direct from: www.etnow.com Regulars Contents this month News and Features Web Directory Features Issue: 401 Pharos Helps Bring The Smurfs’ Adventure to Life page 26 July 2026 page: 12page: 16 page: 31 Ayrton Launches RawBeam 350 – The Racing Machine Ayrton has announced the official launch of RawBeam 350, its brand-new laser-sourced ultra-compact fixture. Premiered at ISE 2026, RawBeam 350 is a pure racing machine: a sleek, compact luminaire with a phosphor-converted laser source and formidable performance. RawBeam 350 is a compact, flat-beam fixture with the same footprint and dimensions as Diablo. It delivers ultra-intense beams with a remarkable output of over 1,340,000 lux at ten metres. More on page 9 page: 22 White Light (WL) is proud to have supplied the complete lighting rig for the West End production of Beetlejuice – The Musical. Blue-i Theatre Technology relied on Brompton Technology’s Tessera LED processing platform to help deliver a spectacular visual experience. American singer Hayley Williams’ tour is out with a Hippotizer TEKA MX Series media server, enabling a projection-led design. Brompton and Absen for the 50th Olivier Awards It’s Showtime! White Light Turns on the Juice! Hippotizer MX on Hayley Williams Tour page: 4 to 30 page: 2contents this month July 2026 page no. Features page : 4 page : 6 page : 11 page : 10 www.protos-one.com ATLASSeries Electricchainhoists D8&D8+Compliant|IP65Rated 3-YearWarranty Availableinfourliftingcapacities (250–2000kg) Discoverthenewliftingstandard 22Hippotizer MX Blends Scenic Design and Projection Mapping on Hayley Williams Tour American singer Hayley Williams’ tour is out with a Hippotizer TEKA MX Series media server. 23Ed Warren Evokes Narrative for Kingfishr with Chauvet Professional Providing the lighting power for Ed Warren’s design in the tour’s full arena show are 96 Strike 1 fixtures and 10 COLORado PXL Curve 12 motorised battens, both from Chauvet. 24Theater in der Josefstadt: Into a New Audio Era with Sennheiser Spectera Since 2025, Sennheiser Spectera wideband wireless systems have been a key component of the theatre’s completely digital audio workflow. 26 Pharos Helps Bring The Smurfs’ Adventure to Life at Plopsaland Deutschland Pharos Architectural Controls created an immersive indoor Smurf-themed experience at Plopsaland Deutschland. 28 Brompton Processing Powers LAMDA’s Professional-grade Virtual Production Studio Brompton Technology’s Tessera is at the core of a state-of-the-art virtual production studio at the London Academy of Music & Dramatic Art (LAMDA), one of the world’s most respected drama training institutions. 30 Audiotonas Fits-Out New Live Music Venue in Historic Daina Cinema with Martin Audio WPC The Daina project has transformed a historic interwar cinema in Kaunas, Lithuania, into a world-class culture and live music venue with a Martin Audio sound reinforcement system at the heart of the redevelopment. 12It’s Showtime! White Light Turns on the Juice! The hit Broadway stage adaptation of Beetlejuice – The Musical has finally arrived in the West End and White Light (WL) is proud to have supplied the complete lighting rig. 14d&b solutions Deploys Sennheiser Spectera for the Installation of the Archbishop of Canterbury d&b solutions deployed Sennheiser’s Spectera wideband wireless system across the full 160-metre length of the Cathedral, with 42 beltpacks running across two base stations, ensuring clear and reliable transmission throughout. 16Brompton Processing and Absen LED Panels Bring the 50th Olivier Awards to the Stage and Screen Blue-i Theatre Technology relied on Brompton Technology’s Tessera LED processing platform to help deliver a spectacular visual experience, both in the room and on screen, for the prestigious ceremony’s much anticipated return to prime-time BBC television. 18GLP JDC Burst 1 Powers the Visual Language of Dani Fernández’s La Insurrección Tour Isaac Bargiela, creative director, lighting designer and scenographer for the production, used GLP JDC Burst 1 fixtures as the centrepiece of a unified visual language spanning lighting, video and scenography across one of Spain’s most ambitious current touring productions. 20Gorillaz’ Engineers Choose DiGiCo Workflow for Band’s Epic The Mountain World Tour With a DiGiCo Quantum 852 at front of house and another at the monitor position, both supplied by Entec Sound and Light, engineers Matt Butcher and Dave Guerin can cope with anything the show throws at them.from the editor direct from: www.etnow.com Entertainment Technology is published 12 times a year in conjunction with the leading industry portal www.etnow.com Editor: Jackie Staines Production: Jackie Staines Published by: ET Press Ltd The Studio, High Green Great Shelford Cambridge CB22 5EG Telephone: +44 (0)1223 550805 Fax: +44 (0)1223 550806 Website: www.etnow.com email: editor@etnow.com © ET Press Ltd. Subscription Rates: Annual Subscription for 12 issues (UK): £27.50 Annual Subscription (overseas): £50.00 Subject to acceptance, subscription is free to UK based industry professionals. Subscribe online at: www.etnow.com/etmag/ Opinions expressed in Entertainment Technology are not necessarily those of the publishers. All rights are reserved and reproduction of any part in whatever form is prohibited without the prior permission of the publishers. etnow.com (entertainment technology news on web) is the industry portal site with news from around the world added daily under various sector headings coupled to an extensive archive. The site also features a books section where titles from ET Press can be ordered online via our secure Sage Pay credit card services. Issue: 401 ISCVE Expands ECS Card Scheme with New Audiovisual Technician and Project Manager Cards ISCVE has expanded its ECS Card Scheme with the introduction of two new ECS card routes for professionals working within the audiovisual industry. As well as the existing ISCVE Sound Engineer and ISCVE AV Engineer ECS cards, the new additions include: •Audiovisual Technician Gold ECS Card •Audiovisual Project Manager Black ECS Card The launch forms part of wider updates to ISCVE’s ECS Card Scheme website pages, providing clearer guidance, simplified application routes and additional support for professionals working across the audiovisual, sound and communications sectors. The new Audiovisual Technician Gold ECS Card is designed for experienced AV professionals involved in the installation, commissioning and support of integrated AV systems and technologies across commercial, education, hospitality and public sector environments. The card is intended for Audiovisual Technicians qualified to a Level 3 vocational standard or above, with the expertise to install, configure and operate complex audiovisual equipment and systems. The Audiovisual Project Manager Black ECS Card has been introduced for professionals responsible for overseeing and managing AV projects, including installation co-ordination, site supervision, project delivery and client liaison. This card is aimed at Audiovisual Project Managers who have achieved a Level 4 or Level 5 qualification in a supervisory or managerial capacity within the audiovisual sector. As competency requirements and site access expectations continue to increase across construction and technology sectors, ECS cards provide recognised proof of identity, qualifications and health & safety awareness for engineers, project managers and technical professionals. ISCVE’s ECS Card Scheme supports professionals working across a wide range of specialist sectors including: •Audiovisual integration •Professional audio •Voice alarm and public address •Conferencing systems •Digital signage •Control systems •Smart building technologies The updated ECS Card Scheme website pages also provide guidance on: •Eligibility requirements •ECS Health, Safety & Environmental Assessments •ECS Electrical Safety Unit Assessments •Exemptions for Assessments •Card renewals and replacements •Membership requirements ISCVE continues to support applicants throughout the ECS card process, helping to simplify applications and reduce the time and effort often associated with navigating industry certification requirements. The scheme provides a recognised and supported route into ECS accreditation, with guidance available throughout the application process. Ros Wigmore, business manager at ISCVE, comments: “The AV industry continues to evolve rapidly, with increasing demand for recognised competency and professionalism across both technical and project management roles. The introduction of these new ECS card routes helps better represent the specialist skills and responsibilities within today’s integrated AV sector.” Dan Woods, ECS standards and development manager, comments: “It is great to work with the ISCVE to enable them to widen their offering of ECS cards to their members, allowing them to officially verify their skills and knowledge in the AV sector.” The updated ECS Card Scheme website pages are now available at:https://iscve.org.uk/ecs-card-scheme Flints Announces Managing Director Retirement and Leadership Transition Flints has announced thatBen Lyle is retiringfrom the role of managing director following more than30 years with the business. Dave Clarke, currently operations director, will succeed him as managing director, with a six month crossover period in place to support a smooth and thoughtful transition. Ben joined Flints over three decades ago and spent many years as finance director before being appointed managing director in 2018. Since taking on the role, he has guided the business through a period of continued growth and evolution, underpinned by a strong commitment to people, customers and long-term stability. Reflecting on his upcoming retirement, Ben said: “After more than 30 years with Flints, it feels like the right time to begin a new chapter. I’ve been incredibly fortunate to work with such dedicated colleagues and to have played a part in shaping the business over many years, including the opportunity to lead it since 2018. I’m pleased to be working closely with Dave during the crossover period and have every confidence in his leadership.” Dave has been with Flints since2004 and has developed a deep understanding of the organisation through his oversight of operations and key developments. During the six month crossover period, he will work alongside Ben to ensure continuity, knowledge sharing and a seamless handover. Andy Repka, finance director, commented: “Ben’s contribution to Flints over more than three decades cannot be overstated. From his time as finance director through to his leadership as managing director since 2018, he has embodied the values of the business. The appointment of Dave represents a natural next step and the six month crossover reflects our commitment to a careful and considered transition.” Dave Clarke added: “I’m looking forward to taking on the role of managing director and continuing the work that has made Flints such a respected name within the industry. The business has built its reputation on knowledge, service and long-standing customer relationships and I’m focused on carrying those values forward as we continue to grow and evolve. Ben has played a significant part in shaping the business and I’m grateful to have his support during the transition.” Following the six month crossover period, Ben will formally step down from the board, leaving behind a strong legacy and a business well prepared for its next chapter.July 2026 news 4 A.C. Entertainment Technologies Appointed as UK Distributor for EXE Technology chain hoists A.C. Entertainment Technologies (AC-ET) has announced its appointment as an official UK distributor for EXE Technology, a leading innovator in chain hoists and lifting solutions for the entertainment industry. This new partnership strengthens AC-ET’s rigging portfolio and provides customers across the UK with enhanced access to EXE Technology’s advanced range of EXE RISE D8+ chain hoists, renowned for their safety, reliability and performance in demanding live event environments. EXE Technology, part of Area Four Industries, has built a strong global reputation for developing cutting-edge lifting solutions used in theatres, arenas, touring productions and large-scale events. Their hoists are widely recognised for meeting stringent international safety standards and delivering precision handling in complex rigging applications. Through this agreement, AC-ET will offer full sales, technical support and after-sales service for the EXE chain hoist range, ensuring UK customers benefit from expert guidance and reliable local support. To further support the UK market, AC-ET will be holding dedicated stock of EXE Technology chain hoists at its UK facility. Hoists will be assembled and chained to each customer’s individual specification in-house, enabling rapid despatch and minimising lead times, a significant advantage for productions working to tight schedules and last-minute requirements. “As we already have a very close relationship with Area Four Industries, exclusively distributing their Litec S range of truss, it makes total sense to extend our product portfolio with them to include EXE Technology and help bring their industry-leading hoist solutions to our UK customer base. This collaboration reinforces our commitment to providing high-quality, innovative rigging products, backed up by exceptional service and technical expertise,” stated Jonathan Walters, managing director, A.C. Entertainment Technologies. “AC-ET’s strong market presence, technical knowledge and customer-focused approach make them an ideal partner to further strengthen the presence of EXE Technology products in the UK. We look forward to supporting their continued growth and delivering our solutions to a wider audience,” continued Fabio Prada, sales and marketing director, A4I Global. The partnership reflects growing demand within the UK entertainment and events sector for high-performance, safety-compliant lifting equipment, particularly as productions continue to scale in complexity and technical requirements. AC-ET customers will now have direct access to EXE Technology’s full hoist portfolio, alongside training, demonstrations and ongoing technical support. www.ac-et.com Optimal Audio Launches SmartAmp Custom Configurator and ZonePad VL1 Optimal Audio has announced two new additions to support SmartAmp based system installs, that provide a meaningful capability upgrade for the company’s commercial amplification line. SmartAmp Custom Configurator is a free desktop application (macOS or Windows) that opens up full DSP configuration for every SmartAmp installation. Alongside it, the new ZonePad VL1 passive wall-mounted volume controller rounds out in-room control when teamed with a SmartAmp. Both were unveiled at InfoComm 2026, Las Vegas, where Optimal Audio also showcased its recently announced Column Series. SmartAmp Custom Configurator 3.0 replaces Optimal Audio’s previous configuration tool with a single application that manages firmware updates and gives installers full per-output control over routing, speaker presets, impedance, EQ, crossover, delay and limiter. Any input can route to any output. Each output can be assigned its own speaker preset, either from Optimal Audio and Martin Audio libraries or built for third- party loudspeakers. Full amplifier configurations save and load as files, simplifying multi-site deployment and service visits. The configurator runs natively on macOS and Windows, connects over USB and requires no internet connection on site. The familiar DIP-switch workflow is untouched: Custom Configuration simply unlocks when all DIP switches are set to 0. The ZonePad VL1 is a passive wall-mounted volume controller that plugs straight into the SmartAmp GPIO port. No power supply, no extra hardware, no configuration. It’s built from painted steel with a clear zone label area, and ships in two variants from launch: UK/EU single-gang and US 1-gang decora, both in white. Pair two VL1s with a SmartAmp 20 or 30 and you get independent volume control across two zones, enough to handle basic multi-zone installations without a dedicated zone processor. Together, these two releases reshape what a SmartAmp system-based install can be. Custom Configurator unlocks DSP capabilities normally reserved for higher specification commercial amplifiers – notably, per-output processing, custom speaker presets, file-based configuration – and ZonePad VL1 gives end users a matched, properly built wall control to operate the system. The combination covers a wider range of installations, from single-zone retail and hospitality through to basic two-zone systems. “Out with switches, in with DSP freedom: that’s really what this release is about,” said David Morbey, product manager at Optimal Audio. “Custom Configurator gives installers the kind of routing and processing flexibility you’d normally only find on a far more expensive amplifier. And ZonePad VL1 makes sure the wall control feels like part of the same system.” The Custom Configurator is available immediately as a free download, with ZonePad VL1 shipping from August 2026 in UK/EU and US variants. Live Technology Appoints Curtis Lewis Leading supplier to the audio, lighting and video markets, Live Technology has announced the appointment of Curtis Lewis to the position of lighting sales manager. Curtis will represent Live Technology’s extensive lighting portfolio, with a focus on supporting and supplying new and existing customers, including maintaining and developing close relationships with lighting designers. With 25 years’ experience in lighting sales, Curtis brings a proven track record of success to Live Technology. Whilst dealing across the board with all of Live Technology’s distributed lighting brands: Elation, Obsidian, Robert Juliat, Stage Smarts, Martin and JEM, he will take the lead for the company on Elation products, with a view to accelerating the brand’s growth in the UK market. Curtis perfectly fits the Live Technology profile according to the company’s head of lighting Joshua Wakley: “Alongside a comprehensive understanding of the industry, Curtis demonstrates a level of passion and enthusiasm for the sector which exactly reflects the Live Technology ethos. A well-respected and trusted figure in the industry, his success has been built on forging strong and lasting relationships with his customers. We are delighted to have him on board as part of our expert team.” Curtis Lewis adds: “I was in search of a fresh challenge in the industry, so when the opportunity arose to become part of the Live Technology team, I had no hesitation in accepting the offer; the company’s distinctly customer-focused outlook very much resonates with my own approach to business. Although my principal focus will be to lead on Elation, I’m also excited to be representing our full portfolio of industry-leading brands and working with customers to help them achieve excellent solutions in every area of the sector.”Issue: 401 news 5 HK Audio Launches Two New Product Families: LUNAR and PORTABLE SUB – Maximum Performance, Powerful Individually, Unbeatable Together With the simultaneous launch of the new LUNAR and PORTABLE SUB families, HK Audio is introducing sound reinforcement solutions that combine high performance with intuitive operation and a well-thought-out system concept. The LUNAR series comprises three versatile, high-performance loudspeakers with 10″, 12″ and 15″ woofers. These can be flexibly deployed as full-range systems, monitors or as mid/ high-units in combination with subwoofers from the PORTABLE SUB series. PORTABLE SUB consists of two powerful subwoofers with 15″ and 18″ drivers. These are not only tailor-made for LUNAR but also work perfectly with the HK Audio POLAR MK2 and SONAR systems. Both series have been developed independently and each meets the specific requirements expected for professional use. While the systems perform impeccably individually, they are precisely matched to one another and realise their full potential when used together. This creates a powerful, flexible and particularly easy-to-use complete system. With the new LUNAR series, HK Audio is targeting users who want to combine uncompromising sound quality with maximum ease of use. Designed for DJs, live performers and professional PA set-ups, LUNAR delivers impressive results straight away, without complex configuration. At its heart is a deliberately streamlined operating concept. Predefined presets provide direct access to optimally tuned sound settings for various applications such as music, monitor or voice. This ensures a quick set up and smooth operation during use and keeps the focus on the performance at all times. A powerful 32-bit DSP with FIR filter and phase correction ensures precise, dynamic reproduction with high impact, even at high volumes. Flexible connectivity options, including Bluetooth True Wireless Stereo, also allow for easy integration of a wide variety of signal sources. Manufactured in Germany, the LUNAR series delivers the highest build quality and reliability. Robust wooden cabinets, a clean, modern design and an extended five-year manufacturer’s warranty underline its professional credentials. The reality of LUNAR is clear. Switch on, select a preset, get started. Professional sound has never been so straightforward. The new PORTABLE SUB series enhances modern loudspeaker systems with a powerful, precisely controlled low-frequency foundation. It serves as the logical complement to the LUNAR series, but it is perfectly matched to existing HK Audio systems such as the POLAR MK2 and SONAR. This gives the series a clear strength, maximum compatibility within the HK Audio system ecosystem, combined with simple, reliable operation. PORTABLE SUB is based on a well-thought-out preset concept. Specially developed presets for the respective HK Audio series ensure precisely tuned, phase-stable interaction at the touch of a button. A general preset also allows the subwoofers to be easily combined with loudspeakers from other manufacturers. With 1,400W of peak power and a maximum sound pressure level of 131dB, the models deliver powerful, well-defined bass. The integrated DSP technology ensures precise impulse response and reliable performance, even at high volumes. An integrated stereo preamp enables the simple set up of 2.1 systems, while practical features such as flexible connection options and well-designed controls make everyday use easier. Like the LUNAR series, the PORTABLE SUB models are manufactured in Germany and stand for high build quality, durability and reliability. With LUNAR and PORTABLE SUB, HK Audio is pursuing a clear approach: two independent product lines, each impressive in its own right, yet working together perfectly. While LUNAR stands for quick access to high-quality full-range sound, the PORTABLE SUB models provide the ideal extension in the low-frequency range. Together, they form a scalable system that can be flexibly adapted to a wide variety of requirements, from mobile DJ set-ups to professional live applications. KLOTZ AIS Introduces the RC5HH High Flex – Affordable CAT5e RamCAT IP65 Network Cable for Professional Live Applications KLOTZ AIS has expanded its product portfolio with the new RC5HH High Flex, a professional-grade and highly durable CAT5e network cable designed specifically for mobile applications. Developed for demanding event technology environments, the reelable KLOTZ RC5HH delivers exceptional flexibility and reliable performance, even under challenging conditions. Robust H-Series stainless steel connectors with IP65 protection, including protective caps, ensure dependable operation in live production and touring applications. The RC5HH High Flex has already proven its practicality through extensive testing by leading industry manufacturers. Yamaha UK recommends the cable for Dante applications up to 75 metres, DigiGram for EtherSound networks up to 75 metres and Allen & Heath for iLive ACE and dSnake systems with cable lengths of up to 120 metres. Maximum durability and operational reliability are ensured by the high-quality H-Series RJ45 connector. Its rugged stainless steel housing provides excellent protection against mechanical stress. When used with the supplied silicone rubber protective caps – or when mated with compatible connectors – the system achieves an IP65 protection rating, making it ideal for use in dusty, damp and demanding outdoor environments. The H-Series RJ45 connector is fully compatible with standard RJ45 chassis connectors, allowing seamless integration into existing network and audio infrastructures. The robust KLOTZ CAT5e outdoor network cable (RC5-LB1) features a durable PUR outer jacket and an S/UTP design with AWG26 stranded conductors. This construction ensures outstanding flexibility and resilience, even with frequent winding and unwinding. A transparent heat-shrink sleeve also enables individual labelling for quick and easy identification during daily operation. With the RC5HH High Flex, KLOTZ AIS addresses the needs of professional users who depend on reliable network connectivity under demanding operating conditions.July 2026 news 6 Dunottar School Delivers West End-Calibre Les Misérables with White Light Dunottar School has raised the bar for school productions with a visually and technically ambitious staging of Les Misérables, delivering a show that audiences described as “almost like watching a West End performance.” Technically led by Ted Swan, theatre and AV manager, and working collaboratively with director of drama Sarah van Duijvenvoorde and director of music Laura Channell, the production formed the centrepiece of the school’s centenary celebrations. The brief was clear: create a showstopping experience that matched professional theatre standards while operating within the constraints of a school environment. “We wanted to go a step further,” said Swan. “It’s our 100th year, so we needed everything to feel brilliant and as impactful as possible.” Despite having a dedicated theatre, Dunottar faced technical challenges. Limited rigging capacity and weight restrictions required careful design decisions to maximise visual impact without compromising safety. Working collaboratively with White Light, Swan selected lightweight yet powerful fixtures such as Ayrton Diablo fixtures. This approach allowed for a denser and more dynamic rig while staying within structural limits. “We had to be really careful with what we could hang,” Swan explained. “The guidance from White Light helped us choose the right tools to still achieve the effects we wanted.” The design extended beyond traditional overhead rigs. For the first time, lighting fixtures were integrated directly into the set, including blinders and sidelighting positioned within the staging itself. Custom rigging points were engineered into the set build, creating new creative possibilities and enhancing the visual storytelling. The production drew inspiration from established professional staging, incorporating a tiered set design reminiscent of Evita, constructed by Steel Deck. Combined with a fully miked live band, including musicians with West End credits, the result was an immersive and authentic theatrical experience. Swan’s vision was rooted in his professional theatre background and a commitment to giving students access to industry standards. “I want them to experience what real theatre looks and feels like,” he said. “If they go on to further study or careers in the arts, it shouldn’t be the first time they encounter this level of equipment.” White Light’s hire service played a critical role in enabling Dunottar to scale its production. Alongside an expanded lighting package and special effects such as low fog systems, the school benefitted from responsive technical support and expert advice throughout the process. “White Light’s support always proves invaluable under pressure and we know we are in safe hands. I’ve worked with Adam Walker-Cheetham, WL’s key account manager for many years and his level of responsiveness gives you complete confidence.” Adam commented: “We’ve very much enjoyed working with Ted and Dunottar over the years. Our collaborative approach extends from initial planning through to design, with regular consultation ensuring the technical solution aligns with both creative ambition and budget constraints.” “You can talk through ideas and find the right approach together,” Swan added. “There’s always a way to make it work.” A key outcome of the production was hands-on student engagement with professional-grade technology. Students operated the ETC Gio @5 lighting desk, executing more than 480 cues during performances, while working alongside Swan in a real-world production environment. This experience is central to Dunottar’s approach. By integrating industry-standard tools such as DiGiCo sound desks and advanced lighting systems, the school equips students with practical skills and confidence. “They’re not just learning theory,” Swan said. “They’re actually doing it, using the same equipment they’ll see in professional venues.” Audience response reflected the success of this approach, with feedback praising both performance quality and technical execution. “The lighting elevated everything,” Swan said. “We achieved effects we’ve never been able to do before and it made a huge difference to the overall production.” For other schools considering how to balance ambition with budget, Swan’s advice is clear. “Trust the expertise available to you and invest where it matters. The impact on your production is enormous.” photo: courtesy Dunottar School HIVE Launches HIVE Academy to Support Growing Global User Community HIVE has announced the launch of HIVE Academy, a new training and certification programme designed to support users of its media server platform and help teams get the most from HIVE, from initial set up through to advanced workflows and large-scale deployments. Built around real-world use, HIVE Academy provides a structured pathway for operators, designers, engineers and integrators working across live events, touring and immersive environments. The programme combines hands-on training with formal certification, giving users a clear framework to build skills, validate their knowledge and deliver projects with confidence. The launch formalises a training approach already delivered globally across projects and partner sessions, bringing it together into an official syllabus with defined modules, certification and a consistent standard. “Training has always been part of what we do, but until now it’s been quite organic,” said Nigel Sadler, chief pollinator at HIVE. “HIVE Academy is about formalising that: giving people a structured path to follow, a recognised certification and a clear standard we can measure against. It gives users confidence in their own skills and it gives customers confidence in the people delivering their projects.” The programme is built around three core modules, covering software fundamentals, advanced features and integration best practices. Together, they take users from understanding the HIVE ecosystem through to deploying complex media server workflows in real-world environments. HIVE Academy is delivered either in-person or remotely, making it easier for teams to access training wherever they are, alongside an always-on knowledge base for ongoing guidance and troubleshooting. Certification is awarded to participants who complete the programme and demonstrate applied understanding, helping to establish a recognised standard across the HIVE ecosystem. As adoption grows, the Academy also plays a key role in building a stronger global community of certified users, partners and integrators. With initial training sessions set to roll out across key regions, HIVE Academy will continue to evolve alongside the platform, ensuring users have the tools, knowledge and support to deliver increasingly ambitious projects. For more information and to register your interest, visit the HIVE Academy training page.Issue: 401 news 7 AV Stumpfl Opens Dedicated UK PIXERA hub in Brentford’s Golden Mile AV Stumpfl, an Austrian manufacturer of professional projection screens and PIXERA media server solutions, has opened a dedicated UK PIXERA office at The Old Pumping Station, Brentford, West London. Situated within the Golden Mile, one of the capital’s most ambitious regeneration areas, the new facility marks a significant milestone in the company’s long-term commitment to PIXERA in the UK market and officially opened its doors on 29th May 2026. The Golden Mile has established itself as a hub for technology, creativity and the events industry, drawing together forward-thinking organisations from across these sectors. PIXERA’s presence within it reflects the ambition behind the new office. Rather than functioning as a conventional sales base, the Brentford space has been designed as a dedicated resource for customers, partners and the wider AV community from the outset. The emphasis is on engagement, creating a place where people can interact with PIXERA products and expertise in a practical, professional setting. Central to the facility’s offer is a structured programme of training built around PIXERA, AV Stumpfl’s flagship media server platform. Sessions at the Brentford office will cover both PIXERA Basic and PIXERA Control, providing attendees with thorough, hands-on experience of the system in an environment designed specifically for that purpose. Alongside the formal training schedule, the team operates with an open-door policy, welcoming customers and partners who wish to visit for collaboration, consultation or simply to explore PIXERA technology in the context of their own projects. The UK office is headed by Craig Harrower, managing director of AV Stumpfl Ltd, who issupported by Ben Champion, technical specialist for PIXERA and Antony Bailey, who joined the company in April 2026 as UK business development manager. Bailey is a well-known figure within the professional AV industry and his appointment signals clear intent to build a UK team with genuine technical depth and strong industry connections. Craig Harrower said: “The UK has always been a core market for AV Stumpfl and PIXERA, and this office is the next step in strengthening our local presence. In Brentford, we’ve created a space where customers and partners can experience our technology first-hand, from PIXERA training sessions to collaborative project discussions. The Golden Mile offers the right environment for this, with its dynamic atmosphere and forward- thinking organisations. We’re excited about the opportunities this will create to work even more closely with integrators and clients.” Isle of Man’s Villa Marina Complex Continues to Invest in a DiGiCo Future The Villa Marina & Gaiety Theatre is a stunning period multi-space arts and entertainment venue situated in the Island’s main city, Douglas. It comprises The Gaiety Theatre, a Frank Matcham playhouse opened in 1900, the Royal Hall, an octagonal dance hall opened in 1913, plus a series of smaller multi-purpose event spaces, all situated on the Harris Promenade on the Isle of Man. A major project in 2018 saw the venue purchase its first DiGiCo consoles: two DiGiCo SD12s with D2 Racks. These are still in use today and, as the team look to the future, they are making further investments, this time into the Quantum series, with the addition of a brand-new Quantum 326 and a Quantum 112 both supplied by Adlib. The site has huge cultural significance and a rich history. In 2000, Villa Marina was purchased by the Isle of Man Government and a four-year long renovation began. Since 2004, the whole site has benefitted from several upgrades. Technical manager, Séamus Shea is very aware of the requirement to fully justify every purchase. He has overseen much of the venue’s most recent restoration projects and alongside leading sound technician, Anthony ‘Polly’ Palfreman, ensures the venue gets the very highest quality equipment required by these special buildings. With strong community ties and Government ownership, choosing DiGiCo is one way to ensure lasting quality, a return on investment and deliver the experience that high-profile visiting artists expect. “We have a real variety of spaces in Villa Marina, from our fully restored theatre, The Edwardian grandeur of the Royal Hall, to our events spaces; we offer something for everyone,” Séamus explains. “Our DiGiCo consoles are flightcased, so we can move them easily. We might bring them in to support a larger show or use them as stand-alone consoles. We have amazing local musical talent and we were the first UK venue to be granted the performance licence for a full professional replica version of Les Misérables, but we also have great touring acts like Gary Barlow coming through, so we really do need to be all things to all people.” For this venue, flexibility and versatility is a fundamental requirement. There are a variety of touring artists, shows and local talent coming through each night, means that Polly relies on the familiar workflow and full capacity of the DiGiCo Quantum 326 and SD12s, plus the infrastructure to provide quick, reliable service throughout the entire complex. “It’s not just the desks, in the Royal Hall we have two DiGiCo D2 Racks, too. We’ve also got our main SD Rack feeding our L-Acoustics L2 system, which was the first deployment of the L2 system in Britain,” Polly recalls. “We’re punching above our weight a bit because, as the island’s flagship entertainment venue, we need to be able to attract visiting artists and provide engineers with a set-up they’ll be comfortable with. We’re running optical loops, but we can dip out if we need to. Occasionally acts come in with different requirements, like The Lottery Winners I mixed monitors for a little while ago and I was able to use our old analogue system into one of the D2 Racks. It’s brilliant and it just works. That flexibility is so important, not just for our DiGiCo consoles, but our in-house network systems and staff, too.” Training and education are also key for the venues, thanks to Adlib and DiGiCo they benefit from regular professional training. The next generation of sound professionals was a real consideration in continuing to purchase DiGiCo equipment, as Polly continues, using the DiGiCo ecosystem ensures that early-careers engineers get the best possible introduction to the industry. “We’re not getting any younger so we need to try and encourage the younger generation to come through,” he continues. “DiGiCo technical sales support engineer, Sam North, was over doing some training on the Quantum 326 a few weeks ago. He made a comment that we’ve got more DiGiCos per head of population than anywhere else in Europe, but I don’t know how true that is! Using DiGiCo infrastructure means we only need to teach one ecosystem, it’s all part of the next generation’s educational opportunities. The philosophy behind what DiGiCo has done with Quantum, the capacity that’s built in and their receptiveness to our requirements, all points towards a long and stable future.” Rob Crossland is engineering manager at Adlib and offers ongoing support to Polly and the team. He is proud of their long-standing relationship and, as he and Polly conclude, it is the strength of these relationships and the trust between manufacturer, supplier and end user that keeps clients coming back for more. “The DiGiCo SD12 was Villa Marina’s first step into digital mixing and we are delighted that they have chosen to deepen that bond,” Rob expands. “By investing in new fibre infrastructure, an SD Rack and new Quantum consoles they are continuing to look to the future of this beautiful venue. As ever, the support from DiGiCo has been fantastic including a training refresh to make sure the venue team are up-to-date with all the latest features.” “One of the biggest things that I like about DiGiCo is that they deploy their technical staff into the big festivals, so they’re on the front line,” Polly finishes. “They are always ready to listen to all our feedback, so they can see what is worth developing, and that’s good for the industry. It provides us engineers with a lot of confidence.”July 2026 news 8 Planar Engineers Groundbreaking New MIP (MicroLED in Package) Innovation and Architecture Planar, a global leader in visualisation technology, introduced two cutting- edge engineering breakthroughs with the launch of Planar EverPixel and Planar TruMicro LED technologies, available in Europe via Leyard Europe. Unleashing the next evolution of display performance, both technologies are designed and manufactured with a proprietary process exclusively from Planar. “Planar has long been a proven technology pioneer and has an unmatched history of bringing groundbreaking technologies to market,” said Sidney Rittenberg, chief executive officer at Planar. “Today, this continues with the release of our new proprietary EverPixel and TruMicro technologies, driving the most advanced MIP development and delivering the next LED technology surpassing COB.”Building on the MicroLED in Package (MIP) architecture and working in combination with Planar’s TruMicro, EverPixel technology eliminates the LED substrate and delivers manufacturing efficiency through fewer parts, processes and components. Exclusively from Planar, the technology doubles the number of red, green and blue (RGB) subpixels, providing a solution with built-in redundancy that effectively eliminates the concern of pixel outages and powers everlasting LED performance. By soldering the chip electrode directly to the LED package, Planar delivers unmatched reliability, eliminating the risks of wire breakage or poor contact found in traditional gold and copper wire bonding. The light output surface eliminates metal occlusion to unlock five-sided light output. This drastically increases light efficiency and opens up ultra-wide viewing angles free from colour distortion or dimming. The performance of Planar’s proprietary TruMicro LED technology exceeds that of any visual technology available today by introducing LED RGB subpixels that are remarkably smaller. Comprising MicroLED subpixels as small as 20 micrometres (μm) and reducing height and positioning the subpixels tightly together, TruMicro improves the uniformity of mixing and delicacy of colour blending, nearly eliminating colour separation or colour shift concerns. It also enables enormously enhanced viewing angles. Together, these innovations ensure optimal chip performance at the packaging level by mounting substrate-free, common-cathode RGB flip chips. Through advanced mass transfer soldering directly onto the packaging substrate, Planar achieves exceptional subpixel accuracy. By controlling chip offset to within 2μm, the spacing between subpixels is greatly reduced, resulting in a more seamless, high-resolution visual quality. Planar’s TruMicro features the well-established, quality-control practice of binning LEDs. This process, which leverages a larger quantity of units and can continue to grow over time, achieves remarkable brightness and colour uniformity. Together, EverPixel and TruMicro technologies fit into an extremely small package with the capability to support pixel pitches smaller than 0.4 millimetres. KLANG Rolls Out KOS 6 Leading immersive in-ear monitor mixing system innovator KLANG:technologies has announced the release of its latest operating system, KOS 6, available for free at www.KLANG.com/kos6. The new firmware and its corresponding KLANG:app software support KLANG:1 and :1pro, both introduced at this year’s NAMM Show. The two compact immersive processors bring KLANG’s immersive mixing workflows to smaller and more flexible applications within the KLANG ecosystem. For KLANG:1pro, Dante patching to any other third-party devices can now be handled directly within KLANG:app, without requiring Dante Controller. New Solid State Logic integration support expands workflow possibilities for SSL Live users with native control directly from the console surface, making it possible to intuitively add immersive IEM processing directly to the familiar workflow of their console of choice. Also, remote management, labelling and monitoring of KLANG:kontroller and KLANG:app based personal mixing becomes a seamless and efficient possibility. The integration additionally provides an intuitive interface for configuring routing to and from the KLANG processor, as well as per-channel, per-mix tone shaping EQ control directly within the SSL environment. ADM-OSC support enables seamless integration with external immersive audio systems through standardised real-time spatial control; for example, remote control of a single KLANG mix from the master layer of a mixing console that does not offer KLANG integration but supports ADM-OSC. Beyond expanding compatibility and integration, KOS 6 introduces workflow enhancements that improve operational speed and efficiency. With new Action Buttons, key functions can now be placed directly on the main menu for instant access. These include loading mixes, triggering snapshots or preparing devices before a show. An updated settings screen allows all device settings to be viewed in one place. Configurations can also be copied between devices for faster set up. Batch snapshot editing enables quicker and more flexible show preparation by allowing multiple snapshots to be edited simultaneously. Parameters including channel and mix gains, immersive panning settings, mute and solo states, and Tone Filters can now be adjusted across several snapshots at once. The latest operating system additionally benefits from newly introduced Bitfocus Companion compatibility for KLANG. This enables KLANG immersive processors and KLANG:app to be controlled via Elgato Stream Deck or other supported Companion control surfaces. With KOS 6, network set up is simpler than ever before. Not only is there now an easier separation of Dante audio and control networks, but KLANG:kontroller connectivity can be maintained over a dedicated IP set-up without requiring VLAN configuration. This reduces set up time and avoids complex IT configurations. “Our customers will find much to be excited about in KOS 6, from new SSL Live console integration and expanded third-party compatibility to user- facing features like Action Buttons and Batch Snapshot Editing,” says KLANG co-founder Dr. Pascal Dietrich. “This major platform update includes numerous under-the-hood improvements to robustness, performance, and security, ensuring a future-ready system for our customers across all of their supported devices. The new release also notably introduces KLANG’s first improvements toward more accessible workflows including improved support for screen readers and making buttons and faders accessible via assistive technologies, marking an important step toward making immersive mixing more inclusive and usable for a wider range of engineers.” KOS 6 is available now as a free firmware update for all eligible KLANG processors and KLANG:kontrollers. For full details and to download, visit: www.KLANG.com/kos6Issue: 401 news 9 LSC’s UNITOUR Empowers Flexibility for Arlon’s House of Culture The Maison de la Culture d’Arlon, a busy theatre and cultural destination in the south-east of Belgium, has taken delivery of a UNITOUR system from LSC Control Systems, the Australia-based manufacturer of data distribution, power and lighting control systems. The theatre’s technical director, Benoit Petit, says: “We needed a power distribution system that could solve various problems in a single device. It had to be easy to move, quick to set up, fairly compact, able to provide both direct and dimmed power and sACN compliant for dimmer control. It also needed to include a monitoring system and electrical protection.” Portability was key because although the system would mainly serve the smaller, 120-capacity secondary venue, it would also be needed for other stages around the building, or sometimes in different locations across the town. Following a demo of UNITOUR given by Controllux and LSC’s business development manager for Europe, Kris Noerens, Benoit was convinced by the system’s extensive functions and intuitive, straightforward user approach. Furthermore, the Houston X software – which would allow for remote monitoring and configuration, enabling the team to receive alerts ahead of dropouts – was a major consideration. “UNITOUR turned out to be the right choice,” says Benoit. He placed the order just before Christmas and delivery followed in mid-February, carefully timed to fit within the theatre’s complex production planning. Specified and delivered by LSC’s Benelux distribution partner Controllux, the chosen system is a 24-channel UNITOUR rack, complete with Houston X remote control software. Because UNITOUR is a touring-grade power distribution system, it’s built for the road: rock-solid. It features LSC’s well-known and highly-valued TruPower dim/switch technology, so the client is able to protect and monitor the venue’s equipment in a proper, reliable way. UNITOUR is the ideal mobile solution for venues needing to power and manage equipment in a 100% controlled way. Its functionalities are almost exactly the same as those offered by LSC’s UNITY systems, which are designed for fixed installations, but in a robust, mobile rack. The staggered channel start-up, avoiding high inrush currents, makes this system ideal for powering equipment with switched power circuits, such as LED walls. Of UNITOUR’s portability, Benoit says: “Most venues choose fixed equipment, but that limits their ability to address one of the most important challenges: optimising investments by using equipment to its full potential. If we had chosen a fixed system, we would have needed to buy additional dimmers and distribution boxes for use outside the range of the fixed installation.” Controllux has a fully operational UNITOUR demo kit available for any venues in the Benelux region interested in investigating the benefits of this proven solution. photo: © Glenn Knapen Ayrton Launches RawBeam 350 – The Racing Machine Ayrton has announced the official launch of RawBeam 350, its brand-new laser-sourced ultra-compact fixture. Premiered at ISE 2026, RawBeam 350 is a pure racing machine: a sleek, compact luminaire with a phosphor- converted laser source and formidable performance. RawBeam 350 is a compact, flat-beam fixture with the same footprint and dimensions as Diablo. It delivers ultra-intense beams with a remarkable output of over 1,340,000 lux at ten metres, features a 160mm front lens and a proprietary 13-lens optical system that offers a 40:1 zoom ratio and an operating span from 1.1° to 45°. Ayrton’s legendary infinite pan and tilt rotation features and a Short Cut function multiply the possibilities for creating impressive, complex effects. Sharing all the features common to Ayrton’s Ultimate Series in terms of miniaturisation, colour capabilities, effects and movement, RawBeam 350 is equipped with multiple graphic tools that open the door to razor-sharp visual effects and broader, more versatile applications. Built around essential functions, RawBeam 350 features a CMY colour-mixing system and an ultra-fast gradient CTO on discs, enabling perfect colour reproduction. A wheel of 15 complementary colours, a multi-colour RGB-CMY animation section and a CTB filter complete the set of tools dedicated to colour. RawBeam 350 is equipped with multiple graphic tools, including ten rotating quartz gobos and 25 fixed metal gobos, four beam reducers and an animation wheel that allow you to sculpt the light. The gobos can be combined with two sets of three combinable rotating image-multiplying prisms, creating a multitude of complex volumetric effects for truly breathtaking looks. Two frost filters – heavy and light – complete the palette of graphic tools. Like every Ayrton luminaire since 2023, RawBeam has been engineered as the lightest and best equipped fixture in its category, its IP65 rating making it equally at home outdoors or indoors, including in saline environments, while remaining fully accessible and tipping the scales at an exceptional 25.4kg. Silent in operation, it incorporates a new cooling system specially adapted to the laser source. Fully engineered from the ground up, RawBeam 350’s size and versatility ensure it is the new workhorse fixture for all kinds of productions from EDM to television studios and everything in between. Smaller, lighter, brighter and simply ahead of the rest, RawBeam 350 is probably the most exciting luminaire of the moment. A precision mechanism built for competition, shaped by talented engineers, offering a true connection to absolute pleasure. RawBeam 350 is the latest fixture to demonstrate the unique engineering and innovative ideas that keeps Ayrton at the forefront of the industry. RawBeam 350 is available with immediate effect. Wharfedale Pro Returns to Tolkien Days 2026 Wharfedale Pro loudspeakers once again provided the main sound system for Tolkien Days 2026 in Geldern, Germany. The four- day festival attracted around 14,000 visitors and combined Tolkien-themed activities, live entertainment and concerts for fantasy fans from across Europe. Audio production was managed by Rockline-Veranstaltungstechnik from Issum, while the Wharfedale Pro WLA- 312X line array system was supplied by Spirit of Sound Veranstaltungstechnik. The main system comprised 16 WLA- 312X line array elements supported by 12 WLA-218BX dual-18” subwoofers, with multiple WLA-112 loudspeakers providing infill coverage. DSP was managed with Wharfedale Pro XC Series system controllers with related FIR presets. As with previous years, the system was required to handle a wide range of content throughout the festival, from spoken word and acoustic performances through to full concert productions. The headline act for 2026 was Italian power metal band Wind Rose. Their performance demanded high output levels and strong low-frequency impact, with the Wharfedale Pro system delivering consistent coverage across the audience area. Having once again been selected for one of Germany’s best-known fantasy festivals, the deployment demonstrates the continued confidence of both rental companies and event organisers in Wharfedale Pro’s WLA Series line array systems for large-scale outdoor events.Next >