Equipment News

Towering Strength That Goes Even Higher

Introducing the New GS500N medium-duty square (500 x 500mm) truss line from TAF, with all straights and corners coming with a connection kit as standard. The GS500N line has the highest vertical loading capacity from truss in the TAF portfolio that features a fork connection system, allowing you to build your towers higher than ever before!

With its safe and reliable fork connectors, you can count on trouble-free build-up, solid stability and impressively strong support. Powder coat is available in any colour on request.

Contact TAF UK at 01922 495 396 or sales@taf-uk.com for more information or to request a price quote.

28th November 2024

Planar Simplicity range enhanced and extended with P Series 4K LCD displays

Leyard Europe has announced the arrival of the Planar Simplicity P Series, a brand new, high resolution, digital signage, streaming and media-playback display unit.

The Planar Simplicity P Series is an affordable solution that supports 24/7 usage, offering up to 500-nits brightness in 43, 50, 55, 65, 75 and 86-inch sizes. There are also fully integrated multi-touch models for all sizes, featuring 20 simultaneous touch points and fine tip stylus support for interactive experiences. The sleek, slim design, with a logo free bezel and variety of easily adjustable accessories, ensures the displays are suitable for almost any application, from digital signage or wayfinding to emergency messaging or up-to-the-minute advertising.

The screens follow the industry’s most stringent cybersecurity certification, developed by the European Telecommunications Standards Institute (ETSI), making the entire range more secure against large-scale cyberattacks that target smart devices.

Ideal for mission critical environments, the Planar Simplicity P Series delivers exceptional performance day and night. Mountable in horizonal and vertical orientations for expanded usability, the touch screen, interactive models further enhance functionality for applications requiring collaborative elements, such as presentation, annotation or end user engagement.

Safety and efficiency are at the heart of the Planar Simplicity P Series, with all LCD displays in the range conforming to rigorous safety standards. This results in robust displays that can be left on 24 hours a day, seven days a week, giving users peace of mind and making them ideal for any location that requires a constant display.

The Planar Simplicity P Series is Energy Star certified, identifying the range as a solution that reduces running costs and electricity consumption. If displays are not required to run 24/7, automated scheduling enables devices to run media playback only when required, further enhancing energy efficiency.

The Planar Simplicity P Series is fully compatible with Creston, Q-SYS and Control4 systems, making it even easier for system integrators to install large format displays, while reducing programming time for complex AV projects. The MicroSD storage capabilities, coupled with USB 3.0 and 2.0, network, HDMI, USB-C and audio connections make this display a truly flexible, multi-purpose unit, capable of performing in any situation.

The Planar Simplicity P Series is a development that Planar is very proud of, as Robert Detwiler, senior director of product management and training at Planar, explains.

“Planar has a longstanding history of delivering reliable display solutions that withstand extended or continuous operation while presenting exceptional visual performance,” he says. “Introducing 24/7 usage for the Planar Simplicity P Series builds on this reputation. We’re excited to enhance the performance of a go-to product for customers and help make even more demanding digital signage applications possible.”

28th November 2024

Introducing the Versatile Multi-Tool – The Force

Chroma-Q, a world-renowned brand of premium-performance LED lighting solutions manufactured in North America, introduces The Force – the versatile multi-tool.

This robust device was designed with the lighting professional in mind to streamline the firmware update process across a wide range of Chroma-Q products, including the 2inspire series.

With the capability to store multiple firmware versions for various products, The Force ensures that your equipment is always up-to-date, whether connecting via RS485 or Ethernet.

Additionally, its RDM management capabilities allow for remote addressing and configuration of RDM-compatible devices. At the same time, the integrated DMX viewer provides real-time monitoring of DMX signals, making it an indispensable tool for service centres, rental shops and road crews alike.

14th November 2024

Infinity launches the new Furion Series – moving heads with unmatched versatility and precision.

Infinity proudly presents the new Furion Series, a cutting-edge collection of IP65-rated, high-performance moving heads designed to awaken your imagination, ignite your creativity and illuminate your performances. The Furion Series combines power, precision and versatility with a comprehensive range of high-end features. Engineered with meticulous attention to detail, the range empowers lighting professionals to elevate their light shows.

The Furion line-up offers eight models that span the essential categories of spot, profile, beam, hybrid and washbeam. Each is designed to enhance creativity and provide a comprehensive set of tools for lighting designers.

Furion Series Overview:

• S402 Spot and S602 Spot: Powerful spot moving heads.
• P402 Profile and P602 Profile: Powerful profile moving heads with framing shutters.
• H402 Hybrid: Flexible beam, spot and wash capabilities.
• B402 Beam: Concentrated, intense lighting with narrow beams.
• W402 WashBeam and W602 WashBeam: Wide zoom range and dynamic colour effects.

The Furion Series offers lighting designers a robust solution with a versatile line-up. Each fixture integrates advanced technical specifications aimed at ensuring durability, ease of use, and precision:

High Lumen Output: Impressive brightness, with the Furion B402 Beam delivering over 33,000 lumens.

• IP65-Rated Construction: Furion fixtures are built to withstand dust and water intrusion, making them suitable for both indoor and outdoor applications.
• 16-Bit motor control: Ultra-smooth and stable for the highest precision and jitter-free movements, even at slow speeds.
• Endless effects: (rotating) gobos, (dual) prisms, zoom, framing systems, dichroic colour wheels, CMY/CTO colour mixing capabilities, 16-bit movements and more.
• Lightweight technology: Magnesium/aluminium enclosure for easy handling.
• Extensive control: Customisable DMX modes with RDM, CRMX, W-DMX, Art-Net and sACN.

Each specific Furion model has its own strengths and is optimised with many built-in features for creative freedom to push the boundaries in professional environments. The Furion spots and profiles (S602, S402, P602 and P402), for example, feature a 'flat field LED' light source that produces a uniform field of light with very little loss of brightness towards the edges. The profiles are equipped with a framing system for precise beam shaping. The H402 hybrid offers smooth transitions from a narrow 0.6° beam to a wide 50.7° wash, while the B402 Beam delivers a razor-sharp beam for pinpoint accuracy. The washbeams (W402 and W602) offer a wide 16-bit zoom range, creating sharp beams and soft washes with smooth dimming capabilities.

All LED-based fixtures have a studio mode which sets the cooling fans to a constant, quiet speed for noise-sensitive environments.

In an interview, Highlite product manager Ron Schiffelers said: “We wanted to put together an entire series of lights that covered all of our customer’s needs. By offering spots, profiles, washbeams, a beam and a hybrid in the same series, we are able to ensure compatibility between all of the light fixtures. This eliminates the problems that are often encountered when people mix and match lights from different brands.”

In addition to the fixtures, Infinity has developed a range of accessories to support the Furions. Tailor-made protective cases with a truck-friendly footprint for each model provide optimum protection during transport. The Infinity IP Tester is essential for checking the IP rating after maintenance. Additional gobos are supplied with gobo holders that can also be used for custom gobos. Quick-release brackets reduce set up time.

14th November 2024

ETC Advances Fanless Fixture Line with Halcyon Silent

For years, ETC has established itself as the leader in fanless automated lighting technology. Today, ETC advances its fanless product line even further with the new High End Systems Halcyon Silent. This luminaire balances silent operation with the exceptional feature set of ETC’s flagship Halcyon family.

Perfect for concert halls, opera houses and other noise-sensitive venues, Halcyon Silent is convection-cooled to eliminate distracting sounds. World-renowned acoustics specialists Müller-BBM conducted testing on the luminaire to confirm its quiet operation. At full intensity with background noise removed, Halcyon Silent sound levels measured at 13dBa. Sound pressure levels less than 20dBa are considered inaudible.

Halcyon Silent brings 18,400 lumens as well as a 5.5-60 degree zoom range to the stage. The fixture also arrives with a new patented colour-mixing system utilising 12 flags. With this technology, users can achieve brighter, more consistent pastels as well as deeper saturation. These colour sets can be controlled via simple combined mode, or with a fully individual flag control mode.

Engineered to maximise design possibilities, Halcyon Silent includes a host of gobos on two rotating gobo wheels. The luminaire also features full curtain framing along with the Trifusion system for total diffusion control from sharp projections to heavy washes.

Programmers can control the angular position of animations with Halcyon Silent’s continuously variable rotating animation wheel. ETC’s patented Whisper Home technology further enhances the user experience with a quiet, fast and precise homing process. Users can also take full advantage of Halcyon Silent’s dual prisms, iris, and colour wheel to elevate their designs.

“Since the introduction of SolaFrame Theatre and SolaFrame Studio, hundreds of venues across the globe have trusted ETC’s fanless solutions in the most acoustically sensitive environments,” says automated lighting product manager Matt Stoner. “With Halcyon Silent, we continue that legacy with a fixture that’s higher output and lighter weight than the SolaFrame Theatre.”

Market manager Tania Lesage notes: “The live entertainment industry has already embraced the Halcyon family for its best-in-class performance and features. With the addition of Halcyon Silent, the family can serve even more markets with its outstanding, yet quiet, performance.”

13th November 2024

New PY64-D Dante Interface Card Enhances DM7 Series Digital Mixers

Yamaha has announced its new, versatile PY64-D Dante interface card for DM7 series digital mixing consoles. Adding more flexibility, the PY64-D will help DM7 users to create an even wider range of bespoke live and installed sound systems.

The new PY64-D card expands the Dante connection on DM7 series mixers with sample rate converter (SRC) functions, ensuring straightforward connections for complex systems, including devices using different sampling frequencies.

In addition, by connecting the DM7’s built-in Dante connectors and those on the PY64-D card to different Dante networks, the DM7 console can be used as a bridge between them, providing a secure option. Sync on and off modes are available, with the settings made from the console.

The PY64-D provides 64in/out at 96kHz with SRC, with primary and secondary connectors to support redundancy. Daisy chain connections are also supported.

"We are delighted that the PY64-D will enable the DM7 series to be used in a wider range of applications." says Thomas Hemery, senior general manager at Yamaha’s professional solutions division.

Please note the PY64-D interface card needs the DM7 mixing console to be updated to Version 1.60 firmware (or later). Both will be available during December 2024.

13th November 2024

Introducing the new IP65-rated Showtec Octostrip FLEX

Get creative in new ways with the Showtec Octostrip FLEX. Perfect for creating immersive atmospheres and mesmerising visuals at all sorts of events, the Octostrip FLEX allows light designers to FLEX their creativity. The IP65 rating opens up an entire world of outdoor possibilities, making the Octostrip FLEX perfect for everything from outdoor events to live concerts, theatre productions and more.

The Octostrip FLEX is an IP65-rated linear LED fixture consisting of eight LED strips, eight cables and a controller. Each LED strip has individually controllable RGBW LED sections, allowing the creation of intricate, dynamic lighting effects. Available in two different lengths, the 50cm version has four controllable sections per strip, while the 100cm version has eight controllable sections per strip.

The ability to flex your creative muscles begins during set-up. With four 2.5-metre cables and four 5-metre cables to work with, there are countless configuration options. The strips can be mounted easily using the dedicated Octostrip mounting bracket or the QuickLock bracket.

Once the set up is complete, flex your creative lighting skills by making full use of the RGBW LEDs that are capable of producing a vast spectrum of vibrant colours that can go from subtle transitions to bold, pulsating colour changes in an instant. The Octostrip FLEX can do it all on its own in Auto mode, while light designers can show off their own skills by controlling the fixtures with DMX or Art-Net.

In addition to the LED strips, the cable and a controller, the Octostrip FLEX comes complete with 16 diffusers (eight black and eight white). The diffusers ensure uniform light distribution with the black diffusers making the strips virtually invisible when the LEDs are switched off, while the white diffusers block the least amount of light. The LED strips, cables, controller and diffusers can also be purchased separately. 

The Octostrip FLEX is part of Showtec’s FLEX range that also includes the versatile Stage Blinder FLEX Blaze and the Titan Strobe FLEX FX. Each fixture brings its own unique qualities to the lighting market, while together the FLEX range takes stage lighting to the next level.

7th November 2024

Elation Reimagines Blinder Potential with New SŌL II and SŌL IV

Blinders have long needed a creative overhaul and Elation has delivered with two groundbreaking additions to the SŌL BLINDER series: the SŌL II  and SŌL IV. Equipped with the same RGBLAW LED engine and accepting the same front lens accessories as the popular SŌL I BLINDER, these new models have exponentially expanded the common blinder’s creative potential!

With ultra-bright 2- and 4-cell configurations, the SŌL II and SŌL IV represent the next evolution in the SŌL series, offering enhanced power, flexibility and durability.

Featuring RGB + lime + amber + white LED engines with 93+ CRI and an IP65 rating, both fixtures deliver stunning brightness and precise colour accuracy. The SŌL II’s two 350W LED engines radiate a combined 30,750 lumens of output, while the SŌL IV takes it up a notch with four 350W engines delivering 59,830 lumens. Whether used as standalone units or integrated into larger lighting designs, both fixtures provide an exceptional canvas for creativity, making them ideal for any lighting set-up.

The SŌL II BLINDER doubles the creative punch with two fixtures in one modular unit, offering even greater flexibility for creative configurations and designs. Maintaining all the innovative features of the SŌL I BLINDER, its housing allows seamless connection on all sides, making it easier than ever to build expansive lighting arrays, custom shapes, and versatile effects panels that genuinely stand out.

The SŌL IV BLINDER, with its grid of four fixtures, pushes the creative boundaries even further. Like the SŌL I and SŌL II, the SŌL IV offers the same cutting-edge technology and powerful LED engine but with even more significant creative potential through its multi-fixture design. It can be interconnected in endless configurations with additional SŌL IV units, as well as the SŌL I and SŌL II models, giving designers the freedom to craft expansive arrays, intricate shapes, and dynamic effects that adapt to any stage or event set-up.

Both models come equipped with fully variable 16-bit colour temperature adjustment (1800K - 8500K) for ultimate precision, along with dim-to-warm and redshift emulation for that classic incandescent glow. With CMY emulation and a virtual gel library, accessing vibrant LED colours and pre-mixed shades is a breeze, while advanced dimming curves and strobe effects further enhance creative control.

Optional lens accessories, including a Bowens mount adapter, allow for even more aesthetic options and creative impact. Add to that a variety of mounting options and designers are empowered with the flexibility to craft unique visual experiences tailored to each performance.

The fixtures’ modern aesthetic and IP65 rating ensure they integrate seamlessly into any indoor or outdoor environment.

With the SŌL II and SŌL IV, Elation has redefined what blinders can do, delivering cutting-edge technology that puts creativity and flexibility front and centre. 

7th November 2024

NEUTRIK expands ‘stage-ready’ compact Stagebox series with AES72 4-Channel CAT Device

NEUTRIK has extended its range of ‘gig-ready’ robust stage boxes with the addition of the NA-4I4O-AES72 four-channel, AES72-4E model, complementing the new NA2 I-O DLINE range devices, with which it shares the signature ruggedised, miniature form factor.

AES72-4E defines a standard and wiring scheme for the assigning and transmitting of four-channels of analogue or AES3 digital audio signals, DMX control signals, or various other COMS signals, via a single RJ45 connected quad twisted pair CAT cable, providing for lower complexity connectivity networks with greatly reduced cable, connector, installation and termination costs and requirements. A solution that substitutes the need for much more costly and high-maintenance multicore cabling solution in many types of applications.

The NEUTRIK NA-4I4O-AES72 exploits this capability within a rubber encased four-channel design, specifically for use on-stage and in the field in challenging production environments, live event, touring and fixed and location media production applications.

With four self-locking balanced combo XLR / jack inputs and four balanced male XLR outputs, a single NA-4I4O-AES72 can assign and transmit balanced mic or line level analogue or AES3 digital-pair audio signals, DMX lighting control data, or various other comms signals via a CAT5 / 6 STP type cable.

Input configurations can comprise a full complement of, or any combination of, microphone input channels, line level instrument and audio output channels, or up to eight channels of digital audio (with each AES3 input being a digital channel pair), as well as DMX lighting control or other comms signals.

Each input features ground lift and polarity inversion switches preventing ground loops and correcting possible polarity flips within the signal path and the NA-4I4O-AES72 will pass phantom power when used with shielded (STP) type CAT cables. With input signals present at the corresponding XLR outputs, the NA-4I4O-AES72 also provides for the splitting of these signals for monitoring. Self-locking etherCON ports on both rear and front fascia respectively provide for transmission of the AES72-4E assigned input signals and the feedthrough of other AES72-4E signals to loop these to other devices, such as mixing consoles or recording media.

In common with the DLINE range devices, for fixed installation applications the protective casing is removable with optional mounting brackets, enabling 19U rack mounting, fixing to the underside of tables and consoles or within floor boxes, or truss mounting.

Low visibility, due to the diminutive form factor and dark colour scheme, extends to non-reflective black coating of the XLR and etherCON input latches, making its use unobtrusive on set in visual production environments or in discrete installations.

With a robust design, high I/O specification and the versatility (analogue and digital) of AES72 signal transmission, together with the low cost and complexity of AES72 infrastructure, potential applications for the NA-4I4O-AES72 range from small venue microphone and instrument I/O snakes, to DJ set-ups, on-stage FOH and monitor mix signal connectivity within larger scale live stage audio networks, studio ‘live room’ patch and mixer / recording media connectivity, as well as DMX lighting control and mobile event and fixed installation comms application.

7th November 2024

High Performance Meets Stealth Design - Bose Professional Announces Global Availability of EdgeMax LP

Bose Professional, developer of world-class audio experiences designed to transform any space, announced the global availability of EdgeMax EM90-LP and EM180-LP, expanding the EdgeMax line of category-redefining, in-ceiling directional loudspeakers. The LP models bring powerful EdgeMax sound and asymmetrical coverage to smaller rooms and more challenging spaces and work together with the original EdgeMax loudspeakers to deliver consistent high-quality performance across projects where specifications and installation conditions vary.

EdgeMax LP models have been specifically designed for smaller rooms with lower ceilings and challenging installation requirements. The new EdgeMax LP loudspeakers have a 4-inch backcan depth, 60% shallower than the original models, which makes EdgeMax LP ideal for rooms with above-ceiling limitations and tighter clearances. The new EdgeMax LP models also feature an 80-degree vertical coverage angle that is ideal for conference rooms and workspaces with lower ceilings.

"When initially released in 2017, EdgeMax redefined the in-ceiling loudspeaker category by doing the seemingly impossible,” said Shawn Watts, director of product at Bose Professional. “EdgeMax packed the power, technology and brute force of a big, bulky surface-mount speaker into a discreet, elegant ceiling-mount design. These new LP models, with their shallow backcan and 80° vertical coverage, provide installers and designers the freedom and flexibility to choose the model types that best suit their specific needs, all while delivering the consistent, legendary power EdgeMax is renowned for across their entire project.”

Large, busy rooms with higher-SPL needs, such as fitness centres, restaurants and bars will still benefit from the powerful, deeper cans of the original EdgeMax loudspeakers.  The original EdgeMax models feature a 9-inch backcan and 75-degree vertical coverage angle designed to deliver bold, full-range sound, more bass energy and greater SPL in bigger spaces with higher ceilings. All EdgeMax models feature dual-drivers and patented PhaseGuide technology to project powerful, focused sound asymmetrically into a room to deliver amazing performance, directionality and voice intelligibility and at the same time, allow placement in discreet, out-of-the-way locations. EdgeMax loudspeakers are purpose-built for specific horizontal coverage: 90 degrees for corner placement or a wider 180 degrees, ideal for near-field and wide coverage.

"We’re committed to working together with our partners to make better solutions for the real world,” said John Maier, CEO of Bose Professional. “EdgeMax changed the game for in-ceiling loudspeakers and while working with our customers we learned that there were spaces they wanted to use EdgeMax but physically couldn’t. So, we listened and went to work. Our new LP models now bring that focused, powerful EdgeMax performance into a wider array of installations.”

EdgeMax EM90-LP and EM180-LP models are now available worldwide. For more information visit BoseProfessional.com.

6th November 2024

Two powerful spatial audio worlds collide as TiMax launches TiMax panLab

TiMax, the innovative pioneer of spatial audio technology, has announced the launch of TiMax panLab. Continuing its mission to democratise access to spatial audio, the new macOS application packs a vastly augmented feature set to enable users to take spatialised audio designs further in both entry-level and large-scale systems.

TiMax panLab is the first major product release since both TiMax and panLab joined the Focusrite stable, marking the first step in an exciting roadmap of product updates. At launch, TiMax panLab adds 3D rendering capabilities to QLab, alongside a wide range of mixing consoles and system processors and now for the first time, TiMax SoundHub.

The clever simplicity of the 3D user interface in TiMax panLab provides a powerful tool for creators to intuitively craft multi-dimensional audio soundscapes. The finely-honed UX design of the original panLab spatial programming platform skilfully developed by the recently acquired Innovate Audio, has impacted with two decades of spatialisation and showcontrol experience directly from TiMax, leading afficionados of immersive audio.

With TiMax panLab there are no barriers. The simple and intuitive drag and drop interface allows users to visualise and manipulate audio in a 3D space. The process of positioning elements such as speakers and sources on to the 3D visual interface empowers users to quickly and simply set up complex 3D spatial audio environments. Users are up and running in minutes.

With simplicity and ease of use a defining characteristic of the application, new and existing users will feel immediately at home in TiMax panLab. Once inside the application, users will discover access to both the original panLab functionality to work directly with QLab, panLab Console to interface with mixing consoles, plus all-new access to enhanced spatial pan programming and live cue management for shows and systems mapped and rendered in the TiMax SoundHub spatial processor.

TiMax panLab’s unique 3D user interface sets it apart from all other spatial audio control packages and it can also be programmed in offline mode without connection to a QLab workspace. With sources and speakers placed within the 3D space, users can take advantage of the bespoke 3D amplitude-based panning algorithm to manipulate object positions not only on the x- and y- axes but also on the height axis.

Sequence paths can be drawn directly in to the 3D space where either individual nodes or the complex path can be then moved and changed and now also looped. When sequences are played back in QLab the movement automation is displayed in the panLab.

TiMax panLab features new levels of control over actions and output. Sequences benefit from the addition of tempo mapping. The new software offers a tap tempo function and the ability to specify the number of bars each sequence should play across. Multi-selection is also available all across the user interface, adding speed and accuracy to object updates whether for positioning or object level control.

Significant performance improvements have been included in the new TiMax panLab. The software is built upon a new animation engine to allow for further functionality in future updates and offer an augmented experience for panLab Console users. An additional focus on optimisation for older Intel Macs has assured greater access of TiMax panLab to a wider range of users.

With so much to discover and investigate, users will be keen to know that each download of the new TiMax panLab comes with a free seven-day trial of the Ultimate licence, enabling users to connect to QLab, any supported mixer or processor, as well as any TiMax SoundHub.

To start your journey today, head to the TiMax Spatial website to download the software now. There are multiple license options depending on your requirements and working offline is always free.

5th November 2024

Modulo Pi launches Modulo Kinetic Version 6

5th November 2024

Claypaky Sharpy X Frame: a hybrid moving head with global appeal

Sharpy X Frame is one of the most versatile, compact hybrid fixtures available today, ideal for bright spotlighting, dynamic aerial effects and precise framing. It features a powerful 550W arc lamp for extreme brightness and vivid, uniform colours, including an unmatched deep red. This fixture is housed in a lightweight, compact design, to meet the evolving needs of modern lighting professionals, delivering exceptional performance in a versatile and portable package, with a big punch.

Giovanni Zucchinali, Claypaky project support, says: “Hybrid floodlights were, and still are, a kind of fixture where LED light sources have not yet matched the performance of arc lamps. When we decided to develop this model, we chose to enhance an arc lamp-powered fixture with all the most advanced technologies our industry could offer in terms of optical features, effects, colour production and beam shaping.”

Sharpy X Frame is a fixture with endless possibilities and it gives you the flexibility to achieve perfect lighting for any scenario. Alberico D'amato, Claypaky's commercial director, says: "The Sharpy X Frame combines the features of a spotlight with a powerful, uniform beam, a beam moving light with an ultra-focused penetrating beam, a versatile, precise beam shaper and, when needed, a wash light. It is a hybrid fixture that performs each of these functions without compromise. Its extensive effects, colour production system, lightweight design, compact size and excellent value for money quickly made it one of the most innovative, sought-after lights by professionals in the industry.

The Sharpy X Frame began making headlines as early as May 2022, shortly after its market début, when 120 units were deployed by lighting designer Mario Catapano as keylighting in the Eurovision Song Contest in Turin, Italy, as part of a larger rig with over 400 Claypaky fixtures.

The show went down so well that, the following year, lighting designer Tim Routledge used as many as 194 Claypaky Sharpy-X-Frames at the Liverpool Arena. He explained: "The X-Frames were used in the main architectural look of the show, the huge scenic arms that extended out into the audience as a ‘hug’ to the world.”

In December that year, Sharpy X Frames were widely used by lighting designer Durham Marenghi during the FIFA World Cup Qatar 2022 Opening Ceremony. Marenghi remarked that the "Sharpy X Frame is the most versatile, compact hybrid fixture on the market addressing the needs for a bright spot, aerial effects unit, framing fixture and everything in between in an affordable, compact package.”

Due to the light's versatility and success, Claypaky decided to expand the range with the Sharpy X Frame FD, designed specifically for broadcasting. This version features gobos equipped with a lighter, camera-friendly magenta filter and a light frost filter for soft-edge effects, together with a framing system, making it a favourite among television lighting designers.

Since then, the Sharpy X Frame has been chosen across all market sectors and in numerous countries. Noteworthy uses include the Bollywood film industry for the production of several music videos, the performance of Kiss at Hellfest in France (one of the world’s most important metal music festivals), popular rapper SDM's show at the Olympia Hall in Paris, the Catedral Music Festival in Romania, the Star Academy Show in France, Post Malone's show in Mumbai and the theatrical production "Raffa in The Sky" at the Teatro Donizetti in Bergamo. Raffa in the Sky’s show lighting designer Alessandro Anderoli commented: “Sharpy X Frames were used as backlighting on the backing singers’ podiums and placed upfront to create a spotlight effect. I placed five of them to backlight the backing singers because we needed a different light for when the podiums appeared, since they were on a different physical and directorial level. Discharge lights served this purpose exceptionally well. The potential to shape them led to that part of the stage being illuminated in its own unique way.”

In 2024, Sharpy X Frames were notably used at Ed Sheeran’s concert in India and for the performance of popular local artist Ishal Mishra, as well as on the world tour of four-time Grammy Award winner Gary Clark Jr., the Extra Ordinary Celebration in Singapore, the Australian singer-songwriter Missy Higgins’ tour, and various national editions of the Eurovision Song Contest, most conspicuously in Luxembourg, where 205 Claypaky hybrid models were installed.

In keeping with its renowned reputation, the Sharpy X Frame has become the favourite hybrid moving head of many a lighting designer, rental company and international production, cementing its ongoing global success. What is more, Claypaky assures that further developments are on the horizon — stay tuned!

www.claypaky.com 

31st October 2024

ORIA iPad Remote App – and Optional Dante Card – Now Available

Audient has announced the release of both the iPad Remote App and optional Dante Card for the Immersive Audio Interface and Monitor Controller ORIA.

The iPad Remote App is completely free and allows the user to control ORIA remotely, straight from the iPad. Designed to speed up workflow, Audient’s Andrew Allen explains: “The App’s Home Tab is essentially the ultimate command centre for ORIA, granting you quick access to all of ORIA’s key monitoring features on a single screen, without the need to reach for the rack.”

By tapping on ORIA’s other control tabs in the side menu of the Home Tab, users can get more detail via an expanded view of ORIA’s functionality. “Beautifully presented in full screen format, you can now keep a close eye on levels, audition speakers and use Profiles to switch between speakers, listening levels and target curves, all via the touchscreen interface.”

The Dante Card is an optional extra for those who require it. Providing up to 16 input channels over AoIP when used as a stand-alone monitor controller, it is ideal for large studio complexes and education facilities. Existing customers should contact their reseller to organise retrofitting the Dante Card into their ORIA to ensure the warranty remains valid.

The App is available immediately from the Apple App Store in both Dark and Light mode. Download the App for free now and remotely control your Audient Immersive Audio Interface and Monitor Controller ORIA with the ORIA iPad Remote. 

29th October 2024

Matthews Multipurpose Grip Rail Telescopic Grid Pipe Solution

New Grip Rail is designed to offer a better way to mount equipment on location, in the studio, or on the fly. This multi-purpose lightweight telescoping grid pipe system makes it quicker, easier and safer to brace and hang cameras, lights or backdrops, incorporate into a wall spreader, build overhead frames and much more.

Grip Rail is the brainchild of Aaron Hammel, a motorcycle race mechanic/crew chief and camera operator. As owner of Patriot Camera Cars, a Los Angeles camera car company, he is expert in the intricacies of mounting technology. When he created a better rail-style mounting system that eliminated wasted time and resources cutting pipe to size in the field, he partnered with Matthews Studio Equipment to share the solution with other users.

Rugged aluminium Grip Rail is a no-cutting alternative to imprecise and bulky pipe organs and other rail systems. Designed to work with off-the-shelf grip hardware including popular grid clamps, Matthellinis and standard pipe fittings, when properly supported, the system can secure up to 27.2kg in the horizontal and 54.4kg in the vertical position.

At one end, telescoping Grip Rail offers a 360° rotating Junior Receiver giving the user the ability to directly mount lights and adapters. To adjust the system, two grub screws are loosened to telescope the junior receiver end into the desired position. Each Grip Rail comes complete with a clamp reducer, a dynamic accessory for adding clamps or fittings along the skinny section of Grip Rail.

Grip Rail is available in two pipe diameters: 48mm 42mm. Both are available in either 64-107cm or 100-183cm lengths. For more length, Grip Rails can be coupled together thanks to Matthews double-ended Junior Pin. 

28th October 2024

dedolight Eflect: the ultimate pattern generator for subject and background

dedolight Eflect is now a mature product and an established part of the dedolight Lightstream range. These are bendable multi-mirrored reflectors, designed to reflect patterns onto a background or subject, or both at the same time.

Available in sizes from 7 x 10cm to 80 x 80cm, the patterns created by dedolight Eflect can be used for miniatures all the way to the largest studio. Combined with dedolight focusing lights and dedolight parallel beam intensifiers, the intensity of the patterns can be bright and intense, regardless of room or studio size.

The range of dedolight Eflect reflectors includes silver and gold with small and large grid surfaces and the latest dedolight Eflect reflectors, tropical blue and tropical orange.

The dedolight Eflect reflectors are also available in blended patterns where different surfaces are combined.

What is unique about tropical blue and tropical orange is they create the opposite effect of what one would expect. Tropical blue creates red, orange and auburn colours, while tropical orange creates blues, greens and aqua.

dedolight Eflect has been steadily gaining traction in the world of production, particularly in studios and for commercial shoots.

The images shown were created using dedolight Eflect. These are from a recent commercial shoot at Holborn Studios, London, with dedolight Eflect being used extensively throughout the filming.

Will Churchill, gaffer, explains what brought him to the dedolight Eflect system: “What attracted me to using the Eflect system is the ability to be creative with the lighting and manipulate it in a way which kind of coincides with the natural world. With a few tools we've been able to create some very beautiful vivid colours and patterns.”

The still images only show part of the creative results achieved. dedolight Eflect can be used to create a myriad of patterns which can be static or moving: dappled light, textures on subject and background, or background only. By gently moving the dedolight Eflect reflectors, nudging the light stand or by moving the light shining into the reflector creates realistic moving patterns across subject and background. The results can be subtle or intense.

Will Churchill comments further on working with dedolight Eflect: “I think the technology of reflected light, especially the way that dedolight does it, gives the illusion that the source is much further away. You know it's not a direct source. When you direct a source at a subject it becomes very ‘saucy and fake’ in a way. With reflecting light especially with Eflect and the other mirror systems that Dedo provides, it creates that illusion that the source is much further away giving more naturalistic and realistic tones.” 

28th October 2024

RJ45 to XLR Adapter for Source 4WRD

ETC has announced the solution for users converting their incandescent Source Four luminaires to LEDs with Source 4WRD. The RJ45 to XLR adapter lets you connect DMX in and DMX through using an XLR connector instead of an RJ45. Connect up to 32 fixtures in a single run. Easy to install, the adapter is small enough to let the fixture swing through its yoke and focus in a straight-down position. This RJ45 to XLR Adapter is compatible with tens of thousands of Source 4WRD fixtures in the field and also works with PAR and PARNel adapters.

This is just one more way ETC is helping increase the life of the millions of iconic Source Four fixtures out in the world.

18th October 2024

5-inch fos/4 Fresnel

18th October 2024

Avolites Releases Upgraded Titan Remote App

Lighting and visual control manufacturer Avolites announces the eagerly awaited update to its Titan Remote app, seriously boosting performance and functionality. It is a significant upgrade to the last Titan Remote app (released several years ago) and can be downloaded from the Google Play Store or Apple App Store.

The Titan remote app works alongside Avolites lighting consoles running Titan software to provide moving light control from a mobile phone or tablet.

Using the Avolites Remote app on a mobile device with the addition of an external wireless access point, any Avolites lighting console can be remote-controlled using Wi-Fi from an Android or iOS mobile device like a smartphone or tablet. 

The Remote app also enables running and storing palettes and running playbacks which is invaluable to lighting designers, directors and operators when rigging, testing and focusing fixtures.

Furthermore, multiple remote devices can be connected to the console and the console itself remains functional while the remotes are connected. Each remote has a separate programmer, allowing an operator to continue working on the console while another user programs or updates palettes via the remote.

This is particularly useful when the front of house view is obscured or a significant distance away from the lighting rig or stage.

With this new release of the Titan Remote app, a local emulator can be used to test or demonstrate the remote when no real console is connected. This app will not be version specific and will be compatible with V16, V17 and V18. As new Titan versions are released, compatibility will be added to the Remote app as updates rather than a separate app.

Using this latest app version, users can now connect to a console and carry out the following functions: select and control fixtures, change or modify fixture attributes e.g. pan and tilt, update and create palettes, apply palettes, record and play cues, command style fixture selection and intensity control, quick sketch legends and view DMX address patch.

Paul de Villiers of Devill Productions Ltd has been using the upgrade Remote app for several months and comments: “This is a hugely useful app! Since learning all the new features, I have found it really handy, not just for my TV and film studio jobs, but also all the outdoor projects I have been working on. Especially when in tricky locations where it is challenging to get a console up high or on sloping surfaces; the remote app was a total lifesaver in these situations.”

Paul Wong, managing director of Avolites, adds: “We’ve really focused on delivering a great experience for our users with this update and are committed to continuing development of the best control software in the market, which is fast, intuitive and fully featured.”

For more information on this app release please read the release notes in FAQ 10035 at https://www.avolites.com/support/titan-troubleshooting to connect successfully to your console.

photos: Steve Bright 

17th October 2024

Step into the Limelight with Elation’s New Generation of Powerful PAR Colour Changers

Elation presents Limelight, a new generation of high-powered colour-mixing wash luminaires that redefine colour intensity and PAR light versatility. Engineered to astound with its exceptional output, Limelight delivers high-quality light with a wide colour spectrum and exceptional CRI, making it the perfect solution for a host of lighting applications.

The Limelight PAR is a versatile workhorse fixture, ideal for even stage washes, side or front lighting, backlighting and dramatic silhouette effects. It offers precision to accent scenery, sets or specific areas of the stage for both functional and aesthetic lighting needs.

Available in two powerhouse configurations, Limelight PAR S boasts seven 60W RGBL LEDs, while Limelight PAR L raises intensity further with 12 x 60W RGBL LEDs. The added Lime emitter gives a substantial boost to overall output and fills in the entire spectrum to create a more expansive colour gamut. Limelight PAR L delivers an output of 8,213 total lumens, while the PAR S version brings 5,345 lumens to the table. Both fixtures are rugged IP65-rated LED colour changers, built to perform in any environment, from high-energy live shows to outdoor installations.

At the heart of Limelight is its cutting-edge zoom lens optical system, which delivers a highly homogenised output with flawless colour and light distribution throughout the beam. Whether you need crisp, defined beams for mid-air effects or a wide, even wash, Limelight’s wide zoom range (5° to 40° and up to 42° on the S version) is designed to meet any challenge. Plus, the ability to control the LEDs in two separate zones opens the door for dynamic eye-candy effects that will take your lighting design to new heights.

Limelight's higher wattage LEDs can deliver brighter, more vivid saturated colours. How does it work? By not utilising all four LEDs at once, the available power overhead between the LED engine’s total wattage and maximum power draw lets you boost the intensity of the active LEDs. This creates an unparalleled, high-impact output for any saturated colour, resulting in an exceptionally punchy colour mix.

Lighting pros will love Limelight’s flexibility. A dedicated variable CCT control channel (2400K - 8500K) gives precise colour temperature control, while CMY emulation mode caters to those familiar with that colour mixing system. Need a specific gel filter look? Limelight’s integrated library of calibrated colour presets has got you covered. Electronic dimming, variable 16-bit dimming modes, and strobe effects add to its range of capabilities.

Built for any setting indoors or out, -Limelight’s IP65 housing includes an integrated gel frame holder, allowing for easy accessory add-ons. Its dual yoke design makes it a breeze to mount on the floor or rig with a C-clamp or omega bracket, giving you maximum freedom of placement. For even more convenience, the fixtures’ Aria X2 wireless DMX control enables a quick, hassle-free setup, so you can focus on creating showstopping moments. 

16th October 2024

Audient Offers Softube Flow Mastering Suite Trial in ARC Software Bundle

Audient is adding a Softube plug-in to its Software Bundle ARC. Audient registered customers can now enjoy a one-month trial of Softube Flow Mastering Suite software absolutely free. When becoming a paying subscriber, Audient customers will also receive an exclusive gift of Softube’s iconic FET Compressor MkII VST/AU/AAX plug-in.

Further augmenting the already significant benefits available to current Audient and EVO owners who register their products, this offer is available immediately and available for one year.

Flow Mastering Suite offers pro mastering for the busy music producer. Flow enables them to finalise tracks within seconds with signal chains created by professional engineers and access several thousand dollars’ worth of mastering-grade tools. Built by pros for music producers, this plug-in makes for lightning-fast workflow using the Smart Flow controls.

For those who continue after the 30-day free trial, FET Compressor MkII comes free and is a meticulous remodel of the most-used analogue compressor, with added features to suit the modern workflow.

Softube joins Cubase, Strymon, Sonarworks, GForce, Produce Like A Pro and Spitfire Audio on Audient’s Creative Hub ARC, providing a comprehensive range of software and offers from some of the industry’s leading innovators.

9th October 2024

Washlight or giant LED bar? The GLP Creos is much more than just an LED wash

With the new Creos, GLP is pushing the boundaries of the LED washlight, since it can achieve so much more than just the classic wall-wash. The Creos is a powerful, IP65-certified LED washlight with 18 x 40W RGBL LEDs and motorised zoom. Thanks to its clusterable design, with consistent LED pixel pitch, several devices can be lined up horizontally and thus form into a seamless, gigantic LED bar.

Lighting designers will love these powerful LED bar looks. Due to the wide zoom range, extremely large wall-wash applications can be implemented, while the particularly narrow beam enables never-before-seen light curtains to be created, with impressive light intensity.

Due to this versatility and Creos’s ability to combine the functions of several spotlights in a single device, it not only saves money on the budget, but also saves weight in the rig. The GLP Creos’s 18 x 40W RGBL LEDs are arranged in three rows of six pixels each. The motorised 1:12 zoom ranges from a very powerful 4.3° beam to an equally-powerful homogeneous 52° wash.

In addition to the standard colour temperature of 6,500K, users can choose other fixed colour temperatures (3,200K, 4,200K, 5,600K and 8,000K). Thanks to the proprietary GLP iQ.Gamut colour mixing algorithm, which automatically adds the colour lime, a TLCI of 77 is guaranteed in high quality mode. This impressive colour reproduction also makes the Creos suitable for trade fair and TV applications. 

However, when the fixture is set to high output, the Creos delivers a total output of 7,600 lm, with up to 673 kcd light intensity.

With a motorised lamp head that can be swivelled through 190°, the fixture can cover different lighting scenarios. The wide zoom range allows mid-air beams to be created, as well as pixel mapping and wall-wash effects, making the device a real all-rounder in any environment.

The IP65-certified housing enables the Creos to be operated both indoors and temporarily outdoors and protects the device not only from wind and rain, but also from dust, dirt, confetti particles and fog fluid residue. Thus, complex cleaning can be avoided, which in turn reduces servicing time and cost and enables consistent utilisation of the devices.

For particularly flexible use, in addition to the PowerCon True 1 in/out and DMX 5-pin in/out, two fail-safe EtherNet ports and the proven GLP iQ.Mesh system are already integrated. Handles integrated into the side of the housing make transportation particularly easy and comfortable. Although IP-certified, the fixture weighs just 20kg, making it compact and absolutely suitable for everyday use despite its considerable range of performance.

Demo devices are now available in sufficient quantities from all GLP bases and via sales partners worldwide. Pre-orders are already being accepted, with an official delivery start date announced for November 2024.

The Creos completed its first field test operations in recent weeks at the Die Ärzte Open-Air on Tempelhofer Feld, in the In Extremo headliner show at Wacken Open Air and on the show stage at the Austrian MotoGP.

www.glp.de

9th October 2024

City Theatrical Launches New Beam Control Accessories for ETC fos/4 Fresnel, Martin Professional, and GLP Fixtures

City Theatrical now offers new standard beam control accessories designed to fit various professional light fixtures, including ETC’s fos/4 Fresnel fixtures for film and video projects, Martin Professional’s ERA 800 Performance and MAC Ultra Performance, and GLP’s Impression X4 S. These new beam control accessories were developed based on City Theatrical’s understanding of the unique accessory needs of lighting professionals and the high demand for this moving light fixture in the market.

City Theatrical now offers beam control accessories for ETC fos/4 Fresnel products, including the new barndoor for ETC fos/4 Fresnel 5 (P/N 2631), which comes in addition to City Theatrical’s barndoor for ETC fos/4 Fresnel 7 (P/N 2632) and barndoor for ETC fos/4 Fresnel 10 (P/N 2633).

To complement City Theatrical’s Barndoors for ETC fos/4 Fresnel 7 and 10, City Theatrical developed the new Light Leak Shield for ETC fos/4 Desire and Fresnel 7 (P/N 2632-LLS) and the new Light Leak Shield for ETC's fos/4 Fresnel 10 (P/N 2633-LLS) to enhance the use of these barndoors to control light spill with even greater precision. These beam control accessory product launches come as a part of City Theatrical’s accessory enhancement of ETC’s line of fos/4 Fresnel lighting fixtures for film and video projects. ETC's fos/4 lighting fixtures also come with onboard City Theatrical Multiverse wireless DMX/RDM technology.

City Theatrical currently offers 45 plus styles of beam control accessories for 16 different Martin Lighting moving light fixtures, which are available through the City Theatrical dealer network. City Theatrical’s new Martin Professional ERA 800 Performance Top Hat (P/N 2820) is a new standard top hat that serves two functions when using this ERA 800 Performance fixture for an entertainment lighting project: to control light spill, or to reduce the viewing angle to the lens. City Theatrical is also now shipping a concentric ring (P/N 2821) and Hexcel louvers (P/N 2822) as beam control accessories for the Martin Professional ERA 800 Performance fixture, as well as a mount kit for the Martin ERA 800 Performance (P/N 104-00810).

City Theatrical is also launching a new 4-inch top hat for Martin Professional’s MAC Ultra 

Performance (P/N 2799S), which is a shorter version of City Theatrical’s standard top hat for the MAC Ultra Performance (P/N 2799).

City Theatrical designs and manufactures the most complete line of beam control accessories for German Light Products (GLP) lighting fixtures and moving lights available anywhere. City Theatrical is now shipping the new GLP Impression X4 S Concentric Ring (P/N 6378).

City Theatrical’s engineers and craftspeople design and create lighting accessories, like these new beam control lighting accessories, based on working with designers and manufacturers every day to develop and make new products from its New Jersey-based factory.

8th October 2024

New Showtec Titan Strobe FLEX FX

The Showtec Titan Strobe FLEX FX is the latest innovation in stage lighting, designed to revolutionise the way we experience strobe and effect lighting. With its advanced technology and flexible design, this fixture opens up a world of creative possibilities for lighting professionals and enthusiasts.

The Titan Strobe FLEX FX features eight powerful pods, each equipped with a 100W cold white COB LED behind a Fresnel lens, delivering sharp and intense strobe effects. These effects are perfect for high-energy environments like concerts, festivals and large-scale productions, where impactful lighting is essential. Surrounding each COB LED are 12 integrated 2W RGBW LEDs, which can be controlled individually, giving you precise control to design intricate and dynamic lighting designs. Whether you need a subtle colour wash or a complex multi-coloured effect, the Titan Strobe FLEX FX delivers unparalleled versatility.

This fixture seamlessly integrates into modern lighting setups with ART-Net and sACN compatibility, ensuring it works effortlessly with larger systems. It also includes RDM (Remote Device Management) functionality, allowing for remote monitoring and adjustments to ensure optimum performance. The IP65-rated aluminium housing guarantees that the Titan Strobe FLEX FX can withstand the toughest conditions, making it perfect for both indoor and outdoor events.

Mounting and installation are made easy with the Titan Strobe FLEX FX's practical design. To mount the pods, each pod features a unique mounting bracket with a 12.5mm hole in the centre and four additional holes at a 45° angle. This innovative design makes it easy to securely screw the fixture to decor or structures without needing to remove the pod from the bracket, simplifying the installation process. The maximum cable length of 30 metres between the controller and each pod ensures that you can configure your lighting system to suit your needs. This comprehensive package comes complete with all necessary components, including a controller, cables and mounting brackets, ensuring a hassle-free set-up.

The Showtec Titan Strobe FLEX FX is ideal for lighting designers looking to create bold, modern visuals with precision and creativity. Whether for live performances, outdoor events, or theatrical productions, this fixture is set to transform the future of strobe lighting.

4th October 2024

Q Ganging, User Profiles and Enhanced Filters Speed Up Workflow and Deployment in AHM V1.5

Allen & Heath has announced the release of firmware V1.5 for its award-winning AHM series of matrix processors, introducing a host of new features designed to streamline workflows for system integrators and engineers, including all-new EQ ganging, All-Pass filters, NTP support and user permissions.

Destined to become a favourite of system engineers, the new EQ Ganging feature allows users to temporarily – and rapidly – gang together any parametric EQ in the AHM, enabling relative, absolute, or mirrored changes on the fly. Additionally, a PEQ band bypass option has been added to quickly punch a single PEQ band in or out, and the Q bandwidth is tighter for demanding applications.

Integrators and engineers will welcome a slew of advanced PA processing tools, making it easier than ever to fine-tune any sound system with greater precision. Each band of speaker processing now benefits from an All-Pass Filter, switchable between 1st and 2nd order, and stereo output zones can now be configured with a mono sub. Additionally, crossover frequencies can now be linked or unlinked per band for ultimate filter flexibility and control.

AHM 1.5 also includes Network Time Protocol (NTP) support, a granular System Manager permissions feature that allows for up to ten password-protected user profiles and the ability to patch zone outputs directly to input sources, all designed to optimise system management and security.

"With the release of AHM V1.5, we're addressing the needs of both traditional commercial integrators and live sound system engineers,” says Samantha Potter, install and commercial audio manager at Allen & Heath. “It further reinforces AHM’s unique value proposition: combining all the tools that classic integrators need for their job with the speed and flexibility of the production world to deliver performance-quality audio in fixed and flexible installations with continually expanding control options.”

Integration with the IP series of hardware controllers has also been expanded. The powerful new XPoint mixer rotary function for IP1 and IP6 transforms a single rotary control into a full room mixer, providing end users of all technical levels with intuitive, customised controls. An IP identify function and new display options for IP1, IP6 and IP8 are also included.

With the release of AHM V1.5, Allen & Heath continues to push the boundaries of professional audio, ensuring integrators and engineers can deliver world-class audio experiences with efficiency and precision.

AHM V1.5 is available now from the Allen & Heath website.

4th October 2024