile PAR colour-changing luminaire application in all types of outdoor events and weather. The KL PAR FC IP houses a powerful 360W 6000K RGBMA LED engine with 16-bit CCT adjustments possible from 2,400K-8,500K for precise colour temperature control. The full-spectrum LED engine emits beautifully diffused saturates, soft-field pastels and tuneable white light, catering to the intricate demands of creative designers with a harmonious blend of vibrant colours and adjustable white balance. The RGBMA system also allows for a perfect colour match with other fixtures in Elation’s KL and Fuze ranges. The unit produces the finest quality of light with high CRI (93) and TLCI (95) values, meaning that colour recreation is extremely accurate both to the eye and to the camera. Output is up to 12,000 field lumens, which is brighter than existing 750W tungsten PAR fixtures and is delivered with multiple lens choices that are easy to replace in the field. Addressing the unique demands of broadcast, the KL PAR FC IP incorporates a green-magenta shift adjustment and a virtual gel library. This allows for easy correction of colour shifts and matching the white balance for cameras without the need for additional gels or filters. The fixture’s LED refresh rate can be remotely adjusted, ensuring flicker- free performance with high-speed cameras. The KL PAR FC IP includes Elation’s groundbreaking ColourTune Technology, fixture software that allows for unprecedented control over output and colour accuracy. With ColourTune, users can customise lighting output to meet their exact needs, whether emphasising brightness or colour fidelity. For full story see etnow.com/equipment news Fuze Teatro Framing Fixture from Elation a Master of Silent Performance Elation Professional is offering the meticulous lighting designer the Fuze Teatro, a discreet and refined moving head luminaire that can be used to visually craft any scene without drawing attention to itself. Designed for any application where a noiseless, fully automated framing fixture with full-spectrum colour range and quality is required, the Fuze Teatro is fanless for completely silent operation. Output is notably impressive, as is the feature set. Illuminating the performing arts with automated luminaires has traditionally been a challenge. The technology required to provide the desired lighting levels, colour quality and remote positioning usually creates unwanted noise from fans, mechanical colour mixing modules and other components, making their use in carefully designed acoustical venues less than ideal. The Fuze Teatro has addressed these concerns with a fanless design and soundless colour mixing system that makes it ideal for noise-sensitive environments. The convection-cooled system ensures absolute silence and because less dust and other particles are not being distributed throughout the luminaire, it results in lower maintenance and a longer product life. The Fuze Teatro is the first fanless automated luminaire incorporating an additive colour engine, which further reduces noise levels compared to conventional CMY systems. The 480W homogenised RGBMA LED array with CRI of 92 offers outstanding colour rendering capability, calibrated white points and a full-spectrum colour gamut from soft pastels to intense primaries. The carefully tuned LEDs ensure accurate colour reproduction and dynamic whites from 2400 to 8500K while delivering a powerful output of up to 15,000 lumens out of a large 140mm front aperture. The RGBMA LED array is the same colour mixing system as found in other Elation Fuze and KL series fixtures for a perfect colour match. The extraordinary advantage for this class of silent fixture is the Teatro’s complete lack of any mechanics, as all colour is created through the LED array. In addition to the noiseless operation, the need for cleaning and maintenance of a complex colour mixing system has been removed. For full story see etnow.com/equipment news Issue: 375 news 9 Audient Unveils Immersive Studio in Partnership with PMC Speakers British audio manufacturer Audient has partnered with loudspeaker company PMC Speakers to unveil a brand-new immersive audio studio located at Audient’s Hampshire headquarters. Summerlea House has been designed from the ground up to offer Audient’s customers a state-of-the-art demo facility. Built around Audient’s new purpose driven immersive audio interface and monitor controller ORIA, the studio features a 9.1.6 PMC result6 speaker array with a PMC 8SUB. An additional two PMC6 active speakers offer clients the option to reference a mix in stereo as well as 9.1.6 Dolby Atmos and everything in between. “ORIA is the first truly purpose-driven immersive solution, designed to be the central control hub of an immersive studio. As such, many factors need to be considered when specifying it into a multi-speaker array and the subsequent required workflow,” explains Audient’s Andrew Allen. “Having a dedicated studio facility enables our customers to not only experience a professional immersive environment first hand, it also allows them to get hands-on with ORIA’s powerful feature set and technology ensuring it’s the right solution for them.” Phil Millross, PMC’s business development manager for Pro Audio UK says: “When PMC first heard about the development of ORIA we were extremely interested in the product. PMC has been involved in Dolby Atmos Music since its launch and immersive audio has long been part of the PMC ethos, right back to the early years of DTS, THX and other surround formats. Audient recognises that PMC monitors are ideally suited to immersive audio due to their wide directivity and ultra-low distortion and we are delighted that our system is the system of choice for Audient’s new facility and is now delivering the utmost flexibility and sonic quality as they move into the realm of spatial audio. Audient truly understands what PMC has to offer and have been great to work with. We wish them every success with this stunning new room.” Working closely with acousticians and room designers, Audient has created an acoustically accurate space. Andrew adds: “Not only does it provide an ideal listening space for demonstrations, but the studio is also available to professional engineers so they can mix their own records in Dolby Atmos.” Room Sonics took care of the studio’s acoustic design which features over 80 GIK acoustic panels. The studio desk was custom designed and built by AKA Design and speaker mounts were courtesy of Triad Orbit. Leyard Europe Introduces netPIX-FUSION, a Compact Powerhouse for Control Rooms, Boardrooms and Corporate Meeting Spaces Leyard Europe has announced the launch of netPIX Fusion, a compact stand-alone version of the eyevis netPIX processing units. This industrial PC solution is built on the latest technology of the 13th generation Intel Core i7 processor family, offering exceptional performance for a variety of applications. netPIX Fusion functions as a robust rendering node for local applications, videos and alarms, while also delivering unparalleled IP decoding performance across multiple protocols, including H264, H265, NDI, VNC, Cast and others. It also allows expansion with an in- or output card. When combined with the eyeUNIFY wall management software, it becomes a versatile solution for control rooms, boardrooms, corporate meeting rooms and more. The pre-packaged netPIX Fusion comes in three unique configurations, including the eyeUNIFY wall management software, delivering an off-the-shelf experience that seamlessly combines a powerful stand-alone pre-configured processing solution with Leyard Europe complete video wall displays. This integration transforms video walls into versatile display solutions capable of presenting any source in various sizes and layouts. Offering lower power consumption compared to central graphics controller devices, netPIX Fusion’s compact size saves rack space and reduces associated costs. Its seamless compatibility with existing installations, achieved through conventional signal distribution, further contributes to the product’s efficiency. “We are excited to introduce netPIX Fusion as a robust and compact processing solution for our customers,” says Cris Tanghe, VP product at Leyard Europe. “Not only does it serve as a powerful rendering node with support for optional hardwired inputs or outputs, it ensures the transmission and display of 4K signals with 4K/Ultra HD displays or video wall arrangements. This provides customers with unparalleled flexibility and fully meets their expectations for applications requiring small-size video wall configurations and LED video walls.” HOLOPLOT Named by Fast Company as One of the World’s Most Innovative Companies of 2024 HOLOPLOT has announced its inclusion in the Fast Company’s prestigious list of the World’s Most Innovative Companies of 2024, sitting alongside the best and most innovative companies, including OpenAI, Youtube, Beyonce’s Parkwood Entertainment and others. This year’s list shines a spotlight on businesses that are shaping industry and culture through their innovations, setting new standards and achieving remarkable milestones in all sectors of the economy. Fast Company’s editors and writers identified the companies driving progress around the world and across industries, resulting in a globe-spanning guide to innovation today. “Our mission is to create unparalleled experiences of sound to enrich people’s memories and ultimately lives. Being named as an innovator by Fast Company and joining such a prestigious list of companies is a true testament to the impact of our work and the wider recognition of what that means for society,” says HOLOPLOT CEO, Roman Sick. “Having a tech company like ours included in the music category is also a statement as to how technology can elevate art beyond just sound reproduction and become a creative tool in its own right.” HOLOPLOT technology is based on intelligent software that enables unseen before sound control capabilities, allowing users to achieve unprecedented sound experiences of the highest quality, even within the grandest, most challenging acoustic environments. Its applications are almost limitless. From Las Vegas’s Sphere, the most advanced live entertainment venue in the world, to intimate venues such as Off-Broadway’s Atlantic Theatre and immersive exhibitions at Lightroom in London and Seoul, to corporate events and product launches, the HOLOPLOT Matrix Array delivers high- fidelity audio for the entire audience while also allowing an advanced immersive toolkit to create creative effects. HOLOPLOT technology provides creatives with unique tools and capabilities, perfectly merging the need to tackle the very basics of acoustics with unmatched capabilities that enhance how sound is experienced. “Our list of the Most Innovative Companies is both a comprehensive look at the innovation economy and a snapshot of the business trends that defined the year,” said Fast Company editor-in-chief Brendan Vaughan. “We saw extraordinary innovation across the board in 2023, but we also saw a handful of clear patterns: the growing footprint and impact of AI, the triumphant return of live events and great leaps forward in climate tech. We face daunting challenges on many fronts, but the solutions we celebrate in MIC give me plenty of hope about the future.”Next >