Equipment News

HK Audio CONCERT SOUND 2.0 Presets included in Powersoft ArmoníaPlus

Powersoft has released its new preset library package for ArmoníaPlus, which includes the latest CONCERT SOUND 2.0 speaker presets for numerous HK Audio systems. The update allows professional users to quickly and conveniently integrate HK Audio speakers into their Powersoft set-ups.

The CONCERT SOUND 2.0 presets have been optimised for use with Powersoft amplifier platforms and support efficient system configuration. The updated package includes presets for various HK Audio product series, including COSMO, C-SUB, CONTOUR X, the passive models of the LINEAR and LINEAR SUB series, CADIS, SI SERIES, FINEO, VORTIS and VORTIS 2. A highlight of the presets are the precise filter and limiter settings that ensure reliable performance, consistent sound and quick set up.

Key new features in CONCERT SOUND 2.0 include expanded beam-steering capabilities and an optimised selection of subwoofer filters. In addition, extra headroom is available, particularly for COSMO systems. Phase response has also been standardized across HK Audio’s entire Concert Sound portfolio.

The new Preset Library Package thus supports professional applications in touring, installation and events. Users gain a practical foundation for reproducible setups and reliable system performance.

The updated HK Audio presets are available now in the new Preset Library Package for Powersoft ArmoníaPlus.

3rd September 2026

ETC Releases HPU+ Hybrid Processor

ETC announces the latest addition to Hog hardware, the HPU+. This new and improved hybrid processor can act either as a rack-mounted console or as a DMX processor connected to another Hog family console product.

A simplified mechanical design makes the HPU+ easier to service and more road-ready than ever before. The IO on the rear panel has been updated to align with new Hog consoles, including etherCON connectors, opticalCON Duo fibre optic connectivity, a built in LTC/SMPTE connection and TRUE1 TOP power input.

“HPU+ brings all the power of a Hog console to those spaces that don’t truly need a permanent hardware front-panel solution, like cruise ships and theme parks,” says Tania Lesage, market manager at ETC. “But at the same time, HPU+ can expand existing Hog systems with an additional 64 universes of control. It really is a powerful tool.”

While original HPU units move into legacy, they will continue to function and receive software updates.

Like other Hog family products, HPU+ is backed by a five-year warranty. Original HPU units purchased in 2026 are covered by the same warranty.

3rd September 2026

Meet the New Claypaky B-EYE Family: More RGBL Output, pure Colour, no Compromise.

Claypaky introduces its next-generation RGBL ecosystem: a family of IP66 multi-lens moving heads engineered to deliver unmatched colour consistency, fast and endless motion and powerful creative performance across every stage size. From the ultra-compact B-EYE 7 to the bigger B-EYE K30, every fixture speaks the same visual language.

The B-EYE multi-lens family is a fully modernised multi-lens platform. A new RGBL colour engine with an extended gamut, richer pastels and improved whites, new optics and mechanics, a new movement architecture with fast, endless motion across the range and one optical philosophy built on pixel mapping, fast zoom and multi-layer effects.

The result is consistent performance from the smallest wash to the biggest, all IP66-rated for true all-weather use. Whatever your stage, scale or weather, the B-EYE multi-lens family brings your creative vision to life.

Every fixture in the family runs the same RGBL colour engine (red, green, blue and lime) for an extended gamut, richer pastels, improved white calibration and a CRI greater than 82. Colour matching is consistent across every model, on stage and on camera.

Individually controllable RGBL sources turn each fixture into a built-in effects engine for dynamic colour chases, split-beam looks and video-style content, with multi-layer FX that scale from the smallest wash to the flagship.

A new movement architecture brings ultra-fast zoom and endless pan and tilt rotation (B-EYE 7 and B-EYE 12) across the range, unlocking instant transitions, continuous spins and kinetic looks.

Part of Claypaky’s Shield family, every B-EYE multi-lens fixture is fully sealed against water and dust, with anti-condensation optics and Sun Safe Protection, ready for outdoor festivals, touring and permanent installations.

From compact rigs to flagship touring set-ups, the family scales without breaking the look. Build a fleet around one platform and deploy the right format for every job.

The B-EYE K30 is the large-format flagship, featuring 37 RGBL LEDs, an output of up to 28,000 lumens and a unique combination of wash, beam and kaleidoscopic effects in a single chassis. It is designed for large-scale touring, festivals, and permanent installations.

The B-EYE 12 features 12 RGBL LEDs and an output of up to 15,200 lumens, together with full pixel mapping and unlimited pan and tilt movement. Its compact design makes it suitable for lighting grids, studios and main stages.

The B-EYE 7 is the most compact model in the range, featuring seven RGBL LEDs, full pixel mapping and unlimited pan and tilt movement. It delivers up to 7,700 lumens within the smallest B-EYE footprint to date, making it suitable for applications where space and weight are key considerations.

Three formats, one shared DNA and one unified colour world: all models are IP66-rated and app-ready, offering a complete and flexible range for building a consistent, high-performance lighting fleet.

More info: The new B-EYE Family | Claypaky 

2nd September 2026

grandMA3 software release version 2.5 is out now

2nd September 2026

TiMax Launches AI Assistant Support to SoundHub Software

Spatial audio pioneer, TiMax, has launched AI assistant integration with the release of its latest TiMax2 SoundHub software. TiMax MCP makes SoundHub the first spatial audio and show control platform to build in native support for the Model Context Protocol, the open standard that lets AI assistants work with software tools. It’s free, it needs no additional licence and it’s available now in the standard software release for Mac and PC.

TiMax MCP turns the construction of an initial show file into a conversation, reducing manual data entry from a typical four or five hours to around 30 minutes. With TiMax SoundHub software running, a designer connects a supported AI assistant – Claude Desktop, for example – and describes what the show needs.

The real time-saving benefit to sound designers is the ability to import speaker layouts from Martin Audio DISPLAY 3, d&b ArrayCalc and EASE files, then create and edit speakers and their positions, image definitions, subspaces, scaling surfaces and output labels. It also reconfigures venue orientation where a prediction file does not match the orientation wanted in TiMax2 software.

TiMax has loaded the MCP server with detailed product knowledge: how the software works, what image definitions, subspaces and scaling surfaces are for, the geometry behind reference points, so the assistant works from an in-depth understanding of TiMax rather than of audio software in general.

“Nobody gets into spatial sound design to type in co-ordinates,” says Dan Higgott, TiMax product and software manager. “There are hours of careful, unglamorous work before the first interesting decision gets made and quite often nobody is paying for it. TiMax MCP enables the designer to shorten that time considerably and get to the creative element, faster.”

The scope of TiMax MCP goes no further than initial set up, sitting outside the creative design, deployment and the live cue path and the running of a show. Everything it creates appears as an ordinary TiMax object, visible, editable and reversible, so if an AI assistant gets something wrong, recognising and correcting it remains the designer’s own skill. “Set up time, not show time,” says Higgott. “Every creative decision stays where it belongs, with the designer.”

This release is the latest step on a sustained development path TiMax has committed to, which makes advanced sound control accessible to every professional user. Just last year, the OSC overhaul opened SoundHub to third-party control, bringing integrations with a wide range of consoles, audio controllers and apps. TiMax MCP extends that to the supported AI assistants designers already use, working on spatial audio projects across any professional loudspeaker brand.

TiMax MCP is available free of charge in the latest TiMax2 SoundHub software release on Mac and PC, at timaxspatial.com, where the supported AI assistants are listed. Designers connect their own AI assistant account, free or paid and because the set up and design workflow needs no hardware attached, it can be downloaded and tried the same day.

26th August 2026

Obsidian Introduces NX3: Professional Lighting Control Built Around the Programmer

Obsidian Control Systems introduces the NX3, a powerful ONYX lighting console developed around the way programmers actually work. Shaped by direct feedback from lighting designers, programmers and operators, the NX3 combines motorised faders, extensive RGB backlight feedback, a 17.3-inch multi-touch display and direct control of up to 64 Universes in a powerful yet portable platform.

Designed for live production, touring, events and permanent installations, the NX3 puts speed, precision and intuitive operation at the centre of the programming experience. Its hardware layout works naturally with the ONYX interface, allowing programmers to move quickly between programming, playback and live operation while keeping their attention where it belongs: on the show.

Programmers, operators and lighting designers played a major role in shaping the NX3, with their feedback directly influencing its development.

“We wanted to raise the bar by delivering the features users were requesting, so we listened carefully to customer feedback,” stated Obsidian Control Systems business director Koy Neminathan. “Users were asking for motorised faders, backlit keys and faders, and a larger screen and we’ve delivered while maintaining the workflow and reliability they’re familiar with.”

Ten motorised faders provide immediate tactile feedback that reflects active playbacks in real time, while customisable RGB-backlit keys, faders and encoders provide clear visual status and colour-coded feedback. A 17.3-inch, ten-point multi-touch display provides ample workspace with additional space beside the screen for setlists, notes or tablets during a show.

At the heart of the NX3 is substantial control capacity, with up to 64 universes available directly from the console. This gives programmers the ability to take on increasingly complex productions without immediately requiring additional processing hardware.

“One feature that has resonated strongly is the ability to output 64 Universes directly from the console at a highly competitive price point,” Neminathan said. “That helps set the NX3 apart from many alternatives on the market.”

Four network ports, support for up to three external displays, an integrated power supply and expanded parameter control further equip the NX3 for demanding production environments.

Every aspect of the NX3 has been considered around the programmer’s interaction with the console. Tuned key response, stable controls, quiet motorised faders, dynamic RGB feedback and a low-profile ergonomic design support both fast-paced programming and extended sessions.

“As a portable console, motorised faders were essential,” Neminathan explains. “When lighting designers and operators are moving between pages, they need immediate access to cue lists and playback controls without hesitation.”

The result is a console designed to minimise the effort required to operate the hardware, allowing programmers to concentrate more on programming, creativity and the production itself.

The NX3 is not simply a stand-alone console. As part of the wider ONYX ecosystem, it provides a foundation that can expand as productions and programming requirements grow.

Additional displays, networking and control surfaces can be added while maintaining the same familiar ONYX workflow. Accessories such as the NX P motorised playback wing and NX K keypad provide additional hands-on control without requiring users to change platforms or relearn their programming environment.

From smaller productions and installations to complex lighting systems, NX3 gives programmers a powerful combination of hands-on control, high-capacity output, portability and scalability, all within the ONYX environment they already know.

The NX3 is shipping now.

NX3 Key Features:

• 64 universes
• Ten motorised faders
• RGB backlighting
• 17.3” ten-Point multi-touch main display
• Larger parameter touchscreen
• Fifth rotary encoder (intensity)
• Playback aligned with display
• Integrated power supply
• Four network ports
• Support for three external displays

25th August 2026

ChamSys Officially Releases MediaMaster 26.0 Stable

ChamSys, a subsidiary of Chauvet & Sons LLC, has announced the official release of MediaMaster 26.0 Stable, the first full production release of the MediaMaster platform since ChamSys acquired the product and software portfolio including MediaMaster, KlingNet and Grand VJ.

The launch delivers on the vision set out at the time of the acquisition: ‘One Console. One Server. One Show.’ MediaMaster 26.0 combines the stability and worldwide support structure of ChamSys with continued development from the original MediaMaster engineering team, now working full-time for ChamSys.

MediaMaster 26.0 continues the development lineage of the widely used MediaMaster 6.0, rebuilt around a brand-new user interface designed for faster, more intuitive operation both in the studio and on tour. Alongside the visual improvements, ChamSys has introduced updated project and workspace tools, giving designers and programmers more flexible ways to organise shows, media assets and layouts.

The release also brings a wide range of workflow improvements, including:

• Custom GDTF fixture export, streamlining integration with lighting consoles and other GDTF-compatible systems.
• Incorporation of ChamSys industry-leading Heads library into the MediaMaster LED Mapper, giving users access to an extensive, pre-built fixture database for pixel-mapping work.
• A redesigned project and workspace structure built around real-world touring and installation workflows.

MediaMaster 26.0 is built to meet the demands of modern show production, supporting up to 48 layers of 4K HDR media playback with advanced blending and composition. The software unites full video and pixel mapping capability within a single platform, with control via Art-Net and sACN alongside third-party protocol support for CITP and NDI, allowing MediaMaster to sit at the centre of a show’s media and lighting.

“MediaMaster 26.0 is a complete rebuild: new interface, new workflow and much tighter integration with the ChamSys ecosystem,” said Tony De Prins. “It’s the foundation for MediaMaster becoming a core part of how ChamSys approaches show control,” he continued.

Alongside the release of MediaMaster 26.0, ChamSys has also begun production of the eagerly awaited MediaMaster VS range of dedicated media servers. The range includes three models, scaling from the compact yet powerful VS1+, a 1U server with a single 4K output, up to the flagship VS4+, offering four 4K video outputs with optional SDI/HDMI input capture cards for live capture.

ChamSys is already looking ahead. MediaMaster 26.1, coming soon, will add USB-MIDI support, further improvements to MediaMaster’s native SAGA codec and support for the new CRA-compliant Sig-Net protocol keeping the platform aligned with the latest industry standards.

Looking further out, the ChamSys MediaMaster team is actively working to bring back a native macOS build of MediaMaster for the MediaMaster 27.0 release, extending platform support for cross-platform production environments.

To reward early adopters, ChamSys is offering a free upgrade to MediaMaster 27.0, once released, for all customers who have already purchased MediaMaster 26.0 or who purchase it between now and the end of 2026.

MediaMaster 26.0 is available now as a free download from the ChamSys website: chamsyslighting.com/software/mediamaster-software

24th August 2026

LANG AG expands LED portfolio with AVORA for outdoor use

LANG AG is expanding its range with AVORA, the new LED flagship in the 3.91mm pixel pitch segment. The cabinet achieves a brightness of up to 5,500 nits, is HDR capable and its IP65 protection rating makes it suitable for both outdoor and indoor use. AVORA is built on SMD technology and the cabinet also features black face and black body for compelling contrast.

Processing is handled by a Novastar A10s Pro receiving card, which improves both contrast and colour depth, enables precise HDR rendering and reduces cabling requirements. This also allows AVORA to integrate seamlessly into existing Novastar ecosystems.

The integrated wind bracing ensures robustness and structural stability even in adverse weather conditions, enabling easier handling as well as faster set-up and take-down times.

The AVORA product family includes the standard 500 x 1,000mm format alongside the more compact 500 x 500mm variant, as well as 45-degree corner modules in both sizes for corner constructions. This range of formats allows AVORA to adapt to a wide variety of project requirements, covering diverse deployment scenarios with a single system base.

“With AVORA, we have a system in our inventory that convinces our customers not only technically but also gives them the freedom to realise every project on the same reliable foundation,” says Sahra Jung, senior manager rental at LANG AG. “It is precisely this flexibility that makes AVORA a product you can rely on in the long term.”

21st August 2026

Follow-Me Operator Box delivers distraction-free focus for multi-performer tracking

Follow-Me, a leader in tracking solutions, expands its Follow-Me DELT∆ manual performer tracking system, the successor to the Follow-Me 3D system, with the new Operator Box. The hardware addition generates a dedicated view of the stage, allowing operators to zoom in on their assigned performer and transforming the way large multi-performer shows are run with Follow-Me.

Productions scale in complexity and often track five, six, or many more performers simultaneously. With one camera feed, the screen an operator relies on can become crowded with crosshairs. The Operator Box has been introduced to give operators the opportunity to focus fully, allow them their own way of working and ensure an optimal result. Also, when cameras are positioned far from the performance area (sometimes 70 metres), performers can appear very small on screen, making accurate tracking challenging. The Operator Box addresses this directly by giving each operator a clean, individual view focused exclusively on their assigned target and provides a zoom option to get close without losing the exact positioning of the performer.

The Operator Box is a compact, PoE (Power over Ethernet) device with HDMI output. It connects to the system server alongside the controllers including mouse and fader console. The Operator Box can simply be placed on the desk or mounted on the back of a monitor to keep the operator station compact. A light on top of the unit displays the colour of the performer (target) assigned to the operator, providing an immediate at-a-glance identifier.

Operators can zoom in on their assigned artist, which is particularly valuable when cameras are positioned far from the stage. This capability works in conjunction with the upgraded 4K network-based camera, which provides a sharp, clear view of the tracking area. Because the camera is network-based, its feed can be shared across multiple systems simultaneously, allowing each Operator Box to draw from a single camera source whilst creating individualised views for every operator.

Each Operator Box is highly configurable. Operators can write notes directly on their screen and choose to display target-specific data such as target intensity and Z offset, tailoring their view to show exactly the information most useful to them.

The system also introduces a built-in messaging feature, enabling users to send instructions to individual operators, for example, cueing specific actions during a show or broadcasting a global message to all operators at once. This supports clear, targeted communication throughout a performance without disrupting others.

Follow-Me’s 3D, DELT∆ and TRACK-iT systems have always been capable of tracking multiple artists in one single system. The Operator Box builds on this foundation by making multi-performer tracking more efficient for the individual operator. It brings a one-on-one focus to what was previously a shared workspace, improving both accuracy and operator confidence during live performances.

“The Operator Box is a direct response to listening to the people doing this job night after night on major productions,” says Tim van Dijck, product manager at Follow-Me. “When you’re tracking one performer out of ten on a large stage, with cameras at the back of the house, every pixel counts. We wanted to give operators a tool that puts them completely in control of their own workspace during these high pressure and large productions. A dedicated zoomable view of their target, with the data they need and nothing they don’t. That focus translates directly into more accurate tracking results and more confident operators. This efficiency and stability are essential for these productions to achieve best results and create an unforgettable experience.”

18th August 2026

Allen & Heath’s AHM Enables System Integrators and Engineers to Control their Favourite Equipment

UK-based audio mixer manufacturer Allen & Heath has announced its collaboration with leading manufacturers in the audiovisual industry to deliver easy control and monitoring via its AHM audio matrix processor range.

“It’s important to us that AHM users can fully enjoy a simple and scalable system,” says Samantha Potter, commercial audio manager at Allen & Heath. “That’s why we’ve ensured our AHM mixers provide everything needed to control the equipment and brands people already know and trust.”

The AHM series features DCFs (Device Control Files) that can be built and imported or easily designed from scratch to meet the needs of all kinds of projects. There are even pre-built drivers enabling the control of popular third-party equipment, no building needed. Each file includes the commonly used parameters and functions, so teams can get projects running quickly and cost-effectively.

Because AHM works seamlessly with Allen & Heath’s free, customisable Custom Control app, as well as A&H IP controllers and CC touch panels, deploying these controls for end users has never been easier.

“We’ve collaborated with manufacturers to enable easy control of third-party products including Audio-Technica’s ES Wireless, ATND and System 20 PRO,” explains Potter. “There’s also support for Sennheiser’s TeamConnect ceiling range, Visionary Solutions’ large range of devices, general PTZ camera control and projector control, all seamlessly importable and usable with AHM. You can use them as is or customise them further based on the equipment’s API.”

For those looking to get the most from AHM, Allen & Heath offers a free on-demand course on their website, alongside live online AHM certifications. Additionally, the company also runs regular live online Control Network Certification classes, covering DCFs, third-party control, GUI design and more. Discover the available learning resources at: https://www.allen-heath.com/community/learning-education/

12th August 2026

AV Stumpfl launches screen configurator with interactive 3D visualisation and AR preview

AV Stumpfl has launched a new online screen configurator, giving integrators and designers a self-serve tool to specify projection screens from six of the company’s screen families. Available in both metric and imperial versions, the configurator covers Monoblox, Monoclip, Monolyte, Vario, Varioclip and Fullwhite.

AV Stumpfl’s projection screens are highly configurable products, with many combinations of factors and features to consider for any given project. The configurator resolves this complexity by guiding users through each parameter group in a logical sequence, from initial screen selection to transport and accessory options, building an accurate and complete specification in a single environment.

At every step, the selected configuration is reflected in a real-time 3D model that can be inspected from any angle. Scale reference figures are included for immediate context. Users can toggle dimension labels on and off, adjust the vertical position of the screen and download the 3D model or a screenshot directly from the interface. A completed configuration generates a full parts list ready for submission as a quote request. Users who need guidance at any point can access a Best Match option or contact AV Stumpfl’s team from within the tool.

A standout feature is the integrated augmented reality preview. From a desktop browser, users can generate a QR code to transfer their current configuration to a smartphone, where the configured screen can be placed into any real environment using the device’s camera. The AR view allows designers and end clients to assess the actual scale and footprint of a proposed screen before any product is ordered. This is a capability that previously required either a physical mock-up or a separate visualisation workflow.

“Specifying projection screens involves more moving parts than you might think,” says Rainer Brandstätter, head of marketing, AV Stumpfl. “The configurator gives integrators and designers the confidence to work through those decisions independently, with the right information at each step and a complete, accurate specification at the end of it. The AR feature is particularly significant. This lets you put the product into the room before you buy it. That can change the conversation with the end client entirely.”

Configurations can be saved and shared with colleagues, clients or project partners at any stage of the process, supporting collaborative design and client approval workflows. The combination of shareable configurations, downloadable 3D assets, screenshot exports and the AR preview in a single tool is designed to compress the timeline from project brief to confirmed order.

The screen configurator follows the AV Stumpfl PIXERA hardware configurator introduced at ISE 2026 in February and it reflects the company’s ongoing investment in self-serve tools designed to reduce the time customers spend on specification and administrative tasks. Both metric and imperial versions of the software are available now via the links below.

Metric Software: https://portal.combeenation.com/cfgr/AVSTUMPFL/SCREEN/222976064200684544/edit/0GTEQeNBQnY?lang=EN&unit=metric

Imperial Software: https://portal.combeenation.com/cfgr/AVSTUMPFL/SCREEN/222976063149487104/edit/0GTEQdE2iK8?lang=EN&unit=imperial

31st July 2026

Chauvet Professional Puts “Power in the Hands” of Lighting and Production Pros with the New Unrival App

There never seems to be enough time at a production site. Everyone knows that and while Chauvet Professional may not be able to put more hours on the clock, the company’s new Unrival app can make every minute on the job far more efficient and productive, allowing crews to get more done in less time.

A field-first fixture workflow app that puts the power of information in the palm of the production pro’s hands on site, Unrival makes prep, patching, configuration, maintenance and future fixture monitoring faster, easier and more reliable for a wide variety of fixtures.

Unrival is most definitely not an “NFC app” that offers one access point within a broader workflow tool. Far from it, this is a dedicated, free-standing app that gives users direct control of set up, patching, configuration, testing, firmware and diagnostics for applicable fixtures without having to climb a rig, dismantle a set-up, or fight through fixture menus. That’s because access to fixture settings is available directly through this powerful app without the need to check physical displays.

An intuitive, user-friendly support tool Unrival, will help technicians, programmers, rental teams, touring crews, production houses and lighting designers get more done in less time to lower cost, increase efficiency and make everyone happier on the job.

With Unrival, fixtures settings can be patched and edited faster, while redundant time-consuming tasks are reduced by applying repeatable templates across multiple fixtures. This means less time spent searching menus, fewer mistakes and more consistent set-up across crews, locations and fixture quantities.

Patch data from existing workflows can also be imported easily with Unrival. Even when power is off, Unrival allows users to prepare compatible fixtures. Rapid Patching using imported patch list (ChamSys CSV, ChamSys QR Code, and MVR) is a reality with Unrival. This allows fixture patch data to be imported directly from existing show or project information rather than being entered manually at the fixture.

For non-Chauvet NFC-enabled fixtures, the imported patch list still functions as an easy-to-use manual patching checklist, helping the user work through fixtures in an organised way and check off each one as it is manually entered.

As versatile as it is convenient, Unrival easily organises fixture work by job, trip or deployment. It also quickly accesses diagnostics, scan history and fixture health data. What’s more, Unrival can be updated wirelessly over Bluetooth.

By putting the power in production pro’s hands, Unrival will surely be changing the environment at production sites. Learn more by checking out the Unrival app at

https://chauvetprofessional.com/product/unrival-app/ 

29th July 2026

HK Audio releases DSP CONTROL Software 4.2

HK Audio has released the latest software update for its popular DSP CONTROL software. The new 4.2 version includes several enhancements designed to streamline workflows and improve system management for audio professionals.

DSP CONTROL is a comprehensive and easy-to-use software solution for PC and Mac. It provides precise sound tuning, firmware updates and remote control of the DSP parameters of all network-enabled HK Audio speakers.

The 4.2 release features a number of new features to make life easier for audio professionals. The new bulk update feature helps to speed up the workflow by allowing multiple devices to be updated simultaneously rather than waiting for individual devices to complete before starting on the next. With the 4.2 release, DSP CONTROL now provides 20 preset slots for each device, allowing greater flexibility for users. The release means that the software now has language support for five additional languages. Now French, Italian, Norwegian and Swedish users will be able to use the software in their native language.

The new software release also includes enhancements specifically for LINEAR 5 MK2 loudspeakers. With DSP CONTROL 4.2, the maximum delay time for LINEAR 5 MK2 systems has been increased to 50ms. The certified MILAN functionality has also been improved.

“We are always trying to enhance and improve the software that the HK Audio family rely on every day and the 4.2 release of DSP CONTROL is a good example of this,” stated Stephan Kuczera, product manager for live sound at HK Audio. “These upgrades have been driven by customer requests and should make life easier for audio professionals all over the world.”

DSP CONTROL 4.2 is available for download from the HK Audio website now.

27th July 2026

Amadeus Acoustics Introduces Downmix Engine Feature

Amadeus Acoustics, a pioneer in active acoustics and immersive sound technology, has announced the release of ART::Director v1.3.1. The major software update introduces a highly sophisticated Downmix Engine feature alongside a suite of powerful workflow optimisations. This new capability resolves one of the performing arts industry’s greatest challenges: translating complex, immersive venue mixes into standardised formats for broadcasting, studio pre-production and ancillary monitoring.

While spatial audio has redefined the audience experience inside major auditoriums, venues frequently face the logistical headache of exporting those multi-channel mixes to external environments that lack massive loudspeaker arrays. The new Downmix feature acts as a direct bridge, allowing sound engineers to run multiple, highly customisable speaker-based downmixes in parallel following the primary in-house spatial mix.

The practical application of the Downmix Engine feature extends across the highest echelons of live entertainment and massive international broadcasts. For example, in an event on the scale of the Eurovision Song Contest, where Amadeus Acoustics served as an official technical supplier for 2026, the main audio mix in the arena must simultaneously serve several parallel destinations.

To the broadcast van: engineers can deliver a dedicated spatialised 5.1 or stereo fold-down directly to the mobile broadcast truck for pre-production, allowing most of the house mix to be prepared before or in between the very limited number of stage rehearsals.

To rehearsal and green rooms: simultaneously, independent downmix feeds can be sent backstage so that production crews, artists and the wider team can perfectly track their positioning and cues in the show’s timeline, knowing exactly where they are in the show at any given moment.

“Immersive audio shouldn’t be trapped inside the auditorium. The Downmix Engine ensures that whether you are a director checking cues in a stereo rehearsal room, a mix engineer in a mobile broadcast truck, or a performer waiting backstage, the integrity of the acoustic space is perfectly preserved,” explained Volker Werner, Amadeus Acoustics.

The update also radically transforms the pre-production timeline for sound designers working on world-class performing arts spaces. For example, at a prestigious opera house like Theater an der Wien, a historic venue in the heart of Vienna which features an Amadeus Immersive Sound and Active Acoustics installation, the Downmix Engine feature unlocks an entirely new workflow between the studio and the main stage.

Instead of tying up the main auditorium for days, sound designers can use the Downmix Engine feature to build and tweak complex spatial soundscapes entirely within a separate, offline studio space using smaller, standard monitoring set-ups (5.1, stereo, or even headphones). By placing the Downmix Systems as physical, interactive globes within the 3D software venue map, creative teams can accurately simulate how sound movements will scale. When the production finally moves to the main stage, the groundwork is already laid, drastically cutting down on-stage technical rehearsal time.

The Downmix Engine feature stands out due to its granular control. It supports standard formats like Stereo, 5.1, 7.1, and Atmos, alongside entirely bespoke loudspeaker configurations. Every parallel downmix system features an integrated size multiplier to widen or narrow the field based on the target room’s loudspeaker resolution, individual fade controls for spatial and performing sources and an independent, dedicated LFE (low-frequency effects) output for pristine low-end management. Further enhancing this flexibility, performer sources can be exclusively mapped to the main frontal loudspeakers of the studio set-up, ensuring isolation from the surround and overhead loudspeaker channels.

While the Downmix Engine feature represents a massive leap forward, the Amadeus Acoustics engineering team has packed v1.3.1 with significant architectural and quality-of-life upgrades.

Advanced OSC automation: introduction of pattern-based OSC addresses alongside variables and properties in OSC addressing for deeply flexible system control. This also ensures full compatibility with ADM-OSC. Scaling can be applied either to the overall boundaries or configured individually for each OSC source.

Acoustic precision tools: additional performer source gain offsets designed explicitly for fill, precedence and subwoofer systems, plus support for negative loudspeaker delay offsets.

System reliability: significantly improved Director/DSP connection handling, automatic network port detection and a built-in connection history log for rock-solid stability during live operations.

Creative controls: adjustable crossfades between venue snapshots, customisable value mapping and granular fade-out gains within immersive fade zones. Don’t limit yourself to static speakers! With this new feature, loudspeaker positions can be automated just like audio sources.

ART::Director v1.3.1 is available immediately, completely FREE, for download at: https://amadeus-acoustics.com/amadeus-immersive-sound-next-generation Existing users can update their software to unlock the Downmix Engine feature and advanced OSC features today by simply clicking on the blue ‘info’ button at the top right corner of the software’s welcome page. 

27th July 2026

KLOTZ AIS Expands its Portfolio with Energy Fan Out Boxes for Professional Broadcast and Event Applications

With the new EBO..HM-NF Energy Fan Out adapter boxes, KLOTZ AIS introduces a robust and reliable solution for the safe distribution of electrical power in the event industry as well as broadcast and television production. Designed for both indoor and outdoor use, the rugged Fan Out boxes are available in versions with six or eight discrete 16A circuits.

Equipped with high-quality Harting HAN 16ES connectors housed in durable metal coupling enclosures, the Fan Out boxes enable reliable power distribution to or from an energy multicore cable, such as the KLOTZ EMC8HMFT. In addition to the Schuko fan-out version introduced earlier this spring, the KLOTZ AIS Energy Fan Out adapter boxes are now also available with Neutrik powerCON TRUE1 connectors, providing even greater flexibility for modern power distribution systems.

On the multipin side, KLOTZ AIS uses an ultra-lightweight, impact- and scratch-resistant housing made from environmentally friendly recycled PE. The material offers excellent resistance to temperature fluctuations, weathering and chemicals, making it ideal for demanding professional applications. For secure rigging installations, the housing features an M10 threaded insert as well as an integrated safety lanyard attachment point.

The power tails are fitted with premium TITANEX H07RN-F rubber cables with a conductor cross-section of 3 x 2.5 mm². Their waterproof construction ensures safe and reliable power transmission, even under the harsh conditions encountered in live event environments.

With the expansion of its Energy Fan Out box portfolio, KLOTZ AIS once again reinforces its commitment to delivering professional-grade power distribution solutions that meet the highest standards of quality and reliability. Designed and manufactured by KLOTZ AIS, the products combine outstanding durability, dependable performance and uncompromising quality and are made in Germany. 

22nd July 2026

TiMax panLab expands console support and sharpens its toolkit for shaping sound

Spatial audio pioneer TiMax has announced a new release of TiMax panLab, the macOS spatialisation app that kick-started the democratisation of spatial audio. The latest release – TiMax panLab 1.5 – introduces faster ways to build movement, expanded console compatibility and a range of 3D Panner and workflow refinements.

The new Sequence Shape Palette hands designers an additional route to create movement alongside the established path-drawing method. Rather than drawing a path by hand, users can now generate a Sequence from a ready-made shape including circles, squares, triangles and 2D or 3D spirals. The shape previews live in the 3D Panner where size, node density, duration and rotation can be adjusted and dragged into position anywhere in the space. A companion bounding-box tool lets a completed sequence be reshaped as a whole, scaling its movement path across single or multiple axes via corner and edge handles.

Expanded console support now incorporates the Behringer Wing range. In the same manner as the existing Yamaha integration, Wing buses can be assigned either as speaker outputs or as pannable input sources, giving users another route to object-based spatialisation on hardware they already own.

Several enhancements sharpen the 3D Panner itself. The camera now keeps the floor fully framed throughout the orbit, settling it naturally into view as the angle shifts from plan to near-ground without manual zooming. Sequence nodes are easier to read at a glance, with selected nodes carrying a blue halo and start and end points marked in red, while speaker labels stay hidden until hovered when the Panner is locked, keeping the view uncluttered.

Sequence editing and playback functionality has also been refined. Individual nodes can now be deleted or have their duration edited directly via right-click and playback tracks specified total durations far more accurately. A new ‘Update Current’ button lets designers save changes straight back to the last recalled snapshot, whilst Snapshot Recall Scope changes can be applied across multiple Sources in bulk. The update further improves the smoothness of live sequence playback and resolves several crashes, including one affecting 3D Panner rendering.

Dan Higgott, product and software manager at TiMax, commented: “This release is all about giving designers more creative speed without adding complexity. Whether you’re sketching movement from a shape, reshaping a whole path in seconds or bringing a Behringer Wing into a spatial workflow, the goal is to keep spatial audio accessible and simple to use.”

TiMax panLab 1.5 is available now. There is free seven-day trial of the Ultimate licence, with then a variety of licence options available beyond the trial period.

https://timaxspatial.com/products/timax-panlab/

22nd July 2026

Analog Way Announces New Aquilon Firmware 6.2 Featuring Native Stereoscopic 3D Support, Instant Content Failover and Many Operational Enhancements

Analog Way has unveiled a new firmware release for its Aquilon screen management systems which addresses next-generation immersive stereoscopic 3D visualisation applications, market demands for ever-larger canvases and higher resolutions, the necessity for content continuity in high-profile environments and increased expectations for intuitive control software with greater operational efficiency.

The Aquilon Firmware 6.2 release offers many advantages to customers across all market segments. Chief among them is native stereoscopic 3D support up to UHD 60Hz per eye, enabling seamless mixing of 2D and 3D content with uncompromised image quality in large-scale immersive environments. 

It also enhances operational resilience and ensures show continuity with Backup Groups for instant content failover, simultaneously switching inputs and background sets to their backup sources.

Aquilon Firmware 6.2 also expands format flexibility. Optimised for large-canvas deployment, it reduces infrastructure requirements through support for ultra-wide formats, 8K resolutions and custom timings. Faster and more intuitive software tools and streamlined workflows mean improved operator efficiency with enhanced Web RCS usability, streamlined controls and productivity-focused tools. Additionally, reliability and stability improvements offer faster, more confident operation in mission-critical applications.

Specifically, Aquilon Firmware 6.2 provides:

Stereoscopic 3D support.

Delivering high-quality stereoscopic content is technically demanding, requiring substantial bandwidth and processing power. As a result, many systems are limited to reduced resolutions or lower refresh rates, compromising the viewing experience.

Aquilon removes these limitations with native stereoscopic 3D support, delivering formats up to UHD 60Hz per eye as a standard capability. Using its DisplayPort 1.2/1.4 input and output cards (ACC-AQL-IN-DP and ACC-AQL-OUT-DP), Aquilon can ingest and output frame-sequential 3D signals with embedded synchronisation at resolutions up to 3840 x 2160 at 120Hz, 4:4:4, 8-bit. This provides exceptional image quality while maintaining the high frame rates required for comfortable and immersive stereoscopic 3D viewing.

Aquilon’s streamlined workflow also makes it possible to seamlessly combine 2D and 3D content within the same composition. Users can build large-scale canvases spanning up to eight UHD outputs or 16 HD/DL outputs, enabling immersive environments without sacrificing flexibility.

When using active-shutter 3D glasses, the embedded synchronisation signal can be phase-adjusted and routed through the Frame Lock Loop-Through connector, providing precise control of the glasses’shutter timing and ensuring optimal viewer comfort.

Backup Groups for Instant redundancy for critical show content

Unexpected failures can happen during a live event requiring operators to restore content immediately, either by switching to a redundant media server or falling back to a predefined still image.

To address these scenarios, Aquilon now includes the Backup Groups feature, which allows users to create collections of input backups and background set backups that can be switched simultaneously with a single action. This enables fast and co-ordinated transitions to backup sources, ensuring continuity of the presentation. For maximum responsiveness, Backup Groups can be triggered either manually by the operator or automatically when a failure is detected on any member of the group.

The feature is available through the Web RCS, Aquilon’s web-based remote control interface and can also be assigned to a dedicated custom key on the RC400T control console for immediate access during live operation.

Enhanced format management

In large-scale display systems, the number of outputs required to build a canvas can have a significant impact on overall project costs. This is particularly true for LED wall applications, in which reducing the number of LED processors often depends on the ability to create optimized custom formats and maximize the available signal bandwidth.

To provide greater flexibility and efficiency, Aquilon now includes a broader range of predefined formats for its DisplayPort 1.2/1.4 input and output cards (ACC-AQL-IN-DP and ACC-AQL-OUT-DP), including 8K at 30Hz and a variety of ultra-wide resolutions commonly used in immersive and LED display environments.

In addition, the Custom Formats feature now supports VESA CVT Revision 2.0 Reduced Blanking calculations. By minimising blanking intervals, Aquilon can maximise the effective active pixel count within a given bandwidth, enabling higher resolutions and more efficient signal transport without increasing infrastructure requirements.

Productivity and reliability

Configuring a show can be time-consuming, making workflow efficiency critical for operations. To streamline day-to-day operations, Aquilon’s Web RCS now supports basic mathematical expressions directly within numerical entry fields. Operators can perform calculations using standard operators (+, −, ×, /) without leaving the application, eliminating the need for external calculators and accelerating configuration tasks.

Enhanced screen layouts now offer more intuitive controls. Users can now maintain layer aspect ratios or resize layers symmetrically using familiar keyboard shortcuts while manipulating objects with the mouse, making layout creation faster and more precise.

As part of Analog Way’s ongoing commitment to improving the user experience, the Web RCS interface now provides greater consistency, clarity and readability. Enhancements include improved visibility of critical status indicators, such as Screen Fade Out activation, as well as a more logical organisation of memory-related settings. The new firmware release also enhances the stability, reliability and robustness that operators expect from Aquilon in mission-critical environments.

Aquilon Firmware 6.2 is available now.  

16th July 2026

Outline ISAAC, new update V1.3.0 to up the ante even further

Outline, an Italian manufacturer of Newton, the (patented) FPGA-based digital signal processor, has announced the release of its ISAAC multi-platform control application update to V1.3.0.

“We have perfected the number-crunching routines behind our renowned EQ filters section,” offers Andrea Ippolito, software developer at Outline, “returning an increase in accuracy and efficiency that allows us to bring phase response into the EQuation, if you pardon the pun, with tweaks at hand on all filter types, an improved graphic representation and a zoom function reaching closer to new depths in fine-tuning,” he reports.

“All that glitters isn’t just under the bonnet, though’” states Gabriele Maucione, software developer at Outline. “We’ve aimed significant refinements to the user experience, too, like new dialogue functions at both input and output patch sections assignments, for a more responsive feedback to any user action, and a new ‘ripple’ feature to cascade channels’ multiple elements recursively, making system setup both quicker and leaner,” he adds.

“A fluid interaction with the users adds real value to a device like Newton, geared since its inception to most competent pros, who can now benefit from two further features,” notes Paolo Calza, application engineer at Outline: “Bugs can now be flagged to our attention right from within ISAAC, straight to a set form on our website, then there’s a Newton ‘status dump’ feature exporting the exact machine’s parameters on a file, for a truly sandboxed troubleshooting from Outline’s HQ, without ever directly connecting to it,” he closes.

Last, but not for this least, there’s one further treat for improving the user experience overall: major wins from current update version are now enlisted in the software ‘about’ box, delivering a quickest summary of most recent changes, without search and access to version log files released with software update;. a tiny feature in the grand scheme of things, which just builds further confidence onto Outline Newton’s quickest, leanest workflow since any spared second counts, in live sound county!

14th July 2026

Avolites launches Prism: Intuitive Media Control for Connected Shows

Avolites, a leading global lighting control manufacturer, has launched Prism: an intuitive media control interface that allows users to introduce dynamic visuals to their shows without the need for complicated programming. The launch follows an extensive period of early access. 

On an increasing number of productions, lighting, video and pixel mapping need to work together as part of the same creative environment, often without a dedicated media team to manage them. For designers, operators and show teams who do not have extensive specialist experience, or the time to experiment with complex media workflows that can make media feel intimidating, time-consuming or out of reach. Prism has been developed to change that.

Built for both lighting and video professionals, it simplifies the process of media control without simplifying the result, giving users a clear, visual way to create, manage and control media with impact. 

Since Avolites pioneered the integration of live lighting and media 15 years ago, they have supported media within major productions across live music, sporting events, broadcast and performances, including two Olympic opening ceremonies, Coldplay, Maluma, The Rio Hotel Las Vegas and The Script. Prism builds on that expertise, making intuitive, creative media control available to a wider audience.  

When connected to Titan through Synergy, Prism brings media control into a connected Avolites environment, making lighting and media part of one show workflow. Users can work with media alongside lighting, helping screens, displays and pixel-mapped fixtures feel closer to the console and the wider lighting design. 

Prism can also be used as a stand-alone media control platform, making it suitable for live shows, touring rigs, venues, clubs, theatres, museums, galleries, attractions and installations where video, screens or pixel-mapped fixtures need to be managed, updated or repeated consistently. 

The launch builds on Avolites’ extensive experience in media control, bringing that knowledge into a more accessible interface for today’s lighting and video professionals. As lighting and media continue to move closer together, Prism gives users a practical way to control dynamic visuals as part of a connected show environment. 

Key features include a straightforward visual workflow, Titan integration through Synergy, pixel map adjustments, timecode triggering, Media Manager with broad format support including HAP, NotchLC and DXV, AiM encoding for smoother high-resolution playback and 10-bit colour support, adaptable surfaces, layers and regions, 17 blend modes and output options including physical outputs, NDI and RTSP. 

Access to Prism is through Avolites’ new, more powerful AvoKey Collection and Travel Collection, with three versions of each: A1+, A2+, A3+, T1+, T2+ and T3 Bundle, available depending on the number of channels or display outputs needed. When running Prism, A1+ and T1+ will unlock one display output, A2+ and T2+ will unlock two, and A3+ and T3 Bundle will unlock three. By the end of this year, DMX Pixels will also be supported: up to 1,024 (A1+ and T1+), 2,048 (A2+ and T2+) and 4,096 (A3+ and T3 Bundle). Pixels can be between one and four DMX channels, giving you a range from simple intensity through to full RGBW. 

Jon Hole, product and marketing manager at Avolites, commented: “With Prism, we wanted to make media control feel accessible without limiting what users can create. We know that more designers and operators are being asked to manage video, screens and pixel-mapped fixtures as part of the wider show and we wanted to give them a clearer way to do that. Prism simplifies the process, while still giving users the creative control they need to build impressive visual results. Prism brings together a lot of what Avolites has learned from years of working in both lighting and media control and we’re excited to be making that available to a wider audience.” 

9th July 2026

KLOTZ K12RM – Rugged 12-Channel AES/EBU Multicore for Professional Touring and Live Event Applications

With the new K12RM, KLOTZ expands its portfolio with a high-quality 12-channel digital multicore system designed for professional audio applications. Developed for demanding touring, broadcast and live event environments, the K12RM combines maximum operational reliability with outstanding flexibility and dependable signal transmission for both digital and analogue audio signals.

The K12RM is based on the proven OmniLIVE multicore cable with a characteristic impedance of 110Ω, making it equally suitable for AES/EBU digital audio and analogue audio applications. Its high-quality construction and effective shielding ensure interference-free signal transmission, even under the most demanding operating conditions.

Equipped with two rugged RMP 37 pin circular connectors featuring gold-plated male and female contacts, the system delivers a durable and reliable connection. Designed for more than 2,000 mating cycles, the connectors maintain consistently high contact quality even with frequent set up and tear down. Protective caps on both cable ends safeguard the contacts during transport and storage.

When connected or fitted with the protective caps, the system achieves an IP67 protection rating, providing excellent resistance against dust, moisture and other environmental influences. The robust ZEP plastic strain relief further enhances the system’s mechanical durability for everyday professional use.

Thanks to its compatibility with LK, Tourline, CIRLK and other connector systems based on the MIL-C-5015 standard, the K12RM integrates seamlessly into existing infrastructures while offering maximum flexibility for new installations and system expansions.

With the K12RM, KLOTZ addresses professional users who require a rugged, durable and highly compatible multicore solution for premium-quality audio transmission in demanding live sound, touring, and broadcast applications.

8th July 2026

The grandMA3 onPC DMX-key starter: Your entry into the MA universe

Designed as the perfect first step for the new generation of lighting designers, programmers and creative minds, the grandMA3 onPC DMX-key starter is the ideal introduction to the world of lighting control. This compact, affordable and powerful small USB device unlocks the full potential of the free of charge grandMA3 onPC software, giving 1,024 parameters via two DMX outputs without compromising on features or functionality.

The DMX-key starter works instantly with a PC or laptop. Users just simply plug it in via USB-C, open the grandMA3 onPC software and start learning, experimenting and programming first shows. No set up, configuration or network knowledge is required.

With full access to the complete feature set of the grandMA3 onPC software, new users can start learning on the same platform used for the world’s biggest shows and productions. It provides an accessible entry point for schools, universities and other educational facilities, with preparation for professional workflows from day one.

Thoughtfully designed and built to last, the grandMA3 onPC DMX-key starter combines reliability, flexibility and ease of use: A lockable USB-C connector secures connections in every demanding environment. The housing is made of robust aluminium. Anti-slip strips at the bottom ensure that the device can be placed stably on the work surface. Guide rails with a matching screw set allow for easy mounting in racks or cases.

The grandMA3 onPC DMX-key starter is more than just a device: it’s the first step into the MA Lighting universe for the next generation of lighting professionals.

The grandMA3 system offers endless possibilities, functions and features which can feel overwhelming at first. To provide guidance on users’ learning journey, MA Lighting offers the MA Starter Pack, bringing together three key elements designed to help users get started with grandMA3. Alongside the MA Startshow and comprehensive e-learning, the new grandMA3 onPC DMX-key starter now completes the Starter Pack. The compact hardware solution provides the ideal base to gain hands-on experience and “be your best”. Find more information about the MA Starter Pack here.

Features:

• Real-time control of 1 024 parameters in combination with grandMA3 onPC
• Lockable USB-C connector
• Status LED
• Robust Aluminium housing
• Anti-slip strips
• Easy mounting with guide rails and screws

The product is available at MA Lighting International’s official distributors worldwide.

Find more information about the grandMA3 onPC DMX-key starter here.

www.malighting.com 

6th July 2026

Astera Launches the QuikBeam Eight-Unit QuikCase Kit: Eight QuikBeams, PowerFlow Daisy-Chaining, Zero Downtime

Wireless LED lighting manufacturer Astera’s QuikBeam – launched in February at the ISE expo – has created a new category of uplight that is ideal for both events and film applications, thanks to its extremely compact size and light weight.

The new QuikBeam eight-unit QuikCase Kit contains eight QuikBeam luminaires, eight PowerFlows for integrated AC power daisy-chaining, 16 swappable QuikBrick batteries and two ChargingDocks for convenient battery charging, all stored in the one compact QuikCase, which is exactly the same size as the existing four-Unit PrepCase Kit.

This is essentially everything needed to light a set, event, room, space, environment, etc., all organised and protected, ready to use wired or wireless, perfect for small and mid-size events, live broadcasting or corporate work and geared towards enhancing efficient workflow.

This new eight-unit QuikCase Kit joins the existing four-unit PrepCase Kit, a package including all accessories and remote prepping functionality and the two-unit BackPack Kit, a perfect and ultracompact alternative for owner operators.

The QuikBeam eight-unit QuikCase is also available as a separate empty case, offering companies and individuals who have already invested in the kit or the film / TV / video dedicated four-unit PrepCase Kits to reconfigure their fixtures in a larger package.

The QuikBeam luminaire was launched by Astera at ISE in February this year and has already won several awards for its ingenuity and quality engineering. This includes the TVB Europe ‘Best of Show’ at ISE 2026 award, an SLU (SoundLightUp) Award for Innovation 2026, the TVB Europe ‘Best of Show’ title at NAB 2026, AVTechnology’s ‘Best of Show’ at InfoComm 2026 and the ProHub Awards for Excellence 2026.

This says a lot about the QuikBeam’s flexibility, since it has been recognised by respected tradeshows and magazines operating in all sorts of events, broadcasting productions, AV systems and film shoots.

It is a rapidly deployable, single-source Fresnel fixture with a 13° to 60° QuikTurn zoom, swappable QuikBrick batteries, practical plug-and-play functionality and all the performance, high-quality colour characteristics of the Titan LED Engine, plus the innovative OutputGain feature.

Following QuikBeam’s successful launch, further user feedback prompted the development of the eight-unit QuikCase Kit.

The QuikCase philosophy – incorporating PowerFlow power supplies and QuikBrick battery units – is ideal for all scenarios where between show turnarounds are tight for time.

At the rental warehouse, fully charged sets of QuikBrick batteries can simply be swapped into the eight-unit QuikCase Kit and the fixtures are prepped and ready to go out on the next job; an impressive way to maximise ROI for battery-driven luminaires.

The QuikBeam’s power compartment can fit a QuikBrick battery or a PowerFlow AC unit.

PowerFlow is a wired power supply that can feed either a single fixture or a line of QuikBeams from a single cable run: fewer circuits, less cabling and faster rigging on larger or power-limited set-ups. Multiple units can run at full output all day, from a single 16 Amp circuit, ensuring continuous operation of the QuikBeam luminaire at full brightness and easy daisy-chaining. All of it via industry-standard and IP65 rated AC power cables.

Eight PowerFlows are contained in the eight-unit QuikCase Kit.

The QuikBrick is a hot-swappable battery for wireless operation, chargeable via PoE, ChargingDock or USB-C. Inbuilt PoE support adds additional wired connectivity plus direct Ethernet (sACN / ArtNet).

Sixteen QuikBricks are contained in the eight-unit QuikCase Kit.

When hardwired or set to its maximum wireless runtime (1h 20m at full output), QuikBeam is even brighter and way more compact than the popular Astera AX5 TriplePAR, while packed with modern technology and extra features at a fraction of the price.

On site, eight QuikBeams run wired or wireless can be used to create a fabulous lighting set-up for shows and events and can also work perfectly as tiny spotlights in film productions.

Just one or two easily transportable eight-unit QuikCase Kits will rapidly transform event spaces, corporate venues or buildings elegantly, simply and absolutely hassle-free. 

30th June 2026

Optoma expands short throw projection line-up for immersive golf simulation

Optoma, a global leader in projection, large-format and interactive display technologies spanning digital signage, LED video walls, interactive flat panels and professional projectors for retail, education, corporate and public venues, introduces three compact short throw projectors designed to bring brighter, sharper and more flexible big-screen experiences to golf simulation spaces, home entertainment rooms and professional environments.

Already established as one of the leading projector choices for golf simulation enthusiasts, Optoma’s latest line-up reinforces its commitment to the category with purpose-built models that deliver the brightness, accuracy and installation flexibility needed to create more immersive virtual golf experiences.

Optoma has expanded its short-throw projection range with the GT2200HDR, ZH521ST, UHZ36STe and ZK521ST, four compact models built to support immersive golf simulation, flexible installation and high-impact viewing in everyday spaces.

As golf simulation continues to move from specialist venues into homes, training studios and multi-use commercial spaces, installers and consumers need projection technology that can deliver bright, accurate and dependable images from close range. Optoma’s latest short-throw line-up responds to that demand with high brightness, compact form factors, long-life light sources and installation features designed for real-world environments.

The GT2200HDR offers a bright Full HD 4LED option for users looking for a compact, energy-efficient projector for golf, gaming, sports and home entertainment. Unlike many short-throw projectors that use a fixed lens, the GT2200HDR features a 1.2x zoom lens and 0.69–0.82:1 throw ratio, giving installers added flexibility when positioning the projector and fine-tuning the image to suit different room layouts. The ZH521ST steps up performance with 5300 lumens, Full HD DuraCore laser technology and IP6X certification, while the UHZ36ST (4000 lumens) and ZK521ST (5000 lumens) bring True 4K UHD detail, with HDR and HLG compatibility to more demanding simulation and professional applications.

The UHZ36STe features a purpose-built 0.496:1 throw ratio and dedicated golf sim picture modes. These modes deliver lifelike greens and blues with impressive detail, even in well-lit environments and are carefully tuned to provide optimal colour grading for golf simulation set-ups.

For golf simulation, the ZH521ST and ZK521ST have been enhanced with a purpose-built 0.79:1 throw ratio and curated golf sim picture modes. Optoma has also worked closely with colour experts at GSPro to develop a dedicated GSPro mode, helping create a more immersive and true-to-life playing experience for virtual fairways, greens and practice environments.

Short-throw projection is central to the range. By allowing large images from close to the screen or wall, each model helps reduce shadows and supports more practical installation in smaller rooms, simulator bays and shared spaces. The ZH521ST, UHZ36STe and ZK521ST also support 360-degree and portrait projection, giving installers greater flexibility when designing golf simulation environments or multi-purpose AV systems.

Alongside performance, Optoma has prioritised sustainability and ease of ownership. The GT2200HDR uses efficient 4LED technology, while the ZH521ST, UHZ36STe and ZK521ST feature DuraCore laser light sources for up to 30,000 hours of operation without the need for additional lamps. Each model is designed to reduce power consumption compared to lamp-based projectors, while offering the reliability required for regular use.

Control and management are also built in. The Optoma Smart Control App gives users the flexibility to power devices on and off, adjust volume, set display modes and make image corrections from a mobile device. For professional environments, the ZH521ST and ZK521ST also support Optoma Management Suite, enabling remote monitoring, scheduling and control to help reduce downtime and streamline operation.

With this expanded line-up, Optoma is addressing a growing need for projectors that can support entertainment, sport and simulation with the brightness, flexibility and reliability expected from modern projection. From entry-level Full HD 4LED performance to high-brightness Full HD laser and True 4K UHD laser projection, the GT2200HDR, ZH521ST, UHZ36STe and ZK521ST give users a choice of solutions for creating more convincing, practical and engaging golf simulation spaces.

Key points:

• Three short throw projectors designed for golf simulation, home entertainment and professional AV applications
• GT2200HDR delivers bright 3300-lumen Full HD 1080p 4LED projection in a compact form factor
• GT2200HDR features a 1.2x zoom lens and 0.69–0.82:1 throw ratio, providing added installation flexibility compared with typical fixed-lens short-throw projectors
• ZH521ST offers 5300 lumens, Full HD DuraCore laser performance and IP6X certification
• UHZ36STe brings True 4K UHD resolution, 4000 lumens, HDR and HLG compatibility
• UHZ36STe features a 0.496:1 throw ratio, which is ideal for golf bays because it lets the projector sit very close to the impact screen, avoiding shadows and keeping it out of the swing path
• ZK521ST combine True 4K UHD resolution, 5000 lumens, HDR and HLG compatibility
• ZH521ST and ZK521ST feature a 0.79:1 throw ratio, curated golf sim picture modes and a dedicated GSPro mode
• Short-throw lenses help create large images from close range, reducing shadows in simulator spaces
• Long-life 4LED and DuraCore laser technologies support low-maintenance operation
• Optoma Smart Control App enables convenient mobile set up and image adjustment 

22nd June 2026

Planar Launches the Cobra Series with EverPixel Innovation for Pixel-Perfect LED

Planar, a global leader in visualisation technology, has announced a breakthrough addition to the company’s portfolio of industry-leading visualisation technologies with the launch of the Planar Cobra Series, available in Europe via Leyard Europe. Powered by Planar’s proprietary EverPixel and TruMicro LED technologies and built upon a proven Planar LED platform, the new state-of-the-art series establishes a new benchmark for fine pixel pitch LED displays.

Available in 0.6, 0.7, 0.9 and 1.2mm pixel pitches, the new Planar Cobra Series delivers exceptional display uniformity, outstanding off-axis image quality and industry-leading colour consistency. Designed to provide exceptional visual performance, advanced reliability and enhanced durability, the series is well suited for a broad range of premium indoor applications.

At the core of Planar Cobra Series are Planar’s proprietary EverPixel and TruMicro technologies. EverPixel architecture incorporates pixel-level redundancy directly into the display to help maintain image quality and continuous operation, introducing the industry’s first ultra-fine pitch LED display platform with pixel-level redundancy. TruMicro technology utilises LEDs as small as 20 micrometres (μm) to enable true MicroLED performance, exceptional visual precision and ultra-fine pixel pitches. Together, these innovations deliver a powerful combination of visual performance, reliability and durability.

“Planar Cobra Series brings together groundbreaking fine pitch LED innovation and a proven platform to deliver exceptional image quality, advanced reliability and enhanced durability,” said Sidney Rittenberg, chief executive office at Planar. “By combining EverPixel and TruMicro technologies, we’ve created the industry’s first ultra-fine pitch LED display platform that gives customers greater confidence in the image they see today and over the life of the display.”

Featuring enhanced durability, Planar Cobra Series is designed to support long-term performance and operation. A protective display surface helps safeguard the display from casual contact, while an energy-efficient design helps reduce power consumption. Together, these features support deployment in public spaces, collaborative environments and interactive touch applications where long-term reliability is essential.

Planar Cobra Series is supported by the Planar WallDirector family of solutions, enabling streamlined video wall control, content management and display monitoring. From advanced source capture and content windowing with the Planar WallDirector video controller to remote management through Planar WallDirector Cloud, users gain the tools needed to efficiently operate and maintain their display environment. 

The new Planar Cobra Series is now available for order through Planar’s global network of authorised resellers and will be available in Europe via Leyard Europe. 

19th June 2026

KLOTZ AIS Introduces the RC5HH High Flex – Affordable CAT5e RamCAT IP65 Network Cable for Professional Live Applications

KLOTZ AIS has expanded its product portfolio with the new RC5HH High Flex, a professional-grade and highly durable CAT5e network cable designed specifically for mobile applications. Developed for demanding event technology environments, the reelable KLOTZ RC5HH delivers exceptional flexibility and reliable performance, even under challenging conditions. Robust H-Series stainless steel connectors with IP65 protection, including protective caps, ensure dependable operation in live production and touring applications.

The RC5HH High Flex has already proven its practicality through extensive testing by leading industry manufacturers. Yamaha UK recommends the cable for Dante applications up to 75 metres, DigiGram for EtherSound networks up to 75 metres and Allen & Heath for iLive ACE and dSnake systems with cable lengths of up to 120 metres.

Maximum durability and operational reliability are ensured by the high-quality H-Series RJ45 connector. Its rugged stainless steel housing provides excellent protection against mechanical stress. When used with the supplied silicone rubber protective caps – or when mated with compatible connectors – the system achieves an IP65 protection rating, making it ideal for use in dusty, damp and demanding outdoor environments.

The H-Series RJ45 connector is fully compatible with standard RJ45 chassis connectors, allowing seamless integration into existing network and audio infrastructures.

The robust KLOTZ CAT5e outdoor network cable (RC5-LB1) features a durable PUR outer jacket and an S/UTP design with AWG26 stranded conductors. This construction ensures outstanding flexibility and resilience, even with frequent winding and unwinding. A transparent heat-shrink sleeve also enables individual labeling for quick and easy identification during daily operation.

With the RC5HH High Flex, KLOTZ AIS addresses the needs of professional users who depend on reliable network connectivity under demanding operating conditions.

18th June 2026