Equipment News

NEXT Audiogroup introduces Audio Configurator

NEXT Audiogroup introduces the latest innovation: the Audio Configurator, an innovative solution that streamlines the process of choosing the NEXT Audiocom’s products for any installation. It is the latest addition to NEXT Audiogroup's range of cutting-edge technology, designed to simplify the process of selecting the right solution.

With its user-friendly interface, the Audio Configurator eliminates the need for technical expertise, allowing anyone to easily configure and customise the ideal audio system. The tool uses audio packs to generate tailored audio product packs that are optimised for each installation.

“At NEXT Audiogroup, we understand that selecting the right audio products can be a daunting task, especially for those who are not familiar with the different possible products combination. We believe that the Audio Configurator will be a game-changer, making it easier than ever before to select the right audio products for each installation,” said Sergio Pinto, NEXT Audiogroup sales manager.

22nd March 2023

Optimal Audio Enhances WebApp with Integration of Bluesound Professional Streamers

Optimal Audio has announced the release of WebApp 1.1, featuring a BluOS Control API integration to control Bluesound Professional audio devices that feature built-in network-connected streaming and music management controls for use in commercial audio spaces.

Optimal Audio’s WebApp is the backbone of its ecosystem of controllers, amplifiers and loudspeakers providing a system integrator with the ability a to configure an entire system of multiples zones in a venue, while presenting the end user with an intuitive and simple interface to control the sound system.

With this latest release, WebApp and Zone firmware enable API controls for Bluesound Professional devices via BluOS from Optimal Audio Zone controllers. This simple and powerful solution supports playback from almost 20 streaming platforms and internet radio stations, including services specifically designed for commercial use.

The integration of Bluesound Professional streaming music devices such as the B100S and B400S provides a scalable solution for venues requiring up to four playback streams. Integrators and end-users can configure powerful routines within WebApp to automate streaming preset recall and volume control for a specified time, day, and zone, enabling venue staff to focus on their primary responsibilities.
The API integration also allows WebApp to play, pause or skip a track and displays song artwork for an improved end-user experience.

In addition to the seamless integration with Bluesound Professional streamers, the latest update to WebApp includes several useful new features. A client configuration tool has been added to enhance security and simplify the operation of client connections such as mobiles or tablets. A global setting for 'delay units' in system settings and an auto time zone/DST adjustment have also been added.

Matt Rowe, head of engineering for Optimal Audio commented: “I’m thrilled to deliver WebApp 1.1 and introduce streaming capabilities into our commercial audio eco-system. I believe that being able to recall presets from Bluesound Professional devices combined with WebApp’s powerful routine functionality provides a versatile solution that will be welcomed by installers and venue owners.”

The Optimal Audio Open Days, scheduled for 18th and 19th April in High Wycombe, will feature WebApp 1.1 showcasing its ability to manage a well-known four-zone commercial audio deployment. Register for open days at: https://bit.ly/3K1zdkB

21st March 2023

Prism Sound Ships its Dream ADA-128 Audio Conversion System

Good things come to those who wait, and for Prism Sound’s customers the wait is finally over because the company is now shipping its new Dream ADA-128 modular audio conversion system.

The first units have already been sent to facilities in the UK, Japan, the USA, Germany and France, with other customers expected to take delivery of their systems in coming weeks.

Mark Evans, Prism Sound’s sales director, says: “The ADA-128 is aimed at audio professionals across many different disciplines, including music recording, post production, broadcast, installation and, of course, Dolby Atmos and archiving. It builds on everything that is great about Prism Sound conversion but takes it to a new level in terms of power and flexibility.”

Evans also points out that the new ADA-128 is a very cost effective solution, particularly for people who require a high channel count and because it is fully modular, it is also a great way for businesses to future-proof their audio facilities as any changes and upgrades can be addressed by simply adding new option cards.

“Our flagship ADA-8XR multichannel converter has been a best seller for more than 20 years and that longevity is due to the care and attention to detail Prism Sound put into its original design,” Evans adds. “The same level of care has gone into the design of the new ADA-128 and we are confident that this revolutionary product will be just as well received for many years to come.”

As the latest addition to Prism Sound’s range of Dream A/D and D/A converters, the ADA-128 brings exceptional levels of flexibility, functionality and cost effectiveness to the professional audio market without any compromise in sound quality. Named after its remarkable ability to provide up to 128 channels of premium Prism Sound 32-bit A/D and D/A conversion in a single 2U rack, the Dream ADA 128 is a modular device that can be configured to a wide range of needs.

Designed as both a conversion system and a high-performance, networkable audio distribution and processing system, the ADA-128 is built around a 2RU mainframe that can be fitted with up to 16 analogue and digital IO modules (each of which nominally provides eight input or output ports, or both).

There are also four host cards offering various connection options such as Dante, DigiLink and AES. Users can mix and match these, and even route audio between them for maximum flexibility, and because the ADA 128 houses four internal, independent clocks, these systems can all run at different sample rates at the same time.

The unit, which also has a mic/line input module housing eight pre-amps, can be controlled via the front panel touchscreen or via a browser-based interface. It can also be used as an HDX interface, directly from within Pro Tools.

The inspiration for the ADA-128 originally came from discussions between Prism Sound’s managing director Jody Thorne and The Royal Birmingham Conservatoire, a faculty of Birmingham City University. The Conservatoire wanted a high channel count conversion system that could be networked across their entire facility. As this didn’t exist, Prism Sound set about designing it and that project formed the basis of the ADA-128.

“When we first came up with the concept for the Dream ADA-128, we wanted to give our customers a product that incorporated new ideas and brought significant improvements to their workflows. We were unwilling to compromise or sacrifice our long-standing reputation for audio quality. As a result, we now have a product that fulfils all our customers’ wishes and we are confident that everyone who purchases the ADA128 will be delighted with it.”

The Royal Birmingham Conservatoire, which has been using Prism Sound ADA-8XR converters, will now be switching to the ADA-128. Other early adopters include the Royal Northern College of Music in Manchester, NHK in Japan, Dean Street Studios for its new Dolby Atmos room, and acclaimed producer Jess Jackson who plans to install ADA-128 in his own studio in the USA.

In picture: Mark Evans and Jody Thorne with Prism Sound ADA128

21st March 2023

NEXT Audiocom introduces new A504DSP

Portuguese manufacturer NEXT Audiocom introduces A504DSP, an amplifier that combines a lightweight, 4 x 500W (2 x 1000W) amplifier, with a powerful DSP engine that can be configured to suit a wide range of tasks, without the need for additional equipment, to drive a wide range of loudspeaker systems. The close integration of processing and amplification allows the DSP to monitor and better adapt to amplifier behaviour, making dynamics processing far more accurate and effective than that typically achieved with separate components.

The A504DSP flexibly distributes the total amplifier power in various combinations across four, three or two outputs to drive, for example: four full-range loudspeakers or subwoofers, high-power subwoofer + two full-range loudspeakers, high-power subwoofer + bi-amplified speaker or high-power full-range loudspeaker + high-power subwoofer.

The A504DSP is a very reliable and strong DSP Amplifier specially designed for both touring and installation with a very simple use. The A504DSP is a cost-effective power amplifier that can be used both touring and installation.

On-board, advanced DSP engine, controlled by built-in OLED screen with an encoder or by a PC, with input/output routing, high-pass and low-pass filters, parametric EQ filters, compressors/limiters, noise gates and alignment delays.

The integrated DSP controlled by built-in OLED screen with an encoder eliminates the need for outboard loudspeaker processors.

15th March 2023

New additions to the Showtec Shark series

Showtec presents new additions to its Shark series of moving head light fixtures in the form of the Shark Beam One, the Shark Spot Two and the Shark Wash Zoom Two.

The Shark Beam One is a 90 Watt LED beam moving head that creates colourful and dynamic light displays thanks to its impressive features. It boasts 13 colours plus white, a six-facet rotating prism, 11 gobos, frost and flower effects, and more.

The Shark Spot Two is a versatile 90 Watt LED spot moving head with seven colours plus white, a three-facet prism, six gobos, dimmer and strobe functions.

Classic wash effects with different beam angles are easy to create on the Shark Wash Zoom Two thanks to its motorised zoom. It also has dimmer and strobe functions.

Showtec’s Shark series features several compact moving head light fixtures that are perfect for bars, small clubs and similar establishments. With beam, spot and wash lights among the range, finding the ideal lighting solution is easier than shooting fish in a barrel!

Like the other models in the series, the new Shark moving heads are swimming with possibilities and can be tamed even by those with a little less lighting experience.

www.highlite.com 

15th March 2023

Budget friendly LED upgrade with Source 4WRD Color II

ETC has sold millions of Source Four incandescent fixtures over the past 30 years. In many cases, these fixtures are still running strong and revered as the workhorses of their school auditoriums, houses of worship and theatres. When it comes to upgrading from incandescent to LED, throwing out fixtures that are still in good working condition can, understandably, be a difficult decision.

Source 4WRD Color II makes this decision easy. Upcycle any existing ETC incandescent Source Four fixture to a RGBA LED fixture in minutes and use only a quarter of the power. This non-destructive retrofit maintains the majority of the Source Four incandescent fixture and reduces overall waste. Bring the flexibility of additive colour mixing, saturated washes, and quick colour changes to any venue with upgraded technology while staying within budget.

Compared to the previous generation of Source 4WRD Color, the addition of the new snap in reflector and the significantly brighter red emitter provide a notable intensity increase of 36% in warm whites and dramatically improves colour rendering performance. Rich, saturated colours, pastel hues, and cool toning blues loved by theatre designers worldwide also see remarkable improvements.

This second generation of Source 4WRD Color is not only an incredible retrofit, but also can be a full spot profile, a full PAR, or full PARNel fixture. With 12 built-in colour presets and five built-in sequences, stand-alone operation is intuitive. Maintain the most-loved features of Source Four including crisp shutter cuts, beautiful pattern projection, field peak-to-flat adjustment, and a full library of Source Four lens tubes.

Source 4WRD Color II includes ETC’s industry leading five-year fixture, ten-year array warranty.

www.etcconnect.com 

7th March 2023

Le Mark sticks up for the environment with Paper-Tak!

UK – Le Mark Group, the leading provider of tapes and labels to the entertainment production industry, has introduced an important new solution to limit the everyday impact of productions on the environment. The new product, Paper-Tak, is a tough, self-adhesive, PVC-free tape which is an alternative to the hundreds of thousands of pieces of PVC tape commonly used for colour-coding, cable-coiling, identification, spiking and countless other on-site production tasks.

Made using 70% recycled paper, a core of 100% recycled cardboard and with recyclable packaging, Paper-Tak provides a viable solution for companies working in production who are serious about minimising the environmental impact of their activities. With a quick-stick, multi-surface, natural rubber-based, pressure-sensitive adhesive, Paper-Tak’s crepe paper surface is easy to tear and easy to write on, with a pen and pencil receptive surface, offering a usable solution for the vast majority of applications.

Le Mark’s Stuart Gibbons OBE says: “Greenpeace considers PVC to be the single most environmentally damaging of all the plastics we commonly use and our industry discards tonnes of it every year. The need for a new approach cannot be overstated: this is a hugely significant step for our industry.”

The market has already shown a welcoming response to the innovation, with leading companies immediately seeing the benefits of the product. Among those is White Light, which is now making Paper-Tak available via its online shop. Other companies who have seen the unique value of this new sustainable offering include Theatre Supplies Group and Canford Audio.

Le Mark’s Jeff Demain says: “Paper-Tak has many uses and will transform the environmental impact of the work that backstage crews do every day. Imagine the number of PVC strips that are discarded after every event, especially in festival environments, and the clean-up and disposal costs that are increasingly being imposed by venues. Wherever it’s suitable, using Paper-Tak is a must.”

He adds: “We’re very clear that Paper-Tak is only meant for non-critical use – that is to say ‘non-electrical’ use – because it is not an insulator and is not meant to replace electrical insulation tape. Also, it’s a light-weight tape, so while it’s well suited for coiling most cables and for attaching basic cable runs to truss, for example, it doesn’t have the strength for securing coiled multicores and heavier cables.”

Paper-Tak is currently available in packs of six rolls (red, green, blue, yellow, black and white) and in roll lengths of 10m, 25m or 50m, on a 32mm core. It also offers distinct advantages in size and weight over PVC tapes: a 50m roll of Paper-Tak is about the same size as a 33m PVC roll, and 20% lighter. Paper-Tak is available in standard widths of 19mm, 24mm and 48mm.

Commenting on the benefits of Paper-Tak, White Light’s head of customer service, Craig Bennett, says: “As a company with B Corp accreditation, we try to ensure our entire operation is as sustainable as possible. It’s great to see developments in manufacturing that change the impact of the products we sell and the productions they are used on. Le Mark has created a tape that allows for the usual colour-coding, cable-coiling, looming, and fixing that we all carry out daily - but without PVC - making it extremely environmentally friendly. We’ve been searching for a reliable alternative to PVC for years and I am excited that we are now able to supply Paper-Tak.”

6th March 2023

ETC expands ArcSystem Navis line with Sidekick driver

ETC introduces Navis 100 Sidekick, a local LED driver compatible with ArcSystem Navis 100 luminaires. With this addition to the Navis line, specifiers now have even more installation options.

Debuted in 2020, Navis luminaires deliver pristine light and a modular design. The new Navis Sidekick attaches to Navis 100 fixed white or fade to warm luminaires, dimming via direct 100-277 AC power. This small, local driver is ideal for areas where level setting and smooth in-and-out dimming are key, such as hallways, guest rooms, and more. Sidekick is also a perfect solution for retrofits to buildings already utilising mains dimming systems.

www.etcconnect.com 

3rd March 2023

WORK PRO Launches a New Range of Amplifiers

Spanish manufacturer Equipson has expanded its WORK PRO brand with the launch of SYNTHEA, a new range of multi-purpose amplifiers that are specifically designed for AV installations.

The adaptability and flexibility of these new amplifiers makes them ideally suited to a number of different applications, particularly those where an intuitive configuration process is required.

Operating in low impedance (4-16 ohm) and high impedance (70V/100V), the SYNTHEA range offers several different channel and power output options for maximum flexibility. Fully integrated DSP controlled via TCP/IP, GPIOs and S/PDIF in/out means that signals can be mixed to any output with ease, making it very straightforward to link multiple amps in a larger installation.

SYNTHEA amplifiers also have built in WAP, which allows for web-based adjustment of audio signal parameters such as equalisation and level so that users don’t have to install any special software and can configure their system from any device.

The SYNTHEA range of audio amplifiers offers a variety configuration. There are four models available, each with unique features to cater to different needs.

SYNTHEA 2125 offers two channels with 125W of power each. It's a versatile amplifier suitable for smaller sound systems where a clear and detailed sound is required.

In the same way, SYNTHEA 2500, also provides two channels but with a higher power output of 250W per channel.

SYNTHEA 4125 provides four channels of 125W each or two channels of 250W. This amplifier is ideal for sound systems that require multiple speakers.

Finally, the range is complete with SYNTHEA 4500, which provides four channels of 500W each or two channels of 1000W. This is the most powerful amplifier in the range and is suitable for large venues where a high volume and powerful sound are required.

Main Features:

• Full Matrix DSP controlled via TCP/IP

• WAP Connectivity for management via WiFi

• Balanced / Unbalanced analogue inputs.

• S/PDIF input / output

• LoZ and HiZ outputs

• GPIO configurable

• Switch mode power supply

24th February 2023

Audient Releases New iD24 Audio Interface

British audio specialist Audient introduces the new 10 in / 14 out audio interface, iD24. Designed to make recordings better, it slots neatly between the iD14 and the more recently launched iD44 in terms of functionality and boasts the much coveted audio performance and feature set associated with the iD range.

Andy Allen from Audient says: “iD24 is made with producers and engineers in mind. We’ve combined astonishing audio performance with ease of use whilst providing more features aimed at professionals such as balanced inserts, ADAT expandability and customisable monitor control.”

iD24 features two Audient Console mic preamps which, as with every iD interface, are the same discrete circuit design as those found in the flagship ASP8024-HE console. The class leading converters utilise 32-bit DAC converter technology which deliver a massive 126dB of dynamic range. “We want to ensure our customers can hear their audio with incredible clarity. Being able to hear those subtle details is really important as it helps users to feel more confident when making recording and mix decisions,” explains Andy.

“We know the modern engineer often needs to be ready to handle bigger sessions like recording drums or a live band, and iD24’s optical input and output connections give you the ability to scale up your rig quickly and cost effectively,” he continues. Supporting both ADAT and SPDIF, iD24 gives the option to boost input capabilities by adding up to eight channels of external mic preamps.

Describing the advantages of iD24’s balanced inserts, Andy says: “For those customers who love their outboard, iD24 gives them the ability to integrate their favourite outboard FX into their signal chains when recording. Additionally, utilising the insert returns gives direct access to the A/D converters providing the cleanest signal path possible, which gives users the ability to process stems using outboard.” This also gives Audient customers the option of bypassing the Audient mic preamp altogether if necessary and utilising external mic preamps instead.

Maintaining a focus on workflow, any of the advanced monitoring features, including speaker select, talkback, polarity invert and mono can be assigned to any of the three programmable function buttons. This gives users the ability to customise their setup and take advantage of pro features like quickly alternating between speakers, referencing a mix in mono or communicating with the artist, all directly from the hardware.

iD24 is fully bus powered via a USB-C connection and benefits from the addition of dual headphones outputs, four line outputs and a dedicated low latency software mixer.

16th February 2023

Ayrton launches IP65-rated Domino Wash

Ayrton presents Domino Wash, its first IP65-rated wash fixture that has been developed for outdoor use. This professional, smart luminaire opens up a whole new world of versatility for concerts, performing arts, theme parks and film shoots.

Domino Wash has a 210mm Fresnel lens with a specific optical structure designed to accurately adapt the diffusion level according to requirements. This optical combination not only favours the use of framing shutter blades or geometric gobos, but significantly improves colour mix and can produce 10% more light than with a classic Fresnel lens F.O.S.

To cover all types of use, Domino Wash is available in three flicker-free versions, S, TC and the entirely new ST or ‘Stage & Theatre’ version. The ST version is fitted with a new monochromatic LED source that delivers a light output of 45,000 lumens and a D65 white point that allows perfect colour reproduction with a CRI greater than 80.

In common with many other Ayrton fixtures, the ‘Stage’ or ‘S’ version provides a cooler, metallic light with a record luminous flux of 52,000 lumens, a colour temperature of 7000 K and a CRI of 70. The ‘True Colour’ or ‘TC’ version offers a colour rendering index greater than 95 with extremely high TM30 values and a colour temperature of 6000 Kelvin to deliver perfect colour rendering.

Domino Wash’s proprietary optical system delivers a 12:1 zoom ratio and a zoom range of 6.2° at half peak to 75° at one-tenth peak. It shares the same complex colour mixing system with Huracán Wash, offering a double level of CMY saturation that can obtain 281 trillion colours and a triple corrector for variable colour temperature, allowing subtle adjustment from 2700 K to 15000 K and significant CRI improvement T.C.S.

Like all Ayrton products, Domino Wash is factory-equipped with full features. These include a four-shutter framing section for accurate shutter cuts across a 100% surface area in all positions, a wheel of seven rotating glass gobos, a 15-blade iris diaphragm, a frost and an RGB and CMY animation wheel. Domino Wash also has Ayrton’s liquid cooling system fitted with six submersible fans outside its weatherproof enclosure.

An all-terrain luminaire developed for resisting hot or cold weather, wind, rain, hail, sand or dust, Domino Wash aims to create unprecedented, incomparable and simply stunning atmospheres.

Domino Wash forms an exceptional trilogy with Domino Profile and Domino LT and is the latest addition to Ayrton’s Classical 9 Series range.

15th February 2023

NEXT Audiocom introduces FLEXI15

Portuguese manufacturer NEXT Audiocom is presenting the FLEXI15, a 2000W active 2.1 compact PA system with an integrated DSP processing engine that forms a precisely matched, compact system with professional acoustic properties required by DJs and musicians for both portable use or permanent installation.

“The system was designed for a fast and flexible on-site setup, and maximum reliability with a modern design and a handling optimisation,” said Tiago Correia from NEXT Audiogroup R&D department.

The 15” reflex loaded subwoofer provides powerful accurate bass sound while the satellites with 8” mid drivers and 1” HF drivers are responsible for natural sounding mids and crystal-clear highs. To easily expand the system it is possible to link two or more FLEXi 15, simply connecting both systems using a XLR cable (solid line).

The system’s presets are selected by simply rotating the encoder, instantly optimising the system sound for the required configuration. The presets apply precise DSP sound adjustment settings automatically, eliminating the need for additional hardware, software and, most importantly, time. The FLEXI15 active PA system features sturdy plywood cabinets, all-important protection circuits, XLR/jack combo, Speakon-compatible connectors, and ergonomically shaped, recessed handles. A scratch-resistant polyurea surface, steel grille, and flanged edges complete the look. Subwoofer with pole mount for satellite speaker, four castors, two with locking brakes. Two speaker cables are included in the delivery. Speaker protective covers, matching speaker stands, spacer tubes and wall mount brackets are also available separately.

14th February 2023

Professional portable power distribution for event, touring and mobile production facilities

UK – Neutrik UK is introducing the CONTRIK range of professional power distribution products which it debuted this week at Southern Manufacturing & Electronics 2023. CONTRIK extends the Neutrik Group’s product offering with a portfolio of power distribution systems, innovative equipotential bonding systems and premium-quality power cables, specifically designed and specified for portable indoor and all-weather harsh application environments.

Employing automated precision manufacturing processes within the EU, together with high-quality components and materials, CONTRIK systems offer unsurpassed levels of quality, safety and reliability, and provide for reductions in cabling costs, complexity and man-hours. CONTRIK’s state-of-the-art multicore solutions further reduce complexity and cable volumes for demanding mobile and outdoor applications; these include pre-assembled multicore cables, Power Containers and Power Racks with multicore outputs, and highly protected multicore Turtles for distribution and daisy chaining.

13th February 2023

NEXT-proaudio unveils medium-format line array

The Portuguese manufacturer NEXT-proaudio has unveiled the LA210x, a medium format three-way, coaxial, active line array element designed to support a wide range of mid to large-sized touring applications and installations where easy to use, from transportation to installation and rigging are critical. Built-in powerful DSP and amplification eliminates amplifier racks, long loudspeaker cables, and basic system calibration.

Custom made European transducers and a maximally optimised acoustic design provide excellent sound fidelity at very high SPL levels. The LA210x features dual 10-inch (3-inch voice coil) neodymium woofers and a ground-breaking coaxial ring radiator loaded by an exclusively developed OSWG waveguide. This acoustic design delivers exceptional phase coherence and consistent coverage down to 300Hz and the most accurate transient reproduction.

Onboard, advanced, powerful 96kHz/40bit SHARC DSP engine, monitored by built-in LCD screen with a preset loading encoder, can be remotely monitored and controlled through ethernet by a PC. The full-featured PC-software automatically identifies each device and allows simultaneous control of multiple devices through grouping facility. Everything you need to fine-tune the sound of your system is right there.

Engineered for both touring and installation the system is driven by a passively cooled 2000W three-way ultra-efficient Class-D amplifier module releasing 1000W for LF section, 500W for MF section and 500W for the HF section. Integrated universal mains power supply with PFC provides consistency and optimum performance anywhere in the world.

The three-point rigging system allows for quick and easy system set up. The LA210X elements are easily connected via two front links. A rear centre link allows the user to define relative splay angles from 1° to 10°. The system will automatically lock to the predefined angles when lifting the array.

8th February 2023

Elation full-colour KL Panel XL soft light now available in IP65 version

Lighting designers have been quick to adopt Elation’s KL Panel XL for high-quality soft light illumination in broadcast and film environments of all types. Now the full colour spectrum soft light is available in an IP65 version, the KL Panel XL IP, that makes it an even more versatile broadcast-quality luminaire.

The fixture’s IP65 design means the KL Panel XL IP can be used in a wider range of applications and locations. Suitable for use in both indoor and outdoor settings, it is an ideal soft light solution for on-location applications. Its weatherproof design allows it to function properly in harsh environments and adverse conditions, eliminating the need for frequent cleaning and maintenance and saving both time and cost.

The KL Panel XL IP offers exceptional output with precise control over colour temperature and full spectrum colour rendering for an even wash coverage. Optimised for the tuneable white light requirements of film and television, it is a versatile and reliable soft light source for a wide range of applications that demand outstanding performance and colour quality. It provides bright, highly variable lighting of exceptional quality for key, fill and backlight.

Using a highly-efficient 570W RGBW+ lime + cyan LED Array, the KL Panel XL IP produces beautifully soft white or full colour washes up to 40,000 field lumens at a 100° half-peak angle. Colour reproduction is extremely accurate both to the eye and to the camera with a CRI of 95 while colour temperature is easily adjustable from 2,000 to 10,000K for a wide choice of variable colour or white shade projections. Additional colour tuning is possible through a green-shift adjustment and virtual gel library to match more precisely the white balance for the camera.

The KL Panel XL IP’s LED array is equipped with multi-zone control, enabling dynamic colour access, visually striking effects and realistic reproductions, such as fire, lightning, emergency vehicle flashes and various strobe effects.

Besides its wide spectrum of chromatic options, this dynamic soft light luminaire includes other useful design features like smooth 16-bit dimming and selectable dimming curve modes for programming ease, as well as a high-speed electronic shutter and strobe. Measuring 33.1 in/840mm (L) x 14.4 in/366mm (H), a 4x2-section control option provides additional creative capabilities for colour effects and visual impact. The KL Panel XL IP comes with a diffuser for even softer projections, as well as adjustable and removable 8-leaf barn doors that enable customisation of the beam shape and reduction of light spill.

Virtually silent, the KL Panel XL IP is fully optimised for broadcast and film environments with 900-25000Hz LED refresh rate adjustment for flicker free operation. Compact and portable, it can be mounted on a stand or suspended using any standard clamp or the included junior pin adapter. A rugged housing with impact-resistant surrounds and base plate ensure that the fixture can handle rough handling on today’s fast-paced sets.

The KL Panel XL IP is fully self-contained without the need for an external power supply and offers power pass through for easy linking of multiple units. The fixture can be powered remotely through its integrated 4-pin XLR 24-36 VDC battery input (battery not included). Professional control options include DMX/RDM, Art-NET and sACN. It can also be controlled manually for stand-alone use using the included encoders and OLED display, providing instant control of intensity, colour temperature, green shift and other settings. The display and encoders are conveniently positioned on the bottom of the fixture to ensure easy access while the fixture is mounted on a stand. The integration of Elation’s E-FLY wireless DMX system allows for even more flexibility of use.

The KL Panel XL IP is energy efficient for such a bright soft light, consuming 681W of max power, and offers other benefits of LED like greater reliability, a long LED life rating and less maintenance for a lower cost of ownership.

www.elationlighting.com

6th February 2023

The New Chauvet Professional Ovation E-2 FC is Compact, Convenient and Colourful

Inspired designs come in all sizes. Now so too do fully featured LED ellipsoidal spotlights that can help turn those visions into reality, thanks to the new Ovation E-2 FC from Chauvet Professional.

With an RGBAL engine that delivers richly textured colours and smooth, even whites (it has a CRI of 93), plus an integrated 25-50 degree zoom lens, the Ovation E-2 FC delivers the kind of performance associated with larger fixtures, but in a compact body that makes it ideally suited for small and mid-sized applications.

Weighing in at under 15lbs. and measuring 461 x 310 x 445mm, the tidy but powerful fixture puts out 1107 lux at five metres when used at its narrowest and 488 lux at five metres when used at its widest beam angle.

The Ovation E-2 FC features advanced optics, which means that in addition to rendering beautiful colours, it projects sharp, crisp gobos that add depth to any design. A convenient dedicated focus mode button allows one-touch focusing without the aid of a board operator. A virtual colour wheel and preset white CCTs added to the conveniences offered by this versatile fixtures, which can be controlled via DMX or RDM.

Other features in this ultra-quiet fixture include selectable PWM, +/- green adjustment and emulated red-shift, a built-in gobo slot, electronic dimming, and USB ports for software updates. Thanks to these and other features, the Ovation E-2 FC is taking broader design options to more places than ever.

3rd February 2023

Funktion-One launches a new generation of Compact Range speakers

Loudspeaker manufacturer Funktion-One has introduced a new generation of Compact Range speakers at ISE 2023 in Barcelona. Enhancements in high frequency driver technology and new porting techniques have led to a collection of outstanding compact loudspeakers that carry Funktion-One’s unmistakable sonic signature. This collection includes the F5.2, F81.2, F101.2 and F1201.2 mid/high speakers, plus the self-powered SB8A and SB10A compact bass speakers.

In addition to the advancements in audio performance, the new Compact Range features both Phoenix and NL4 connectors as standard. All existing installation accessories, except for the F1201.2 wall bracket, are compatible with the new versions.

The redevelopment of the Compact Range began when the world locked down in 2020. Funktion-One founder Tony Andrews recalls: “It was clear there wouldn’t be any big shows for a while, so the logical thing to do was to focus on our smaller products. This gave us an uninterrupted period of R&D, from which emerged a new high frequency driver and flared porting techniques. The Funktion-One sonic signature comes from lively, highly efficient loudspeakers, which has both performance and ecological benefits.”

Funktion-One acoustic design engineer James Hipperson adds: “We’ve kept to the same design philosophy of not trying to force a small speaker to do bass and focusing on the mid-range. To achieve a full range system, we have developed complementary self-powered, compact bass speakers. This gives us our signature Funktion-One mid-range clarity and definition, along with engaging low frequencies.”

Funktion-One’s new generation of Compact Range speakers are available to order now through the loudspeaker manufacturer’s global network of distributors and dealers.

3rd February 2023

Latest KLANG Software packed with feature updates and powerful offline editor

KLANG’s latest software version 5.3 introduces a flexible offline editor and simulator. This enables users to prepare a show remotely without requiring access to KLANG processor hardware. Built into the KLANG:app, the offline editor emulates any existing KLANG processor from the smallest :vier to the flagship :konductor including network communication for DiGiCo SD and Quantum console integration, as well as to connect other KLANG:apps or the personal mixer :kontroller on a local network.

The Offline Editor also offers full compatibility with DiGiCo consoles’ offline editor, making it possible to set up the console remotely without having a console and KLANG processor on hand.

“Imagine you are sitting on a tour bus to the next gig and you need to make quick changes. Now, you just need your laptop to open an existing show file, adapt it for a different KLANG processor, or changes in the band or equipment available. With just the press of a button you can preview the mix settings with KLANG:app’s built-in :kontroller emulator,” says KLANG’s CEO Dr. Roman Scharrer.

KOS 5.3 also offers greatly improved remote management, adding an extra layer of security to the KLANG system. Administrators are now able to fully restrict access to the system with password protection, and help musicians to connect and configure their :apps remotely. In addition, musicians can be locked to their mix to prevent them from changing another mix.

This goes hand in hand with the possibility to hide and protect certain channels for example, a talkback channel, that should be audible in the musician’s mix, but only be controlled by an engineer. Hiding channels also helps to maintain a super clean channel list for all musicians, for example when working with the tactile :kontroller interface.

When managing a monitoring system with many devices and users, it is crucial to find and access devices quickly. A new feature allows users to sort and search through all KLANG devices found on the network and indicates which devices need attention.

With KOS 5.3, the workflow to collect Logs has also been greatly improved. The KLANG:app now collects all Logs of all devices, and even other :apps on the network, to get a detailed overview of the system with just one push of a button.

Released in 2021, :konductor is KLANG’s flagship product with 128 input channels and 16 mixes, with flexible IO via DiGiCo DMI expansion cards. Now it supports the 16 channel analogue line-level output card DMI-DAC to directly connect analogue wireless IEM transmitters, amongst others. As a powerful and lightweight immersive IEM processor, DMI-KLANG can be connected to consoles with a DMI Slot as well as an Orange Box. With the recent update, DMI-KLANG can also be cascaded with other processors to offer a simplified workflow for more immersive mixes.

Scharrer concludes: “The second generation of KLANG processors fits the high standards of modern touring productions. With the next software upgrade KOS 5.3, we deliver many additional tools to improve the workflows even more and be best prepared for all kinds of set-ups.”

The new software version 5.3 is now available for download for all existing KLANG processors, :kontrollers and :apps. To get a detailed overview of the many new features visit www.klang.com/kos-5-3

1st February 2023

Flexible, energy-saving and built to last: Dynacord presents V600:4, the new go-to multi-channel power amplifier for commercial installations

With the V600:4, Dynacord presents the first member of a new amplifier line for small to mid-sized installation scenarios such as education, hospitality, retail, houses of worship and more. The four-channel power amplifier with a total power of 600 watts is recommended as a go-to power amplifier for consultants, specifiers and installers who are looking for a robust, extremely versatile amplifier that is quick to install and runs trouble-free, even under demanding power conditions.

With a compact 1RU form factor requiring minimal rack space, the V600:4 is fully equipped with best-in-class features and innovative new Dynacord technologies. It offers building owners an optimal combination of real professional performance and resource-efficient power consumption, all at a very attractive price point. All the amplifier technologies were developed by Dynacord engineering, one of the most experienced research teams in the audio industry.

The V600:4 offers the user high flexibility for many applications. This is enabled by multiple power drive options utilising Dynacord’s patented VLD (Variable Load Drive) technology. It allows the amplifier channels to be driven in 4 ohms, 8 ohms, 70V or 100V without compromising the available output power.

The newly developed Dynacord powerTANK technology adds even more installation flexibility, working like a power reservoir for the amplifier. With direct access to the total power of 600W, the V600:4 can deliver asymmetric power across all channels (up to 300W per single channel) as needed. There is no waste of energy, which allows great flexibility, especially when driving multiple audio zones with different power requirements. A single V600:4 can simultaneously serve as system drive for the compact loudspeakers in a small zone such as a kitchen area as well as for larger loudspeakers with up to 300W such as in an auditorium. Contributing to the ease of installation, this feature does not require any special configuration skills: powerTANK engages automatically.

More and more companies are required to reduce their carbon footprints and overall building energy costs to meet strict environmental regulations. Dynacord amplifiers have a proven track record when it comes to supporting energy savings without sacrificing any performance. Overall power consumption can be significantly reduced thanks to ecoRAIL. This technology delivers almost a standby level of power consumption, whilst simultaneously delivering high quality background music ensuring performance and power saving. Both protecting the environment and significantly lowering the total cost of ownership, ecoRAIL always maintains high-quality audio and operational safety.

APD (Auto Power Down) contributes to further optimise efficiency, reducing energy consumption by automatically powering down the amplifier when no audio signal is present. As soon as a signal is detected, auto wake-up will immediately enable the amplifier to be fully operational.

Dynacord power amplifiers enjoy an excellent reputation in the market for outstanding audio performance and extreme robustness. Like all Dynacord amplifiers, the V600:4 is built to last, offering high-quality components and professional performance characteristics. Bullet-proof protection circuitry with sophisticated limiters, originating from Dynacord’s high-end amplifier lines, gives the user peace of mind by protecting the amplifier – as well as the connected loudspeakers – from damage.

The V600:4 incorporates Dynacord’s new dualCOOL technology. Designed as a convection-cooled power amplifier, the device operates silently, making the V600:4 also suitable for installations in quiet environments. Thanks to dualCOOL, a built-in multi-stage fan is activated under extreme thermal conditions, preventing the device from limiting while maintaining full operation even at temperatures of up to 45°C. Proven Power Factor Correction (PFC) for the power supply also contributes towards a flawless performance under unstable power conditions with large voltage swings.

The Dynacord V600:4 power amplifier will be available in spring 2023.

1st February 2023

Brompton Technology unveils world's first receiver card capable of delivering 1 million pixels, RGBW and 1,000 fps for next-gen LED panels

Brompton Technology has just announced the release of a revolutionary new receiver card, the Tessera G1, which is set to disrupt the LED industry with its ground-breaking capabilities. The G1 is the first receiver card to support 10Gb fibre connections direct to the panel. It is also capable of supporting a staggering one million pixel capacity for a new generation of ultra-fine pixel pitch panels, or up to 1,000 fps (frames per second). All this is made possible by a monumental 20x increase in computing power compared to the existing top performer, the Tessera R2+ receiver card, making the G1 a game-changer for the industry.

This latest innovation is a major advance in the company's mission to push the boundaries of what is possible with LED video processing technology. With the G1 receiver card, users can expect a whole new level of exceptionally realistic visual performance, making it a must-have for content creators in the future.

Cesar Caceres, Brompton's product lead, emphasises that the company's Tessera R2+ receiver card is still optimally positioned to deliver exceptional performance for a vast majority of LED fixtures. In fact, thousands of projects worldwide will continue to use LED panels integrated with R2+ cards with great success. The G1 is the choice for next-generation panels.

“We are definitely not forsaking the R2+ card and all its impressive capabilities,” Caceres explains. “We are simply recognising the rapid advancements of LED video technology. As a company, we are proactively positioning ourselves to meet and exceed the future demands of our industry.”

Already in talks with panel manufacturers, Brompton is working to integrate the new receiver card as the driving force behind the next-generation of LED screens. Caceres notes that the benefits are not only about the substantial increase in pixels that can be processed thanks to the new card, but that it will also facilitate the integration of additional calibrated channels, which Brompton defines as RGBW: red, green blue and whatever!

“As with all our systems, we offer flexibility by keeping the possibilities open for the extra emitters. One of the most useful colours we anticipate panel manufacturers wanting to incorporate is white,” continues Caceres. “When the colours red, green and blue are used to represent ‘white’, the light spectrum they produce may not always look natural and align with the viewer’s expectations. Adding a white channel provides an improved spectral output for the panels. And the G1 has the necessary power to cope with the complex algorithms necessary to maintain colour-accurate calibration and control with extra emitters. Also, the only way to achieve colour accuracy from panels with the new RGBW emitters is by calibrating them, and our unique Dynamic Calibration system was designed to enable this possibility.”

When it comes to in-camera visual effects, LED panels often contribute to lighting the scene, so having additional light emitters in the LED panel represents a significant leap in colour-rendering accuracy on skin tones and foreground elements blending with virtual environments. “In future, if you want a panel that features an extra emitter, or one that boasts an ultra-fine pixel pitch, the G1 receiver card will be the ideal solution,” Caceres adds.

Another pioneering feature of the G1 receiver card is its capability to support a 10 gigabit connection, thus providing tenfold the bandwidth of the current R2+ card and positioning the G1 as a ‘future-proof’ solution.

“What Brompton has created with the G1 is not only poised to impact the live events and virtual production sectors, but it also has the power to influence other industries,” Caceres concludes. “For example, by adding a white emitter, it will be possible to create realistic lighting with a much more potent source. The ultra-fine pixel pitch panels the card is capable of supporting make it suitable for use in 360-degree simulators, or even research centres. The opportunities and applications are virtually limitless, and we are thrilled to be a part of driving the advancement of LED technology, which will lead to incredibly realistic visual experiences in the future.”

1st February 2023

Hippotizer v4.8 launches with Show Manager, Preset Timeline and Integration enhancements

Green Hippo has unveiled a Hippotizer v4.8 software update for its range of media servers, packing in an exciting range of new and upgraded features designed to power-up real-time media manipulation, playback and mapping.

A major enhancement is Show Manager, facilitating complete control of multiple productions and installations at once. It allows users to easily save and load various shows on one Hippotizer media server, simplifying show management and switching between events. Within this, shows can be duplicated to enable quick modifications without affecting the primary show data, and each show can be easily labelled for one-glance referencing. For productions run by multiple users of one machine, shows can be locked to protect them from any unwanted edits, and the popular HippoLauncher can now be controlled by TCP Commands allowing to start up or switch into the designed show.

Also upgraded is TimelinePlus, where pre-recorded looks can be easily transferred onto the Preset Timeline for quick, easy show programming.

The Hippotizer SHAPE tool introduces Dockable Windows, aiding customisable workspace management and enhancing 3D project visbility.

And the Hippotizer team has upgraded the built-in integration. Notable is the NDI update to version 5.5, which includes game changing features to its media over IP protocol, allowing for more creative freedom connecting any device with any location.

“We’re thrilled to bring the next level of features to Hippotizer, which are all designed to improve workflow and deliver more power to our end users and designers,” says Zep Mouris, product manager. “The Hippotizer team consistently works hard to implement more and more world-class features in each update and 4.8.0 is something we’re very proud of. We know Hippotizer users are powering some of the most exciting projects on the planet right now, and we hope 4.8.0 can feed into them all. We can’t wait for you to try the new features out!”

Hippotizer 4.8.0 is available for download now from the Green Hippo website, at https://support.green-hippo.com where a full list of the new and upgraded features can be found.

www.green-hippo.com

1st February 2023

A New Era For Yamaha Audio Systems With Redeveloped ProVisionaire Software Suite And Powerful DME7 Digital Signal Processor

Yamaha has launched its redeveloped ProVisionaire suite of system design, control and management software, which allows fully customisable configuration and operation of complex audio systems, alongside the new, exceptionally powerful DME7 Digital Signal Processor.

Already renowned for its flexibility, the ProVisionaire platform has been redeveloped with three core applications which support the user's entire workflow: ProVisionaire Design for system design, ProVisionaire Control for system operation and ProVisionaire Cloud for system management. DME7 is an open architecture-type digital signal processor, which offers state-of-the-art performance and connectivity, 96 kHz sound quality and support for up to 256 input/output channels.

Equally suitable for both the entertainment and ProAV markets, Yamaha's fully-customisable ProVisionaire software lets users create complex, fully-scaleable audio systems, from the smallest to the largest, using just one software suite. What’s more, it delivers the ability for them to be operated very easily by anyone, from the most knowledgeable audio engineer to the most inexperienced user using a tablet, laptop or desktop computer.

This remarkable flexibility has been radically improved by ProVisionaire’s reincarnation as an integrated suite of software products for the design, operation and management of entire Yamaha and NEXO audio systems, comprising mixers, I/O, amplifiers, processors and more, meaning the ProVisionaire platform supports the customer’s entire workflow. Furthermore, setup and control of a range of third party products is supported.

For the entertainment sector, its high customisability makes it ideal for applications like theatre and live music. It delivers flexible design and operation for audio productions, including customised control with freely assignable parameters to control mixes, DSP and much more. An offline simulation for logic control and probe component also provides verification of system setup and operation, reducing on site setup and checking time.

For ProAV applications, system design can be precisely tailored for permanent installations, for example in corporate, educational, hospitality and retail facilities, sports and theatre infrastructure, plus much more. Bespoke control panels can be easily created to satisfy customer needs, while flexible components like acoustic echo cancelling (AEC) and Dan Dugan auto-mixing are included, meaning entire systems can be controlled by staff with no audio experience. Again, the offline simulation function lets users check system operation offline and probe component at any point in the DSP chain to shorten the time needed for on-site installation.

ProVisionaire Design is a Windows-based system design application and supports a wide range of Yamaha products including the DME7, MTX5-D and MTX3 processors, PC-D series and XMV series amplifiers, DZR series loudspeakers, R-series, Tio and EXio I/O units, as well as unified communications products like the RM-CG and RM-TT microphones. It supports logic control, allowing control sequences to be assembled.

The parameters of systems created in ProVisionaire Design are assigned to the ProVisionaire Control application, which provides unified remote control and monitoring through custom-designed panels. Design time for these can be reduced by using stylish user interface templates, available for download from the Yamaha web site.

A broad range of devices is supported by the control application, including DME7, MTX and MRX processors, CL, QL and TF digital mixers, R-series I/O units, XMV, PC-D and NEXO power amplifiers. It also supports unified communications products like the RM-CR, RM-CG, and RM-TT microphones, MusicCast devices and Disklavier player pianos. This enormous range of product and application support makes ProVisionaire Control truly unique. Panels created with ProVisionaire Control can be output to the ProVisionaire Control Kiosk (Windows) and ProVisionaire Touch Kiosk (iPad) applications for dedicated operation. This prevents users from making unintentional changes to control panels.

System management is provided by Yamaha's new cloud service, ProVisionaire Cloud. Initially, this will manage additional functionality licenses for Yamaha audio equipment, such as the DME7, with activation and deactivation of licenses allowing for efficient management of assets. Further services using the ProVisionaire Cloud infrastructure are in development.

Yamaha’s new hardware DME7 digital signal processor is fully-compatible with the ProVisionaire platform and features 96 kHz audio quality plus up to 256 channels of input/output.

The DME7 provides 64 channels of Dante I/O and matrix mixer as standard, with further channels added via three additional 64-channel licences, activated through ProVisionaire Cloud. These offer the ability for 128x128, 192x192 or 256x256 channels of Dante I/O and matrix mixer to be handled by a single DME7. Additional licences can be activated on a permanent or temporary basis.

A wide range of DSP components is included as standard. These can be freely selected, connected and configured for extremely flexible system construction. These, along with 96kHz audio quality, support for GPI input/output, Logic control, OSC and other protocols, as well as ProVisionaire Design/Control and optional controllers, the DME7 is suitable for the widest range of installed and temporary audio systems, from entertainment applications and sports facilities to retail complexes, office buildings and education.

“For many years, Yamaha has been an industry leader in the development of audio processors, mixers and a variety of other hardware products which harness its expertise in sound and music. More recently, our software products have made setup and control of compatible products much easier, allowing complex systems to be operated very simply,” says Thomas Hemery, general manager of marketing and sales, pro audio division.

“With the redeveloped ProVisionaire software family and advanced DME7 Digital Signal Processor, we are taking audio system design and control to a new level. Now we can offer setup and control solutions for much bigger, more versatile projects, where things like voice lift for audio conferencing, multi-zoned BGM, live entertainment and other non-permanent event systems can all be part of the same network, with every element working to its maximum flexibility, but all with simple, straightforward control.”

The revamped ProVisionaire software suite and DME7 Digital Signal Processor will be available from Spring 2023.

27th January 2023

Yamaha Launches AG08 Second Generation Live Streaming Mixer

The AG08 is a new all-in-one, multi-purpose live streaming mixer and audio interface from Yamaha. As the flagship model of the company’s second generation AG series, it combines all the essential functionality of the AG range with practical new, intuitive functions for a powerful streaming solution.

By integrating more flexible I/O and USB routing options, additional DSP effects, expanded functionality and improved internal circuitry, the AG08 supports an impressive depth of streaming applications including speech, instrument, playback, gaming and ASMR, as well as offline audio content creation, all with class-leading sound quality. But while it’s packed with useful features, the AG08 is very flexible and simple to use.

Eight input channels are provided, all with assignable faders and mute switches for instant, hands-on control of sound levels. A range of high-quality effects is processed by the AG08’s onboard DSP, ensuring zero latency and no load on the user’s Windows or Macintosh computer. They include a new voice changer effect on channel 1, with an amp simulator on channel 2 for enhanced guitar or bass sound. All of the unit’s input channels feature compression, EQ, reverb and delay, which can be set independently, allowing the optimal setting for each input to be dialled in.

A ducker function can automatically attenuate channels 3/4, 5/6 and 7/8 to make sure the sound from channels 1 and 2 is always clearly heard. A maximiser is also provided on the output stage, which can add a level boost to the mix for extra polish and professionalism, as well as attenuating peaking signals to ensure listeners enjoy the best audio experience.

Four effect preset buttons allow users to save effects settings and seamlessly switch between customised presets for channel 1, providing versatile, real-time control on the fly, while the dedicated AG08 Controller app for Windows, Macintosh and iPad OS provides precise parameter control and detailed audio management functions.

The AG08 also includes six customisable sound pads that allow users to easily add pre-recorded sound effects and other audio playback in real time. Using the AG08 Controller app, sound files can be dragged, dropped and assigned to the pad of choice, or samples can be recorded via the AG08’s inputs and trimmed to length within the app.

Channels 1-2 have mono inputs, each with an XLR/TRS combo input for microphone, instrument or other sound source, plus a gain control, switchable +48v phantom power and pad switch. Channel 2 also has a Hi-Z switch for guitar. The rest of the inputs are arranged as stereo pairs: channels 3/4 feature a pair of 1/4 inch TRS line level inputs, channels 5/6 two RCA and 1/8 inch TRS (for gaming services) and channels 7/8 a four pole TRRS socket (for Android devices).

A USB 2.0 socket is provided and the audio sources for channels 3/4, 5/6 and 7/8 can be selected from either the line inputs or USB. An additional switch on these channels allows sound to be included or excluded from the stereo, 1/4 inch TRS streaming outputs. The stereo streaming mix can also be output via USB to a Windows or Macintosh computer.

Stereo pairs of XLR and 1/4 inch TRS monitor outputs are provided, as well as two independent headphone / headset outputs.

The unit can be powered via USB for mobile applications and is supplied with a dedicated AC power adapter, while an optional FC-5 footswitch can be used for input mute, tap tempo, voice effect in/out and as an output dimmer. It also comes bundled with Steinberg’s Cubase AI and WaveLab Cast software for music/audio production and editing.

Available in black or white finish, the AG08 is an exceptional streaming solution for everything from commentaries, reaction videos, simple performances and quizzes, with guests in the same space and remote chat, through to complex events like a full variety show. Live streaming and simultaneous recording for post-editing are easily achieved, all in great quality sound.

26th January 2023

HH Electronics Launch TNi-WPRO Installation Loudspeakers

UK-based HH Electronics has announced the launch of TNi WPRO installation loudspeakers. There are two versions available: the 12-inch TNi-W12PRO and 8-inch TNi-W8PRO. Suitable for a wide range of small to medium sized applications, both models are available in black or white, and have rotatable waveguides for vertical or horizontal dispersion with 90° x 60° coverage, to enable precise control of sound field.

The TNi-W12PRO features a 12-inch high power HH low frequency driver with 2.5-inch voice coil, and a 1.4-inch Celestion CDX1-1445 high frequency driver, while its smaller counterpart features an 8-inch high power HH low frequency driver with 2-inch voice coil, and a 1-inch Celestion CDX1-1070 high frequency driver.

TNi-WPRO are all-wood enclosures with a hard-wearing finish that offer versatile input connection options via either M4 barrier strip or Euroblock. Mounting options include seven M10 Penn-Elcom fly points, and 4 M8 mounting points for optional TNI-BRK30 mounting bracket.

Bars, clubs, houses of worship, ballrooms, conference halls, education settings and live music reinforcement can all benefit from these robust, powerful, flexible and competitively-priced UK designs.

23rd January 2023

Move the Air, Move your Audience with the Compact Yamaha STAGEPAS 200

Yamaha Corporation has announced its latest portable, professional PA, the compact and feature-packed STAGEPAS 200. Offering exceptionally high sound quality from a cube-shaped enclosure, measuring just 30cm on each side, and, for the first time, a battery-powered option, the premium STAGEPAS 200 means you can take a performance literally anywhere.

A 1.4” HF + 8” LF high quality coaxial compression driver is powered by a 180W Class D amplifier, delivering exceptional sound pressure, phase response, natural high frequency dispersion and detailed sound. An onboard, five-channel (three mono mic/line and one stereo line) digital mixing section offers unprecedented flexibility for a compact ‘one box’ PA system

With 1-knob EQ/preset and 1-knob effect controls, plus a ‘Mode’ compressor on the main outputs, users can easily and intuitively create the required sound. Input channels 1-3 feature a built-in microphone simulator, allowing optimal sound for acoustic guitars to be set with a single control, while a priority ducker reduces the volume of other sources when a microphone or specific source is in use and a smart feedback suppressor automatically eliminates unwanted feedback. STAGEPAS 200 also supports Bluetooth audio streaming.

As well as straightforward onboard controls, Yamaha’s iOS/Android STAGEPAS Controller app provides real-time, precise remote operation of volume, EQ and effects. Settings can be saved and recalled, greatly reducing set-up time and ensuring consistent sound.

The base of the cabinet houses a 35mm pole mount socket, while the system’s flexibility is enhanced by a rubber stand which can tilt the unit at a 30º or 60º angle, for use either as an audience fill speaker or as a floor monitor for performers.

Alongside the standard STAGEPAS 200, Yamaha is offering STAGEPAS 200 BTR, which features a high capacity, rechargeable lithium-ion battery pack. Delivering up to ten hours of continuous operation between charges, the battery lets the system provide reliable performance in remote locations where no other power source is available. The BTR-STP200 battery is also available separately.

Another option is the dedicated CASE-STP200 carrying case with wheels and a large storage pocket, allowing STAGEPAS 200 to be easily and safely transported to any location.

“STAGEPAS 200 takes our range of portable, professional-quality PA systems to a new level of sound quality and versatility from a remarkably small package,” says Thomas Hemery, general manager at Yamaha Pro Audio marketing and sales.

“It is the ideal sound reinforcement system for a huge array of uses, from busking and impromptu outdoor performances to presentations and parties. We are sure that it will be a great solution for anyone in need of a truly portable PA system. Wherever you are, STAGEPAS 200 will move the air and move your audience.”

20th January 2023