direct from: www.etnow.com Regulars Contents this month News and Features Web Directory Features Issue: 395 Paddington The Musical at the Savoy Theatre page 12 January 2026 page: 20page: 21 page: 31 Alcons Audio Introduces the GR20 High-Performance Point-Source System The GR20 is the first system in the new G-series group of Alcons generic point-source solutions. This compact, high-output two-way loudspeaker is engineered for both portable use and permanent installations, delivering Alcons’ renowned natural, dynamic and ultra-low-distortion sound quality from an exceptionally small footprint. More on page 6 page: 24 Unusual Rigging delivered the highly ambitious two-storey house set for the stage adaptation of Paranormal Activity. At the heart of the Tonttula Elves Village village, guests are welcomed to a tour of Santa’s home where Genelec surrounds guests with yuletide spirit. From the design phase, it was clear that Het Geluk van Limburg would be executed using the Follow-Me TRACK-iT system. Genelec in Lapland’s Santa Village, Finland Unusual Expertise for a Paranormal Build Follow-Me for Het Geluk van Limburg Spectacle page: 4 to 30 page: 2contents this month January 2026 page no. Features page : 5 page : 6 page : 11 page : 9 TECHNICAL STANDARDS FOR PLACES OF ENTERTAINMENT Revised in July 2020 Available now from www.etbooks.co.uk 22A.C. Special Projects Delivers Comprehensive Technical Upgrade for King Alfred Phoenix Theatre ACSP has completed a comprehensive technical upgrade at King Alfred Phoenix Theatre, located at the King Alfred School in London. 24Follow-Me: The Right Tool for Het Geluk van Limburg Theatrical Spectacle From the design phase, it was clear that Het Geluk van Limburg would be executed using the Follow-Me TRACK-iT system. 25GLP MAD MAXX add extra attitude to Ice Cube’s 4 Decades One of the features of Ice Cube’s recent Truth to Power: 4 Decades of Attitude tour was the appearance of eight GLP MAD MAXX LEDs. 26DiGiCo Quantum 338s Escape to Europe with OneRepublic Accompanying OneRepublic are Justin Ripley at FOH and Chris Marinaccio at monnitors. Both engineers are using Quantum 338s. 28 Marek Papke and Gerdon Design Make Magic at Nature One with Chauvet Professional Helping Papke with his vision was a versatile collection of 206 Chauvet Professional fixtures. 29 Linkin Park is Ready for Anything with DirectOut Prodigy Series Ricki Cook turned to the DirectOut Prodigy and Exbox Series to ensure his audio set- up was compatible with any system. 30 WL Helps Innit for Young People Create a Professional Theatre Space for Salford’s Next Generation WL supplied and installed a complete technical solution including truss, moving lights – including ETC Lonestar – console, cables and an ETC nomad 12Paddington The Musical at the Savoy Theatre •White Light Supplies the Paw-fect Rig for Paddington •ADI Unveils State-of-the-Art Screens at London’s Iconic Savoy Theatre 14Britannia Row Meets Showbiz for Jade’s First Solo Tour Britannia Row has supplied a compact control package to Jade Thirlwall on her first UK solo headline tour. 15SMODE Powers Ambitious Visuals at La Femme’s Iconic Arena Show SMODE played a central role in delivering the striking visual universe for French rock band La Femme’s very first concert at the Accor Arena in Paris. 16Robe Blinds Friedrichstadt-Palast with Delight The Friedrichstadt-Palast now has almost 300 Robe fixtures in the house lighting rig. 18From Intimate Clubs to Wembley Glory with Sam Ryder and Sennheiser Spectera For monitor engineer Jamie Hickey, Sam Ryder’s Road to Wembley tour presented a unique opportunity to test Sennheiser’s Spectera wideband wireless ecosystem. 20Unusual Expertise for a Paranormal Build Unusual Rigging delivered the highly ambitious two- storey house set for the stage adaptation of Paranormal Activity, which opened on 5th December at The Ambassadors Theatre in London’s West End. 21Genelec Smart IP Brings Holiday Magic to Life in Lapland’s Santa Village, Finland At the heart of the Tonttula Elves Village village, guests are welcomed into an immersive tour of Santa’s home where a Genelec Smart IP sound system surrounds guests with yuletide spirit.from the editor direct from: www.etnow.com Entertainment Technology is published 12 times a year in conjunction with the leading industry portal www.etnow.com Editor: Jackie Staines Production: Jackie Staines Published by: ET Press Ltd The Studio, High Green Great Shelford Cambridge CB22 5EG Telephone: +44 (0)1223 550805 Fax: +44 (0)1223 550806 Website: www.etnow.com email: editor@etnow.com © ET Press Ltd. Subscription Rates: Annual Subscription for 12 issues (UK): £27.50 Annual Subscription (overseas): £50.00 Subject to acceptance, subscription is free to UK based industry professionals. Subscribe online at: www.etnow.com/etmag/ Opinions expressed in Entertainment Technology are not necessarily those of the publishers. All rights are reserved and reproduction of any part in whatever form is prohibited without the prior permission of the publishers. etnow.com (entertainment technology news on web) is the industry portal site with news from around the world added daily under various sector headings coupled to an extensive archive. The site also features a books section where titles from ET Press can be ordered online via our secure Sage Pay credit card services. Issue: 395 ALPD Awards Three New Fellowships At the Annual Lighting Lunch held on Monday 15 December, the Association for Lighting Production and Design (The ALPD) awarded three new fellowships to Gerry Amies, Michael Hulls and Sarah Rushton-Read. Fellowship of the ALPD is awarded to someone who, in the opinion of the executive, have rendered signal service to the technical aspects of the art of lighting. Gerry Amies started theatre work at Theatre Royal Norwich in the early 70s before moving to the opera world, working for Glyndebourne Festival Opera, Kent Opera and English National Opera. Since that time he has worked on a huge variety of shows in the West End and elsewhere, including La Cage Aux Folles at the London Palladium, Beauty and The Beast (Dominion), Jesus Christ Superstar (Lyceum Theatre), Charlie and the Chocolate Factory and Lord of the Rings (Theatre Royal Drury Lane), War Horse (Gillian Lynne – UK Tour – World Tour) Crazy for You (Gillian Lynne). Michael Hulls trained in dance and theatre at Dartington College of Arts and by accident became a lighting designer who has worked exclusively in the dance world for the past 35 years.He is perhaps best known for his long-term collaborations with leading choreographers such as Russell Maliphant and Akram Khan sharing four Olivier awards for Best New Dance Production with them. He was the recipient of the 2014 Olivier Award for Outstanding Achievement in Dance and Knight of Illumination Awards in 2009 and 2016. Michael is an associate artist of Sadler’s Wells Theatre where in 2016 he created the memorable LightSpace installation at the Wells, the first presentation on the main stage without dancers or performers. In 2023 he was awarded an OBE for services to dance and the arts. He is an honorary fellow of Rose Bruford College where he is a visiting professional on the Light in Performance MA course. He is now enjoying retirement in Hastings with his partner and their dogs. Sarah Rushton-Read started out as an actress before moving to stage management.Noticing the better-paid roles were in the male-dominated technical departments, she went back to college for an HND in electronic engineering, secured a placement at the Royal Opera House and found herself firmly ‘doing’ lighting. Two years later she was teaching at Guildhall, then to Glyndebourne, where she became deputy lighting manager and designed for touring productions. She moved into production management with PRG, co-founded an event lighting company and after 9/11 forced another rethink, shifted into journalism as deputy editor of Lighting & Sound International. From there she built a PR firm, embarked on a masters degrees in PR and then in energy and environment, and began championing sustainability long before it became fashionable. Her mission in press and PR has always been to make backstage work visible: through trade press, brand strategy, awards and by naming the issues usually left smouldering in the wings. That led to founding Eco Theatre, co-founding Women in Stage Entertainment with Paule Constable and helping grow the Knight of Illumination Awards into a major international celebration of design. She says of her career: “I was, more often than not, the first woman in the room: something that taught me how to hold space, open firmly closed doors and leave them ajar for the next under represented person coming through.” The ALPD would like to thank Paul de Ville of Goboplus for sponsorship of the Awards presented. ISE’s Connected Classroom, Powered by Logitech, Returns to Showcase the Technologies Reshaping Education Globally and to Make a Genuine Impact Integrated Systems Europe (ISE) has announced that Connected Classroom, powered by Logitech, is back for its second year at ISE 2026. This engaging 120 sqm immersive showcase in Hall 2 features four interactive zones, each tailored to different educational needs. The debut of Connected Classroom at ISE 2025 attracted considerable attention from visitors who enjoyed getting hands-on with technology within the immersive classroom setting. The idea was sparked by Jason Whitcomb, founder at Kinetic Culture and product marketing expert, Jeff Boggess. ISE, in partnership with Logitech, then brought the concept to life at ISE. “The Connected Classroom began as a coffee chat with Mike Blackman and a shared belief that the AV community could leave a positive and lasting mark on Barcelona and beyond. From that conversation grew something far greater than a showcase at ISE, it became a bridge between industry innovation and classrooms around the world.” commented Jason Whitcomb. At ISE 2026, the Connected Classroom will demonstrate how integrated AV and collaboration technologies directly benefit both teachers and students. From simplifying lesson delivery and enabling seamless hybrid teaching to fostering active, social learning, the showcase highlights how technology can enhance engagement and accessibility in every type of classroom. Visitors can experience hands-on solutions such as Logitech’s Rally Camera Streamline Kit and Reach for video-enabled learning, Mevo for student content creation and MX Ink for immersive AR/VR exploration. With collaborative furniture, interactive displays and streaming tools, the Connected Classroom offers a clear vision of how technology can make learning more dynamic, inclusive and effective. As returning headline sponsor, Logitech sees the project as both an innovation platform and an opportunity to understand evolving educational needs. “Education is one of the most exciting growth areas for Logitech,” said Gaurav Bradoo, head of product and portfolio at Logitech. “The Connected Classroom allows us to show how our solutions support teachers and empower students across diverse learning environments. The conversations we have here provide meaningful insight into how education is changing globally, insights that continue to influence our product development.” In addition to highlighting emerging EdTech innovations, Connected Classroom demonstrates ISE’s ongoing commitment to social responsibility, with a substantial portion of its featured technology being donated to the International Telecommunication Union (ITU) and UNICEF’s Giga project, whose goal is to get every classroom in the world online. Following ISE 2025, over 30 pieces of Logitech equipment from the Connected Classroom were donated to Giga’s Connectivity Center to help stakeholders advance their digital transformation journeys in education. Mike Blackman, managing director of Integrated Systems Events, said: “Connected Classroom is far more than a showcase of what’s possible with technology, it’s also a commitment to making a difference. By donating to the Giga programme we are helping ensure that children everywhere have access to the tools they need to learn, grow and thrive. This legacy is at the heart of what ISE stands for.” Combining immersive experiences and cutting-edge technology, Connected Classroom is set to be one of the standout features of ISE 2026. For more information visit https://www.iseurope.org/January 2026 news 4 ABTT and BAPAM Launch Groundbreaking Guidance on Physical Health and Wellbeing for Backstage Theatre Workers during Panto Season The Association of British Theatre Technicians (ABTT) and the British Association for Performing Arts Medicine (BAPAM) have unveiled a new guidance note at the ABTT annual Christmas Party on the 5th December, timed to coincide with panto season, an often intense and stressful period for backstage workers. Guidance Note W101: Improving the Physical Health of Backstage Staff is the first dedicated guidance of its kind focusing on the physical health of backstage professionals in the theatre and live production sector. This extensive, evidence-based resource recognises the essential link between physical and mental wellbeing and arrives at a critical moment for the industry. Building upon the initial S.T.A.G.E. C.R.E.W. infographic, introduced at the ABTT Theatre Show in June 2024, the guidance represents a long-awaited, in-depth framework designed to improve backstage workplace health and provide practical support for theatre professionals. Backstage professionals including lighting, sound, stage, rigging, AV, costume and wardrobe departments, and automation technicians often work in demanding environments with long hours, heavy equipment and limited recovery time. With more than 70% of the workforce identifying as freelance, the sector faces unique challenges when it comes to managing health and safety. This new Physical Wellbeing Guidance Note provides detailed, practical recommendations aimed at improving physical health outcomes and reducing the risk of occupational injury or chronic illness for backstage workers. It also includes: •A breakdown of the S.T.A.G.E. C.R.E.W. mnemonic – Sleep, Training & Technique, Appetite & Diet, Good Hygiene, Environment (risk assessments), Clinical Support, Rest & Recovery, Exercise & Warm-Up •Real-life case studies exploring common physical health issues •Managerial guidance on supporting staff health •A self-assessment tool for individual workers to evaluate and improve their wellbeing The guidance draws on the ABTT’s deep sector expertise and BAPAM’s four decades of clinical experience in the performing arts. It is designed to be accessible, free to download and relevant to organisations of all sizes. The Physical Wellbeing Guidance Note will form part of the ABTT Code of Practice for the Theatre Industry in the UK, recognised by the Health and Safety Executive (HSE) as an established standard, and will be referenced in the Technical Standards for Places of Entertainment. It will be made freely available via the ABTT website and integrated into the growing suite of Welfare Guidance Notes, further supporting theatre venues and employers in meeting their responsibilities under the Health and Safety at Work etc. Act 1974. “As the largest provider of clinical services to the UK’s performing arts sector, we are proud to announce this milestone partnership with the ABTT. This is a major step forward in recognising and supporting the physical health of backstage professionals, an area long overlooked. A vibrant, healthy workforce is essential to the future of live performance,” stated Claire Cordeaux, CEO, British Association for Performing Arts Medicine (BAPAM). “The ABTT and BAPAM have worked in partnership since 2018, united by a shared commitment to improving health and welfare for the technical workforce. This new guidance is both timely and essential, providing clear, practical advice to support the wellbeing of those who bring live performance to life and helping the industry embed healthy practices across all backstage roles,” added Liz Sillett, CEO, Association of British Theatre Technicians (ABTT). “I’m delighted to share this landmark document: the first to provide physical welfare guidance for backstage staff. My thanks to the ABTT for funding the project, to the clinicians at BAPAM for bringing it to life and to The Guildford School of Acting for supporting its development. This guidance is a vital addition to the ABTT’s Technical Standards and the growing series of welfare resources, helping to place health and wellbeing on equal footing with safety across our industry and I hope the sector can recognise the value of this guidance in improving health and wellbeing backstage,” said Mig Walsh, senior lecturer at Guildford School of Acting. Guidance Note W101: Improving the Physical Health of Backstage Staff can be downloaded on the ABTT website at: https://www.abtt.org.uk/ product/guidance-note-w101-improving-the-physical-health-of-backstage-staff/. Absen Redefines Live Event Visuals with the Launch of PL 3.9 Pro V3 Absen, a global leader in LED display technology, has announced the launch of the PL 3.9 Pro V3, the latest evolution in its renowned Polaris Series. Engineered for both indoor and outdoor use, the PL 3.9 Pro V3 combines robust durability with exceptional visual performance, making it the ideal solution for live events, festivals, touring productions and immersive brand experiences. Featuring a unique unibody dual-layer magnesium cabinet that offers both strength and lightness and available in two panel sizes (500x1000mm and 500x500mm), the system is easy to transport and install. Advanced protective features including triple-guard modules, reinforced corner shields, anti-drop safety ropes and anti-shock locking knobs ensure the panels are safeguarded against bumps, drops and impacts, providing peace of mind during set up and operation. Designed for both outdoor and indoor clarity, the PL 3.9 Pro V3 delivers deep blacks and high contrast with true black-face LEDs and matte-black anti-reflective masks. Its high dynamic brightness range of 0.1 nits to 5000 nits, 16-bit greyscale and 7680Hz refresh rate guarantee pristine visuals in any environment. The innovative locking systems and tool-free rear maintenance streamline installation and servicing, making the PL 3.9 Pro V3 a versatile and reliable choice for rental companies, event organisers and AV professionals seeking high-performance LED displays for all types of live events. The PL3.9 Pro V3 can utilise an optional integrated wind-bracing system with a triple-stable design. When combined with reinforced triangle hanging bars, it supports secure installations up to 20 metres high and can withstand winds up to Beaufort force 8. Optional climb-assist ladder systems also provide secure technician access for module and power box maintenance. “We are delighted to introduce the PL 3.9 Pro V3 to the market,” says Emma Liu, general manager Absen. “Absen has recently focused on advancing LED display technology for the live events and virtual production market, in response to the growing demand for high-performance, versatile and user- friendly LED solutions capable of delivering immersive visual experiences. This new product represents a significant leap forward in Absen’s display innovation, offering unmatched durability, advanced flexibility and exceptional image quality. We believe it will set a new standard for the live events industry and empower our partners to deliver even more spectacular results.” The PL 3.9 Pro V3 will be available in Europe from 2026. Absen’s current PL range is available in full from Midwich Group.Issue: 395 news 5 GLP Creos E-Frost Filter Now Shipping Following successful previews at several major trade shows, GLP has announced the official sales launch of the new E-Frost filter for the GLP Creos at LDI in Las Vegas. The innovative filter is now available through GLP’s global distribution network. Based on modern Smart Glass technology and engineered specifically for the Creos, the E-Frost allows designers to manipulate the beam angle and the perceived appearance of the front lens in backlight situations via independently controllable frost segments, unlocking creative possibilities that conventional frost filters cannot achieve. The GLP Creos has established itself as one of the most versatile and powerful LED hybrid fixtures in its class. It delivers a precise 4° beam with up to 1.2 megacandelas and a uniform 50° wash via motorised zoom. It is not only effective as a general washlight, but particularly compelling as a backlight, whether used as a beam, floodlight or effect fixture. When multiple units are arranged in clusters, they merge visually into a continuous, oversized LED bar thanks to their identical pixel pitch and perfectly aligned LED rows. Compact dimensions, integrated carrying handles and a robust IP65-rated housing underline the fixture’s touring- ready design. The Creos’s colour performance is driven by GLP’s advanced iQ.Gamut algorithm and RGB + lime colour mixing system, which has set a benchmark in the industry. It delivers the same high-end colour quality and precision found in the flagship X5 series. The combination of RGB and lime produces vivid primary colours as well as finely graduated hues, providing excellent colour rendering, especially at lower colour temperatures. Users have access to selectable white points and an extended CTC range from 2,500 to 10,000 Kelvin that follows the black body line precisely. Various tungsten emulation curves are also available, authentically reproducing the dimming characteristics and redshift of classic halogen fixtures. The additional lime channel increases efficiency and improves the reproduction of different skin tones, ideal for theatre and camera applications, but equally suited to touring, corporate events and more. With the official introduction of the segmented E-Frost filter, the Creos receives an upgrade that significantly expands its creative potential. The filter consists of three independently controllable Smart Glass segments aligned with the fixture’s horizontal LED arrays. Each segment can switch within milliseconds from transparent – producing a clear, tight beam – to fully frosted for a soft wash look. Transitions are not limited to fixed states; within the adaptive range, they can be smoothly blended for dynamic effects. This enables, for example, sine wave patterns or pulsing transitions for highly dynamic designs. In combination with the individually controllable LED pixels, designers can create graphical effects or subtle animated textures across the entire width of the fixture. This segmented approach produces looks that were previously unattainable and enables seamless transitions between beam, wash and atmospheric multi-layered effects without accessory changes or hardware adjustments. The E-Frost is available in two versions: white frost delivers a uniform, high-output diffusion ideal for large stages and bright wash applications. Black frost, by contrast, minimises visible reflections and housing contours, an advantage particularly in TV studios, theatres, art installations and premium event environments. Installation is fast and tool-free using four knurled screws; power and data are supplied directly via the GLP FX.Port. All control channels for the filter are already fully integrated into the Creos DMX profile. Like the Creos itself, the E-Frost is fully IP65-rated, built from durable aluminium and designed for temperatures from -10°C to +45°C. It withstands rain, wind, dust, confetti, pyro effects and the mechanical demands of touring. Together, Creos and E-Frost offer an exceptionally wide creative spectrum and an attractive price/performance ratio for rental companies, theatres, houses of worship, broadcast studios, touring productions and large outdoor events. The E-Frost is now shipping and GLP’s international distribution partners are accepting orders worldwide. www.glp.de Elation Unleashes Rebel Wash: Power and Colour with Attitude Elation proudly expands its bold new breed of intelligent lighting with the launch of the Rebel Wash 4 and Rebel Wash 12, two high-powered wash moving head luminaires in the growing Rebel Series. After inviting lighting professionals to break the rules with the Rebel Profile, Elation now brings that same rebellious spirit to wash lighting, offering powerful colour, precision and creativity without stretching the budget. Designed for a new generation of lighting designers who demand more from their tools, the Rebel Wash fixtures deliver exceptional colour, impressive output and striking visual effects for everything from broad, even washes to crisp mid-air beams. With a rugged build, IP65 protection and intelligent feature set, they’re engineered to perform reliably in any environment. A cutting-edge zoom-lens optical system ensures a highly homogenised beam with smooth, consistent colour and light distribution. At the heart of Rebel Wash is an RGBL LED engine engineered for vivid primary colours and outstanding white light performance with high CRI and calibrated colour temperature control. The addition of a lime emitter expands the colour spectrum, enhances white light quality and boosts overall output. Designers gain access to intense saturated looks, beautifully balanced whites and a virtual gel library of calibrated colour presets that replicates the look of popular filters. A dedicated variable CCT control channel (2400K - 8500K) gives precise colour temperature control, while CMY emulation mode caters to those familiar with classic CMY mixing. Whether choosing the compact Rebel Wash 4 or the more powerful Rebel Wash 12, users can expect impressive brightness and colour consistency: •Rebel Wash 12: 12 x 60W RGBL LEDs delivering 14,000 lumens •Rebel Wash 4: 4 x 60W RGBL LEDs delivering 4,000 lumens Advanced LED power management drives maximum punch from the high wattage emitters, channelling power to active colours for an exceptionally punchy colour mix. A wide 5°-40° motorised zoom shifts effortlessly from tight, defined aerial beams to smooth, uniform washes. Multiple pixel-control modes – along with simple uniform options – let designers create everything from subtle gradients to bold, high-energy effects. A 360° continuous pan and tilt, smooth 16- bit dimming and a fast electronic shutter/strobe give designers the additional tools they need to push their creativity further. The Rebel Wash is built to withstand the toughest conditions. With an IP65 rating, both models are fully protected against dust and water, making them ideal for outdoor events, festivals, theme parks or any demanding indoor setting. The rugged construction ensures long-term durability with minimal maintenance. Rebel isn’t just about technology, it’s about attitude. Compact yet powerful, advanced yet accessible, the Rebel Wash challenges expectations of what a workhorse luminaire can be. It delivers premium performance, rugged durability and real value, empowering designers to stand apart and design boldly.January 2026 news 6 ETC Unveils High End Systems Dataflash 5000 ETC announces High End Systems Dataflash 5000, a high-energy strobe fixture capable of 52,000 lumens. With both an RGB LED array and a 3200-7500K white light centre, Dataflash 5000 offers bold colour capabilities to meet any artistic vision. An IP65 rating makes Dataflash 5000 an ideal choice for festivals and outdoor gigs. Dataflash 5000 has an LED engine that turns on and stays on. With the variable white light centre and the surrounding RGB LEDs, designers can achieve both warm and cool strobing while also painting the stage with vivid colour. Included dome accessories make Dataflash 5000 even more versatile. The reflector dome easily attaches to the fixture face for powerful strobes and atmospherics. The transparent eye candy (EC) dome highlights all of the fixture’s bold effects. Automated lighting product manager Matt Stoner says: “With its distinct round face and dynamic colour capabilities, Dataflash 5000 is going to bring a lot of visual interest to those productions that are looking to create high-energy moments.” An expansive collection of strobe modes and macros make it easy to build the energy and looks required for any show. Get even more granular control with Dataflash 5000’s pixel mapping capabilities. Tania Lesage, ETC market manager, says: “Dataflash 5000 is going to be a powerhouse in any setting. We are excited the IP65 rating means that outdoor productions can take advantage of this high-impact tool.” LDR ASTRO 250 Followspot Range Goes MK2 The ASTRO range of LED followspots has been an immediate success ever since the first two 200W models launched back in 2014. Their popularity, together with a demand for more power and longer-throw performance, pushed LDR to develop and launch the 250 range in 2017, followed by the 250HP and 600 range in 2020. Most of the changes introduced in every new series are the result of LDR listening to the end-users and this explains the reputation the ASTROs have gained worldwide as reliable, high-efficiency, user-friendly followspots and chosen for some of the most prestigious installations across the five continents. Stylish and compact body, stunning optical performance, smooth and precise digital dimming, cold fixture in standby mode and constant colour temperature at any light intensity have been the most appreciated features of the ASTRO 250 range so far. LDR announces that the entire range of ASTRO 250 LED followspots goes MK2, raising the construction quality even further. Thanks to the close co-operation with Bradley Jeffrey of Lancashire-based distributor Prolight Concepts (UK) Ltd, LDR has seriously taken in good advice from a potential customer and applied it to the ASTRO 250 range the same stirrup system as on ASTRO 600. “The result is a significant improvement in the control and balance of the fixture: ASTRO 250 is now ready to handle even the most demanding installations and the potential customer has now become a happy customer,” says Lisa Papi, managing director of Luci Della Ribalta. In record time, LDR’s R&D department redesigned several parts to adapt the new bracket to ASTRO 250 and just as quickly, the first four units have already left its premises for the UK. Additional units are available off the shelf for immediate shipping. “Last month we demoed the Luci Della Ribalta Astro 250 for a customer. They loved the fixture, but felt the bracket had a little too much flex. LDR immediately responded to our customer’s request and together we worked to develop an improved bracket. We decided it would be beneficial to make it more like the ASTRO 600, which can be used with a fluid head, making the whole system much more versatile,” confirms Bradley Jeffrey. The ASTRO 250 MK2 can now perform tilt movements from top to bottom much more smoothly and, once locked in position, the fixture remains perfectly stable with no trace of wobble. These differences can make a huge impact in contexts where precision and cleanliness of movement are essential. Alcons Audio Introduces the GR20 High- Performance Point-Source System The GR20 is the first system in the new G-series group of Alcons generic point-source solutions. This compact, high-output two-way loudspeaker is engineered for both portable use and permanent installations, delivering Alcons’ renowned natural, dynamic and ultra-low-distortion sound quality from an exceptionally small footprint. Central to the GR20’s performance is the proprietary RBN602rs 6” pro- ribbon driver. This compressionless transducer provides fully linear sound reproduction at any sound pressure level, with up to 90% lower distortion than conventional driver technologies. The result is a highly transparent, non-fatiguing listening experience, even at high output levels. The pro-ribbon’s ultra-fast impulse response and inherently flat frequency response up to and beyond 20kHz deliver a 3 to 6dB improvement in gain-before-feedback compared to traditional point-source systems. This makes the GR20 particularly suitable for speech-critical, live sound and immersive applications where intelligibility and control are essential. With a peak power handling of 1,250 watts (200ms, ten times the industry-standard), the RBN602rs offers a 1:15 RMS-to-peak dynamic range. Combined with its patented 80° x 50° directivity, the GR20 provides consistent coverage up to the highest frequencies, a wide stereo sweet spot and excellent projection in elevated listening areas. The pro-ribbon driver is mounted in a vertically symmetrical ‘clamshell’ configuration with two custom-designed 10” Neodymium mid-bass woofers. Featuring Active Coil technology, these woofers deliver exceptionally low-distortion low-frequency performance that seamlessly matches the pro-ribbon’s mid-high clarity. Operating in passive-filtered tandem with the pro- ribbon, the system achieves high output and dynamic performance from a single amplifier channel. As part of the Alcons ecosystem, the GR20 is powered by an ALC amplified loudspeaker controller. Factory presets incorporating VHIR processing, 192kHz AES3 digital inputs and audiophile-grade amplifier stages ensure true 1:1 sound reproduction, maximum efficiency and system reliability. Philip ‘Dr. Phil’ de Haan comments: “While the all-natural cylindrical wavefront of our pro- ribbon technology has enabled highly advanced array systems, it was time to refocus on point-source solutions, the bread and butter of sound reinforcement.” The GR20 bridges the gap between the V-series point-source and L- and R-series array systems. Philip continues: “Featuring the latest in our pro-ribbon, waveguide and transducer technology, the GR20 sets a new category benchmark, delivering true fidelity with a surprisingly dynamic output.” Following multiple trade-show appearances, the production-ready GR20 was first deployed at the Amsterdam Dance Event 2025; in the Dolby Atmos House a full GR20 system in 7.1.6 configuration reinforced the latest immersive recordings of top EDM artists, of which Armin van Buren’s ‘Piano’ was of specific relevance, as it was mixed on the Alcons C-series system at Martin Garrix’ STMPD Studios. The system will be showcased at the upcoming ISE 2026.Issue: 395 news 7 White Light Delivers Sustainable Lighting Upgrade at Birmingham Hippodrome’s Patrick Studio White Light (WL) has partnered with Birmingham Hippodrome, one of the UK’s leading cultural venues and a cornerstone of the city’s arts scene, by supplying a sustainable lighting package for a major upgrade to its Patrick Studio. The Patrick Studio is a versatile performance space and is also used for research and professional development where new ideas take shape, ready to tour nationally and internationally. Leading the project on site was Joe Price, senior electrics technician, who has been part of the Hippodrome team since early 2022. Joe’s role spans all spaces within the venue, ensuring incoming companies and in-house productions achieve the highest technical standards. The decision to upgrade the studio’s lighting was rooted in two of Birmingham Hippodrome’s core values: being progressive and sustainable. “We identified the studio lighting stock as a fundamental part of our offering to clients,” explains Joe. “While prioritising theatrical quality, it was equally important to move to LED sources to improve our environmental impact.” The new intelligent LED fixtures not only reduce the venue’s carbon footprint but also unlock creative possibilities. “The biggest advancement has been our ability to more accurately recreate the vision of creatives within our space,” says Joe. “Modern intelligent lights give our technicians more tools to add colour, movement and excitement, while also improving safety by reducing the need to work at height.” Transitioning from tungsten to LED required careful planning around budget and infrastructure. WL worked closely with the Hippodrome team to design a solution that balanced technical ambition with financial realities. “Jonathan Haynes and the WL team have been fantastic partners,” Joe notes. “From product demos to detailed advice and multiple design iterations, they guided us through a complex process to achieve an install that will last and improve Birmingham Hippodrome for years to come.” The fixed rig is anchored by ETC Lustr 3 Series profiles and ColorSource V Fresnels, supplemented by several S4WRD Color II retrofits. ETC Lonestar profiles introduce additional versatility, while the GLP Wildbar 16 units deliver an excellent wall wash and the capability to bathe the studio in a wide range of colours. Chauvet ColorBand Pix fixtures were selected to provide dynamic pixel effects. Feedback has been overwhelmingly positive from technicians eager to explore new creative tools to companies reimagining their back catalogue of shows. Even audiences have noticed the difference, with productions now benefiting from richer, more dynamic lighting. Jonathan Haynes, WL’s senior business development manager comments: “It’s been a pleasure supporting Joe in finding the right equipment for the project. Before arranging any demos, I took time to understand their specific needs and it’s fantastic to see everything working seamlessly and to hear the positive feedback Joe has received.” This project reflects Birmingham Hippodrome’s commitment to sustainability, technical excellence and creative partnership; values shared by WL. Together, they have delivered a solution that enhances artistic expression while building a greener future for live performance. photo: courtesy Birmingham Hippodrome Production Futures ON TOUR Returns to London’s Roundhouse Production Futures has announced that its first ON TOUR event of 2026 will see a return to the Roundhouse in central London on Monday 9 March. The free of charge event will promote employability, transferable skills, diversity, free training and networking and will present paid work opportunities to newcomers across the live event and broadcast production industry. Visitors to the show will enjoy a packed schedule, which includes special guests, talks and panels, careers advice, industry workshops, competitions and hands-on experience of technologies. Hannah Eakins CEO at Production Futures comments: “Following the success of this year’s event at the Roundhouse, we are incredibly excited to be returning to this fantastic venue. As well as being a wonderful iconic performance space, the Roundhouse does fantastic work providing opportunities for youngsters through its dynamic youth programme, perfectly aligning with our mission. Its team were brilliant last year, going above and beyond to make sure that our ON TOUR event was a huge success. “Since 2022 our ON TOUR events have seen us work with dozens of industry partners across a host of major shows in the UK, attended by thousands of industry newcomers. Our partners, who comprise world-leading manufacturers, supply and production companies, venues and distributors share our vision for a progressive, diverse and thriving production industry. They come together at our events to provide invaluable advice, information and insights, and discuss specific job and training opportunities. “We also work closely with a range of organisations, initiatives, education partners and associations, connecting employment and training opportunities to a diverse pool of talent. They also have representatives available to answer questions and offer support.” Tina Ramdeen, associate director of young people at the Roundhouse, adds: “We are delighted to be welcoming Production Futures back to the Roundhouse next spring. We share their vision for a vibrant production sector, demonstrated by the fact that every year our state-of-the-art creative spaces provide unique opportunities for over 11,000 young people to engage with the arts, from music and theatre to broadcast and production. This work enables us to raise awareness of career opportunities within the creative sector and support the progress of young people from underrepresented backgrounds into work experience and paid opportunities within the industry. Production Futures’ return to the capital is something we’re very much looking forward to.” The free event will be open to colleges and universities across London and the south-east, as well as young freelancers who are looking to transfer skills, make contacts and find work opportunities. As well as allowing young people and newcomers to attend the event free of charge, Production Futures also makes available a number of group travel bursaries for organisations and educational institutions. For more details about the event and travel bursaries go to https://productionfutures.com/page/pf-on-tour.January 2026 news 8 Islington Assembly Hall Welcomes Allen & Heath dLive Duo One of north London’s most popular music venues, Islington Assembly Hall has played host to an eclectic mix of artists since it re- opened its doors in 2010, including Foo Fighters, Coldplay, Fred Again, Skepta, Ed Sheeran, Jessie Ware, Doechii and Laura Mvula to name a few. The venue, which dates back to 1930, offers a full line-up of everything from folk and blues, electronic, pop, soul, rock, metal and r&b each month. IAH recently took delivery of a complete Allen & Heath dLive digital mixing system, comprising an S5000 surface at front of house with an S3000 at monitors. Each surface is partnered by a 48 input / 24 output dLive DM48 MixRack equipped with Dante 64x64 audio networking card. The dLive system – along with analogue splits and cases – was supplied by audio specialists Patchwork London following a visit to the venue in 2024, as the company’s sales director Louis Jemmott explains: “Our senior project manager Chris Parker visited IAH during a run of shows in December 2024 and began discussions with the venue’s technical manager, Tom Watt, about upgrading their existing mixers,” he says. “While various options were discussed, we quickly felt that dLive was the best option for the venue’s requirements. We began with demos of a compact dLive C1500 and CDM32 MixRack and ultimately settled on the S-Class surfaces as being the ideal solution.” “The dLive stands out as the most thoughtfully designed platform,” agrees Watt. “It’s intuitive, flexible and powerful, but it also doesn’t let you over-engineer a show to the point of slowing yourself down. That balance is important for us. “A compact footprint is also a big consideration for in-house desks these days and I’m really happy with how many channels and control features the surfaces manage to pack in without taking up unnecessary space. A large proportion of the desks that visiting engineers bring in are Allen & Heath – often dLive – so having the S5000 in particular gives them the option of working on a larger surface if they prefer.” “dLive is a very rider-friendly system at this point,” Jemmott continues, “which is important for a venue of this type. It’s easy for in-house and touring engineers (and even local apprentices and trainees) to use, while offering real flexibility and great sonic performance. It’s proving to be perfect for IAH and the wide range of events and gigs they host.” Watt sums up his thoughts on the dLive system by saying: “I’m a sound engineer by background and having spent time behind the desk recently I genuinely love it. It sounds fantastic and feels like the natural evolution of the previous generations. Everything is exactly where you want it to be, and it’s incredibly quick to troubleshoot. I’m really happy with our choice and all of our house engineers agree it’s the best fit for our venue.” Analog Way Expands LivePremier Line-up with the New Aquilon Cmini and Eight-Plug SDI Input Card Analog Way has unveiled the Aquilon Cmini, the latest addition to the LivePremier family and the most compact presentation system in the line-up. Building on the outstanding market success of LivePremier, firmly established as the premium presentation platform of choice, the Aquilon Cmini brings the full power of the range into an ultra-compact form factor. It delivers the same high-end capabilities as its larger counterparts including best-in-class ultra-low-latency, 10-bit uncompressed image processing, unrivalled ease of use, dozens of smart functionalities and the powerful Link feature. It also supports a comprehensive range of modular input and output cards, covering all major baseband formats including DisplayPort 1.4, ST 2110, NDI, SDVoE and Dante, ensuring exceptional versatility for today’s most demanding production environments. With up to 16 inputs, 12 outputs, two dedicated multi-viewers and eight 4K layers, the Aquilon Cmini offers robust performance and scalable configuration options ideal for applications where reliability, compactness and workflow agility are critical: •Everyday live events or fixed installations that demand a compact, modular processor with advanced image-processing capabilities. •Scalable productions, where two to four Aquilon units can be linked to increase inputs, outputs or AUX destinations. •Mission-critical applications requiring seamless failover between primary and backup media sources to ensure uninterrupted operation. •Fully configurable and available built-to-order, Aquilon Cmini brings LivePremier performance to projects that require a compact footprint, high efficiency and strong operational confidence. Analog Way also introduces a new eight-plug SDI input card, offering increased flexibility and density. With eight 3G-SDI or four 12G-SDI ports, all freely configurable by the user, it is ideally suited for applications where workflows remain highly mixed between 3G-SDI and 12G-SDI. For full story see etnow.com/equipment news UltraLEDs Launches Precision LED Tape for Professional Film and TV Environments Lighting specialist UltraLEDs has launched Precision LED Tape, a high-CRI lighting solution designed specifically for professional film, TV and studio use. Precision LED Tape is engineered for true-to-life colour rendering, uniform light quality and long-term reliability, providing gaffers, lighting designers and electricians with dependable precision lighting for permanent and on-location set-ups. The new range builds on UltraLEDs’ strong heritage in serving the film, TV and entertainment sectors, where its LED tape solutions have been installed in high profile projects such as Love Island, Black Mirror and BBC Newsround. With a Colour Rendering Index (CRI) above 95 and high R9 values, Precision LED Tape exactly reproduces colours as they appear under natural lighting. This is essential for film and TV work, where skin tones, product colours and set fidelity require authentic reproduction. High-CRI performance ensures on-camera consistency and clarity, eliminating washed-out or distorted hues that can result from lower- quality light sources. Precision LED Tape offers professional-grade brightness without the need for bulky fixtures. Delivering up to 2700 lumens per metre and a dense configuration of more than 240 LEDs per metre, it produces a smooth, continuous line of light with no visible spotting. This uniform output makes Precision ideal for on-set use, reducing the need for correction in post-production and ensuring even illuminations across surfaces and backdrops and in tight spaces such as behind diffusers, coves or camera-facing surfaces in a set. Each production batch is sourced from a single BIN, ensuring colour variation remains below 3SDCM steps and preventing visual hue differences between rolls in large-scale and multi-set installs, where consistent whites and tones are essential. The tape is also available in IP20 and IP67 versions, allowing the same high-performance specification to be used across indoor and outdoor sets, or environments exposed to moisture and dust. Engineered for continuous professional use, it offers robust thermal management and stable output for consistent performance across thousands of operating hours and comes with a seven-year warranty. “Every detail of Precision LED tape was developed with working gaffers and TV electricians in mind,” said Dave Stirling, film and TV specialist, UltraLEDs. “Consistency, colour accuracy and reliability are prerequisite when you’re lighting for camera and the quality of the shot will absolutely correlate to the standard of product selected. Our Precision tape was built to match these requirements perfectly, to ensure the same high-quality results across a wide range of film, TV and entertainment applications.”Issue: 395 news 9 Winner of ABTT Stephen Joseph Award for 2025 Announced Created in 2021, the ABTT Stephen Joseph Award recognises innovative and inclusive theatre excellence as well as the relationship built between performer and audience member. Commemorating the life and work of leading British theatre pioneer and founding ABTT member Stephen Joseph, the Award celebrates the many ways contemporary theatre-makers continue to break new ground in engaging their audiences. Run by the Stephen Joseph Committee (SJC) of the ABTT, this year’s entries were once again exceptionally strong. After careful discussion and, for the first time ever, the award panel decided to honour both a runner-up and a winner, reflecting the outstanding quality of work submitted in 2025. Presented at the ABTT Christmas Party on Friday 5th December at the Gillian Lynne Theatre, the panel announced that the winner of the 2025 ABTT Stephen Joseph Award is INK, based in Halesworth, Suffolk, with Theatre Deli receiving a Special Commendation as runner-up. The award panel noted that INK Festival’s impact has been “remarkable and far-reaching.” Over the past ten years, INK has transformed the arts landscape of a small Suffolk market town, becoming the country’s leading short-play festival. Last year alone, the festival received more than 1,000 new script submissions, producing over 70 plays for enthusiastic audiences across unique local venues including barns, buses, car showrooms and even food-bank larders. The panel praised INK Festival’s meticulous and community-rooted approach: supporting new writers through workshops, carefully selecting and developing scripts and curating work into themed groups performed by professional actors. Every stage of the process leaves “a lasting ripple effect” on those involved, from writers to performers to the local community. As the winner of the 2025 ABTT Stephen Joseph Award, INK was presented with a specially designed bronze trophy – a miniature theatre-in-the- round based on an early Stephen Joseph sketch – alongside a certificate recognising this outstanding achievement. Julia Sowerbutts, artistic director and founder of INK responded to the announcement by noting: “When I started INK from my kitchen table a decade ago I had no idea that we would grow into the UK’s largest producer of new short plays with an extended family of actors, technicians and volunteers, and submissions from over 1000 playwrightseach year. For INK to be awarded the Stephen Joseph Award in 2025 is the best early Christmas present we could imagine, especially as it was set up to commemorate such a theatre visionary. This Award will inspire us in 2026 to broaden our community reach even further as we step into our next decade and help welcome a new generation of people excited, as we are, by the possibilities of live performance.” The panel also awarded a special commendation to Theatre Deli, recognising the organisation’s “most valuable work in establishing and expanding creative opportunities” within its innovative studio spaces in London and beyond. Theatre Deli’s commitment to incubating new work: providing discounted space, rehearsal facilities and development opportunities, continues to support emerging practitioners and fringe companies in meaningful and impactful ways. Theatre Deli Chair, Pam Fraser Solomon responded:“Throughout the last 16 years, artists have come to us for much-needed space to grow and develop, and stayed to become part of our community. We are very pleased that the Stephen Joseph committee has recognised the value of the affordable cultural production spaces that our charity creates. Theatre Deli’s ‘meanwhile’ approach to space is an essential part of our identity and activity, an ongoing risk-taking adventure.” Together with INK Festival and Theatre Deli, this year’s entries usual drew some very strong contenders from both individuals and groups and we would like to take a moment to appreciate the other nominations received for this year’s award: Guildford Shakespeare Company – Welcome to our Table A community project promoting inclusion and belonging by bringing together displaced young people and local students through shared food, creativity and Shakespeare, culminating in a performance in a local church. Nick Oliver Duncan For exemplary technical work and design at Wellington College, training students in professional practice through varied and ambitious school productions. Peter Small – Lighting Design for 58th Street For inventive use of state-of-the-art technology to create a fully immersive prohibition-era speakeasy atmosphere for Lost Estate’s jazz/cabaret dining show. Team Collective Cymru A bold initiative connecting arts workers, communities and schoolchildren across Wales, exploring creativity as a tool for identity, awareness and inclusion through theatre-in-education and documentary video. photo: Origin8 Photography Peerless-AV Announces Kayla Whitfield as Regional Sales Manager, North Global AV technology pioneer Peerless-AV has announced the appointment of Kayla Whitfield as regional sales manager, north. Kayla’s remit will cover the north of England, Scotland and Ireland, where she will leverage her strong contact base and work closely with distributor and reseller accounts to provide support and drive new opportunities for Peerless-AV products to market. Kayla brings a solid foundation of AV knowledge and skills to the UK sales team, supporting Peerless-AV’s expanding EMEA operation. Together, the team will build on the company’s momentum, driving growth into new vertical markets and key accounts across the UK and Ireland. Commenting on her role, Kayla said: “We have a strong, friendly yet formidable team and we’re ready to take on the challenges and opportunities in the remainder of 2025 and into 2026 as we prepare for the biggest show of the year, ISE. It’s a great time to start. Peerless-AV is in an exciting phase with its rapidly expanding dvLED mount business and I look forward to educating and supporting key accounts and prospect bases through training, sales promotions, marketing incentives and networking events.” Kayla has held various account manager roles within the AV and professional services industries. For seven years, she was account manager at a European digital workplace transformation company where she was responsible for delivering global meeting room solutions and digital signage. “Kayla is a perfect for our UK sales team and we can’t wait to see the contribution she’ll make to the continued growth of the business,” said Chalene Chandrasiri, director of sales UK and Ireland. “She brings valuable experience supporting customers both nationally and internationally, along with good knowledge of the AV and digital signage markets, which will help us develop our key partnerships and expand into new areas.”Next >