Equipment News

DirectOut announces the USB.MADI, the world’s smallest multichannel soundcard powered by RME

DirectOut is renowned for manufacturing highly effective audio devices for use across multiple applications. From broadcast studios to arenas, DirectOut solutions are the choice of high-end audio engineers across the globe.

The USB.MADI has been designed with RME, a German company that engineers reliable and stable audio interfaces that are equally trusted by audio professionals, maintaining an unwavering focus on audio quality.

The USB.MADI is effectively a fully-fledged computer interface shrunk into a SFP (small formfactor pluggable) module which makes it the world’s smallest multi-channel soundcard. It can be directly installed in any compatible DirectOut MADI SFP slot and connects via USB-C to Windows and Mac computers.

Based on the proven USB core by RME, the USB.MADI delivers 64 channels of I/O at standard sample rate. RME’s high performance drivers for macOS and Windows ensure low-latency interfacing between DirectOut devices and your favourite DAW software.  

Driverless operation is also possible thanks to the Class Compliant (CC) firmware, making the interface instantly compatible with portable devices, such as the iPad, supporting seamless audio production, whether in a venue or on the road.

Using the USB.MADI unlocks features from both RME and DirectOut, such as EARSTM (enhanced automatic redundancy switching), DirectOut’s proprietary technology, ensuring continuous audio playback with automatic switching in the event of signal loss. A true life-saver in any mission critical show application, be it on festivals or theatre productions. Also included is RME’s TotalMixFX, giving the user comprehensive control over all I/Os on the computer, including zero-latency sub-mixes. 

The USB.MADI SFP module is another manifestation of the fruitful collaboration DirectOut started with RME a few years ago with their USB.IO module with both companies offering a wealth of expertise to make this an exciting addition to DirectOut’s existing solutions.

Luca Giaroli, strategy manager at DirectOut comments: “This new module is a testament of the mindset we have at DirectOut. Creating solutions that do not only enhance a particular product but improve workflows and interoperability throughout all our platforms making sure that all our customers can benefit. I’m looking forward to seeing what the USB.MADI will enable in all the vertical markets, and I am happy that we can again rely on the expertise of RME to provide high performanceion, resilience and undoubted audio quality.”

Matthias Carstens, head of development at RME, adds: “At RME we can look back at more than 30 years of experience in computer audio interfacing. Our passion is to provide reliable and unquestionable audio performance to our users. Combining our battle-tested USB stack with the modular platforms of DirectOut is a perfect match.”

The DirectOut team would like to invite all customers and partners to join it at ISE, from 3 February, Booth 7C710 where visitors will be able to find out more about the USB.MADI soundcard and discover even more updates for 2026.

22nd January 2026

Robe Launches Major RoboSpot Software Updates

Robe has announced a comprehensive suite of software updates for its RoboSpot remote followspot system.

Building on the momentum of recent technical milestones such as the integration of sACN and RDM Net support, combining the recent v7.4 "New Year, New Features" release with the previous v7.3 "Operator’s Picks" update, these software enhancements directly address feedback from lighting designers and operators worldwide, delivering unprecedented precision, customisation and workflow efficiency.

These updates reinforce Robe’s commitment to continuous platform development, ensuring RoboSpot remains the industry’s endgame for remote followspotting.

sACN and RDM Net support: Productions can now use RoboSpot and supported devices purely on Ethernet networks, eliminating the need for running XLR-based DMX cables to the BaseStation. The system offers immense flexibility: XLR DMX and sACN output can be combined within a shared addressing space, allowing some fixtures to run on DMX and others on sACN simultaneously. Device discovery is handled seamlessly via RDM Net, ensuring robust and scalable setups for any venue size.

Position and Channel Fade Times: Operators can now define fade times for position buttons (up to ten seconds) for silky smooth automatic tracking between two points. If they need to stop the transition, they can double-press the button for an instant snap to final destination. Additionally, new Channel Fade Control (up to one second) for dimmer, iris, zoom and focus channels eliminate manual jitter, enabling new possibilities when operating in standalone mode without a console.

Expanded Preset Storage: Storage capacity has been significantly increased to four pages of slots for both colours (up to 32 slots) and positions (up to 36 slots), giving the user even more freedom to organise their workflow.

Enhanced Colour Buttons: The colour system is now smarter. A long press opens a context menu where operators can manually select desired colour or directly input precise hue and saturation values for maximum precision. This makes it easier to reproduce identical colours across multiple units, eliminating visual mismatches and ensuring consistent output during programming and live operation. Additionally, they can assign specific colour either to the fixture, the pixel follower, or both. Furthermore, a new "Edit" function has been added to colour buttons for quick adjustments on the fly.

Dedicated Long Throw (LT) Button: When compatible fixtures like the iFORTE LTX WB, iESPRITE LTL WB or iPAINTE LTM WB are connected, the system automatically detects them and displays a dedicated LT button, allowing for instant mode switching without menu diving.

Fixture and MAPS Reset: A new feature called Fixture Reset waits for operators under the Wrench menu. It reads all connected devices, displays them in a group by fixture type, and allows operators to trigger quick, specific feature resets or complete unit resets for an entire group of identical fixtures simultaneously (for example, resetting all connected iFORTE fixtures at once). This now also includes the ability to remotely enable/disable static reset for MAPS-enabled fixtures, significantly speeding up the troubleshooting process.

Refined MDC Setup: The Multi Device Control setup process is now more intuitive. The wording of the wizard has been reworded to reduce misunderstandings and the reference fixture is no longer highlighted to prevent confusion. Additionally, operators can now utilise colours during the MDC set up process, helping them to visually distinguish which fixtures are being used for the set up.

Dynamic Crosshair: Through a new and simple set up wizard, operators can configure the crosshair to dynamically change its size in real time. By defining minimum and maximum values, the crosshair scales automatically based on the current fader or wheel input for either zoom or iris. Additionally, users can toggle the Target Cross Sensitivity feature, which changes the crosshair colour (green/orange/red) to visually indicate the current handle sensitivity level.

Enhanced Visibility: Users can now adjust GUI Transparency to maximise screen real estate and also enable a Value Change overlay to briefly see what channel is changing and its value, so they can keep their focus on the main monitor screen.

Connectivity and DMX Feedback: A long-requested feature that shows the RoboSpot is receiving a signal from the console has been implemented. Now the operators will see a new icon in the top right corner, letting them know that they are connected to the console. The Enhanced DMX Dimmers/Iris window has also been improved. It has better and more precise responsiveness and now displays more information, like Iris values and clear status indicators (white, orange, red) to instantly show which parameters are active for that particular fixture.

The followspotting community is constantly growing and discovering new ideas. Robe hopes that with these software updates, it shows that it listened. The goal at Robe is to provide the best tools and to shape what is happening with the RoboSpot.

RoboSpot is a highly innovative, leading-edge remote followspot system that enhances safety and boosts value for any production; a system that allows operators to work in safe, comfortable environments and productions to achieve spectacular visuals, no matter what. And this is just the beginning.

image: courtesy Robe lighting

16th January 2026

GLP launches Nexus Lights – a new era of portable, app-controlled lighting

Responding to the surge in demand for battery-powered and app-controlled lighting, GLP is entering a new market segment with the launch of its latest brand: Nexus Lights. Designed for a new generation of mobile and flexible users, Nexus Lights delivers professional lighting quality with consumer-level simplicity.

The Nexus Lights range consists of fully wireless, IP65-rated, battery-powered LED fixtures that combine creative freedom with practical reliability. A high-capacity battery offers up to 24 hours of runtime, freeing users from the constraints of cables and constant power concerns.

Recharging is fast and efficient via USB-C Power Delivery, ensuring quick turnaround times between uses, whether in live performance, broadcast or fixed installations.

From mobile DJs and weddings to bars, clubs and touring productions, Nexus Lights brings dynamic colour and atmosphere to any space. The fixtures are equally at home in theatres, TV studios, sports arenas, cruise ships and houses of worship, offering an ideal blend of affordability, flexibility and professional performance.

“We officially unveiled the line-up at Prolight + Sound in Frankfurt last year and it immediately resonated with a wide audience, from mobile DJs to large-scale event productions,” says Manuel Paulus, Nexus Lights division manager.

“We’re especially proud of the partnerships we’ve secured with Thomann, one of the biggest names in event technology distribution. Thomann began carrying Nexus Lights across Europe in May 2025, and Full Compass Systems joined in December to handle North America. Both partners bring decades of experience and a deep understanding of their markets. Together, we’re making Nexus Lights widely accessible and setting a new standard for convenience and quality.”

Thomann, Based in Treppendorf, Germany, is one of the world’s largest online retailers for musical instruments, pro audio and event technology. Family-owned since 1954, the company is renowned for its competitive pricing, expert support and fast logistics across Europe.

Full Compass Systems, Headquartered in Madison, Wisconsin, brings nearly 50 years of experience in professional audio, video and lighting. The company offers competitive pricing and a broad product selection representing more than 800 brands.

www.glp.de

16th January 2026

Elation Fuze Wash 250 Now Shipping: Velvety-Smooth, Full-Spectrum Soft-Field Lighting

Elation expands its Fuze family of high-performance/high-value lights with the Fuze Wash 250, a punchy, full-spectrum LED Fresnel moving head built to deliver a beautifully crafted, ultra-smooth wash in theatres, studios, event spaces and wherever designers demand it. Compact, powerful and ready to perform, it’s shipping now.

The compact companion to the powerful Fuze Wash 500, the Fuze Wash 250 delivers the velvety, homogenous field that lighting pros rely on to make performers and scenery look their best. Its 92 CRI, 250W RGBMA LED engine provides the same premium colour quality found across the Fuze and KL Series for a perfectly calibrated colour match.

The RGBMA engine, calibrated at a native colour temperature of 6500 Kelvin, produces bold yet beautifully diffused saturates, soft-field pastels and a refined range of tuneable white light. The carefully tuned LEDs ensure accurate colour reproduction both to the eye and to the camera while delivering a powerful output of up to 8,500 lumens. Remarkably silent, it can be used in any noise-sensitive environment, from intimate theatres to broadcast environments.

Fine-tune every look with green/magenta shift, a virtual gel library and precise colour correction from 2400K–8500K. Capable of matching camera white balance, users can easily shift the colour temperature without the use of plus/minus green gels or filters. CMY and RGB emulation modes support familiar programming styles, while an adjustable LED refresh rate keeps on-camera performance flicker-free, even for high-speed capture.

A motorised zoom from 6° to 50° allows easy adjustments from tight beams to wide washes, while an included snoot provides even tighter control of the beam. Smooth 16-bit dimming curves and a high-speed electronic shutter/strobe provide nuance and punch for further impression.

Compact and lightweight yet built to endure on-the-road handling or years of service in a permanent installation, the Fuze Wash 250 creates beautiful bright washes on any stage, delivering reliable performance with all the longevity and low-maintenance perks of LED technology.

15th January 2026

Funktion-One Launches Advanced Stage Monitor for Demanding Live Environments

Funktion-One has introduced the PSM15, a high-performance stage monitor developed to address a long-standing challenge in live sound: providing a clear, stable on-stage reference at high level without compromising clarity. The PSM15 applies the same loudspeaker design principles used across Funktion-One’s product range to the specific demands of stage monitoring.

The PSM15 is a triaxial, bi-amped design using a 15-inch low frequency driver, a dedicated midrange section and a high frequency compression driver. Separating low, mid and high frequency duties more effectively than conventional two-way wedges reduces intermodulation distortion, a common cause of harshness and loss of definition at high level. Low frequencies are impactful, articulate and convincing. The result is clearer and more stable vocal performance, even at high SPL.

For performers, that means a monitor mix that remains articulate when the stage gets loud. For engineers, it provides a more reliable reference that holds together under pressure, reducing the need to fight for intelligibility with aggressive EQ or level changes.

The PSM15 employs a specially designed waveguide, which delivers a nominal 70° vertical by 50° horizontal pattern. Coverage is focused and consistent across the listening area. Crucially for a monitor wedge, this directivity control makes the PSM15 inherently less prone to feedback and results in a stable and predictable gain margin.
Many modern stage monitors rely on hidden preset EQ to achieve a usable response, but the PSM15 is designed to be naturally flat without corrective processing. This gives monitor engineers maximum headroom and removes the uncertainty associated with hidden DSP curves. What you hear is the loudspeaker’s native performance, enabling engineers to shape the mix precisely rather than compensating for baked-in voicing. For touring productions that carry different consoles or move between house systems, the predictability of a neutral starting point can be a significant advantage.

As with all Funktion-One loudspeakers, high output capability is achieved without sacrificing tonal balance. The PSM15 delivers level without strain, maintaining coherence and clarity where many wedges become brittle or unstable. Lower distortion also improves intelligibility at moderate levels, supporting reduced listening fatigue during long shows and across the tour schedule.
The cabinet has been developed for practical use on busy stages. Its compact form factor makes it easy to handle and position. M10 flying points allow for yoke mounting, while M8 fixings support a stand adaptor, enabling use beyond floor monitoring for side fill duties, small stage reinforcement or permanent installations.
The PSM15 is powered by Funktion-One’s D100Q-DSP or D80Q-DSP amplifiers. The TR-1 tour rack houses three D100Q or D80Q units, providing six monitor mixes and driving up to 18 wedges per rack. Integrated signal and loudspeaker panels support both monitor and main system duties, with six analogue inputs, six NL4 outputs, four etherCON ports for control and AoIP and three NL8 connectors for loudspeaker multicores.

Funktion-One has designed the PSM15 for concert touring, festivals and live venues where clarity, control and reliability are critical. While vocalists will notice the improved intelligibility most immediately, instrumentalists who rely on midrange detail – from guitarists and keyboard players to horn sections – will also benefit. The controlled pattern and high gain before feedback make it particularly well suited to stages where open microphones and loud backline coexist in close proximity.
By addressing stage monitoring challenges through loudspeaker design rather than corrective processing, Funktion-One has developed a monitor that prioritises natural response, controlled directivity and low distortion. The PSM15 offers performers and engineers a clear, dependable on-stage reference in demanding live environments.

14th January 2026

HK Audio announces new filter templates for ASHLY

HK Audio has made new filter templates available for ASHLY AquaControl and FX Control. These presets have been specially developed for selected HK Audio loudspeaker and subwoofer series and enable fast, precise and reliable system configuration.

HK Audio has created the presets to work with its FINEO, SI SERIES and LINEAR 5 series. The new presets can be seamlessly integrated into existing ASHLY systems and provide a reliable basis for professional audio installations and live applications.

Thanks to the preconfigured filter settings, users benefit from optimised sound tuning, greater operational reliability and significantly reduced set up effort. The templates are suitable for both fixed installations and mobile sound reinforcement applications and ensure consistent performance across different set-ups.

“These new settings are the result of HK Audio listening to user requests,” said Andreas Mayerl, chief product officer at HK Audio. “The filter templates will help our users get their systems up and running quickly and provide the control they need to deliver the pristine sound that HK Audio is known for.”

The new filter templates for the FINEO, SI SERIES, and LINEAR 5 series, including LINEAR SUB, are available in the download area for the products at www.hkaudio.com.

14th January 2026

NEXT-proaudio Unveils C8 Pro

NEXT Audiocom announces the launch of the C8 PRO, the newest and most powerful model in its successful C PRO ceiling speaker range. Following the strong market adoption of the C5 PRO and C6 PRO, the C8 PRO expands the series with an 8" solution designed for installations that demand fuller sound, higher output and greater low-frequency presence.

The C8 PRO is a high-performance ceiling speaker with a clean, elegant design, engineered for installation in false ceilings, walls or panels. It delivers a powerful, warm and richly detailed sound, making it ideal for commercial spaces, hospitality venues and professional background or foreground music applications where impact and clarity matter.

A low-profile magnetic grille ensures a smooth, frameless appearance and fast installation. The grille can be easily painted to match or contrast with the surrounding surface, preserving architectural intent. For projects requiring a completely discreet look, the detachable logo allows a fully unobtrusive finish.

The integrated transformer enables operation on both 100V line systems and low-impedance 8Ω installations, allowing seamless adaptation to different system requirements. The adjustable tweeter provides precise control over high-frequency coverage, ensuring sound is directed exactly where it is needed.

To simplify acoustic optimisation, the C8 PRO supports environment equaliser adjustment, allowing automatic sound tuning based on the installation area. The HF driver protection circuit safeguards the high-frequency driver against unexpected audio peaks, increasing long-term reliability in demanding environments.

Together, the C5 PRO, C6 PRO, and new C8 PRO form a complete ceiling speaker family, offering premium sound performance across three sizes.

With 80W RMS power and 112dB maximum SPL (programme/peak), the C8 PRO sets a new benchmark for high-output ceiling speakers, combining power, control and refined design in a single solution.

13th January 2026

Stage Precision showcases SP Grid at ISE 2026: the award-winning control platform leading the future of experiential AV

SP Grid from Stage Precision is rapidly positioning itself as the control solution shaping the next era of immersive AVLM and interactive environments. As the lines continue to blur between broadcast, live events, experiential retail, museums, themed entertainment and virtual production workflows, SP Grid delivers the spatial intelligence and device-agnostic workflows needed to unify these converging worlds.

At ISE 2026, Stage Precision will highlight the capabilities of the recently released SP Grid, now available on Stage Precision’s dedicated webstore following a series of well-received Beta launches. Professionals from across the live events, AV and production industries have testified to the revolutionary approach to control and integration offered by SP Grid. Indeed, SP Grid earned recognition at the AV Awards in late 2025, as it was awarded the Control & Management Technology of the Year award.

“As the industry moves beyond ‘immersive’ as a buzzword and embraces truly responsive, spatially aware experience design, SP Grid is setting the benchmark for the next generation of experiential control,” confirms Sarah Cox, CCO at Stage Precision. “The ability to design AVLM environments, interactions and control within a spatially intelligent platform like SP Grid unlocks new creative potential and we’re excited to share this with friends old and new at the show.”

SP Grid’s core is a powerful 3D spatial engine that understands how every AVLM device, data stream and sensor exists in physical space. This creates more intuitive environments for system design, clearer data visualisation and confident operation across even the most complex technical ecosystems. “What used to require multiple control layers can now be brought into one environment, with one user interface,” says Patrick Lenkeit of bright! Studios, which has been using SP Grid extensively during its Beta phase. “The new feature set of SP Grid has proven pivotal for introducing more complex elements to a wider range of environments.”

The platform consolidates agnostic device integration, data management, show control, tracking, sensors, automation and real-time protocols into one coherent environment. Its low-code workflow environment enables teams to orchestrate everything from media playback triggers to camera moves and kinetic systems automation, all from one programming platform. With design-led UI creation tools, operators and integrators can build custom interfaces tailored to each experience, ensuring control surfaces feel as polished and intentional as the creative vision itself. Grid Studio is available free of charge for sandboxing and prototyping, allowing for shared visualisation between project teams to encourage alignment on creative and technical direction and possibilities. An industry-first credit-based licensing system ensures users only pay for the features and device connections they require.

The Stage Precision team invites attendees to see SP Grid in action at ISE 2026 from 3rd-6th February 2026 at Booth 4Q620. Visitors can experience SP Grid demos on the booth and also discover the SP Grid hardware ecosystem, including Grid Engine and Grid Touch.

8th January 2026

Robe Launches New Products at LDI

USA – Robe lighting added to the energy and excitement of the 2025 LDI expo in Las Vegas last week by launching five exciting new products in its versatile T-Series, the T10 Profile – available with rapid-change objective system for PC and Fresnel options, together with the T3 PC and T3 Fresnel – the latter being added to the just-launched T3 Profile.

The independent Czech Republic lighting manufacturer also showcased five other recently launched products for the first time at a US trade show:  the innovative SVOPATT Classic, PowerDolly, the compact iPAINTE L, the high-power multispectral T3 Profile and Robe’s truly mind-and-retina blowing WTF! Multi-functional strobe / wash / blinder.

Enjoying a busy show and a lively mix of professionals from multiple sectors and genres of lighting, the eye-catching Robe booth was busy across this important and high-profile three-day production and entertainment industry event.

Robe’s “free to customer” upgrade to the iFORTE LTX also generated much interest.

It boosts the already substantial output of this high-powered fixture to 410,000 lux at five metres, maintaining its position as one of the brightest and lightest long-throw wash beam fixtures currently available and a benchmark rider-friendly luminaire.

Robe’s 1,400-Watt multi-spectral T3 Profile – designed for larger theatres and studios – with the new award-winning ProFrost progressive diffusion system, also received much attention from attendees.

There was high interest in RoboSpot – Robe’s acclaimed remote followspotting system solution – with the latest software update. This includes the possibility of adjusting fade times between presets, a colour picker set by numerical value, colour and position buttons to increase preset storage, a dedicated LT button, dynamic cross setup for iris and many more cool features to make follow spotting even more flexible and dynamic.

T10 has a streamlined design for smaller theatres and studios, with all the features and benefits of Robe’s award-winning larger T11 Profile and is built to last and deliver outstanding performance and design flexibility.

The T10 Profile uses a 200W MSL (Multi-Spectral Light) additive colour mixing engine combined with Robe’s TE (Transferable Engine) technology, generating 8,300 lumens (at the integrating sphere) and offers all the advantages of cost, exchange or replacement.

The LED technology provides identical colour characteristics, responses and control of all the T-series luminaires, giving complete colour consistency across any Robe lighting installation.

A virtually controlled CCT range runs from 2700K to 8000K (extended range 1800K – 10,000K) with calibrated whites and tungsten emulation for the most precise control.

The T10 Profile has a 5-55° zoom range and a virtually controlled CRI of 80-95+ for perfect color rendition and beautiful skin tones. For rapid programming, there is an onboard virtual DataSwatch colour library.

T10 is also designed for noise-sensitive environments and for camera environments with enhanced Cpulse flicker-free operation and a dedicated plus and minus green control channel. All fixture controls are available in standalone mode via the rear display and control knobs.

To increase gobo capacity from the single breakup gobo and holder included with the fixture, an optional drop-in module with two rotating and two static gobos using Robe’s standard slot and lock system is available. An easy-to-install motorised iris is included, which allows simultaneous use of both static and rotating gobos for creating the coolest effects.

Utilising a rapid-change front lens system, the T10 Profile can be quickly transformed into a Fresnel or PC fixture, so T10 can provide full luminaire flexibility without the cost of separate generic purchases.

Adding to Robe’s popular T-Series, the T3 Fresnel brings a new edge to high-powered multispectral wash lighting.

Engineered for long-throw applications in large theatres and performance spaces, it delivers exceptional high-quality light with fabulous colour control.

Delivering over 35,000 lumens (integrating sphere) from its powerful 1400W MSL (Multi-Spectral-Light) light source, the T3 Fresnel reveals its theatrical roots with a classic soft beam and a wide-ranging 6-65° zoom for immaculate coverage across large spaces.

The T3 Fresnel excels in nuanced colour work, offering selectable CMY, RGB or individual colour emitter control for advanced additive colour mixing.

Features include the DataSwatch virtual colour library, factory calibrated whites, an extensive 1800K to 10,000K CCT range, lamp selectable tungsten emulation and MCE macro-driven multicoloured effects. The virtually controlled CRI of 80-95+ is great for natural skin tones.

Ultra-smooth theatrical dimming is achieved with the L3 18-bit system for seamless fades-to-black, which is vital for any theatrical, opera, or performance-related operation and something that Robe have spent time and energy on perfecting over the ranges.

Features include Robe’s 4Door four leaf barndoor system (90° rotation), edge correction, and RotaScrim graduated filter with 180° beam rotation for the removal of unsightly hotspots, so Robe’s T-Series Fresnels provide significantly more beam control than traditional wash lights.

Setting a new benchmark in diffusion, the T3 Fresnel and T3 PC both feature Robe’s cutting-edge, award-winning 0-15° ProFrost progressive frost system.

This gives precise, variable and even diffusion across the entire beam at any zoom setting. It can be subtly introduced – from the faintest touch to the heaviest diffusion – giving designers meticulous control.

There is a dedicated plus/minus green channel and Cpulse flicker-free management for broadcast and the fixture is acoustically optimised for noise-sensitive environments.

The T3 PC offers console-adjustable fan modes for consistent output and the AirLOC (Less Optical Cleaning) technology minimizes airborne particle build-up and airflow noise, keeping optics cleaner for greater periods, significantly reducing maintenance intervals.

An Epass Ethernet pass-through switch safeguards network connectivity and the REAP (Robe Ethernet Access Portal) enables network-based monitoring.

T3 PC is a great long-throw multi-spectral wash fixture for contemporary theatrical and broadcast designers.

Amongst many LDI activities off the show floor, Robe also hosted the 2nd Annual Craig Burross Golf Invitational and had the opportunity to showcase the power of its innovative iBOLT luminaire atop the Rio Hotel & Casino where Bill Blanchard of Foo Dog Productions assisted Robe product manager Peter Moore and North East sales manager Thommy Hall in creating a special showcase of light using 4 iBOLTS which shined bright every night from 4th-13th December.

Robe’s LDI booth also featured dedicated sections for the latest news and products from its other businesses – Avolites, Anolis and LSC Control Systems – all of which added to the highlights of a very busy and successful 2025 for The Robe Group.

photos: Edwin Silva

19th December 2025

Alcons Audio Introduces the GR20 High-Performance Point-Source System

The GR20 is the first system in the new G-series group of Alcons generic point-source solutions. This compact, high-output two-way loudspeaker is engineered for both portable use and permanent installations, delivering Alcons’ renowned natural, dynamic and ultra-low-distortion sound quality from an exceptionally small footprint.

Central to the GR20’s performance is the proprietary RBN602rs 6” pro-ribbon driver. This compressionless transducer provides fully linear sound reproduction at any sound pressure level, with up to 90% lower distortion than conventional driver technologies. The result is a highly transparent, non-fatiguing listening experience, even at high output levels.

The pro-ribbon’s ultra-fast impulse response and inherently flat frequency response up to and beyond 20kHz deliver a 3 to 6dB improvement in gain-before-feedback compared to traditional point-source systems. This makes the GR20 particularly suitable for speech-critical, live sound and immersive applications where intelligibility and control are essential.

With a peak power handling of 1,250 watts (200ms, ten times the industry-standard), the RBN602rs offers a 1:15 RMS-to-peak dynamic range. Combined with its patented 80° x 50° directivity, the GR20 provides consistent coverage up to the highest frequencies, a wide stereo sweet spot and excellent projection in elevated listening areas.

The pro-ribbon driver is mounted in a vertically symmetrical ‘clamshell’ configuration with two custom-designed 10” Neodymium mid-bass woofers. Featuring Active Coil technology, these woofers deliver exceptionally low-distortion low-frequency performance that seamlessly matches the pro-ribbon’s mid-high clarity. Operating in passive-filtered tandem with the pro-ribbon, the system achieves high output and dynamic performance from a single amplifier channel.

As part of the Alcons ecosystem, the GR20 is powered by an ALC amplified loudspeaker controller. Factory presets incorporating VHIR processing, 192kHz AES3 digital inputs and audiophile-grade amplifier stages ensure true 1:1 sound reproduction, maximum efficiency and system reliability.

Philip ‘Dr. Phil’ de Haan comments: “While the all-natural cylindrical wavefront of our pro-ribbon technology has enabled highly advanced array systems, it was time to refocus on point-source solutions, the bread and butter of sound reinforcement.”

The GR20 bridges the gap between the V-series point-source and L- and R-series array systems.

Philip continues: “Featuring the latest in our pro-ribbon, waveguide and transducer technology, the GR20 sets a new category benchmark, delivering true fidelity with a surprisingly dynamic output.”

Following multiple trade-show appearances, the production-ready GR20 was first deployed at the Amsterdam Dance Event 2025; in the Dolby Atmos House a full GR20 system in 7.1.6 configuration reinforced the latest immersive recordings of top EDM artists, of which Armin van Buren’s ‘Piano’ was of specific relevance, as it was mixed on the Alcons C-series system at Martin Garrix’ STMPD Studios.

The system will be showcased at the upcoming ISE 2026. 

18th December 2025

LDR ASTRO 250 followspot range goes MK2

The ASTRO range of LED followspots has been an immediate success ever since the first two 200W models launched back in 2014. Their popularity, together with a demand for more power and longer-throw performance, pushed us to develop and launch the 250 range in 2017, followed by the 250HP and 600 range in 2020.

Most of the changes introduced in every new series are the result of us listening to the end-users and this explains the reputation the ASTROs have gained worldwide as reliable, high-efficiency, user-friendly followspots and chosen for some of the most prestigious installations across the five continents.

Stylish and compact body, stunning optical performance, smooth and precise digital dimming, cold fixture in standby mode and constant colour temperature at any light intensity have been the most appreciated features of the ASTRO 250 range so far.

LDR announces that the entire range of ASTRO 250 LED followspots goes MK2, raising the construction quality even further. Thanks to the close cooperation with Bradley Jeffrey of Lancashire-based distributor Prolight Concepts (UK) Ltd, we have seriously taken in a good advice from a potential customer and applied to the ASTRO 250 range the same stirrup system as on ASTRO 600.

“The result is a significant improvement in the control and balance of the fixture: ASTRO 250 is now ready to handle even the most demanding installations and the potential customer has now become a happy customer,” says Lisa Papi, managing director of Luci Della Ribalta.

In record time, LDR’s R&D department redesigned several parts to adapt the new bracket to ASTRO 250 and just as quickly, the first four units have already left our premises for the UK. Additional units are available off the shelf for immediate shipping.

“Last month we demoed the Luci Della Ribalta Astro 250 for a customer. They loved the fixture, but felt the bracket had a little too much flex. LDR immediately responded to our customer’s request and together we worked to develop an improved bracket. We decided it would be beneficial to make it more like the ASTRO 600, which can be used with a fluid head, making the whole system much more versatile,” confirms Bradley Jeffrey.

The ASTRO 250 MK2 can now perform tilt movements from top to bottom much more smoothly, and once locked in position, the fixture remains perfectly stable with no trace of wobble. These differences can make a huge impact in contexts where precision and cleanliness of movement are essential.

 

16th December 2025

UltraLEDs Launches Precision LED Tape for Professional Film and TV Environments

Lighting specialist UltraLEDs has launched Precision LED Tape, a high-CRI lighting solution designed specifically for professional film, TV and studio use.

Precision LED Tape is engineered for true-to-life colour rendering, uniform light quality and long-term reliability, providing gaffers, lighting designers and electricians with dependable precision lighting for permanent and on-location set-ups.

The new range builds on UltraLEDs’ strong heritage in serving the film, TV and entertainment sectors, where its LED tape solutions have been installed in high profile projects such as Love Island, Black Mirror and BBC Newsround.

With a Colour Rendering Index (CRI) above 95 and high R9 values, Precision LED Tape exactly reproduces colours as they appear under natural lighting. This is essential for film and TV work, where skin tones, product colours and set fidelity require authentic reproduction. High-CRI performance ensures on-camera consistency and clarify, eliminating washed-out or distorted hues that can result from lower-quality light sources.

Precision LED Tape offers professional-grade brightness without the need for bulky fixtures. Delivering up to 2700 lumens per metre and a dense configuration of more than 240 LEDs per metre, it produces a smooth, continuous line of light with no visible spotting. This uniform output makes Precision ideal for on-set use, reducing the need for correction in post-production and ensuring even illuminations across surfaces and backdrops and in tight spaces such as behind diffusers, coves or camera-facing surfaces in a set.

Each production batch is sourced from a single BIN, ensuring colour variation remains below 3SDCM steps and preventing visual hue differences between rolls in large-scale and multi-set installs, where consistent whites and tones are essential.

The tape is also available in IP20 and IP67 versions, allowing the same high-performance specification to be used across indoor and outdoor sets, or environments exposed to moisture and dust. Engineered for continuous professional use, it offers robust thermal management and stable output for consistent performance across thousands of operating hours and comes with a seven-year warranty.

“Every detail of Precision LED tape was developed with working gaffers and TV electricians in mind,” said Dave Stirling, film and TV specialist, UltraLEDs. “Consistency, colour accuracy and reliability are prerequisite when you’re lighting for camera and the quality of the shot will absolutely correlate to the standard of product selected. Our Precision tape was built to match these requirements perfectly, to ensure the same high-quality results across a wide range of film, TV and entertainment applications.”

12th December 2025

GLP Creos E-Frost filter now shipping

Following successful previews at several major trade shows, GLP has announced the official sales launch of the new E-Frost filter for the GLP Creos at LDI in Las Vegas. The innovative filter is now available through GLP’s global distribution network. Based on modern Smart Glass technology and engineered specifically for the Creos, the E-Frost allows designers to manipulate the beam angle and the perceived appearance of the front lens in backlight situations via independently controllable frost segments, unlocking creative possibilities that conventional frost filters cannot achieve.

The GLP Creos has established itself as one of the most versatile and powerful LED hybrid fixtures in its class. It delivers a precise 4° beam with up to 1.2 mega­candelas and a uniform 50° wash via motorised zoom. It is not only effective as a general washlight, but particularly compelling as a backlight, whether used as a beam, floodlight or effect fixture.

When multiple units are arranged in clusters, they merge visually into a continuous, oversized LED bar thanks to their identical pixel pitch and perfectly aligned LED rows. Compact dimensions, integrated carrying handles and a robust IP65-rated housing underline the fixture’s touring-ready design.

The Creos’ colour performance is driven by GLP’s advanced iQ.Gamut algorithm and RGB + lime colour mixing system, which has set a benchmark in the industry. It delivers the same high-end colour quality and precision found in the flagship X5 series. The combination of RGB and lime produces vivid primary colours as well as finely graduated hues, providing excellent colour rendering, especially at lower colour temperatures.

Users have access to selectable white points and an extended CTC range from 2,500 to 10,000 Kelvin that follows the black body line precisely. Various tungsten emulation curves are also available, authentically reproducing the dimming characteristics and redshift of classic halogen fixtures. The additional lime channel increases efficiency and improves the reproduction of different skin tones, ideal for theatre and camera applications, but equally suited to touring, corporate events and more.

With the official introduction of the segmented E-Frost filter, the Creos receives an upgrade that significantly expands its creative potential. The filter consists of three independently controllable Smart Glass segments aligned with the fixture’s horizontal LED arrays. Each segment can switch within milliseconds from transparent – producing a clear, tight beam – to fully frosted for a soft wash look.

Transitions are not limited to fixed states; within the adaptive range, they can be smoothly blended for dynamic effects. This enables, for example, sine-wave patterns or pulsing transitions for highly dynamic designs.

In combination with the individually controllable LED pixels, designers can create graphical effects or subtle animated textures across the entire width of the fixture. This segmented approach produces looks that were previously unattainable and enables seamless transitions between beam, wash and atmospheric multi-layered effects without accessory changes or hardware adjustments.

The E-Frost is available in two versions: white frost delivers a uniform, high-output diffusion ideal for large stages and bright wash applications. Black frost, by contrast, minimises visible reflections and housing contours, an advantage particularly in TV studios, theatres, art installations and premium event environments. Installation is fast and tool-free using four knurled screws; power and data are supplied directly via the GLP FX.Port. All control channels for the filter are already fully integrated into the Creos DMX profile.

Like the Creos itself, the E-Frost is fully IP65-rated, built from durable aluminium and designed for temperatures from -10°C to +45°C. It withstands rain, wind, dust, confetti, pyro effects and the mechanical demands of touring. Together, Creos and E-Frost offer an exceptionally wide creative spectrum and an attractive price-performance ratio for rental companies, theatres, houses of worship, broadcast studios, touring productions and large outdoor events. The E-Frost is now shipping and GLP’s international distribution partners are accepting orders worldwide.

www.glp.de

10th December 2025

ETC Unveils High End Systems Dataflash 5000

ETC announces High End Systems Dataflash 5000, a high-energy strobe fixture capable of 52,000 lumens. With both an RGB LED array and a 3200-7500 K white light centre, Dataflash 5000 offers bold colour capabilities to meet any artistic vision. An IP65 rating makes Dataflash 5000 an ideal choice for festivals and outdoor gigs.

Dataflash 5000 has an LED engine that turns on and stays on. With the variable white light centre and the surrounding RGB LEDs, designers can achieve both warm and cool strobing while also painting the stage with vivid colour.

Included dome accessories make Dataflash 5000 even more versatile. The reflector dome easily attaches to the fixture face for powerful strobes and atmospherics. The transparent eye candy (EC) dome highlights all of the fixture’s bold effects.

Automated lighting product manager Matt Stoner says: “With its distinct round face and dynamic colour capabilities, Dataflash 5000 is going to bring a lot of visual interest to those productions that are looking to create high-energy moments.”

An expansive collection of strobe modes and macros make it easy to build the energy and looks required for any show. Get even more granular control with Dataflash 5000’s pixel mapping capabilities.

Tania Lesage, ETC market manager, says: “Dataflash 5000 is going to be a powerhouse in any setting. We are excited the IP65 rating means that outdoor productions can take advantage of this high-impact tool.”  

5th December 2025

Elation Unleashes Rebel Wash: Power and Colour with Attitude

Elation proudly expands its bold new breed of intelligent lighting with the launch of the Rebel Wash 4 and Rebel Wash 12, two high-powered wash moving head luminaires in the growing Rebel Series. After inviting lighting professionals to break the rules with the Rebel Profile, Elation now brings that same rebellious spirit to wash lighting, offering powerful colour, precision and creativity without stretching the budget.

Designed for a new generation of lighting designers who demand more from their tools, the Rebel Wash fixtures deliver exceptional colour, impressive output and striking visual effects for everything from broad, even washes to crisp mid-air beams. With a rugged build, IP65 protection and intelligent feature set, they’re engineered to perform reliably in any environment.

A cutting-edge zoom-lens optical system ensures a highly homogenised beam with smooth, consistent colour and light distribution. At the heart of Rebel Wash is an RGBL LED engine engineered for vivid primary colours and outstanding white-light performance with high CRI and calibrated colour temperature control.

The addition of a lime emitter expands the colour spectrum, enhances white light quality and boosts overall output. Designers gain access to intense saturated looks, beautifully balanced whites and a virtual gel library of calibrated colour presets that replicates the look of popular filters.

A dedicated variable CCT control channel (2400K - 8500K) gives precise colour temperature control, while CMY emulation mode caters to those familiar with classic CMY mixing.  

Whether choosing the compact Rebel Wash 4 or the more powerful Rebel Wash 12, users can expect impressive brightness and colour consistency:

• Rebel Wash 12: 12 x 60W RGBL LEDs delivering 14,000 lumens
• Rebel Wash 4: 4 x 60W RGBL LEDs delivering 4,000 lumens

Advanced LED power management drives maximum punch from the high-wattage emitters, channelling power to active colours for an exceptionally punchy colour mix.

A wide 5°-40° motorised zoom shifts effortlessly from tight, defined aerial beams to smooth, uniform washes.

Multiple pixel-control modes – along with simple uniform options – let designers create everything from subtle gradients to bold, high-energy effects. A 360° continuous pan and tilt, smooth 16-bit dimming and a fast electronic shutter/strobe give designers the additional tools they need to push their creativity further.

The Rebel Wash is built to withstand the toughest conditions. With an IP65 rating, both models are fully protected against dust and water, making them ideal for outdoor events, festivals, theme parks or any demanding indoor setting. The rugged construction ensures long-term durability with minimal maintenance.

Rebel isn’t just about technology, it’s about attitude. Compact yet powerful, advanced yet accessible, the Rebel Wash challenges expectations of what a workhorse luminaire can be. It delivers premium performance, rugged durability and real value, empowering designers to stand apart and design boldly. 

5th December 2025

Chroma-Q Unveils Color Force 3 Raising the bar again

Building on more than 30 years of innovation, Chroma-Q, a world-renowned brand of premium performance LED lighting solutions, introduces the IP65 Color Force 3, setting a bold new benchmark in LED cyc, wash, and effects lighting.

Designed for applications demanding both power and colour precision, such as cycloramas, floods and wall washes, Color Force 3 delivers more than twice the output of Color Force II and unveils a richer, more vibrant colour palette that inspires limitless creativity.

Designed and manufactured in North America, the Color Force 3 sets a new level in performance and creativity for the most demanding designs.

With rich primaries, delicate pastels and pristine whites, Color Force 3 brings every hue to life. Its 16-bit dimming ensures ultra-smooth fades and perfect transitions show after show.

Adding a new layer of creativity, SparQle pixels feature super bright, 7000K white LEDs above and below each cell, unlocking eye-catching effects from subtle twinkles to punchy micro-strobes. Pixel-mappable and designed for versatility, SparQle delivers everything from soft textures to high-impact eye-candy.

The innovative FlexOptics system allows for fast lens and accessory changes directly from the face of the fixture, eliminating the need to re-focus. Enhanced on- and off-axis lens visibility ensures an extra-wide, uniform field that looks as stunning to the eye as it does on camera.

Taking Chroma-Q’s renowned colour calibration to the next level, ColorSure 3 offers deeper calibration and smoother control for superior long-term fixture-to-fixture consistency. With multi-point CCT control from 2000K to 7100K and precise green/magenta adjustment, Color Force 3 is ideal for film and broadcast applications.

Key Features:

• Spectacular Output: Twice the brightness of Color Force II with a richer colour palette.
• ColorSure 3: Advanced calibration for flawless long-term consistency and creative freedom.
• SparQle Pixels: 7000K sparkle LEDs for dynamic visual effects.
• FlexOptics: Quick-change lens system for effortless adaptability.
• IP65 Rugged Design: Built for reliability in demanding environments.

Color Force 3 delivers flawless colour, seamless fades and rock-solid reliability, both indoors and outdoors, show after show.

See it for yourself at LDI during A.C. Americas’ “The Integrated Experience” demo. Stop by A.C. Americas LDI booth #2329 at the Las Vegas Convention Center in Las Vegas from Dec 7-9, 2025. Register for a FREE exhibit hall pass with our VIP CODE: 10051.

www.chroma-q.com

4th December 2025

Analog Way Expands LivePremier Line-up with the New Aquilon Cmini and Eight-Plug SDI Input Card

Analog Way has unveiled the Aquilon Cmini, the latest addition to the LivePremier family and the most compact presentation system in the line-up.

Building on the outstanding market success of LivePremier, firmly established as the premium presentation platform of choice, the Aquilon Cmini brings the full power of the range into an ultra-compact form factor. It delivers the same high-end capabilities as its larger counterparts, including best-in-class ultra-low-latency, 10-bit uncompressed image processing, unrivalled ease of use, dozens of smart functionalities and the powerful Link feature. It also supports a comprehensive range of modular input and output cards, covering all major baseband formats including DisplayPort 1.4, ST 2110, NDI, SDVoE and Dante, ensuring exceptional versatility for today’s most demanding production environments.

With up to 16 inputs, 12 outputs, two dedicated multi-viewers, and eight 4K layers, the Aquilon Cmini offers robust performance and scalable configuration options ideal for applications where reliability, compactness and workflow agility are critical:

• Everyday live events or fixed installations that demand a compact, modular processor with advanced image-processing capabilities.
• Scalable productions, where two to four Aquilon units can be linked to increase inputs, outputs or AUX destinations.
• Mission-critical applications requiring seamless failover between primary and backup media sources to ensure uninterrupted operation.

Fully configurable and available built-to-order, Aquilon Cmini brings LivePremier performance to projects that require a compact footprint, high efficiency and strong operational confidence.

Analog Way also introduces a new eight-plug SDI input card, offering increased flexibility and density. With eight 3G-SDI or four 12G-SDI ports, all freely configurable by the user, it is ideally suited for applications where workflows remain highly mixed between 3G-SDI and 12G-SDI.

The new card is particularly relevant for users working with 3G-SDI workflows involving five to eight simultaneous sources. In such scenarios, it maximises actual SDI port utilisation while reducing slot consumption, providing clear added value in environments that demand compactness, modularity and cost efficiency.

With these new additions, the LivePremier series more than ever combines best-in-class performance with outstanding flexibility, making it the go-to solution for projects of any size and providing the peace of mind that only a dependable, high-quality system can deliver.

 

3rd December 2025

Absen Redefines Live Event Visuals with the Launch of PL 3.9 Pro V3

Absen, a global leader in LED display technology, has announced the launch of the PL 3.9 Pro V3, the latest evolution in its renowned Polaris Series. Engineered for both indoor and outdoor use, the PL 3.9 Pro V3 combines robust durability with exceptional visual performance, making it the ideal solution for live events, festivals, touring productions, and immersive brand experiences.

Featuring a unique unibody dual-layer magnesium cabinet that offers both strength and lightness and available in two panel sizes (500x1000mm and 500x500mm), the system is easy to transport and install. Advanced protective features, including triple-guard modules, reinforced corner shields, anti-drop safety ropes and anti-shock locking knobs, ensure the panels are safeguarded against bumps, drops and impacts, providing peace of mind during setup and operation.

Designed for both outdoor and indoor clarity, the PL 3.9 Pro V3 delivers deep blacks and high contrast with true black-face LEDs and matte-black anti-reflective masks. Its high dynamic brightness range of 0.1 nits to 5000 nits, 16-bit greyscale and 7680Hz refresh rate guarantee pristine visuals in any environment. The innovative locking systems and tool-free rear maintenance streamline installation and servicing, making the PL 3.9 Pro V3 a versatile and reliable choice for rental companies, event organisers and AV professionals seeking high-performance LED displays for all types of live events.

The PL3.9 Pro V3 can utilise an optional integrated wind-bracing system with a triple-stable design. When combined with reinforced triangle hanging bars, it supports secure installations up to 20 metres high and can withstand winds up to Beaufort force 8. Optional climb-assist ladder systems also provide secure technician access for module and power box maintenance.

“We are delighted to introduce the PL 3.9 Pro V3 to the market,” says Emma Liu, general manager Absen. “Absen has recently focused on advancing LED display technology for the live events and virtual production market, in response to the growing demand for high-performance, versatile and user-friendly LED solutions capable of delivering immersive visual experiences. This new product represents a significant leap forward in Absen’s display innovation, offering unmatched durability, advanced flexibility and exceptional image quality. We believe it will set a new standard for the live events industry and empower our partners to deliver even more spectacular results.”

The PL 3.9 Pro V3 will be available in Europe from 2026. Absen’s current PL range is available in full from Midwich Group. 

28th November 2025

GLP’s MAD MAXX ready for permanent installation following uprated IP66 certification

As a busy outdoor events season nears its conclusion, GLP can reflect on the wisdom of uprating the IP65 weather protection on its mighty MAD MAXX CW skytracker to the more water-resistant IP66.

Consequently, the fixture, with its massive 750 mm diameter ‘fat beam’ and maximum 68,000 lm output, has been specified on high-profile outdoor shows around the world this summer.

But GLP director Mark Ravenhill says the fixture’s new certification takes is beyond that. “Having an IP66 rating means MAD MAXX can now be permanently installed outdoors,” he says. This is exemplified by its arrival on the permanent house rig at the 20,000 capacity Rocket Arena in Cleveland.

Meanwhile, current high-profile outdoor arena tours in North America include the Weeknd (LD Jason Baeri) and Mana (LD Iggy Rosenberg). In Germany it was featured at the recent Wacken Open Air 2025 festival and Parookaville electronic dance festival (both specified by LD Jerry Appelt) – with 24 heads deployed at each of these sites – while in Austria Appelt again featured the fixture on the perennially popular Vienna Sommer Night Concert (Sommernachtskonzert), lighting up the spectacular Schönbrunn Palace.

The fixture’s durability and reliability were called into play at Wacken, in particular, as this challenging festival site is notorious for its mud and arduous conditions.

“A modern development of the classic old 3kW and 7kW xenon searchlights in LED form, MAD MAXX is an ideal solution for theme parks and visitor attractions, which generally require an IP66 certification, as well as the more obvious music festivals,” concludes Ravenhill. “This new rating now meets all requirements and standards for such venues.”

photos: Parookaville / Amy Haghebaert / Lupixx

www.glp.de

28th November 2025

Neumann Launches VIS – Immersive Mixing, Reimagined

Neumann introduces VIS – Virtual Immersive Studio - a groundbreaking spatial audio positioning controller application designed for Apple Vision Pro. VIS redefines immersive audio production by allowing creators to intuitively control Logic Pro in a three-dimensional augmented reality environment.

VIS starts a new chapter for spatial audio workflows. Instead of relying on abstract 2D interfaces, producers can now see, touch and move sound sources in three-dimensional space. Audio objects appear as visual elements in augmented reality, allowing users to position them naturally with hand gestures. Automation becomes a performance and mixing turns into a creative, immersive experience.

“VIS is not just an app, it’s a new way of thinking about sound,” says Neumann CEO Yasmine Riechers. “It brings immersive audio to life, making it tangible and intuitive. For nearly a century, Neumann has redefined what’s possible in audio and our pioneering spirit drives us to shape the future. With VIS, Neumann stands at the forefront of audio innovation, turning visionary ideas into new industry benchmarks.”

VIS connects directly to Logic Pro on Mac, appearing as a device within the application. Once paired, users can view Logic Pro on a virtual screen inside Apple Vision Pro, resize it and place it anywhere in their environment. Thanks to Apple Vision Pro’s low-latency pass-through technology, users can interact with their physical equipment while immersed in a virtual mixing space.

VIS supports both loudspeaker and headphone monitoring. For mobile or headphone-based workflows, it includes RIME, Neumann’s proprietary plug-in for spatial audio playback up to 7.1.4. RIME leverages Apple Vision Pro’s advanced head tracking to deliver an exceptionally realistic monitoring experience, making immersive production possible in any setting, from professional studios to remote locations.

“With VIS, we wanted to make immersive audio mixing feel as natural as playing an instrument,” says Jorma Marquardt, product manager at Neumann. “By combining spatial computing with intuitive gesture control, we’re giving creators a tool that turns technical workflows into expressive, creative experiences. It’s not just about mixing sound, it’s about shaping it in space.”

VIS is built on cutting-edge AMBEO technologies, offering advanced virtual acoustics algorithms and spatial realism. AMBEO empowers professionals to craft immersive audio experiences that are not just heard but deeply felt. With VIS, spatial workflows become expressive, natural and accessible, turning technical complexity into creative freedom.

“Neumann and AMBEO push the immersive experience beyond traditional workflows, not just by advancing spatial audio technologies, but by making them more intuitive and accessible,” says Kai Detlefsen, AMBEO. “With VIS, we are enabling a broader creative community to engage with spatial audio in a direct and expressive way. It’s about empowering professionals and emerging talents alike understand immersive sound instantly and start shaping it with confidence and imagination.”

Key Features:

• 3D visual interface for spatial mixing on Apple Vision Pro
• Gesture-based positioning of sound sources
• Full integration with Logic Pro on Mac
• Visual overview of all audio objects
• 3 degrees of freedom head tracking
• Support for loudspeaker and headphone monitoring via RIME

System Requirements: Apple Vision Pro with visionOS 26 or newer, Mac with macOS 26 or newer, Logic Pro 11.2 or newer, Devices must be connected to the same Wi-Fi network.

VIS is available now in the Apple App Store.

21st November 2025

DirectOut launches native plug-in for Companion

DirectOut manufactures high-end smart platforms for many types of professional applications. The company is passionate about third party integration and has announced its native plug-in for Bitfocus’ Companion, the outcome of a collaboration between DirectOut, its German distributor sphereo and Dorian Meid, a highly experienced Companion module programmer.

Compatible with Companion 4.0.0 or later, the plug-in automatically detects the PRODIGY and MAVEN Series devices. It can be used with any Stream Deck hardware interface to enable greater control with fully programmable presets and parameters.

Companion is an open-source control surface software that can control multiple devices across the live and broadcast industries and can be used with or without a physical interface. Buttons can be programmed with many different outcomes, from simple selections, to fully stacked sequences of commands. The end result is a customisable interface that can take the guess work out of complex commands and manage several hardware devices from a single control panel.

DirectOut’s module for Companion allows access to the majority of PRODIGY and MAVEN functions, including in/out routing, configuration and status reporting (for example, for EARS) and much more. Each parameter-control features a learn button, which enables the plugin to read out the currently handled parameter and its value. This is useful if the function is not part of a preset and the user wishes to add a particular command without knowledge of the actual control protocol. The Action Recorder allows the user to capture sophisticated operations for triggering, so a series of actions can be inputted quickly and efficiently.

Companion also benefits from a web-admin emulator, so actions can be triggered without setting up the hardware controller devices. The button position on Stream Deck can be customised and perfected for any application. Pages of buttons can be saved and quickly accessed as required. There is also a list of presets provided within the module, which can be used as a starting point to edit from and adjusted within the module configuration.

Claudio Becker-Foss, chief technology officer (CTO) of DirectOut is keen to continue the company’s support of third-party integrations, citing the positive feedback at September’s IBC as proof of the industry’s excitement for cross-platform integration.

“Our company mission has always been to develop streamlined, reliable and flexible audio solutions, whatever the application. Our new Companion plug-in is a great example of the power of third-party collaboration to help us reach that goal and deliver the best possible results for our end users, creating a seamless integration experience for their projects.”

The DirectOut Companion plug-in was released under the MIT open-source licence and can be downloaded from the Companion repository of Bitfocus on GitHub.

https://bitfocus.io/connections/directout-audioprocessors

21st November 2025

HIVE announces Dante audio-over-IP integration

HIVE, a specialist provider of compact media servers, has announced the addition of Dante audio-over-IP networking to its award-winning Beeblade media engine range, further strengthening the company’s ecosystem for synchronised, networked AV delivery. The new integration enables HIVE players to transmit high-quality, multi-channel audio directly over standard Ethernet, eliminating the need for complex cabling or external routing hardware.

HIVE’s Dante implementation features a bespoke, custom-built HIVE-Dante driver, designed and compiled in-house to deliver seamless performance and reliability. Unlike third-party add-ons, the integration requires zero set up, licensing or configuration. Every Beeblade unit ships with Dante pre-installed and ready to go, fully embedded into the HIVE software platform.

“Dante allows our customers to treat audio just like video, as another stream on the network,” said Ciaran Abrams, lead software developer at HIVE. “By building our own custom driver, we’ve made it effortless to use. There’s no set up or configuration needed, just plug in, select Dante in the HIVE app and you’re ready to transmit up to 16 channels of high-quality audio across your network.”

Supporting up to 16 output channels per device, the integration gives creators and integrators precise control over multi-layered soundscapes for immersive experiences, exhibitions and large-scale installations. Each channel can be routed independently to networked speakers, enabling dynamic, spatial audio design without the complexity of traditional signal distribution.

“This integration marks another important step in our mission to deliver a complete, distributed media server platform, where the playback hardware lives at the edge,” adds Dave Green, CTO at HIVE. “By bringing Dante audio-over-IP into the Beeblade family, we’re giving creators and integrators even more power and flexibility, all within a compact, scalable system.”

The HIVE-Dante integration mirrors the same distributed workflow methodology that underpins HIVE’s media control architecture, operating entirely on the IP network stack for unified communication between devices. This consistency allows users to manage video, lighting and now audio from a single connected environment.

“The synergy between HIVE and Dante is clear,” said Joshua Rush, CMO at Audinate. “Our mission has always been to make audio networking simple, scalable and interoperable. HIVE’s native Dante integration extends that simplicity into media playback and synchronisation, enabling a new generation of fully networked AV experiences.”

With audio, video and lighting now all controllable over IP, HIVE continues to blur the boundaries between disciplines in live and fixed AV environments. From immersive art spaces and museums to theme parks and projection-mapped venues, the update empowers creators to design richer, more responsive experiences with fewer cables, devices and points of failure.

The Dante integration will make its public debut at LDI Show 2025, taking place 7–9 December at the Las Vegas Convention Center (West Hall). Join HIVE on Booth 801 to see Dante in action and discover what’s next in networked media. Register for free at https://www.xpressreg.net/register/ldix1225/start.asp?sc=10046

21st November 2025

Electro-Voice unveils EVIVA elevated essential portable powered loudspeaker family

Electro-Voice has launched the EVIVA family of portable powered loudspeakers to deliver the level of performance that next-generation professionals dream of. Perfect for aspiring DJs, musicians, houses of worship, small venues and startup production and rental companies, EVIVA gives users a best-in-class starting point for a long relationship with Electro-Voice.

EVIVA is made for the early stage of a career, where passion, price and performance deliver the most impact. The family comprises the 12” EVIVA 12P and 15” EVIVA 15P two-way loudspeakers and the EVIVA 18SP 18” subwoofer. With streamlined features and uncompromised quality, these solutions combine to form class-leading systems where simplicity meets superior sound. To ensure the legendary Electro-Voice performance, the two-way models rely on a custom-designed, high-energy neodymium high frequency compression driver, as well as Electro-Voice’s patented SST (signal synchronised transducers).

The performance of the EVIVA family delivers everything people aspire to when choosing Electro-Voice equipment. Both the EVIVA 12P and EVIVA 15P offer a 90° x 60° (horizontal x vertical) coverage pattern, delivering clean, even sound across the audience area. The 12” EVIVA 12P has a frequency range of 50Hz – 20kHz (-10dB) and a maximum SPL of 125dB to provide an impressive sonic performance that will delight audiences. The 15” EVIVA 15P has a wider frequency range of 45Hz – 20kHz (-10dB) and has a higher maximum SPL of 126dB delivering class-leading sonic performance. Supplementing the low frequencies is the EVIVA 18SP which takes the frequency response down to 38 – 200Hz (-10dB) and has a maximum SPL of 132dB to deliver deep, powerful bass across the audience area.

The 12” and 15” 2-way full range models with robust composite enclosures and the 18” plywood subwoofer all feature a 1000W amplifier with two-channel analogue input section. The intuitive control comes with gain knobs for level adjustment and switches for mode changes between MUSIC and LIVE. With the 12P and 15P there are also switches for high pass changes between NO SUB and WITH SUB EVIVA 18SP, while with the 18SP there are switches for low pass between 100 Hz EVIVA 12P/15P and 150Hz, and polarity between NORMAL and REVERSE. The loudspeakers feature an auto-switching universal 100V ~ 240V mains voltage input and are powered via an IEC mains input.

The EVIVA family offers industry standard connectivity to make setting up any gig as fast as possible. The EVIVA 18SP offers two XLR/TRS combo jack line inputs as well as a pair of XLR pass throughs. Meanwhile the EVIVA 12P and EVIVA 15P are equipped with two XLR/TRS combo jack mic/line inputs, an XLR mix output and Bluetooth audio streaming with switchable mono/stereo mix output.

The user-friendly control and easy connectivity combine well with a lightweight design and rapid set up process to ensure that fast, single person set up is possible. EVIVA 12P weighs just 12kg, while the larger EVIVA 15P is 14.6kg and the EVIVA 18P subwoofer is only 30.7kg.

The family also benefits from prestigious Electro-Voice industrial design with side and top handles, bottom grab pocket and anti-skid bottom feet. EVIVA features a stylish, modern heritage look and is built from high-quality materials ensuring a premium feel. The half-face powder-coated grille adds a striking appearance, ensuring events benefit from a superior sound and premium styling.

Electro-Voice offers a range of existing accessories compatible with the EVIVA family further improving its appeal to any user. The BRKT-POLE-L wall mount brackets for the EVIVA 12P and EVIVA 15P will support installations while M20 poles, tripod stands and transport duffel bag support mobile deployment.

“We have created EVIVA as a portable, powered solution that will be perfect for a wide range of users,” said Andrew Cho, director of product management, portable sound at Electro-Voice. “We have taken every step to make the family as simple to use and accessible as possible while still delivering the best performance and reliability in its class. EVIVA is the gateway to the rest of the Electro-Voice family, and we see it as the starting point in the exciting, lifelong journey that users will take with Electro-Voice.”

EVIVA is now available to customers.

21st November 2025

Clear-Com Unveils Four-Channel HelixNet Beltpack: Expanding Communication Capabilities for Professional Productions

Clear-Com announced the upcoming launch of its four-channel HelixNet beltpack, a next-generation advancement of its widely used two-channel model. The new beltpack introduces expanded channel count and improved user interface design to meet the evolving demands of live productions and broadcast environments.

The four-channel HelixNet beltpack allows users to communicate across four distinct channels simultaneously, providing greater flexibility for multi-team co-ordination in complex production set-ups. While fully compatible with the recent updates to Arcadia Central Station, it maintains backwards compatible two-channel functionality on legacy HMS stations and earlier Arcadia versions, ensuring smooth integration for existing users.

The current HelixNet product family delivers intuitive, networked partyline intercom solutions built on Clear-Com’s heritage of analogue systems. HelixNet user stations, beltpacks, speaker stations, remote stations and central stations provide familiar workflows, effortless administration and scalable deployment without crosstalk or interference. Powered by Clear-Com’s I.V.Core technology, the existing system dynamically manages audio mixing across up to 24 channels, making it ideal for live performances, broadcast productions, theme parks and public safety applications.

“Building on the legacy of the two-channel HelixNet beltpack, this new four-channel version empowers production teams with greater control, communication efficiency and versatility,” said Frank Linton, product manager at Clear-Com. “It’s a sustaining project that not only improves our existing portfolio but also introduces a product that meets the real-world demands of our customers.”

Clear-Com anticipates the beltpack to be available in 2026. For more information on the four-channel HelixNet beltpack, visit Clear-Com’s website or contact a Clear-Com representative.

20th November 2025

Ayrton releases EagleStrike LT – its new ultra-powerful followspot for the biggest venues

Ayrton has launched its new, ultra-powerful followspot, EagleStrike LT, designed for maximum output, speed and precision in stadiums, arenas, major events and other extraordinary venues.

Originating from a bespoke request for a signature luminaire, EagleStrike LT is a fast, weatherproof followspot distinguished by phenomenal power, unmatched precision at extraordinary throw distances and genuinely expressive graphic performance.

The first LED-source followspot in Ayrton’s range, EagleStrike LT is engineered for intensive outdoor use across long distances where precision is paramount. An optional camera transforms EagleStrike LT into a fully automated tracking spotlight.

To create this uncompromising and unmatched extreme-luminaire, Ayrton has developed an oversized 270mm front lens capable of delivering an ultra-intense 2.9° beam; its 13-lens optical system with 15:1 zoom ratio gives working range of 2.9° to 43°, with dedicated gobo reducers able to narrow the beam to 0.9° or 2.5°

Equipped with a brand-new high-efficiency 1,200W LED module, EagleStrike LT outputs a luminous flux of 55,000 lumens at a colour temperature of 6500K. It easily achieves a record-breaking light output of over 100,000 lux at ten metrers and 6250 lux over 40 metres.

EagleStrike LT introduces an entirely new ultra-fast CMY flag-based colour mixing system, capable of matching the speed of Ayrton’s ‘Ultimate’ series luminaires. A progressive CTO offers subtle tuning from 2900K to 6500K. The colour section includes six complementary colour filters, two CRI enhancement filters, one minus green, one gobo correction and one multi-colour filter.

More than a followspot, EagleStrike LT also offers a range of optical tools for sculpting the light: precision full-framing across 100% of the file and +/- 90° rotation, two overlaying rotating gobo wheels, each with seven gobos, a 15-blade iris diaphragm, a single-colour effects wheel and two frost filters, as well as two combinable rotating image-multiplier prisms: a four-facet linear and a five-facet circular.

Continuous rotation on the pan axis expands EagleStrike LT’s creative potential and facilitates use in automatic followspot mode.

A next-generation oversized cooling system ensures high efficiency and is particularly quiet

EagleStrike LT’s minimalist design integrates all waterproofing features while maintaining full access to internal components. Its remarkable versatility rests on the experience and excellence of Ayrton’s R&D team, who have perfectly balanced this Series 9 IP65 fixture.

Weighing in at 54.7kg, EagleStrike LT is a followspot of absolute precision that will exceed your expectations. Agile, graphic and powerful, it opens new creative horizons. A future classic, made for truly spectacular shows.

19th November 2025