Equipment News

Leading high-end analogue DJ equipment designer, Union Audio Limited, has announced the release of four new products: the Orbit LE2, Orbit LE4 and the ground-breaking Orbit LE2 FX and Orbit LE4 FX, offering a new range of accessible two and four channel rotary mixers.

The Orbit LE2 and LE4 are high-performance rotary analogue DJ mixers, featuring fully independent channels, each equipped with high-quality phono pre-amplifier and line inputs, high-pass filter with variable Q, FX send with pre/post switch and a precise Alps rotary fader. The Master section features a three-band isolator and separate level controls for master out, booth out and aux return, whilst comprehensive monitoring is via two backlit custom analogue VU meters, with a powerful headphone amp featuring both split cue and cue/mix, plus 1/4” and 3.5mm headphone jack sockets for maximum versatility.

Building on the LE2 and LE4, the Orbit LE2 FX and Orbit LE4 FX uniquely feature an integrated DSP FX unit and a powerful four-band isolator, offering unparalleled creative potential in a single, elegantly crafted device, blending the best of analogue warmth with eight creative digital effects including delays, reverbs, phaser, flanger, bit-crusher and resonant filters. In addition, the mixer can also be connected to an external FX unit for even greater audio manipulation, with the choice of running both internal and external effects simultaneously.

"We are excited that these new products are joining the portfolio, which has been expanded to meet the diverse needs of our customers, whilst maintaining the same superior audio excellence, build construction and innovative design across the range," said Andy Rigby-Jones, CEO of Union Audio Limited. "The classically designed Orbit LE2 and LE4 offer high performance, quality and excellent value for money, whilst the LE2 FX and LE4 FX take this further with the inclusion of a digital FX engine, perfect for audiophiles and professionals who want to push the boundaries of sound design, whether in the studio or during live performances.”

5th September 2024

MDG Fog Announces Availability of GDTF Files

MDG Fog, a leading manufacturer of fog, haze, and low fog generators, has announced the availability of GDTF (General Device Type Format) files on https://link.mdgfog.com/GDTF

GDTF files are crucial for lighting professionals who seek to streamline and enhance their workflow. The General Device Type Format (GDTF) is an open standard used in the entertainment industry to describe the capabilities of lighting fixtures and other stage equipment in a standardised format. By using GDTF files, lighting designers and technicians can ensure seamless integration and accurate representation of MDG Fog’s products in their lighting control systems and 3D visualisation software.

The addition of these GDTF files underscores MDG Fog’s commitment to supporting the industry with the latest technological advancements, enabling users to create more precise and dynamic lighting environments.

Download the GDTF files directly from https://link.mdgfog.com/GDTF

3rd September 2024

New Firmware Powers Up APEX CloudPower Amplifiers

Belgian amplifier manufacturer, APEX has released a major firmware update for its CloudPower installation range. Version 1.3.4 firmware introduces several new and refined features for all four channel CloudPower amplifier models and for the 16 channel CP716D, plus upgrades to APEX’s IntelliCloud control software.

Parameters can now be copied and pasted between amplifier channels, speeding up amplifier set-up and loudspeaker preset creation. CloudPower’s front panel rotary encoder can also now be locked from the IntelliCloud WebUI, preventing unwanted hands-on access. V1.3.4 adds a Locate function, helping the integrator or user to easily match up an amplifier being controlled in IntelliCloud with the corresponding physical unit in a rack full of CloudPowers. The Relay, GPI (general purpose input) and standby connectors on CloudPower’s rear panel are all enabled in the new firmware, permitting fault indication and muting of all channels to fulfil EN54 VACIE fire alarm requirements, and allowing amplifiers to be placed in an energy-saving standby mode via IntelliCloud or UDP command.

“We have a mature, stable amplifier platform with many loyal users, so for this release our priority was to deliver some of their most-wanted features that will save integrators time and remove barriers preventing them from specifying CloudPower in a wider range of applications,” comments APEX product director, Martin Andersson. “At the same time, we took the opportunity to make some smaller workflow enhancements like allowing delay times to be entered in meters or milliseconds, and clearer highlighting of currently selected channels, which add up to a faster, smoother experience for the user.”

Version 1.3.4 firmware is available for download from the APEX website.

29th August 2024

Infinity Raccoon Series expands with four new additions

Highlite has announced the expansion of its popular Infinity Raccoon Series with the introduction of four new members to the family: Raccoon P7/7, Raccoon Junior P4/7, Raccoon Junior P7/4, Raccoon S420/4 and Raccoon W40/4. Designed to meet the demanding requirements of high-end lighting applications, the Infinity Raccoon Series offers unparalleled performance, advanced control options and rugged IP65 construction, making it a serious contender for professionals in TV studios, theatres, museums and more.

The Infinity Raccoon Series features meticulous attention to detail in colour calibration, advanced control features and robust build quality. Each fixture in the range offers a wealth of features designed to deliver exceptional lighting experiences, setting new standards for the industry.

The series has been intelligently structured with a naming scheme that simplifies understanding. The Raccoon PARs are available in both large and small housings, using either four- or seven-colour LEDs. The distinction is clear: ‘P’ stands for ‘PAR’, while the numbers indicate the number of LEDs and colours in each fixture. In addition, the Raccoon S420/4 with 420 RGBW LEDs combines strobe and wash effects to provide a dynamic lighting solution for a variety of applications, while the Raccoon W40/4 offers copious wash effects from its 40 RGBM LEDs.

All Raccoon PARs share common features such as high brightness and superior colour rendering, IP65 rating, seamless switching between maximum brightness and high colour quality modes, calibration standards aligned to the Infinity Signature Series for high colour consistency, versatile control options including xy mode, DMX, RDM and manual modes, an advanced software engine that ensures stable colour output under varying conditions and flicker-free performance with adjustable PWM frequency and consistent behaviour across fixtures. The main differences are the overall brightness, the number of colours in the LED light source and the size of the housing.

The Raccoon S420/4 offers combined strobe and wash effects with a beam angle of 110 degrees. Its wash effects deliver up to 30,400 lumens and use white LEDs with a high CRI of 92. The ultra-bright strobe effect is powered by 35 CW LEDs that deliver over 72,000 lumens in strobe mode and over 54,200 lumens in continuous mode.

With over 41,400 lumens, the Raccoon W40/4 produces powerful wash effects from its 15W RGBM LEDs. It offers five individually controllable sections and a ten-degree beam angle, while using a high 12,000Hz refresh rate.

In addition to the core fixtures, a range of accessories is available including barndoors, top hats, filter frames, diffusion filters and more, adding to the versatility of the Raccoon series.

Commenting on the expansion, Peter Buckx, product manager at Highlite, said: “We are making a statement with these new Raccoons. We’ve worked tirelessly to ensure that every aspect, from hardware to software, meets our stringent standards. It’s been a team effort and we couldn’t be more proud of the results.”

28th August 2024

Claypaky Volero Cube. Beam, Wash, Strobe: Creativity, Cubed!

Imagine a compact IP66 fixture seamlessly merging beam, wash and strobe effects. Imagine configuring it to create stunning and dynamic lighting elements, either as single units or in multiples for complex arrangements. Impossible? Not with Volero Cube! This brand new, multi-function, multi-effect moving head is a real ‘4-in-1 fusion fixture’ boasting four powerful 60W RGBW LEDs and cross-shaped cool white LED strips for strobe that can be pixel-to-pixel controlled allowing for blending different levels of effects and unleashing your creativity like never before. And it doesn’t stop there, multiple single units can be easily and seamlessly connected to cater to any creative geometric solutions you require. Volero Cube is a fixture like no other in Claypaky’s portfolio, the first one of a new series of compact, powerful and versatile moving heads.

Volero Cube is equipped with four RGBW LED modules (two by two) generating powerful beams and rich colour mixing. Each LED features 80x80mm square lenses, optimising luminous efficiency and resolution. The fixture’s head includes powerful cool white LED strips for strobe effects, offering new creative opportunities. Despite its small size, Volero Cube packs a punch with powerful LEDs for both beam and strobe sections, ensuring brightness for your needs. Volero Cube features a wide zoom range from 4° to 55°, offering solid concentrated beams for aerial effects and broad coverage for ambient lighting.

Volero Cube features pixel mapping and Advanced Layers Management for versatile control of LED pixels. This allows for dynamic lighting effects and easy layer switching. Pixel-to-pixel control is available for both the RGBW LED modules and the white LEDs, enabling dynamic strobe effects and smooth transitions. Volero Cube supports various DMX control modes for flexible operation.

Despite its compact size, Volero Cube delivers a punch with remarkable output and beam capabilities, featuring infinite pan rotation for broad light coverage, making it ideal for venues with limited space.

Get ready to unleash your creativity because Volero Cube is your ultimate playmate. With Volero Cube, you can dive into creating intricate matrix effects that add depth and texture to your lighting designs. Combine multiple fixtures in a matrix set-up and watch as visually stunning patterns and graphical effects enhance the overall appeal of your event. But wait, there’s more! Say hello to multi-modular aesthetics: the yoke is built right into the head, allowing you to seamlessly connect and align two or more fixtures without any additional accessories needed (thanks to the self-locking mechanical system). And guess what? The proprietary firmware lets you disable pan movements when the fixtures are aligned, leaving only the tilt to create an effect similar to the Volero Wave, but even more powerful. The synchronised movement produces a stunning graphical effect, the more overwhelming the more fixtures are connected to each other. You can build your desired fixture, assembling as many fixtures as you desire. You can also align and connect each fixture using a proper alignment system with hidden spacers inside the handles. This configuration allows enough room for pan to rotate freely, giving you endless possibilities for your lighting set-up.

Volero Cube is the latest addition to the Shield family, boasting an IP66 protection rating against dust ingress and water jets. Designed for outdoor use in diverse weather conditions, Volero Cube ensures the safety and reliability of your lighting set-up, regardless of the elements.

Volero Cube seamlessly integrates into various lighting applications, enhancing live performances like stage concerts, theatre productions, theme parks, or dance shows. Its dynamic effects elevate the atmosphere and visual impact indoors or outdoors. So, if you are looking for a do-it-all solution, that can handle a variety of tasks without breaking the bank, Volero Cube is the ultimate toolkit for you. It’s a reliable and feature-packed unit that empowers you to create stunning visuals and build unforgettable lighting experiences.

www.claypaky.com

22nd August 2024

Wharfedale Pro launches dolly boards and dolly frames for WLA series loudspeakers

British manufacturer of professional audio solutions, Wharfedale Pro, has just announced the launch of a new range of transportation equipment specially designed for its flagship WLA series loudspeakers. The portfolio of dolly boards and dolly frames are shipping now and includes a total of five dolly boards and two common dolly frames designed to streamline product transportation, especially critical for live event and touring applications.

“It’s important to us to provide integrators, production teams and rental partners with a complete solution and the right tools to do their jobs,” explains Alex Lane, applications and solutions manager at Wharfedale Pro. “Introducing this new range of accessories underlines our commitment to these values and we hope existing fans of our WLA series will enjoy the new additions and new clients will have yet another reason to choose Wharfedale Pro for their projects.”

Dolly boards specifically designed for Wharfedale Pro’s WLA 1, WLA 2 and WLA 312X line array units are included in the new range, including those to fit the WLA 1 and WLA 2 subwoofers. All five dolly boards in the new range are crafted from high-quality birch plywood and come with castors and metal accessories, allowing the loudspeakers to be transported in a vertical arrangement. Furthermore, all are finished with Wharfedale Pro’s characteristic Tough-Tone paint.

To complement the dolly board launch, two common dolly frames are also available. Suitable for use with WLA 2 loudspeakers and subwoofers, the dolly frames offer an additional option for easy transportation, while also facilitating safe and secure ground stacking or flying of line arrays.

“Our WLA accessories are created in response to the common challenges production and rental companies face when transporting heavy audio equipment,” continues Lane. “So many of our valued partners around the world asked us for these accessories so, we listened and delivered!”

22nd August 2024

Optimal Audio Expands Ecosystem with Sub 6

Continuing its quest to simplify the world of commercial audio for integrators and end-users alike, UK commercial audio manufacturer Optimal Audio continues to evolve and expand its ecosystem. The latest development sees the introduction of Sub 6, a passive subwoofer engineered for applications requiring increased impact and low-frequency performance from smaller Cuboid and Up loudspeaker set-ups.

The compact Sub 6 is perfect for installations where space is at a premium. The unit can be placed in tight spaces such as under banquette seating, mounted on walls or ceilings, or flown using integral M8 inserts. Featuring a 6-inch driver with a generously sized low-frequency port to minimise air noise for a clean and powerful sound output, Sub 6 delivers 250W (AES) of power with a punchy peak SPL of 118dB.

Horizontal or vertical orientation is possible by way of low profile rubber feet which can be fitted on two surfaces, while installation is made as discreet as possible via recessed cable channels. An impact resistant perforated steel grille protects a durable MDF enclosure available in black or white textured paint.

With Optimal Audio SmartAmp providing amplification, EQ settings and limiters, the driver is fully protected when operating at higher sound levels. The unit can be driven by a pair of bridged channels on any powered Optimal Audio Zone controller, whilst the onboard WebApp ensures system setup and end-user control is straightforward.
Product Manager David Morbey comments: “The addition of Sub 6 to the Optimal Audio ecosystem gives integrators yet more choice and flexibility in the commercial audio space, particularly benefiting smaller installs that still require greater low end punch. We look forward to welcoming customers for a first listen to Sub 6 at our next open days in September.”

The Optimal Audio ecosystem, complete with the new additions, can be explored at the company’s forthcoming Open Days which take place at its High Wycombe HQ on 3rd 4th and 5th September. The events will provide the perfect opportunity for those passionate about commercial audio technology to learn, network and grow their knowledge while enjoying a comprehensive tour of Optimal Audio’s products. Optimal Audio training will also be offered to attendees who pre-register via the website.

20th August 2024

Strike Bolt 1C Combines Old School with New Cool

The new Strike Bolt 1C combines “old school with the new cool,” to come up with a unique IP65 fixture that offers unimaginable and unlimited design possibilities. This intense colour-infused strobe has a feature that sets it apart from the pack: an innovative fully-integrated Smart Frost filter.

Featuring twin strobe tubes and a single row of 66 RGBA LEDs, the Strike Bolt 1C works superbly as a traditional strobe. However, thanks to its integrated smart glass Frost Filter, the fixture is able to create solid clean colour block effects, radically expanding design possibilities.

The Strike Bolt 1C’s tool-free stacking feature makes it fast and simple to arrange the fixture in multiple units. Multiple hanging points, end-to-end connections and floor feet provide maximum rigging versatility. An included stealth filter can be attached to make the fixture nearly disappear for on-camera use.

It is also easy to interconnect the Strike Bolt 1C with Strike Array fixtures. This opens the door to creating looks that distinguish touring and festival stages with stunning configurations of coloured blinders and strobes.

Designers can also fade Strike Bolt 1C to determine how much frost they want. This flexibility is critically important when creating pixel mapped effects.

The Strike Bolt 1C demonstrated its prowess already when it played a key role in Cort Lawrence and the Raw Cereal team’s design for the Morgan Wallen “One Night at a Time World Tour.” They used 84 Strike Bolt 1C fixtures as crowd lights on the stadium tour, positioning the units atop the 250-foot video wall using custom mounts, as well as on delay towers to create a memorable glow on the audience.

Running from April through August, the One Night at a Time tour was one of the earliest major productions to draw on the transformative power of the Strike Bolt 1C. Judging from the performance of this powerful, versatile fixture, there certainly will be more to come.

9th August 2024

New LT model of Vari-Lite VL3600 offers superior output at longer distances

Vari-Lite, the originators of the modern moving head light fixture and Signify entertainment lighting brand, has announced the VL3600 LT Profile IP. This long-throw version of the popular VL3600 Series luminaire offers the same excellent colour mixing, powerful effects and outdoor weather rating as the existing fixture, but with superior output at extremely narrow zoom ranges.

“The VL3600 Profile IP is quickly becoming an industry standard on the world’s largest tours, TV events and theatrical productions,” explains Martin Palmer, Vari-Lite product management and marketing leader at Signify. “Designers love the output, colours and feature set in the fixture, but want an option for longer throw applications. That’s why we designed the VL3600 LT for keylighting at a distance, with an optimised long-throw optical system and 3° to 42° zoom range.”

The 1000W luminaire offers a matched feature set to the VL3600 Profile, including the source, optics and colour mixing system, as well as the exclusive VL*FX animation wheel, patent-pending V*Track Calibration system, IP65 outdoor weather rating and more. This ensures the fixtures can be used together seamlessly in a production.

“Solotech has already made the first purchase of VL3600 LT units, increasing the overall position of VL3600 Series fixtures by approximately 200 additional units,” says John Flynn, vice president, operations, Solotech Live Productions. “These additional VL3600 and 3600 LT units are immediately being shipped on Solotech global tours and events, and we are confident more productions featuring the VL3600 LT are expected in the coming months.”

The VL3600 LT Profile IP will be displayed on the Vari-Lite stand (D51) at the PLASA Show in London.

7th August 2024

dedolight PB70: breaking the square law

The dedolight PB70 is unique; not just in physical appearance, not just in terms of high output and low energy consumption: the PB70 enables the cinematographer to achieve a natural, organic quality of light while at the same time defeating the inverse square law.

In simple terms the inverse square law means “as distance increases from the lighting source intensity decreases.” When we double that distance from the light source the result is a quarter of the original light; however, when working with the PB70 this is not true.

The measurements below show photometrics from tests performed using the PB70 and the results achieved.

According to the square law double the distance = 1/4 of the light. The results above show at 5m the light intensity of the PB70 is 112,000 lux. Therefore, at 10m (double the distance) the expected result would be 27,000 lux (a 1/4 of the light.) Yet the result is 68,000 lux.

The reason for the unexpected result, which goes completely against the square law, is because the dedolight PB70 is special. Due to the parabolic construction which results in an intense parallel beam, the light itself does not come from the light head, rather it comes from behind the light from what Cirro Lite calls a virtual light source.

This concept is difficult to explain and understand: essentially, the virtual light source is 20m behind the light fixture which means the distance from light to subject, particularly when reflected, is dramatically increased.

The result is when the subject moves towards the light or away from the light, exposure changes are minimal. Anyone who has worked on a film set knows the square law jumps in at the worst moments, bringing limitations and exposure issues to the filming process. The dedolight PB70 by design and capability overcomes these issues.

Furthermore, the lighting quality is different, again the result of the light originating from way behind the lighthead. The dedolight PB70 is one of the few lights that can effectively simulate daylight and sunlight. This is due to the parallel beam which this light creates which is then reflected, further extending the path of the light. dedolight calls this Infinity Lighting: the illusion of natural light from a far distance.

6th August 2024

Digital Projection introduces powerful projector-based auto-calibration and design tools

Digital Projection, a brand of Delta, has created an all-new software tech stack that allows users to design and implement an entire installation all within the company’s bespoke software platforms. Thanks to the company’s next-generation electronics platform, Nexus, customers can now benefit from automatic projector calibration including advanced align, warp and blend tools, without the need for third-party applications. This precise pixel blending and warping is done directly in the projector hardware – something totally unique to Digital Projection – providing the most accurate warping on the market, seamlessly integrated not only in the projectors but also with export functionality.

The tech stack is split into two distinct areas: pre-installation, for users’ design needs and installation tools, which enables them to realise their vision.

When a user needs to design complex applications with multiple projectors, they need Multi Projection Simulator Pro. Used internally by Digital Projection staff and now being released to the market, Multi Projection Simulator Pro gives users the ability to design and deploy their environments completely from within the Digital Projection tech stack. With advanced features such as automatic layout assist, situation simulation and imports of 3D objects, Multi Projection Simulator Pro is one of the most powerful projection design tools on the market today.

Built into the latest version of Digital Projection’s Projector Controller II software is the ability to automatically align, blend and warp multiple projectors using a camera. The Projector Controller II program interfaces directly with Nexus, Digital Projection’s new electronics platform, eliminating the need for third-party auto-calibration software.

Projector Controller II allows the management of multiple projectors from a single, centralised PC-based application. Ideal for use in large installations or where projectors are in multiple locations in a building, the software can dramatically reduce the time required for set-up and configuration. There are two versions of Projector Controller II’s auto-calibration tools:

Smart Align, a free add-on ideal for simple flat-screen calibration using only a mobile phone
Advanced Align, a camera-based solution for complex, multi-channel surfaces.

A free add-on for Projector Controller II, Smart Align enables users to quickly align and colour-match their projectors using only their smartphone.

For more complex applications, Advanced Align (a paid solution with a 30-day free trial) makes full use of the capabilities of the Nexus chip to offer users an advanced calibration solution, including 2D and 3D content mapping, warp and blend, and full integration with media servers and presentation switchers, via the projector hardware. With Advanced Align, the warp/blend is carried out in the projector hardware to provide the most accurate pixel-based blend. This reduces overhead on the server, eliminating the need for expensive third-party image generators. Additionally, the output is uncompressed when autocalibration and warp/blend is performed by the projector hardware, unlike the inferior compressed output from a computer’s graphics card.

While many similar products only refer to individual projector warp, Advanced Align captures the whole screen and provides edge blending and content distribution with the highest accuracy across multiple projectors, all inside the projectors, minimising latency while ensuring optimal image quality.

Designed to deliver the most advanced image processing to all Digital Projection products – from the flagship 3-Chip DLP TITAN Laser 47000 projector to the budget-friendly 1-Chip E-Vision 8000i – Nexus offers users enhanced, multi-functional image processing technology, with de-interlacing, scaling, warping and edge blending all combined in a single chip. This means that all signal processing is undertaken in one location, minimising delays which introduce latency.

Nexus additionally boasts support for HDR (SMPTE ST2084(PQ) and HLG) and Art-Net, 10-bit colour processing (30 bits per pixel), and onboard image quality control with full-gamma colour management. Also key is its ability to accept dual input signals up to 4K-UHD; these are independently processed, meaning they can accept the most advanced signals in a chain.

The Nexus platform is currently available on the TITAN Laser 47000 WUXGA and 41000 4K-UHD, M-Vision 27000 WU and 24000 WU, and E-Vision 16000i, 10000i WU and 8000i WU, with more projectors set to be added in the coming months.

31st July 2024

NETRON offers world’s first IP66 range for entertainment data distribution

Obsidian Control Systems has achieved tremendous success with its popular NETRON line of DMX/RDM splitters and Ethernet to DMX gateways and now offers the world’s first IP66 range of data distribution devices for entertainment applications.

Available now are a six-port EtherDMX node (EN6 IP), a six-port DMX/RDM splitter (RDM6 IP) and an eight-port managed POE Switch (NS8 IP).

The NETRON IP66 range, which was recognised at the 2023 PLASA tradeshow with an Award for Innovation, blends the proven chassis and connector technology of Elation’s market-leading IP65 Proteus range of lighting fixtures with the NETRON data platform. Utilising a custom-designed sealed chassis and die-cast body, impact resistant paint, IP ports and touch controls, the NETRON IP66 range provides reliable data distribution for any location that requires dust and moisture protection.

Shows, events and concert touring has seen a tremendous increase in outdoor performances with lighting, video and sound exposed to the elements. Yet despite the immense amount of IP-rated entertainment technology on the market, until now, there has been no IP-rated data distribution devices to provide the required infrastructure for shows and events.

“Rugged IP-rated lighting data nodes that align with our leading Proteus range have truly been missing from the market,” stated Matthias Hinrichs, product manager at Obsidian Control Systems and Elation. “These are simple yet sorely needed products to support the ever-increasing number and scale of outdoor shows and events, as well as a multitude of other applications that require rugged and reliable data solutions. They represent a significant step forward in addressing the needs of the entertainment industry and now lighting professionals can operate with greater confidence in any environment.”

No longer does the lighting technician need to add questionable custom enclosures to ensure the integrity of the lighting system in adverse environments. Because the NETRON IP66 devices are resilient to outdoor and other challenging environments, there is less downtime, minimising disruptions to events. And because they are suitable for both indoor and outdoor use, the same product can be used in various settings, reducing the need for separate inventory. Investing in IP66-rated products at the outset can help avoid potential costs associated with equipment failure, water damage, or downtime due to subpar protection against the elements. With less downtime and a reduced need for frequent maintenance or replacements, cost savings can be substantial.

Engineered with precision to ensure reliability and high performance, NETRON devices excel in the management of complex networked lighting systems and have been created to integrate flawlessly with the ONYX Control platform, providing a perfect fusion of functionality and adaptability. Moreover, NETRON devices are compatible with all other manufacturers’ lighting control systems, making it a universal solution for a multitude of set-ups.

30th July 2024

Harrison LiveTrax Simplifies Recording and Virtual Soundcheck for Allen & Heath Users

Allen & Heath, in conjunction with Harrison Audio, has announced the launch of Harrison LiveTrax, a new multi-track recording and virtual soundcheck software solution designed for simplicity, stability and seamless integration with Allen & Heath mixers.

“For many sound engineers, live recording is a critical task undertaken in a high-pressure environment,” says Keith Johnson, senior product manager at Allen & Heath. “Unless you have the luxury of a dedicated crew and recording rig, you want a dependable and straightforward solution. Harrison LiveTrax is designed specifically for this task, while adding a new level of integration with our consoles beyond basic transport control, making LiveTrax the obvious choice for Allen & Heath users.”

With no limit on track count, LiveTrax is built to capture performances of all sizes, from intimate weekend shows to large-scale events, prioritising peace of mind for the engineer. A resizable 'big clock' and a dedicated meterbridge window with oversized meters and record-arm indicators allow you to verify active recording from any vantage point. You can also easily track CPU usage, disk I/O and remaining record time, while the 'System Lock' feature prevents unintended keypresses during recording.

As well as audio, LiveTrax captures scene changes from Allen & Heath consoles and inserts them as markers on the timeline, ready for virtual soundcheck and timecode automation. Additionally, LiveTrax can sync track names with dLive, Avantis, and Qu mixers, with support for CQ and SQ models coming soon. Timecode sync, transport control, MIDI and OSC compatibility enable integration into large touring rigs and complex show automation systems.

LiveTrax can open sessions created in Waves Live Tracks and can export sessions to Harrison’s Mixbus DAW.

19th July 2024

Proplex Codeclock – Live Design’s Gear Product of the Year 2024 Winner

USA – ProPlex CodeClock has been awarded as winner of Live Design’s Gear Product of the Year 2024. Live Design’s Product of the Year Awards recognise the best new tech in lighting, sound, projection and gear. TMB is honoured to have been nominated by Live Design’s readers and chosen by their panel of expert Judges. Live Design quotes one judge describing the CodeClock as "a great piece of kit … really smart and robust."

With exclusive worldwide distribution by TMB, the ProPlex CodeClock is an innovative, full-featured timecode display and distribution device, part of the growing range of ProPlex LTC devices. Featuring a large, dimmable RGB LED matrix clock, with the display changing colour depending on status, the device distributes selected timecode over all outputs. An OLED control panel with intuitive user interface features an oscilloscope display for monitoring LTC waveform and level. Output level from the three transformer-isolated LTC XLR3 level outputs is adjustable (-18dBu to +6dBu). Compact, lightweight, rugged, reliable and backpack friendly, the device has a built-in timecode generator capable of running at any standard framerate. A rackmount kit and yoke options are available. The CodeClock is powered via USB-C with a cable retainer that prevents accidental disconnection. Free demos are available.

ProPlex Data Distribution products have been used by entertainment professionals around the world since 1983. ProPlex technology (cables, devices, drives, switches, nodes, optos, software and tools) is designed to help the modern entertainment technician, with an emphasis on simplifying even the most challenging and complex tasks. ProPlex build construction has consistently proven to be rock solid, performing flawlessly in extreme conditions, show after show after show.

www.tmb.com

16th July 2024

Ayrton launches IP65 Rivale Wash – Create to Sublime

Ayrton has announced the official launch of its new IP65-rated Rivale Wash, the first ultra-equipped wash luminaire in Ayrton's brand new "ULTIMATE" range. A new addition to its IP65 3 Series, Rivale Wash has been developed especially for mixed indoor and outdoor use, including in salt-laden environments.

All ULTIMATE models are perfectly homothetic, sharing common features and delivering previously unimaginable weight-to-output ratios.

Rivale Wash, has been designed to emphasise volume, create depth and dreamlike atmospheres that leave a lasting impression. Whether playing with light and shadow, highlighting a detail, mastering chiaroscuro, searching for the perfect nuance or chiselling space, this new-generation luminaire delivers incomparable satisfaction. In addition, Ayrton’s signature moves of continuous rotation on the pan and tilt axes are included as standard to ensure maximum design creativity and freedom. Rivale Wash’s incredible ability to create extremely subtle atmospheres makes it an outstanding Wash projector.

An all-new 170mm Fresnel lens giving an ultra-intensive 4° beam has been specially developed for Rivale Wash. This has been created for use with framing shutters, while also facilitating the use of geometric gobos or ovalisation lenses. The new Fresnel lens also significantly improves colour mixing and delivers 10% more light compared with a conventional Fresnel lens. Rivale Wash’s proprietary 12-lens optical system offers a zoom ratio of 14:1 and a range from 4° to 57°.

Rivale Wash is equipped with a brand new 430W high efficiency sealed monoblock LED module calibrated at 6500K, offering a luminous flux of 28,000 lumens with optimum positioning on the black body to achieve perfect light neutrality.

A system of four individually positionable barndoors allows precise shaping capability over the full 100% surface area, regardless of lantern position.

Rivale Wash adopts a brand new high-definition progressive CMY colour mixing system that delivers perfect colour reproduction as soon as the filter is inserted, regardless of the colour combination selected. An extended progressive CTO enables precise adjustment of colour temperature from 2700K to 6500K and a seven-position colour wheel with special filters completes the palette of tools dedicated to colour creation. For greater flexibility of use, Rivale Wash offers subtle adjustment of the colour rendering index from 70 to 88.

An indexable, rotating gobo wheel with seven adjustable-speed rotating gobos (in both directions), a CMY and RGB graphic effects wheel, a 15 blade iris, a 0%-100% variable linear frost and a dimmer/strobe complete the effects package.

Rivale Wash weighs just 29.7kg, offering outstanding performance for a product in this category. Compact, handy, silent and hard-wearing, Rivale Wash brings precision and mastery of nuance in its quest for perfection.

Rivale Wash is a unique spotlight with a unique visual signature that combines performance, creativity, subtlety and power. An extraordinary luminaire with no equivalent on the market.

9th July 2024

HOLOPLOT launches extensive updates to its software ecosystem

HOLOPLOT has released the latest version of its sound system design software, Plan 2.0. The release introduces a cornerstone of the company’s second generation software capabilities, kicked off by a major upgrade to its operating system, OS2.0, earlier in the year. While OS2.0 enhances HOLOPLOT’s core technology, Plan2.0 is now giving users access to innovative new features and enhancements within the sound system design software itself. A new user interface and workflow improvements make designing and simulating sound systems more intuitive and efficient than ever.

“HOLOPLOT Plan serves as the gateway to HOLOPLOT's revolutionary technology. Our unmatched steering capabilities provide previously inaccessible levels of sound control, allowing you to precisely tailor your system design, which can be visualised inside the software,” says Adele Gardner, senior product manager for HOLOPLOT Plan. “Our aim is to make our unique capabilities easily accessible to our users. We offer the same, well established and familiar workflows known within the industry, and combine them with our advanced 3D Audio-Beamforming capabilities, all accessible via an intuitive interface that makes it easier than ever to work with HOLOPLOT systems.”

Presets functionality: Users can now create multiple presets within a single HOLOPLOT Plan project file. By switching presets, a user can change the entire beam layout, transforming the system and venue from live performance to cinema, from single-language conference to multi-language conference with multiple zones, all with a single button click.

Beam library: Users can now generate an unlimited number of beams, all manageable through the new library view. Creating multiple versions of a beam simplifies beam management and removes limitations on creativity. All beams are optimised directly inside the software, making HOLOPLOT Plan an integral part of the HOLOPLOT workflow.

Real-time simulation and SPL heat maps: The integration of configuration and simulation into a single 3D view port allows for immediate feedback in real-time as well as adjustments, ensuring optimal sound distribution and clarity.

"Holoplot technology allows users new levels of control over sound propagation through software, giving them a much higher degree of freedom,” concludes Gardner. “We see a broad range of applications that can benefit massively from this enhanced level of control and our design software is freely accessible to everyone. From those starting out with our systems who want to explore and produce quick and easy designs to learn about our system capabilities to expert users creating advanced designs HOLOPLOT Plan 2.0 is designed for ultimate flexibility, capable of managing projects and sound systems of any size or complexity. With even more advanced sound control capabilities, this update promises to set a new standard in the audio industry.”

The latest version of HOLOPLOT Plan 2.0, as well as extensive learning materials and user guides, are available for download from the HOLOPLOT Hub.

4th July 2024

Sennheiser Celebrates 25 Years of Evolution Wireless Microphones

The closing years of the last century were marked by the rise of hip-hop and the revival of teen pop, manifesting in the huge success of boy bands and girl bands. Oscar-winning films American Beauty and The Matrix hit cinemas around the globe and became true classics. For Sennheiser, 1999 marked the birth of its most successful wireless microphone series: Evolution Wireless. Launching just one year after the Evolution wired microphones, Evolution Wireless comprised various radio microphone systems plus an in-ear monitoring set. Since then, the series has gone through several generations of innovation, culminating with its digital transformation in 2020 with the release of Evolution Wireless Digital.

Evolution and Evolution Wireless began with a courageous decision that went against a common trend at the time. In the music business in particular, many microphone manufacturers were outsourcing their production to low-cost countries. “Our grandfather and father were trapped: they did not want to compromise the high Sennheiser quality but needed more affordable price points for the music market,” explains Daniel Sennheiser. “Then the Sennheiser engineers suggested that the company might possibly be able to produce high-quality microphones fully automatically and we took the risk and invested in the necessary production lines.” Andreas Sennheiser adds: “They created the most modern microphone manufacturing line of the time, and the success immediately proved them right: Wireless sales surged tremendously.”

“From the start, the Evolution Wireless series has benefitted from Sennheiser’s RF expertise in the fields of theatre audio and broadcasting,” says Andreas Sennheiser. “And with every new generation that was launched, our customers and users could be certain to hold the latest in RF wireless technology in their hands.” The second generation of Evolution Wireless was launched in 2004, followed in 2009 by G3 and in 2018 by G4, each generation improving on the previous one in features and usability. The classification into 100, 300 and 500 sub-series indicated the features and scalability to expect from the systems.

The customer base soon extended far beyond the initial music industry focus: the famous evolution wireless “-p” systems attracted videographers, film-makers and even broadcasters. Small theatres on a budget often went with the 500 series. And the field of business communication applications was catered to by the 300 series.

The fifth generation of evolution wireless launched in 2020 with an impactful virtual launch event and it is still being expanded today. This generational change was a major one, as the systems needed to become digital to still present the audio and RF benchmark that Evolution Wireless users had grown accustomed to. Compatibility with the preceding generation – which had been an absolute must previously – was no longer possible, although analogue and digital systems can be operated alongside each other when using the accessories designed for Evolution Wireless Digital.

“To mark this move to digital and increase user awareness, the fifth generation of Evolution Wireless was not simply called G5 but Evolution Wireless Digital,” notes Daniel Sennheiser. “We also did away with the sub-series and instead created user-driven series within the product family.”

“Focus groups with expert end users from the respective fields contributed massively to the development of the Evolution Wireless Digital family,” says Andreas Sennheiser. “Up and coming bands, live sound engineers, business communications experts, videographers and film-makers became a part of the product team, voicing their wishes and evaluating the development iterations.”

The results of their work are the sub-series EW-D, which has a focus on bands and musicians, EW-DX for professional live audio, business communications and education applications, and EW-DP for videographers, film-makers and ENG crews. Turning digital has not only improved the audio quality but adds many possibilities for users. “For example, bands and speakers can set up their wireless very intuitively via the Smart Assist app, something that was not possible before with a professional UHF wireless system,” says Daniel Sennheiser. “Videographers can remotely unmute an interviewee who has accidentally switched on their mute button. A live sound engineer doesn’t have to crouch in front of the rack but can conveniently link transmitters and receivers via Bluetooth now. An integrator can seamlessly integrate the wireless in their customers larger workflows. What all users get are meticulously engineered systems that were developed with their needs in mind.”

“Digital convenience and seamless workflow integration are key in professional audio today, and with Evolution Wireless Digital, we’re taking the heritage of Evolution Wireless into the digital future of audio,” concludes Andreas Sennheiser.

4th July 2024

Claypaky HY B-Eye K15 Aqua – Reliable and Effective, Whatever the Weather

The Claypaky HY B-Eye K15 Aqua represents a significant upgrade from the latest HY B-Eye K15, setting innovation and light output standards and belonging to the Claypaky's Shield Family, that sets a new standard for weather-resistant lighting solutions. These IP66-certified fixtures are designed to be high-performance, ultra-durable and long-lasting. Also, they are dustproof, ensuring reduced maintenance costs and hassle-free operation.

The Claypaky HY B-Eye K15 Aqua original optical unit improves uniformity and light output efficiency. The rotating front lens and the individual LED control unleash a mesmerising world of kaleidoscopic projections and captivating eye-candy effects, making it an all-in-one lighting solution: a powerful LED wash, a flawless beam, and a jaw-dropping visual effects projector all in a single fixture.

The patent pending Advanced Layer Management system is an innovation that seamlessly blends three different layers at once. It gives you a significant advantage, making your shows more dynamic and engaging than ever before. Now you can mix and match three layers of effects at once: imagine having the freedom to choose a background colour, fire up an internal built-in sequence, and throw in some external video content, all while seamlessly switching between these layers with the flick of a switch.

The 40W RGBW LED engine delivers unbeatable performance, ensuring a brilliant display, even on the largest venues. The light from each LED blends seamlessly, creating a breathtaking canvas.

The HY B-Eye K15 Aqua operates in different modalities of noise level, always delivering brilliantly efficient lighting performance: the lumen/watt ratio outshines any other model in its power class. It's not just about being brighter, it's about being smarter and more sustainable, resulting in unparalleled efficiency and cost-effectiveness.

www.claypaky.com

27th June 2024

Pump up the energy! Introducing Elation’s dynamic PULSE BAR strobe lights

Get the crowd pumping with Elation’s new PULSE BAR! Joining the PULSE PANEL and PULSE PANEL FX in Elation’s new PULSE line of high-impact lights, the PULSE BAR is a highly impactful strobe and visual effect bar that injects dynamism and spark into any performance.

Available in one-metre and half-metre lengths (PULSE BAR L, PULSE BAR S), both models incorporate zone-controllable 1.5W RGB LEDs along its perimeter, 5W cool white LEDs at its centre and 1.5W RGB LEDs at its core. Whether adding rhythmic flashes that synchronise with the music or crafting special effects for a more visually stimulating experience, customisable zone control of both the RGB and CW LEDs opens up for a myriad of design possibilities.

The PULSE BAR allows you to infuse your performance with intense, attention-grabbing moments of white or coloured light that enhance the energy of the moment. A library of customisable RGB and CW strobe effects along with variable dimming modes and curves are included for quick programming.

The PULSE BAR features the same RGB and CW LEDs as the PULSE PANEL and PULSE PANEL FX for a perfect match and feature the same effects engine and control capabilities as well. Designed for ultimate flexibility, an integrated accessory slot accommodates optional diffusion filters, ND filters and other optics.

Both the PULSE BAR L and PULSE BAR S feature Elation’s market-leading IP65 protection, a durability standard that not only protects them from weather and harsh environments, even coastal locations, but also serves to protect the internal components and electronics from dust and debris that can wreak havoc on fixtures. The fanless convection cooling guarantees silent operation, making them ideal for noise-sensitive environments as well.

The PULSE BAR’s innovative housing allows for end-to-end interconnection and includes integrated L track for flexible mounting and positioning. Trunnions designed for attachment to the L track can be fixed at multiple points to optimise positioning around objects or obstacles. The PULSE BAR includes the same interlocking mechanism as the PULSE PANEL, so the bars can be locked together end to end or connected to the PULSE PANEL for seamless designs.

Controlled via DMX/RDM, Art-Net, sACN, and KlingNet protocols, the PULSE BAR also features proprietary Aria x2 wireless device management for simplified system setup and maintenance.

Create more vibrant lighting displays for concerts, events or theatrical productions. Accentuate scenic, create patterns, shapes, or even animated sequences that add depth, interest and artistic flair to designs. When the moment calls for high-impact bursts of light and visually striking effects, look no further. The PULSE BAR delivers!

26th June 2024

Wharfedale Pro announces a significant update to its MP series amplifier range

Wharfedale Pro has just announced the release of a significant update to its popular MP Series amplifier range. Designed for the most extreme operating environments, the updated MKII models build on the hard-working reputation of this reliable, high-performance product series.

“Our MP Series analogue amps have been used and abused by customers around the world for decades,” explains Peter Peck, marketing manager at Wharfedale Pro. “Often found in the most extreme working environments, MP series have earned their reputation as a real ‘tank’ of amplification, but updated component and technological advances now allow us to make some practical improvements.”

By optimising component selection and refining the chassis design, the updated MP amplifiers now deliver increased power output and have improved damping factors to control loudspeaker overshoot. The updated components and circuitry will also enhance the longevity of these products. Nevertheless, the MKII range will keep the same fundamental philosophies as the original MP amps: durability, ease of maintenance and hefty sonic specifications.

Peck continues: “The original hardware design of MP always proved popular with users, so with the new MKII models we have ensured the familiar hard-working look and feel remains the same, with the benefit of updated technologies within.”

The new MP series is well suited for fixed installations and is available in two models: the MP 1800 MKII, and the more powerful MP2800 MKII. Both employ Class H topology, ensuring efficient and reliable power delivery. Versatile connectivity is achieved via two XLR and two 6.3mm jack inputs, along with three speakON compatible outputs. Both models are stable down to 2 Ohms and feature comprehensive protection features.

Peck concludes: “The release of the new MP MKII series is a testament to our commitment to our existing customers who continue to trust in our brand to provide reliable, high-performance products that serve their long-term needs.”

25th June 2024

Smode Tech releases powerful SMODE V10 update

Smode Tech, the company behind the powerful real-time compositing and media server platform SMODE, has announced the release of SMODE V10, the latest version of its platform. This update marks the beginning of the new V10 cycle, aiming to gradually unlock the new mixer workflow step by step with each new 10.x release.

This latest update has been optimised for enhanced performance and frame-accuracy for complex scenarios and brings users a wealth of new features. Notably, an integration with TouchDesigner now allows .tox files to be imported as generative layers or layer modifiers in any project or SMODE composition. Additionally, the new Companion plug-in enables users to control any show, even in a multiple-SMODE-server configuration, by using a StreamDeck.

Smode Tech’s new V10 software also introduces the Widget Editor, allowing users to create custom command interfaces with a simple drag-and-drop functionality within SMODE. This new feature opens up new possibilities for encoding, show operation and enables users to create their own editor based on a project or composition.

The new update also includes enhanced fixtures control, available for grandMA and GDTF, making SMODE V10 more versatile and powerful as users can seamlessly integrate with industry-standard tools and achieve precise lighting effects.

Smode V10.0 has been available in early access for almost two months and has already been validated on several projects, such as the theatrical variation on Cyril Teste's Sur l'Autre Rive by the MxM collective, freely inspired by Chekhov's Platonov. Other recent uses of SMODE include the recent Cannes Film Festival and the famous French group Justice’s first date at Coachella and throughout their international tour.

Thomas Besson, director of French content creation studio D/Labs, who has been using SMODE for over 15 years, says: “SMODE’s real-time compositing has had a significant impact on our workflow at D/Labs, especially in high-pressure environments like the Cannes Film Festival.”

“Its capability to seamlessly integrate and adapt visuals on-the-fly enhances our creative agility, allowing us to deliver complex scenes with remarkable efficiency. This technology not only supports our artistic vision but also aligns with the rigorous demands of live events.”

The release of SMODE V10 was celebrated in style on 30th May in Paris. The event, attended by around 70 members of the core Smode community, featured a keynote speech by Smode Tech’s CEO, Francis Maes, who introduced the new V10 features and shared a sneak peek into the future. The event also served as an opportunity to introduce Smode Japan subsidiary to the Smode Tech’s partners. Guests were able to explore four demo hubs to discover the new features: The Integration hub unveiled the new key features of V10, the Tricks & Tips area showcased six creations using SMODE in an unconventional way, the Mixer hub and finally a trip down memory lane in the SMODE 1.2 hub, the first version of the SMODE software.

“The entire team is extremely proud to present SMODE V10, the beginning of a new chapter for SMODE,” comments Maes. “The main objective for this new cycle is the mixer: an initiative that aims to make the software simpler, more intuitive and accessible. Our ambition is to achieve a simplified and unified workflow while continuing to embrace the diversity of video projects and formats. In a nutshell, it’s about simplifying but without losing any of its power.

“Thanks to the gradual integration of new concepts associated with the mixer, each version will enhance the user experience while remaining fully compatible with existing functionalities, thus avoiding any disruption and allowing practices to evolve smoothly.”

21st June 2024

Yamaha Adds More Models and Versatility to Popular DHR/CHR Loudspeaker Range

Yamaha has added new models to its popular DHR/CHR range of loudspeakers. Offering a choice of two-way, bi-amped (DHR) or passive (CHR) models, the new DHR/CHR12 and DHR/CHR15M bring added flexibility to a series which can take a wide variety of live and installed applications to new levels of professional quality, accuracy and performance at a very cost-effective price.

The new DHR12 and CHR12 installation/utility loudspeakers sit between the DHR/CHR10 and DHR/CHR15 models, ideal for fixed installation applications that require higher sound quality and SPL.

Featuring a custom-designed, 12” woofer with 2.5” voice coil and a precision, 1.4” compression driver, both models measure 359 x 578 x 340mm (14.1"x 22.8"x 13.4"). With dual-angle pole mounts, rigging points and an optional U bracket for optimum mounting versatility, a rotatable compression driver means they can be used in horizontal or vertical configuration, making the most of the 90º x 60º coverage angle.

The DHR12’s DSP-equipped, high efficiency Class-D amplifier delivers 1000W of power and 24 bit/48kHz A-D sampling for powerful, dynamic sound, adding approximately two kilogrammes to the CHR12’s weight of 17.1kg (37.7lb).

The DHR15M and CHR15M floor monitors complement the existing DHR/CHR12M and include a more powerful coaxial driver, comprising a 15” woofer with 3” voice coil and a precision 1.75” compression driver with large diameter horn for optimal directivity and excellent long throw on larger stages. Featuring an expanded frequency range of 49Hz to 20kHz, the enhanced low-frequency reproduction and a higher maximum SPL make these new units ideal monitors for drummers and bass players in particular.

Measuring 642 x 369 x 505mm (25.3" x 14.5" x 18.9"), with a coverage angle of 65º (H) by 75º (V), an integrated pole mount socket means that they can also be used as conventional sound reinforcement loudspeakers.

The DSP-equipped, high efficiency Class-D amplifier of the DHR15M delivers 1000W of power and FIR tuning, adding approximately two kilogrammes to the 21.3kg (47.0lb) weight of the CHR15M.

All DHR loudspeakers include two input channels with an onboard mixer, while CHR models can take full advantage of dedicated speaker processor tuning settings when used with Yamaha PX Series amplifiers or other compatible signal processors.

Meanwhile, all DHR and CHR models are manufactured with premium plywood cabinets finished in a tough polyurea coating, which provide durability not found on other loudspeakers in this class. And, of course, with Yamaha’s renowned reliability and design excellence, maximum return on the investment is assured.

“The DHR / CHR range has been designed to be optimised to meet the demands of a wide variety of sound reinforcement applications,” says Thomas Hemery, senior general manager, global at the Yamaha Professional Solutions division.

“From live venues, pubs and clubs through to sports facilities, gyms, retail and corporate applications, the expanded choice of 10”, 12” and 15” models, plus 12” and 15” floor monitors, all with a variety of practical mounting options means users can specify the ideal, highly cost-effective set-up for a wide variety of sonic environments.”

20th June 2024

Dynacord introduces MXE5-64 Matrix Mix Engine equipped with more Dante channels and version 1.4 of SONICUE Sound System Software

Dynacord presents an upgraded model of the MXE Matrix mix engine with expanded Dante connectivity. In addition to its standard 12 analogue mic/line inputs and eight outputs, the new MXE5-64 model features 64 x 64 Dante channels, raising the total channel count to 76 inputs and 72 outputs.

Building on the previous version, which introduced an open DSP architecture for customisable configuration, the latest 1.4 release of the SONICUE sound system software introduces advanced DSP blocks and includes user-friendly, efficient scene handling, thereby increasing audio performance and operational efficiency. The new MXE5-64 model is fully supported by this SONICUE release.

The new DSP blocks consist of an auto mixer with gain sharing, ambient noise compensation (ANC) that dynamically adjusts sound system output in response to ambient noise levels and automatic gain control (AGC) for balancing loudness variations across different input signals.

Moreover, SONICUE 1.4 enhances the TaskEngine by incorporating scene handling which can efficiently and user-friendly performed by leveraging the drag-and-drop functionality from SONICUE’s control flyouts for scene creation. The integration and control of third-party devices are further improved by a web viewer option, which is available for creating control panels in SONICUE. This feature allows for the integration of external websites of third-party devices or software applications via the SONICUE control panel designer to be run as stand-alone apps on Windows and iOS devices or the TPC-1 touch panel controller.

These additions mark another significant leap forward in the evolution of Dynacord’s MXE5 matrix mix engine's feature set, further contributing to its usability as a powerful system DSP device.

The free software update is available for download at www.dynacord.com.

19th June 2024

Dynacord presents the U Series, a new line of ultra-compact single-channel mixer amplifiers and power amplifiers for commercial spaces

Dynacord, a leading manufacturer of professional audio electronics, continues its mission to provide highly competitive, budget-friendly solutions for commercial installations aiming for professional sound quality. Following the launch of the multi-channel V Series amplifiers for commercial installations, the company introduces the U Series, an extremely budget-friendly line-up of ultra-compact, single-channel mixer amplifiers and power amplifiers. These are ideal choice for installers and consultants specifying background music and paging applications that do not require life safety compliance, complex networking or higher SPL levels, making them an ideal alternative to Dynacord’s other commercial amplifier lines that are typically the best choice for mid-sized to large projects.

The U Series delivers professional, high-quality amplification for single zones in high-impedance installations in smaller commercial spaces such as cafes, shops and offices. With versatile power output options, the U Series ensures tailored performance for their specific needs.

The series consists of six models offering a variety of power options to ensure optimal performance across different settings: four mixer amplifiers with 30, 60, 120 and 240 Watts, and two power amplifiers with 120 and 240 Watts. The U Series can be deployed in stand-alone applications as well as being seamlessly integrated into existing installations, while the power amplifier models are a great option to be utilised as auxiliary amps in larger system designs; for instance, when newly created zones require amplification.

U Series mixer amplifiers provide comfortable front access for main gain, channel levels and tone adjustments. Two mic/line and two aux inputs are available to connect external devices such as microphones, a paging station or music players. The models can drive high-Z or low-Z speaker lines, feature phantom power for the microphone inputs and a switchable high-pass filter at 120Hz. Also included are an emergency override input for integration with a PA/VA system, a chime when used with a paging station and VOX ducking. The configuration is performed easily with DIP switches that are located on the rear of the devices; a contact closure port for remote power on/off functionality is also available.

All controls for the two power amplifier models are securely located at the back, designed to prevent unintended or unauthorised changes, adhering to a ‘set and forget’ usability principle.

When combined with the EVID commercial speakers from Dynacord's sibling brand Electro-Voice, the U Series facilitates exceptionally cost-effective and high-quality audio installations ensuring enhanced ambiance and intelligibility to bring an elevated audio experience in every room.

The installation process itself is easy and does not require advanced technical skills. At just a single rack unit high and half a rack width wide, U Series require minimal space and provide various installation options, accommodating rack mount, table-top or under-table installation. The included brackets facilitate single or dual rack-mount options as well as unobtrusive installation wherever needed, such as under counters. If needed, two amplifiers can fit in a single rack unit when rack-mounted side by side, efficiently using space and doubling the channel count and output power.

Dynacord’s world-class reputation is based on its commitment to adhering to the highest product quality standards to deliver robustness and reliability. That’s why all Dynacord electronics undergo extensive testing at Dynacord’s Reliability Test Centre (RTC) in Straubing, Germany, where all electronics must endure rigorous testing to ensure the ability to withstand extreme thermal conditions, physical stress tests, and long-term heavy use when driving speakers at maximum loads. As a result, U Series amplifiers are equipped with a sophisticated protection package to ensure flawless operation -- even under challenging conditions. On board are an overload and short-circuit protection and a limiter to prevent accidental overdriving.

Dynacord’s U Series – six ultra-compact, cost-effective mixer amplifiers and amplifier models for smaller applications, featuring straightforward setup and flexible installation options for enhanced ambiance and communications in commercial spaces.

19th June 2024

Union Audio Bridges the Analogue Divide with the Launch of Two New Accessories

Following the highly successful launch of its orbit.6 and elara.4 luxury analogue mixers, British audio design firm, Union Audio, has introduced two new accessories to its portfolio of elite analogue products. The new phoebe ultra-compact RIAA phono preamp and lisann compact, portable headphone amplifier redefine audio quality for turntable DJing and hi-fi systems, merging the worlds of classic analogue with modern digital.

Phoebe is a compact, portable RIAA moving-magnet preamplifier specifically designed for the professional vinyl DJ or those who are passionate about vinyl replay. It converts the delicate phono signal into a robust line-level with an accuracy to within 0.25dB of the industry standard curve, realising the full dynamic potential of a record collection with an audio performance to rival dedicated hi-fi units. Phoebe is compatible with any mixer or amplifier and features a +6dB gain boost button to accommodate low output turntable cartridges or bring life to quieter pressings.

Additionally, it includes a switchable 22Hz high-pass filter to prevent acoustic feedback in problem installations or to eliminate low-end rumble. Phoebe also features selectable cartridge loading, enabling users to switch between 47 Kohm and 74 Kohm load impedance, depending on cartridge requirements and personal preferences. In terms of build, phoebe is both diminutive in size and built to last life on the road with a robust but elegant machined alloy chassis.

With built in USB audio playback and record, lisann is suitable for anyone looking for a high-quality compact and portable audio source or headphone monitor, able to manage a wealth of music production tasks on the go, such as audio testing, increasing the output from a phone, or recording a DJ set. It contains a full, high-speed USB audio subsystem with an optical digital input and balanced XLR analogue inputs and can be used to drive high-impedance headphones when streaming audio from a phone or laptop, or to record analogue signals back to a USB connected device. In addition, lisann can record back to USB from any input source, either digital or analogue.

Powered by internal high-capacity rechargeable NiMh (nickel metal hydride) batteries, providing up to 12 hours continuous usage, a powerful, semi-discrete class AB power amplifier drives the dual headphone outputs at levels of up to 750mW RMS into 33 Ohms, or up to +20dBu for high impedance headphones, thanks to 30V internal power rails. Lisann has USB-C connectivity to stream digital audio at speeds of up to 96kHz/24 Bit with clarity and dynamics from its AKM digital converters.

“As specialists in analogue audio, we pride ourselves on providing products for both DJs and audiophiles seeking pristine sound reproduction. Phoebe and lisann’s precise engineering allows for seamless integration into any audio set-up, merging analogue and digital, and delivering with clarity, whether you're spinning tracks in a club or listening at home. Small but mighty, the new products provide professional-grade performance and powerful functionality in a compact design,” says Union Audio founder, Andy Rigby-Jones.

Phoebe and lisann are available immediately from the Union Audio website worldwide, or via Sweetwater in the Americas.