Event News

Showlight Speakers Class of 2025 – Video Releases Pt4

As Showlight continues to spread its magic, more of its speaker presentations are released this month with offerings from architectural lighting designer, Marco Miglioli and opera, dance and theatre lighting designer, Christina Thanasoula, who each show how lighting and live camera feeds can be instrumental in directing the attention of an audience in different ways.

Marco Miglioli: Things change according to how they are illuminated.

Founder of Marco Miglioli ArchiLight Studio, Miglioli is an architect and lighting designer with over 15 years of experience and several international awards to his name. Initially trained in theatre, Miglioli places the relationship between light and built space at the centre of his interest, and constantly blends his passion for theatre, art and architecture.

Using images of three of his recent projects, including the spectacular relight of Milan Cathedral, he showed how lighting in architecture transcends the mere function of illuminating spaces, changing and guiding visitors through their journey and creating different scenes that evoke emotions and memory in a similar way to theatre.

Miglioli is currently involved in a number of exhibitions and unique projects that combine theatre and architecture, as well as continuing his work on phosphorescent lighting.

Christina Thanasoula: Stage lighting design and live feed cameras on the 21st century theatre stage.

Alumnus of the Royal Central School of Speech and Drama and currently working on her PhD thesis at UOA, Thanasoula has designed lighting for over 250 opera, theatre and dance performances. Her Showlight 2025 presentation focused on the 21st century’s new ‘zooming mechanism’, the camera, and examined how the dramaturgy of light is affected by live feed cameras as it draws the viewer’s focus to particular areas or actions on stage.

Thanasoula is currently lighting a number of international productions, including Lysistrata at the open air theatre of Ancient Messini, Greece, City Lights, based on the original Charlie Chaplin movie, in Uppsala Theatre, Sweden, Sophie Swithinbank's multi-award winning play Bacon in Athens’ Theatre Anesis and Gloria, which opens at Theatre Xorn in Athens in October 2026. Christina is also a member of the mentoring team of the Greek National Opera workshop on Musical Theatre, which will run from September 2026 to July 2027.

More Speaker presentation videos from 2025 and previous editions can be viewed on the Showlight website, along with a taste of Showlight’s Student Programme: https://www.showlight.org/videos

Ever wondered what Showlight is about? Well, here’s what some of the industry’s leading publications say about Showlight 2025 – just pop over to https://www.showlight.org/press to read their reviews and reports.

image: © Jean Nguyen

6th July 2026

ISE 2026 Hackathon Empowers the Next Generation of AV Talent

Spain – The Integrated Systems Europe (ISE) Hackathon returned in 2026 for its second edition, building on the success of its inaugural year and further establishing itself as a key initiative connecting students, startups and industry leaders. 

Working against the clock in an intense, high-energy environment, participants collaborated in teams to address industry-relevant challenges across three tracks: Sustainability, Innovation and Cybersecurity. In under 48 hours the students developed forward-thinking solutions with the guidance of expert mentors and direct access to the technologies and insights across the ISE show floor. 

The unique setting of ISE once again proved central to the experience. By engaging directly with exhibitors and industry professionals, teams were able to validate ideas in real time and translate concepts into practical, scalable solutions.
Across all three tracks, participants highlighted how direct exposure to the ISE ecosystem expanded their thinking beyond the classroom.

One Cybersecurity Track winner described the experience as “designing for the industry standing right in front of you,” with immediate feedback enabling teams to refine ideas and ensure practical relevance from the outset.
Sustainability Track winners credited direct interaction with exhibitors was key to shaping their solution, providing valuable insights into emerging technologies and practical applications, helping them develop a solution grounded in real-world feasibility.

Similarly, Innovation Track winners pointed to the show floor as a key source of inspiration, encouraging them to rethink conventional processes and develop more engaging user experiences.

Following the intensive development phase, teams presented their final solutions at the Innovation Park Pitching Stage, with winners announced on the final day of the show. 

“Designed for the brave and forward-thinking, the ISE Hackathon is where young talent tests its limits and turns skills into real AV solutions,” said Pablo Vega, co‑coordinator of the ISE Hackathon.

Projects addressed key industry challenges, including sustainable and inclusive AV solutions, AI-driven innovation and securing increasingly connected systems.

Presenting to industry professionals proved both challenging and rewarding. What began as a nerve-wracking experience quickly translated into valuable direct engagement with experts, building confidence, validation and insights into real-world industry expectations.

“The success of the ISE Hackathon in its second year reflects the growing demand for initiatives that connect emerging talent with real industry challenges,” said Mike Blackman, managing director of Integrated Systems Events. “By providing a platform for collaboration, creativity, and hands-on learning, we are helping to develop the future skills of the AV industry.”

• Sustainability Track (sponsored by Philips Professional Displays): Daniil Larkovskiy, Volodymyr Baranov, Alisa Turan, Mishti Ramnani (EU Business School) 
• Innovation Track (sponsored by Sociedad Española para la Transformación Tecnológica – SETT): Librada Morales Parrilla, Mariona Sillaurren Piera, Serena Wilson, Xavier Súñer Rubió (CETT_UB Tourism & Hospitality, Universitat de Barcelona) 
• Cybersecurity Track (sponsored by Hikvision): Veronika Borysiuk, Anora Azimova, Josep Aguilera, Marc Joaquin Serra (EU Business School & Esade)

Commenting on the role of industry engagement, Xavi Marlasca, co-coordinator of the ISE Hackathon said: “For partners and sponsors, the Hackathon provides direct insight into the next generation of professionals, their priorities and their approach to real-world challenges. It also creates connections between students, startups and the AV industry, reinforcing ISE’s role in supporting talent development across the sector.”

Beyond the competition, the Hackathon continues to influence career paths and perspectives. Participants reported gaining a deeper understanding of the breadth of opportunities within the AV industry, particularly in areas such as AI, sustainability and cybersecurity.

For some, the experience has already shaped academic and career ambitions, inspiring further study or sparking interest in AV careers. Others highlighted how the Hackathon demonstrated the importance of combining technical expertise with creativity, empathy and user-focused design to drive meaningful innovation.

With its second edition delivering strong results, the ISE Hackathon has firmly established itself as a key initiative in addressing the AV industry’s skills gap and fostering future talent.

Aligned with the wider mission of the ISE Foundation’s commitment to allow long-term industry growth through talent development, the Hackathon creates practical, industry-connected opportunities that bring together education and innovation. It transforms ambition into action, giving students hands-on experiences, confidence and access to leading industry players. 

Returning in 2027, the ISE Hackathon will continue to serve as a launchpad of innovation, equipping the next generation of AV professionals with the skills to collaborate and tackle tomorrow’s challenges head-on.

2nd July 2026

Tube strike couldn’t keep them away: ABTT Theatre Show 2026 posts record attendance as UK technical theatre shows up in greater numbers than ever

UK – The ABTT Theatre Show, the UK’s only exhibition dedicated exclusively to technical theatre and live performance, closed its 2026 edition at Alexandra Palace with its strongest attendance on record, growing despite a London Underground strike that fell across the second day.

Total footfall rose 6.4% year-on-year, from 3,270 to 3,479, with unique attendees up 4.5% to 2,810. Growth was strongest on the strike day itself: Day 2 attendance climbed 11.6%, outpacing Day 1’s 2.5% rise, a sign of just how determined the industry was to be in the room, transport chaos notwithstanding.

“It was exactly as I had anticipated. I met my needs of networking, learning about new kit and products; I got to meet a chap from a supplier I had been speaking with on the phone for years and reconnected with someone I went to drama school with years ago! It was brilliant,” stated a visitor.

Across two days, manufacturers and suppliers shared the floor with venue technicians, freelancers, apprentices, students and heads of department: the full breadth of the industry, queuing for the same coffee and comparing notes between sessions.

Liz Sillett, CEO, ABTT said: “What struck me most this year was the room itself. We had manufacturers standing next to freelancers, apprentices next to heads of department, all in the same building, all genuinely there to learn from each other. There isn’t another event in the UK that brings the whole of technical theatre together like this and this year, people made a real effort to get there.”

Visitor satisfaction reached a new high alongside the attendance growth. Independent post-show research of 150 visitors found 95% rated the show 4 or 5 stars – up from 90% in 2025 – with the proportion giving the full five stars rising to 51%. Ninety-six percent left having achieved what they came for, and 93% are already planning to return in 2027.

Eight concurrent strands ran across both days: the ABTT Seminar Programme, a dedicated Workshops Track, the new Coffee Chats Stage (sponsored by Charcoal Blue, built by Triple E), the Careers and Professional Development Hub, Demo rooms, the exhibition floor, Education Alley and the Associations Area.

Seminar topics ranged from Electrical Safety, Know Your Knots and Safe Use of Steeldeck through to Technical Standards for Places of Entertainment: Updates for 2026, delivered in partnership with The Fire Surgery and Arup. Eighty-eight percent of seminar attendees rated the content excellent or good, with presenter delivery rated just as highly across both the seminar and workshop programmes.

New for 2026, the Coffee Chats Stage brought unscripted, on-the-record conversations with industry leaders to the show floor, a format that drew some of the largest and most engaged crowds of the two days.

The show also saw the first in-person event for the newly relaunched ABTT Apprentice Network, held on Day 2. Apprentices, employers and training providers came together for a session focused on building the connections and support structures the next generation of the industry will need.

The Careers and Professional Development Hub paired attendees at every career stage with working professionals for one-to-one conversations about pathways into the industry, while Education Alley brought higher education and training providers together in one space, and the Associations Area placed the sector's unions, professional bodies and charities at the centre of the show floor.

“As an early-career designer, I’m making efforts to attend more events and get comfortable with networking. ABTT had a very welcoming atmosphere and I’m looking forward to joining again next year,” stated a visitor.

Day 1 closed with the ABTT Annual Awards and Social on the Terrace, sponsored by TAIT,  a brilliant night celebrating 12 winners across products and people, including the launch of two new categories this year: the ABTT Sustainable Product of the Year and the ABTT Apprentice of the Year. The Terrace stayed full long after the awards themselves wrapped up.

The numbers:

• Total footfall up 6.4% year-on-year
• Day 2 attendance – held during a Tube strike – up 11.6% on 2025
• 95% of visitors rated the show 4 or 5 stars, up from 90% in 2025
• 96% left having achieved what they came for
• Almost nine in ten would recommend the show to a colleague
• 93% are already planning to return in 2027
• 2027: Alexandra Palace, 9-10 June

The ABTT Theatre Show returns to Alexandra Palace on 9-10 June 2027. Registration will open in due course. Organisations wishing to exhibit should contact office@abtt.org.uk.

30th June 2026

ISCVE Announces Dates for ISCVEx 2027

UK – The Institute of Sound, Communications and Visual Engineers (ISCVE) has announced that ISCVEx 2027 will take place on 16-17 March 2027 at Coombe Abbey Hotel, Warwickshire.

As ISCVE’s flagship annual event, ISCVEx brings together professionals from across the sound, communications and audiovisual sectors for two days of professional development, technical learning, networking and industry engagement.

As a respected professional body and learned society, ISCVE is committed to advancing professional standards, supporting competence and encouraging the sharing of knowledge throughout the industry. ISCVEx plays an important role in delivering these objectives by providing access to technical expertise, emerging technologies, industry best practice and valuable peer-to-peer learning opportunities.

The event offers significant benefits for both individuals and employers. Attendees gain access to technical presentations, industry insight, continuing professional development (CPD) opportunities and networking with leading industry professionals. Employers benefit through investment in staff development, increased technical knowledge, greater awareness of emerging technologies and strengthened professional networks.

The two-day programme will include:

• ISCVE Annual General Meeting (AGM)
• Industry Forum
• Networking Dinner and ISCVE Awards
• Exhibition featuring leading manufacturers, distributors and industry organisations
• Technical seminars and presentations delivered by recognised industry experts
• Opportunities to discuss current standards, legislation, technologies and best practice

ISCVEx continues to attract professionals working across professional audio, audiovisual systems, voice alarm, assistive listening, acoustics, communications systems and related disciplines. The event provides a unique opportunity to connect with manufacturers, consultants, system designers, integrators, engineers and end users in a focused and collaborative environment.

For exhibitors, ISCVEx offers direct access to a highly relevant audience of industry professionals, creating opportunities to showcase products, services and innovations while developing meaningful business relationships and industry connections.

Mark Bailey MInstSCVE, ISCVEx and marketing chairman, comments: “ISCVEx continues to be an important event for professionals working across the sound, communications and audiovisual sectors. It provides a valuable combination of technical learning, professional development and industry networking, bringing together people from across the sector to share knowledge, discuss challenges and explore new technologies.”

“We are looking forward to welcoming exhibitors, speakers and delegates to Coombe Abbey in March 2027 for what promises to be another excellent event.”

Further information regarding exhibiting, sponsorship opportunities and visitor registration will be announced over the coming months via the ISCVE website.

For further information, visit https://iscve.org.uk/iscvex/

30th June 2026

Backup brings extra fun to Village Fete

UK – There are only a few weeks to go until Backup’s annual Village Fete arrives at its new home of Whilton Mill Karting Circuit in Daventry. Sponsored by 5 Star Cases, Autograph, Catalyst Finance, DBpixelhouse, d&b audiotechnik, IPS, PLASA, Nexo, The Technical Department and Unusual Rigging, it is set to be another adrenalin fuelled, fun filled industry day out.

“The amazing support Backup has from friends and colleagues makes a huge difference,” says Backup chair Lee Dennison. “The Village Fete is a big part of that, and we’re delighted to see so many companies and individuals already committed to coming to this year’s event. The karting teams are all sold, but there’s still time to grab a Game Keepers Pitch, or a Day Pass to come and watch the action unfold.”

If you already have your entry sorted out, why not add a Sporting Pass Challenge and test your inner gamekeeper with axe throwing, clay pigeon shooting and now archery, too, perfect for those with a sharp eye, a steady hand and perhaps just a hint of landed gentry in the bloodline; tweed is optional but encouraged! All tickets include lunch and soft drinks and d&b is in charge of cooling refreshment with its audio-themed ice-o-bar ice van.

Adding a little extra frisson to their Flight Case Challenge, 5 Star Cases’s R&D team has been busy making modifications to this year’s cases. A new game has also been devised for the company’s fete stall, which will be reveal on the day and they have upped the ante on their entry for the Bake Off, so the challenge is on for all Bake Off entrants.

For those planning to arrive the evening before, there are still a few places left for the evening dinner, which is supported by PLASA. Hosted at a local hostelry, drinks and food are included in the ticket price and all proceeds go to Backup. 

“It’s going to be another great day out with our amazing industry family,” concludes Lee. “We’re looking forward to seeing your driving skills, sporting prowess, baking and veg growing talents, and lots more fun to be had, so if you haven’t already done it, get your tickets now.”

24th June 2026

Neumann studio ecosystem takes centre stage at GearExpo 2026 with Sennheiser Group

UK – The Sennheiser Group will participate in GearExpo 2026, taking place on 27 June at the University of Westminster’s Harrow Campus in London, with a showcase centred on Neumann’s comprehensive portfolio of studio solutions. Designed as a complete end-to-end studio workflow, the demonstration will allow visitors to experience every stage of the production chain, from recording and audio conversion through to monitoring, mixing and immersive audio production.

GearExpo brings together many of the world’s leading professional audio manufacturers, offering visitors the opportunity to explore a wide range of studio equipment including microphones, audio interfaces, studio monitors, synthesisers, mixing consoles, outboard processors and software solutions. Previously known as GearFest and hosted at Tileyard Studios, the event has evolved into GearExpo and moved to a significantly larger venue to accommodate its continued growth and an expected attendance of approximately 2,000 visitors.

At the heart of the Sennheiser Group showcase will be a dedicated Neumann studio (MR3) demonstration featuring a comparative 2.1 monitoring set-up built around the KH 80 DSP, KH 120 II and KH 150 studio monitors, supported by the KH 750 DSP subwoofer. Visitors will be able to switch instantly between the different monitor systems, experiencing Neumann’s consistent reference sound signature across the range, scaling in bass extension and maximum SPL while maintaining tonal accuracy in a controlled studio environment.

The demonstration will also feature Neumann’s reference microphones and studio headphones, covering the full signal chain from capture to monitoring.

Merging Technologies’ audio interfaces and Pyramix DAW are tightly integrated with Neumann systems, creating a unified production workflow across recording, processing and playback.

Neumann’s RIME immersive monitoring technology and MA 1 Automatic Monitor Alignment system complete the set-up, ensuring accurate monitoring and consistent translation. Together, these solutions will demonstrate how Neumann’s ecosystem enables accurate and high-quality production workflows across a wide range of studio sizes, applications and budgets.

Selected Sennheiser studio products will also be on display, including the latest HD 480 PRO, HD 490 PRO and HD 280 PRO headphones, as well as the MD 421 Kompakt and MD 441 microphones.

“Our goal is to provide audio professionals with a truly integrated studio ecosystem from the microphone to the final monitoring stage,” says Stephan Mauer, head of product at Neumann. “At GearExpo, visitors can experience how seamlessly our solutions work together and how they scale across different studio environments and production needs.”

“The modern studio is no longer defined by individual products, but by how effectively the entire workflow comes together, maintaining uncompromising sound quality throughout the entire signal chain,” concludes Neumann’s CEO Yasmine Riechers.

19th June 2026

The Profile Awards

UK – The Profile Awards have been created and are co-ordinated by Durham and Jennie Marenghi in association with the ALPD, the STLD and the ABTT; the Awards recognise lighting design excellence in theatre and television in the UK and the inaugural event took place at the Alexandra Palace Theatre on the 6th of June 2024 the final day of the ABTT Show. The second event took place on the 5th of June 2025 and The Profile Awards returned to the Alexandra Palace Theatre on the 4th of June 2026 again to align with the ABTT show each year.

Alongside ten specific Theatre awards and eight TV awards there is the Richard Pilbrow Lifetime Recognition Award sponsored by Theatre Projects and the Brian Croft Behind the Scenes Award sponsored by PRG; there is also a Student Virtual Lighting Design competition sponsored this year by new sponsor CAST Group of Companies.

The Theatre Awards are judged by eight UK theatre critics and are not open to nominations whereas the Television Awards are judged by broadcast professionals and can be nominated by anyone and the deadline for the TV Awards nominations for next year is now the 31st of March 2027. The Awards trophies are Patt 23M fixtures on stands, a miniature LED version of the iconic Rank Strand Patt 23 profile fixture modelled and produced in limited numbers by Hugh Chinnick.

In 2025 the TV Awards increased to eight categories and the Brian Croft Behind the Scenes Award was added. In 2026 the Headline Sponsor is once again Ayrton with the TV Awards being sponsored by AC Entertainment Technologies, Avolites, ChamSys, ELP Broadcast Lighting, Lights Control Rigging, Light Initiative, Limelite Lighting and TSL. The Theatre Awards have now increased to ten and are sponsored by AED UK, Chauvet Professional, Elation, Encore, ETC, Fix8 Group, GLP, MA Lighting, SLX and Vari-Lite and our pre-show drinks reception was once again sponsored by Ambersphere Solutions.

The Student Virtual Lighting Design Award entries are judged by the professional Profile Awards TV and Theatre nominees and the 2026 Virtual competition student nominees received an invitation to The Profile Awards event with the winner being announced live at the Awards.

The Profile Awards ceremony is an informal cabaret style seating affair, so no named seating at tables, which allows everyone maximum mingling! Out of the 240 people attending in 2026 half of the guests were lighting designers or lighting designer team members.

15th June 2026

Innovation Park at ISE Becomes the Launchpad for Emerging AV Businesses

Spain – For startups looking to scale, access to the right buyers, investors and partners can define what happens next. Innovation Park at Integrated Systems Europe (ISE) connects emerging AV businesses with the global industry leaders, systems integrators and investors who can accelerate strategic expansion. 

Following strong momentum at ISE 2026, Innovation Park returns to the international stage at ISE 2027, giving startups direct exposure to the global AV industry and the opportunity to showcase technologies shaping its future.

Building on more than 20 years of innovation at ISE, Innovation Park gives emerging companies direct access to investors, buyers and industry leaders. At ISE 2026, some of the AV industry’s fastest-growing startups used Innovation Park to secure international visibility, investor conversations and new distribution opportunities. With 130 exhibitors, the programme reinforced its position as a key destination for discovery, networking and business development, where many first conversations developed into international growth opportunities.

“Returning to Innovation Park for a second year was an easy decision for us because the experience and connections we made previously were extremely valuable,” said Fabien Rolland, co-founder and managing director of Losonnante, a French startup developing immersive bone conduction sound technology. “This year, our focus was on connecting with investors and international integrators to expand into new markets through distributor channels.”

“This is our first time at ISE, and from day one we realised it was the right platform for a startup like ours,” said Alberto Paccagnella, co-founder of amperry, the Italian startup behind a shared power-bank rental solution capable of charging both mobile devices and laptops. “We connected with people from all over the world, received strong interest in our product, and saw clear opportunities to scale the business internationally beyond Italy.”

“Returning to ISE one year after launching Turtle AV here has been an incredible experience,” said Chris White, EU territory manager at Turtle AV, an Australian manufacturer of Dante audio products. “The business has grown rapidly, with nearly 40 distributors worldwide, major industry recognition and strong momentum across Europe. ISE 2026 generated exceptional interest for us, creating hundreds of new contacts and opening significant opportunities for further international growth.”

The Plug and Play Pitching Stage was a major driver of engagement, hosting 84 pitch sessions and giving startups a direct forum to present to investors, partners and industry stakeholders. This momentum continued across the broader programme, with tours, networking events and the speed-dating evening event helping participants build new relationships and open conversations around future collaboration. 

The Matchmaking Area, powered by Ambivation, further strengthened the programme, facilitating more than 160 potential one-to-one connections between investors, startups, innovation managers, corporate representatives and other stakeholders. Seven partner-led sessions featuring BCN Health Hub, Youz Talent, Barcelona Activa, EIT Culture & Creativity, CETT and SETT added further depth, before the week concluded with the ISE Hackathon.

“Innovation Park helps shape the future of the AV industry by giving startups direct access to investors, partners and industry experts,” said Mike Blackman, managing director of Integrated Systems Events. “Through its alignment with the ISE Foundation’s commitment to innovation, the programme also helps entrepreneurial talent bring new ideas to market and connect with the wider AV industry. By connecting emerging companies with the right people and organisations, Innovation Park creates real commercial opportunities and supports the next generation of industry growth.”

Following strong demand and high engagement at ISE 2026, startups are already securing their place at Innovation Park 2027. With increasing investor and buyer engagement, Innovation Park is expected to attract a new wave of AV startups looking to scale internationally. Applications are now open to secure a place at the meeting point for the next generation of AV businesses.

ISE will return to Fira de Barcelona, Gran Via 2-5 February 2027.

Find the Innovation Park 2027 application form at: https://www.iseurope.org/innovation-park

11th June 2026

2026 PLASA Awards for Innovation open for entries

UK – Entries are now open for the 2026 PLASA Awards for Innovation. These product-focused awards shine a spotlight on the people and companies that are driving the industry forward. The accolade is widely respected as one of the most reputable award programmes in the entertainment technology sector.

Run in association with LSi, the awards are independently judged by a team of trusted industry experts. Entrants will have the opportunity to present their products to the judges on site at PLASA Show 2026, with the winners announced at the show on the evening of Monday 7 September.

All shortlisted products will be showcased on the Innovation Gallery, at the heart of the PLASA Show, from 6 to 8 September and online in the show’s Virtual Innovation Gallery.

The Awards for Innovation are open to everyone, whether you’re a PLASA member, exhibiting at PLASA Show, or simply have something truly innovative to share.

If you submit your entry by Friday 31 July, you could save up to £220 with the Early Bird rate. Plus, your entry will benefit from inclusion in LSi’s PLASA Show Preview in the bumper September issue. Winners will also receive coverage in the October issue.

“Winning a PLASA Award for Innovation was a proud moment for our team, giving real recognition to the creativity behind our product and raising its profile across this unique industry,” comments Lois Williams of Luminous Showtech, who took home an award in 2025 for the innovative Hydra-Storm Rain Machine. “Launching the Hydra-Storm Rain Machine at PLASA Show 2025 and being able to call it ‘award-winning’ from the start was the perfect introduction.”

He continues: “We’d highly recommend entering the PLASA Awards for Innovation. It’s one of the few platforms that truly celebrates innovation in our industry and gives new ideas the spotlight they deserve. Beyond the recognition, it’s a unique chance to showcase your product in the Innovation Gallery, letting visitors see the product for themselves and sparking conversations.”

Up to eight products will be selected for a coveted Award for Innovation and one stand-out could be honoured with the Gold Award. There’s also a dedicated Sustainability Award available for products that demonstrate meaningful environmental impact.

2025’s winners included a mix of boundary-pushing brands from across the industry – including Sennheiser, which won Gold for Spectera – the world’s first wideband, bidirectional wireless ecosystem. Other winners included:

• Disguise for its AI-powered Ask Ald3n software 
• Powersoft for its NOTA 142 lipstick-size amplifier 
• Doughty Engineering for its UK-manufactured Light Weight Quick Trigger 
• Robe for its hyper-innovative ProFrost
• Vari-Lite for its next-gen luminaire, VLHive 151 Digital FX

The final deadline for entries is Friday 21st August 2026.

To find out more and submit your entry, head to: www.plasashow.com/awards 

10th June 2026

ABTT Announces Winners of the 2026 ABTT Awards

UK – The Association of British Theatre Technicians (ABTT) has announced the winners of the 2026 ABTT Awards, presented at a ceremony on 3 June at Alexandra Palace as part of the ABTT Theatre Show.

The ABTT Awards recognise outstanding innovation in theatre products and technology alongside the individuals and organisations delivering technical excellence across the UK. This year's ceremony, sponsored by TAIT, also saw the launch of two new awards: the ABTT Sustainable Product of the Year and the ABTT Apprentice of the Year.

The product awards celebrate the best new innovations on the show floor, judged by an independent panel who toured the show floor at this years Theatre Show.

d&B Audiotechnik took home the ABTT Sound Product of the Year for its U-Series: the first product portfolio from a speaker manufacturer capable of operating on AC power, PoE++ and passive, with Milan protocol network connectivity delivering genuinely resilient audio distribution.

Robe UK Ltd won the ABTT Lighting Product of the Year for the T3 Profile featuring ProFrost, praised by judges for its revolutionary frosting facility offering designers an unprecedented degree of control.

Trend Tool Technology’s Trend SmartBench CNC won the Engineering Product of the Year, recognised for its 8x4 foot bed size, deep cut depth, cost-effective software and sustainability credentials as a product capable of supporting touring productions.

Extrabits Trading Limited won the ABTT Widget of the Year for the Response Grab Bag with Defibrillator: a complete ecosystem of training, support and supply that judges said every show and venue should have. MediaCo Group was named ABTT Stand of the Year, recognised for its bold visual identity, immersive environment and clear sector-focused messaging.

The inaugural ABTT Sustainable Product of the Year was awarded to Beck Fastening / Reset Scenery for LIGNOLOC, a wooden nail product developed specifically for the performing arts industry that significantly reduces the carbon footprint of assembled scenery while extending the lifespan of flats.

The People Awards celebrate the individuals making a difference in the industry across the UK: the technicians, designers, makers and apprentices working backstage every day to bring productions to life. Every winner was nominated by colleagues, peers and mentors who wanted the world to know this person is exceptional.

Andrew Sturley of the Torch Theatre, Milford Haven, was named ABTT Technician of the Year. His colleagues describe him as someone who consistently goes beyond the brief: flooding orchestra pits, crafting intricate theatrical effects and creating an environment that brings touring companies back year after year.

Dan Young of Chapter Arts Centre, Cardiff, received the Nick Bache ABTT Cymru Technician of the Year Award, in recognition of nearly three decades of dedicated service across more than a hundred productions a year.

Djomi Tsate of Watford Palace Theatre won the ABTT Award for Emerging Excellence. In just 18 months she progressed from Sound No. 2 on the pantomime to lead technical operator across lighting, sound and AV, graduated with a Distinction and secured a production placement at the National Theatre.

Sarah Ray-Dobson of the National Theatre Props Workshop was awarded the inaugural ABTT Apprentice of the Year. The only woman in her cohort on a Level 2 Furniture Making apprenticeship, she achieved a Distinction and saw her bespoke furniture appear on National Theatre stages, most recently constructing an intricately decorated period upright piano for Summerfolk.

Sian McCabe of Welsh National Opera won the ABTT Award for WHAM Design, recognised for over thirty years of meticulous character realisation and dedication to mentoring the next generation. Cate Mackie of the Everyman and Playhouse, Liverpool, won the ABTT Award for Costume: a costume supervisor, maker and department of one whose work spans Shakespeare to pantomime, consistently delivered with creativity, inclusivity and care.

The ABTT Award for Environmental Sustainability went to SAIL (Sustainability Arts and Industry Leaders), recognised for their practical, organisation-specific approach to embedding sustainability across the creative and cultural industries, including accredited Carbon Literacy training delivered to over a thousand professionals.

Liz Sillett, chief executive of the ABTT, said: “Tonight was a celebration of this industry at its best; the people quietly making extraordinary work possible and the companies pushing our craft forward. We are enormously proud of every winner.”

5th June 2026

The Stephen Joseph Award 2026 Further Information for Nominees

UK – The Award recognises Innovative, Inclusive Theatre Excellence and celebrates the many ways contemporary theatre-makers continue to break new ground in engaging their audiences.

Who and what are eligible for the Award?

• a 21st century theatre company or production
• a living individual practitioner  
• a non-traditional performance environment 

In each case the work produced or performance space submitted will have demonstrated or facilitated a creative and dynamic engagement between performance and audience.  Submissions are welcome from theatres and companies large or small, individuals or groups and those well-established or still emerging.

Submissions from artists/organisations who submitted in previous years but were unsuccessful will be welcome to resubmit in 2026 so long as they make a fresh submission.

The nominated individual, company or space is likely to have demonstrated excellence in some of the following areas:

• Innovation and flair in creating or supporting the theatrical experience
• Work created for or facilitating non-traditional or adapted performance spaces
• Creation of live theatrical events in which traditional barriers between actor and audience are removed or challenged
• Breaking new ground in providing inclusive theatre opportunities for a wider range of audiences and performers

NOTE: these are not meant to be exclusive categories and they do not preclude innovative work that goes beyond or crosses them. They are given as pointers to the kinds of work that the award seeks to recognise and celebrate.

The evidence needed can be any combination of production photos, video clips, designs, newspaper or media reviews and testimonials, etc.  You may wish to include a short list of websites/URLs, with a brief explanation of what is being included and what evidence these provide.

Nominations can be made by anyone with a good knowledge of the nominee. This can include members of the theatre/company being nominated, the nominee themselves or a member of the public. The individual nominating should also secure the support of the individual, company or performance space concerned before submitting the nomination.

Nominations close on Monday 12th October 2026. Send nominations to the ABTT office at:  admin@abtt.org.uk 

Please include:

• Your contact details
• Details of the nominee, including their contact details and a short 250-word statement clearly explaining why the individual, company or performance space is being put forward for the award
• A 250-word statement from a seconder: someone else with personal knowledge or experience of the work, person or performance space being nominated
• Supporting evidence in digital form such as photos, video clips, design, reviews and testimonials

The award will be presented at the ABTT’s Christmas Party in early December (date TBA later) at the Gillian Lynne Theatre in London.

4th June 2026

Broadweigh Digital Makes its Debut at ABTT

UK – Broadweigh returns to the ABTT Theatre Show this week with two major product developments for the theatre and live performance market: Broadweigh Wired Digital and Live Load.

Broadweigh is exhibiting on Stand C22, where visitors can meet the team, see the latest Broadweigh technology in action and discuss how load monitoring can be built more effectively into both touring and permanent applications.

A key focus on the stand this year is Broadweigh Wired Digital, a new wired load monitoring system designed specifically for theatre and live performance environments. Manufactured in the UK, Broadweigh Wired Digital builds on the company’s long-proven wireless load monitoring technology, combining trusted load sensing with a robust wired solution suited to a wide range of applications.

Matthew Youngs, marketing manager at Broadweigh commented: “ABTT provides an important opportunity for the industry to see the system, understand where it fits in the market and speak directly to the Broadweigh team about future applications.”

Designed for both permanent installation and touring use, Broadweigh Wired Digital allows a monitoring point to be left installed in the rig, with the Broadweigh unit and TwistLink load shackle in place. Touring productions can then quickly attach into this existing set-up using a standard shackle connection, giving them immediate access to load monitoring without needing to alter the rigging.

This approach has the potential to save valuable time during load-ins and make best practice load monitoring easier to adopt on the road. For fixed venues, the wired design also offers dependable, continuous monitoring that can be relied upon day to day.

Broadweigh will also be demonstrating Live Load, giving visitors the chance to see how load data can be made more accessible, visible and useful for riggers, production teams, venues and designers.

“ABTT is the ideal place for us to have proper conversations with the people who will be using this technology in real theatre and live performance environments,” said Elliot Van Laere, product specialist at Broadweigh. “Broadweigh Wired Digital has been developed with the needs of theatre very much in mind. It’s about making load monitoring practical, robust and easier to integrate, whether that’s as part of a permanent venue installation or as a system that touring productions can quickly connect into.”

Ease of use has been a priority throughout the development of Broadweigh Wired Digital. The system is designed to be simple to deploy and easy to interpret, allowing crews to understand loads quickly without adding complexity to already busy production environments.

By making load data more accessible, Broadweigh Wired Digital will support designers and riggers in working more confidently and ambitiously, particularly in older venues where structural limitations can restrict what is possible. With better visibility of loads, productions can make informed decisions and safely deliver more complex and creative shows within existing constraints.

Visitors to the Broadweigh stand can meet the company’s experienced team, including Elliot, Matt and Emma Mullan. The team will be available to discuss Broadweigh Wired Digital, Live Load and the wider Broadweigh range, as well as practical load monitoring applications across theatre, touring, venues and live events.

3rd June 2026

ABTT Apprenticeship Network holds its first in-person event at the ABTT Theatre Show

UK – The relaunched ABTT Apprenticeship Network makes its in-person debut on 4 June at Alexandra Palace, London, bringing together apprentices, employers, training providers and industry professionals for the first time.

The Association of British Theatre Technicians (ABTT) has announced that the relaunched ABTT Apprenticeship Network will hold its first ever in-person event at the ABTT Theatre Show on Thursday 4 June 2026 at Alexandra Palace, London.

The session, Launching the New ABTT Apprenticeship Network, takes place at 2pm in the Preevue Seminar Room. Speakers from Chichester Festival Theatre, the Royal Ballet & Opera, the Royal Shakespeare Company and Birmingham Hippodrome will lead a conversation about the Network’s next chapter and what it means for apprentices and the organisations that support them. The session is followed directly by the first Apprenticeship Network Social.

The ABTT Apprenticeship Network was relaunched in February 2026 during National Apprenticeship Week, reaffirming ABTT’s commitment to apprentices, employers, training providers and everyone involved in supporting apprenticeships across theatre, live events and the creative industries. The Network brings together current and prospective apprentices, employers, training providers and industry professionals to create a supportive community focused on skills development, professional growth and knowledge-sharing.

Ahead of the relaunch, ABTT surveyed the Network community to understand what support would be most valuable. That feedback has shaped the Network’s new programme, which includes:

• Quarterly in-person networking events
• A programme of online activity to support professional development and peer connection
• A core suite of CPD resources, including short, accessible videos
• Exploration of on-demand e-learning to support flexible learning for apprentices

The ABTT Theatre Show also marks the first presentation of the ABTT Apprentice of the Year Award, which celebrates the achievements and outstanding contributions of apprentices working across theatre and live events, recognising exceptional commitment, skill and professionalism.

Liz Sillett, CEO of the ABTT, said: “The re-launch of the ABTT Apprenticeship Network reflects our commitment to listening to apprentices and responding to what they’ve told us they need. By creating more opportunities to connect in person, learn online and access relevant CPD resources, we aim to build a supportive and inclusive network that helps apprentices thrive at every stage of their career.”

ABTT Apprenticeship Network representative Jack Davies added: “Apprenticeships are a vital route into our industry but they can sometimes feel isolating. This Network is about bringing people together, sharing knowledge and making sure apprentices know they are supported, valued, and part of a wider professional community.”

Alongside the Network launch session, the Theatre Show offers a dedicated programme of apprenticeship and careers content across both days:

• Demystifying Apprenticeships (Wednesday 3 June, 3pm, Preevue Seminar Room) representatives from Chichester Festival Theatre, the Royal Ballet & Opera and Nottingham Playhouse explore how apprenticeships work and what they can offer
• ABTT Apprentice of the Year Award presentation (Wednesday 3 June, 6pm) part of the ABTT Awards & Social on the Terrace, sponsored by TAIT
• Careers and Professional Development Hub (Stand H14, both days) a dedicated drop-in space for one-to-one conversations with working professionals on apprenticeships, training pathways, CV advice and more; no appointment needed

The ABTT Theatre Show takes place on 3 and 4 June 2026 at Alexandra Palace, London. Admission is free. Register at abtt.org.uk/abtt-theatre-show/. 

1st June 2026

Make Noise 

UK – Production Futures has announced the next chapter of its Make Noise campaign and with it, a new ambassador who knows exactly what it means to break into the production industry without a roadmap. Freyja Lawson, monitor and stage technician for Yungblud, has backed the campaign and is calling on educators, youth organisations and the industry to do more to make behind-the-scenes careers visible to the young people who could thrive in them. 

Make Noise, delivered by Production Futures in partnership with Audiotonix and funded by a grant from LIVE Trust, a new initiative supported by a £1 ticket levy on UK arena and stadium shows, is a national competition to win one of 20 Audiotonix STEAM DJ mixer kits for schools, colleges, youth theatres, home-education groups and community organisations across the UK. 

The campaign officially launched at Production Futures’ flagship free careers event, ON TOUR, at Manchester’s AO Arena on Monday 20 April 2026. 

The event, which gives people the opportunity to meet the entertainment production industry, find their first or next career opportunity and get hands on with training and workshops, saw over 4,000 people through the door in Manchester alone. 

The announcement arrives at a critical moment. With over one million young people currently not in education, employment or training and growing national debate about how the education system, and those outside it, prepares young people for the world of work, Make Noise is making a direct intervention. It targets not just students in schools and colleges, but the 110,000+ home-educated young people across the UK who are routinely overlooked by traditional industry outreach. 

Freyja Lawson’s route into the live production industry wasn’t a straight line. It started, as it does for many, with music, curiosity and a moment she almost missed. 

“I came in wanting to be a studio engineer for quite a long time. I was really into music, and I got really into trying to make my own music from a very young age, getting a free CD in a cereal packet, making your own beats. And from that I was like, ‘Oh, this is cool. I didn't know you could do that’.” 

It wasn't until she discovered a female producer online, someone she could put a name to, a face to a job, that the possibility of a real career began to take shape. And even then, the full scope of what the industry offered took years to reveal itself. 

“It wasn’t until I started working in the industry that I realised how many different jobs there actually are in the live sector. You see people at gigs you’re like, what are they doing? How does that work? All the speakers, where do they come from?” 

That gap between curiosity and knowledge, between a young person watching from the crowd and understanding they could be the one making it happen, is exactly what Make Noise is designed to close. 

Freyja is clear that the responsibility for change is shared, between the industry, educators and the wider community of people already working in production. 

“A lot of it is about education and it’s where it starts. Places like youth groups and youth centres are probably one of the best places to begin. Music is such a passion for a lot of young people and being able to harness that and go, ‘actually, what could we do to show them how they can fit into this industry?’ I think it comes from educators themselves and from the industry wanting to give back and bring more people in.” 

She points to social media as an unexpected force for good, not just in connecting fans with artists, but in making technical and behind-the-scenes careers feel real and reachable. 

“I started in the industry when Instagram was taking off and people who were touring with the bands I liked were following those bands. I went, oh my gosh, that person is a guitar tech for this band, that person does monitors for this band. That accessibility, that visibility, it was like, oh, it’s actually obtainable. There’s a person, I can put a name to a face and a face to a job. If we want to put it out there, I think it would be more attractive to people looking into it. It does start with us.” 

At the heart of the campaign is the Audiotonix STEAM DJ mixer kit, a build-it-yourself, two-channel mixer that groups of eight to ten people construct together over a few hours. No prior experience needed. All components included. 

Twenty kits will be given away through a national competition, open to any organised group working with young people aged 12-18 across the UK, including schools, colleges, youth theatres and home-education networks. Each winning group builds their mixer and keeps it, giving them a lasting connection to professional audio technology and the story of how they made it themselves. 

Applications are open now to any organised group working with young people aged 12-18 across the UK. Groups apply via a short online form, completable in under ten minutes and are assessed on reach, impact and geographical spread.  

• Applications open: 28 May – 31 August 2026  
• Winners selected: end of September 2026  
• Winners announced: mid October 2026 

For more information and to apply: https://productionfutures.com/page/make-noise-campaign  

29th May 2026

KV2 Audio returns to ABTT Theatre Show with Roman Bar demo space

UK – KV2 Audio has announced its return to the ABTT Theatre Show following a successful appearance at last year’s event. Once again, the Czech loudspeaker manufacturer will take over the Roman Bar for the duration of the show, transforming the space into a dedicated demonstration facility.

Throughout the two-day event, the Roman Bar will host relaxed, walk-in demo sessions, giving visitors the opportunity to experience KV2’s award-winning passive ESD, active EX and active-driven ESR product ranges. Designed around KV2’s True Point Source philosophy, these solutions are trusted by countless West End, Broadway and touring theatre productions worldwide for their clarity, consistency and ability to deliver natural, intelligible sound in demanding performance environments.

With no need to book a time slot, ABTT attendees are invited to drop in at any point during the show to hear the systems in action and speak directly with the KV2 team.

“ABTT is always an important event for us because it brings together the people who understand the demands of theatre sound better than anyone,” says Tom Weldon, UK sales manager for KV2 Audio. “The Roman Bar gives visitors a chance to hear our systems in action, rather than simply discussing the merits of our products in principle. The demo space provides real insight and understanding as to why KV2 continues to be chosen for some of the world’s most respected productions.”

Members of the KV2 Audio UK and international teams will also be available at Stand B70 to discuss how KV2 products can support future projects, venue requirements, show designs and hire inventories.

KV2 looks forward to welcoming both new and returning visitors to hear The Future or Sound. Made Perfectly Clear.

ABTT Theatre Show takes place at Alexandra Palace in London 3 - 4 June, 2026. 

29th May 2026

PLASA Focus 2026: Expanded, energised, still unmistakably Leeds

UK – PLASA Focus 2026 returned to the Royal Armouries in Leeds on 12 and 13 May, bringing the live entertainment technology community together for two busy days of product discovery, hands-on learning, networking and meaningful industry conversation.

This year’s expanded edition welcomed 2,909 attendees, including 2,311 visitors and 598 exhibitor personnel, with overall visitor numbers up 2% and exhibitor attendance up 3% on 2025. Across both days, the show recorded 3,658 visits, with many people returning for both days.

The show continued to attract a strong cross-section of decision-makers, technical professionals, creatives, students, freelancers and business leaders. Directors, owners and chairpersons accounted for 16.8% of attendees, while 37.3% held final purchasing responsibility. Students represented an increased 13% of the audience, underlining the event’s growing role in supporting the next generation of industry talent.

A broad spread of sectors was represented, including live events, theatre and performing arts, concert and touring, festivals, corporate events, commercial AV, venues, education, broadcast, installations and more.

Visitor interests were also balanced across core technology areas, with audio, lighting, AV/video, rigging, stage engineering and power all strongly represented.

“PLASA Focus Leeds has always been about creating a space where people can connect properly, have useful conversations and get hands-on with the technology shaping our industry,” said Sophie Atkinson, head of events at PLASA.

“This year’s expanded footprint allowed us to welcome more exhibitors and features, while keeping the friendly, focused atmosphere that makes Leeds so special. The quality of attendance, the engagement across the show floor and the response from students and early-career professionals all show just how important this event continues to be.”

For 2026, PLASA Focus expanded further into the Royal Armouries, welcoming 211 exhibitors across lighting, audio, AV, rigging, staging, power, control, production services and more.

The show floor remained true to the Focus format, combining practical access to new technologies with a relaxed, easy-to-navigate environment. This year hosted a strong line-up of UK debuts and new releases across lighting, audio, rigging, control and connectivity.

Visitors could see products including Roxx’s UK debut Icon series, Ayrton’s MagicBlade Neo, Claypaky’s Arolla Aqua fixtures, Chauvet’s COLORado PXL Curve 1, HH Audio’s TNi-WX speakers, Neutrik’s True1 Data Connector Series, d&b audiotechnik’s U-Series speakers, ChamSys’ MediaMaster 26, RCF’s EVOX J9 and J11, Robe’s GigaPointe and EM Acoustics’ CS Series cardioid subwoofers.

Manufacturers, distributors, suppliers and service providers were able to meet visitors directly, compare products across disciplines and discuss real-world applications with the people behind the technology.

PLASA Focus 2026 was once again proudly supported by headline sponsor Ambersphere Solutions, alongside café sponsor IPS, courtyard sponsor LANG UK, video sponsor AV Matrix and lanyard sponsor Leisuretec.

Official sponsors for 2026 included Adamson Systems Engineering, BeamZ, Disney Cruise Line, HH Audio, IPS, Link UK Solutions, PixelLogic Solutions and RCF.

Their support helped shape a dynamic visitor experience across the venue, from the IPS-sponsored café and LANG UK’s courtyard presence to brand visibility, technology showcases and networking spaces throughout the show.

Among the new additions for 2026 was Speed Networking, which made its Leeds debut following the success of its London edition.

Delivered in collaboration with The Power of Events, Production Futures and Access Industry, the feature offered students, freelancers and early-career professionals a structured way to meet people working across lighting, audio, AV, rigging, staging and live production.

Taking place in the IPS-sponsored café, where IPS marked its 20th anniversary, the sessions reflected the wider spirit of PLASA Focus in Leeds: approachable, practical and centred around meaningful industry connection.

LANG UK also brought its Road to PLASA experience to the outdoor courtyard, with a custom-built demo truck offering visitors the chance to explore advanced video switching and compositing workflows in a mobile studio environment.

Meanwhile, EM Acoustics hosted a dedicated audio demo room, giving visitors a focused listening environment for its latest systems, including the CS15 subwoofer and Reference Series loudspeakers. KV2 Audio also returned with its popular audio demonstrations, while ChamSys delivered hands-on lighting control training across the show.

Sponsored by LSi, the PLASA Focus seminar programme offered a wide-ranging mix of technical content, career advice, business insight and future-facing discussion.

Sessions explored key themes including technical skills development, AI, cyber security, sustainability, freelancing, employment law, funding, career pathways and industry best practice.

Together with hands-on demos and training, the programme gave visitors the opportunity to learn directly from industry experts while engaging with the wider conversations shaping entertainment technology.

Feedback from visitors once again highlighted the show’s approachable scale, strong networking value and distinctive community atmosphere.

The 2026 audience included a strong student and early-career presence, with students making up 13% of total attendees. Alongside the seminar programme and Speed Networking, the show provided a welcoming entry point for those looking to build confidence, ask questions, explore career routes and connect with employers, suppliers and industry professionals.

The official PLASA Focus app continued to support the visitor experience, particularly across the expanded venue.

For 2026, the app recorded 2,023 unique logins, representing around 70% of total attendees. It also generated 513,364 impressions and 5,019 bookmarks, helping visitors browse exhibitors, save sessions, plan schedules and navigate the show more efficiently.

PLASA Focus returns to the Royal Armouries in Leeds on 11–12 May 2027, continuing its role as one of the UK’s most focused, friendly and practical meeting points for the live entertainment technology sector. 

28th May 2026

HK Audio COSMO makes its Chilean debut at Sound Experience event

Chile – HK Audio has introduced its COSMO line array system to the Chilean market for the first time at a dedicated Sound Experience event in Santiago, bringing together rental companies, distributors and commercial partners from across the region.

Designed to give attendees a taste of COSMO in a real-world setting, the event was hosted by ProSound Chile and demonstrated HK Audio’s wider professional portfolio. “To have the Chilean debut of COSMO is a very significant for us,” explains Alfonso Verdugo, media manager at ProSound Chile. “While the event was open to a broader audience, it was specifically targeted at three highly interested clients.”

Hosted at Pimentón Rojo Restobar in Villa Alemana, the open-air event brought together representatives from almost every rental company in the region, alongside commercial partners and distributors. For many listeners, it was their first time experiencing COSMO in person.

As the centrepiece of the demonstrations, COSMO was also supported by showcases of the LINEAR 9 210 LTA and LINEAR 5 MK2 308 LTA systems. According to Verdugo, the response was immediate. “These units generated great feedback, particularly from sceptical attendees who were impressed by their performance and ease of set up as an alternative to line array systems,” he says.

Visitors were also able to spend time with the SONAR, POLAR, SI SERIES and wider LINEAR 5 MK2 range, offering a broader look at HK Audio’s professional portfolio. COSMO ultimately kept drawing people back throughout the day, with attendees particularly impressed by the system’s clarity, consistency and powerful low end across every genre played.

“The system truly speaks for itself,” Verdugo continues. “Attendees were particularly impressed by the clarity and the lack of signal loss at a distance. The low end was powerful and punchy, and the overall integration of the system components makes it very easy to handle.”

That performance quickly translated into commercial success. Among the attendees was Chilean rental company Soni2, which invested in the COSMO system following the demonstration and has already begun deploying it for major productions. “The system’s consistent performance across all genres removed any remaining doubts, leading to a successful sale on the day,” adds Verdugo.

The event marks an important moment for HK Audio in Chile’s competitive large-scale sound market. Since the demonstration, the newly acquired COSMO system has already been deployed as the headline PA for two major events in the country. “This is a major step forward for us in establishing HK Audio as a top-tier competitor in Chile,” says Verdugo. “COSMO is a system from outer space and we are thrilled to finally bring it home to Chile.”

20th May 2026

Area Four Industries UK Launches New SkillsLab Training Programme at PLASA Leeds

UK – Area Four Industries UK (A4IUK) has announced the official launch of the new SkillsLab Training Programme at the upcoming PLASA Leeds show.

Developed to support the evolving needs of the live events and entertainment technology sector, the A4IUK SkillsLab platform provides industry professionals with access to a growing portfolio of specialist educational and technical training programmes across the Area Four Industries brand family including: EXE Technology, MILOS, LITEC and PROLYTE.

Based at the A4IUK Innovation Centre in Holbeach Hurn, Lincolnshire, SkillsLab has been created to equip riggers, technicians, engineers, production professionals and venue teams with the practical knowledge and technical skills required of today’s modern workforce. The initiative reflects A4IUK’s ongoing commitment to raising industry standards, supporting personal development, and promoting safe and efficient working practices across the sector.

Glen Brown, managing director A4IUK said: “SkillsLab is about investing in people. At the new Area Four Industries Innovation Centre, we are creating a space where knowledge, practical experience and innovation come together to help shape a safer, stronger and more skilled future for our industry.”

Launching as the first official SkillsLab offering, A4IUK will deliver a series of two-day EXE Rise Advanced Maintenance Training Workshops scheduled throughout 2026. These hands-on workshops are designed to provide in-depth technical training for riggers, technicians and service professionals working with EXE Rise chain hoist systems, covering advanced maintenance procedures, inspection standards, operational best practices and long-term product care.

The training programme combines hands-on practical learning and classroom theory with direct access to A4IUK’s technical specialists and facilities, ensuring participants gain real-world expertise that can be immediately applied on completion.

Matthew Millward, head of automation A4IUK said: “Professional training enhances competency, reduces downtime and significantly improves safety. For many years, I have shared my expertise in chain hoists in a largely informal, ad hoc manner. SkillsLab represents a major step forward, enabling me to bring that experience together into a structured, comprehensive training programme. Our new training centre, complete with dedicated workshop and presentation suites, offers a comfortable, controlled and safe learning environment. Combined with a touch of hospitality and a selection of merchandise, we are confident that every attendee will leave with valuable knowledge and a strong desire to return for more.”

The SkillsLab platform will continue to expand throughout 2026 with additional courses and specialist workshops across the wider A4I brand portfolio. Learn, lead and succeed with the A4IUK SkillsLab offering and access a range of insightful educational training programmes to provide the necessary skills for a competent modern workforce.

Visitors attending PLASA Leeds will have the opportunity to learn more about the programme, upcoming workshop dates and future training opportunities directly from the A4IUK team on stands R-D18 and R-D19.

For further information about A4IUK’s SkillsLab and the upcoming EXE Rise Advanced Maintenance Training workshops, visit: Area Four Direct UK – Courses List.

11th May 2026

ABTT Theatre Show 2026 Reveals First Programme

UK – The ABTT Theatre Show returns to Alexandra Palace on 3 and 4 June with its most ambitious programme to date, including a new series of candid conversations with some of the UK’s biggest technical theatre names, BSL-interpreted sessions for the first time and two new awards reflecting the industry’s priorities on talent and sustainability.

Free to attend and open to all, the 2026 show builds on record attendance of over 3,200 last year with an expanded offer across seminars, workshops and a first-of-its-kind Coffee Chat series.

New for 2026, the Coffee Chat series puts industry leaders in the room with attendees for peer-to-peer discussion; no panel format, no slides. Emma Wilson MBE (Royal Ballet & Opera) and Anna Fox (RSC) will reflect on their routes to the top and what needs to change to bring more diverse voices backstage. Paul Handley (National Theatre) and Gemma Swallow (former technical director, National Theatre of Scotland) take on the challenges of leading change at scale.

Further conversations feature Kat Ellis (Young Vic) with Sam Garner-Gibbons (Glyndebourne), Sara Beer (Craidd) with Michèle Taylor MBE (Ramps on the Moon) and Chris Boone (Chichester Festival Theatre) alongside a current CFT apprentice, plus more to be announced.

The seminar programme tackles the topics the industry is actually wrestling with: Martyn’s Law and what the Terrorism (Protection of Premises) Act 2025 means for venues, a panel on the future of health and safety from practitioners at the National Theatre, Royal Ballet & Opera and Birmingham Hippodrome, sustainable theatre-making with the Theatre Green Book team and The Last Authentic Experience, a provocation on why live performance can still win in an automated world. The workshop programme gives attendees a chance to get hands-on and spans radio mic fitting techniques, scenic painting, wig-making, stage management and more, delivered by teams from the Royal Conservatoire of Scotland, ENO, Royal Ballet & Opera and others.

Liz Sillett, CEO of the ABTT said: “We really want the Theatre Show to feel welcoming to everyone. This year we’re introducing a dedicated parents and carers area to make sure people who may be on parental leave can still come along and feel part of the industry. We’re also making sure we’ve got BSL interpreters in attendance.”

The parent and carer space is supported by PiPA (Parents and Carers in Performing Arts). A quiet room and prayer room will also be available throughout both days.

The ABTT Awards – sponsored by TAIT – will welcome two new categories in 2026. The Apprentice of the Year Award, introduced alongside the relaunch of the ABTT Apprenticeship Network, recognises exceptional individual contribution from those in or recently completing a backstage or technical apprenticeship. The Sustainable Product of the Year Award recognises outstanding environmental credentials in a product brought to market in the past twelve months.

Suzy Somerville, ABTT Theatre Show producer said: “These new awards reflect two areas vital to our industry’s future: emerging talent and genuine innovation in sustainable practice. We’re proud to recognise the individuals and products that are helping to shape a more skilled, inclusive and sustainable future for theatre and live events.”

Both awards are presented at the ABTT Awards ceremony on the evening of 3 June. The established programme – Technician of the Year, Emerging Excellence, Environmental Sustainability, Costume and WHAM Design – continues alongside them.

Registration is free: www.abtt.org.uk/abtt-theatre-show

11th May 2026

Neutrik EMEA debuts Neutrik True1 Data Connector Series at PLASA Focus Leeds 2026

UK – Neutrik EMEA, the leading supplier of robust and reliable professional AVL connectivity solutions across the EMEA region, presents the all-new Neutrik True1 Data connector series to UK entertainment technology professionals, at PLASA Focus Leeds on booth N-A22 in the New Dock Hall of the Royal Armouries.

This is the first product series designed around Neutrik’s new generation Unicorn connector platform, comprising etherCON True1, mediaCON True1 and opticalCON True1 connectors. These provide RJ45 (CAT6A), USB-C and fibre-optic data connectivity solutions, respectively, introducing unsurpassed levels of engineering design, robustness, performance and reliability.

The True1 Data connector series is optimised for use in the smallest possible integration spaces. The unified platform design employs a housing that is singularly robust, offering the enhanced environmental protection levels represented by Neutrik’s True Outdoor Protection (TOP) classification. Features common to the True1 Data connector series include ingress protection ratings up to IP65, IP66 and IP67, enhanced corrosion resistance with 1440 hours salt spray resistance (ISO 9227), UV protection certified build materials, single-handed cable locking operation, colour coding options, replaceable / customisable sealing caps, easy D-shaped chassis integration and the extensive common component count of a unified platform.

8th May 2026

Backup returns to PLASA Focus with new financial literacy seminar

UK - Backup Tech is heading to Leeds for PLASA Focus 2026. As well as highlighting the work it does to provide practical and emotional support to entertainment technology professionals in times of need, it will be hosting the latest talk aimed at providing practical wellbeing and financial advice to industry freelancers.

Taking place on 12th May from 10.15am to 11.00am as part of PLASA’s seminar programme at the show and titled Supporting Freelancers – Your Health And Financial Resilience, it will hosted by Backup’s chair Lee Dennison, who will be joined by charity co-ordinator, Jess Allan and Paul Jones from UK Live Event Freelancers. It will discuss how money worries can impact both mental and physical health more than freelancers realise, what steps you can take to help be better prepared in 2026, pointing you towards practical support and resources, include MHFA training and Financially Savvy Freelancer initiative, and then open the session up for questions and discussion.

“The Financially Savvy Freelancer webinars have proved incredibly popular, as was the seminar at last year’s PLASA Focus,” says Dennison. “We’re delighted that PLASA has given us the opportunity to do another seminar this year. With increasing financial pressures across the board and Making Tax Digital for Income Tax now mandatory for freelancers, we felt it was important to host another session that helps them gain financial resilience.”

The Backup team and its ambassadors will also be manning stand R-E03 to raise awareness and discuss the support services it has available with those who visit the show and, from 7pm on May 12th at the Hilton Sky Bar, Leeds, PSCo will be hosting a networking evening and has chosen Backup as the charity it wishes to highlight and support.  

“We’re looking forward to seeing everyone at the show,” Dennison concludes. “It’s always a great opportunity to catch up with those we know and connect with those we haven’t had the chance to meet yet. We’re also very grateful to PSCo for choosing us as the charity for their networking evening, and it’s bound to be a great event!”  

To attend the seminar and meet the Backup team, visit https://www.plasaleeds.com.

7th May 2026

Claypaky Shines at Scenajutra: Innovation, Inspiration and an Encounter with the Legendary Lighting Designer Patrick Woodroffe

Poland – Claypaky took centre stage at Stage of Tomorrow [Scena Jutra], held on 13–14 April 2026 at the Palace of Culture and Science in Warsaw and organised by Fundacja Scena Jutra, with the support of Claypaky’s Polish distributor, Prolight.

Scena Jutra is a platform that brings together entertainment industry professionals, fostering meaningful encounters, idea exchange and the discovery of new opportunities in a unique environment for networking and inspiration. Over two dynamic days of conferences, in-depth sessions and live demonstrations, the event celebrated and promoted the culture of lighting in all its forms. With more than a thousand attendees each day, Scena Jutra attracted a remarkably diverse audience, from highly experienced lighting designers and technicians to young talents eager to enter the entertainment industry.

“Scena Jutra has become a truly important platform for our industry, bringing together professionals across disciplines, as well as the younger generation, encouraging dialogue and creating space for learning and exchange,” said Alena Turiakova, marketing director at Claypaky. “It is not just about showcasing products, it is about educating, inspiring and strengthening the entire community.”

Claypaky played an active and multi-faceted role throughout the event. One of the three stages, the “Discussion Stage” was designed by lighting designer Artur Szyman and set up by Polish rental company Shadok. The stage featured a smart and visually striking set-up combining cutting-edge 3D video graphics with dynamic lighting. In this high-tech environment, 12 Claypaky Volero Cubes, 24 Tambora Battens and four Arolla Aqua performed flawlessly, enhancing the immersive experience.

On the Academy Stage, Claypaky product specialist Giulia Sabeva delivered an educational presentation titled “Smart Technology Choices in Modern Entertainment Lighting: LED, Laser and Still the Lamp.” Her presentation explored the advantages and disadvantages of each technology, concluding that there is no “best” technology, only the best suited to specific application needs. The highlight of the event, however, was undoubtedly the exclusive session with legendary lighting designer Patrick Woodroffe. Renowned for his work with global icons such as the Rolling Stones, AC/DC, Genesis, Michael Jackson, as well as for lighting the Glastonbury Festival and Olympic Games ceremonies, Woodroffe brought decades of experience and insight to the stage.

The session unfolded as an engaging and informal conversation, hosted by Claypaky sales strategy and processes manager Francesco Romagnoli and Alena Turiakova. Woodroffe captivated the audience with stories from his career, sharing not only his experiences but also valuable advice for the next generation of lighting professionals.

He talked about how he had worked with Claypaky over so many years, both as a customer for their products but also as a partner in the seminars and workshops all over the world. The friendships he had formed with the team from Bergamo were a valued part of his life.

“It was a pleasure to take part in this great event. Prolight and Claypaky organised it flawlessly,” said Patrick Woodroffe. “It is a truly valuable occasion for our industry, bringing together professionals from across the field. I am passionate about sharing the culture of lighting with younger generations and I was genuinely impressed by the feedback and the insightful, thoughtful questions from the audience.

Alena Turiakova added: “Patrick Woodroffe is not just an iconic lighting designer; he’s an extraordinary communicator. Charismatic and approachable, he has a unique ability to connect with people. I’m certain everyone who attended will carry a lasting and inspiring memory of this experience. And we are proud, as Claypaky, to be part of it.”

www.claypaky.it 

6th May 2026

Sennheiser to spotlight Spectera at PLASA Focus Leeds 2026

UK – Sennheiser will return to Leeds for PLASA Focus 2026, one of the UK’s key meeting points for the live production and entertainment technology industry. With professionals from across theatre, live events, broadcast and installation coming together to discover the latest production innovations, the show offers the perfect setting for Sennheiser to highlight Spectera and other wireless solutions built for the demands of modern live environments, while also introducing visitors to selected recent additions to its wider portfolio, including the newly announced HD 480 PRO closed-back headphones.

At the heart of Sennheiser’s presentation is Spectera, the world’s first wideband, bidirectional digital wireless ecosystem, enabling simultaneous audio transmission, system control and monitoring within a single RF channel. It allows up to 64 channels (32 in / 32 out) of simultaneous audio transmission, monitoring and control within a single rack unit, significantly reducing RF complexity and improving stability. Spectera’s bidirectional bodypacks can handle both in-ear monitor and mic/line signals simultaneously, while its flexible Audio Link modes allow users to optimise latency, audio quality and link performance according to the needs of each production.

Already proving itself across a broad range of demanding live and broadcast applications, Spectera is set to play a central role at the Eurovision Song Contest 2026 (ESC 2026) in Vienna, where Sennheiser and Agorà are supporting host broadcaster ORF with the largest Spectera deployment to date. For the event, Sennheiser will deliver its biggest Spectera set-up so far, including manufacturing samples of the soon-to-be-launched handheld transmitter, as well as a dedicated firmware variant developed to meet the specific requirements of the production.

Beyond ESC, Spectera has also been deployed across a growing number of high-profile productions and tours, including work with Ed Sheeran, Sam Smith, Sam Ryder, Racoon, Secret Cinema’s Grease, Arcadia’s Dragonfly at Glastonbury, Lollapalooza Chile, Australia’s broadcast operations, the restoration of Notre-Dame de Paris and the broadcast debut of the Spectera handheld at Super Bowl LX.

Also featured at the show will be the newly announced HD 480 PRO, Sennheiser’s new closed-back professional headphones developed for critical monitoring across studio and live production environments. Designed to deliver the isolation benefits of a closed-back design without compromising monitoring accuracy, the HD 480 PRO combines precise, reliable low-frequency reproduction with a detailed, transparent sound signature and high wearing comfort for extended sessions. This makes it well suited to recording, tracking, editing and mobile production, as well as broader professional monitoring applications for engineers, producers and creators.

Kevin Gwyther-Brown, business development manager at Sennheiser, concludes: “We are delighted to return to this year’s PLASA Focus Show and showcase Spectera, our ground-breaking bidirectional wireless system. It’s a fantastic opportunity to connect with both long-standing customers, meet new industry friends and to demonstrate how Spectera’s bidirectional wideband approach is helping to streamline wireless workflows across live production, broadcast and theatre applications, while also giving visitors a closer look at the wider Sennheiser portfolio for professional live environments.”

Visitors can find Sennheiser at Stand N-C00, while additional Sennheiser solutions will be showcased on Leisuretec’s Stand N-C03 on 12th and 13th May.

1st May 2026

EM Acoustics returns to PLASA Focus 2026 with new products and demo experience

UK – EM Acoustics, a renowned British loudspeaker manufacturer, will return to the Royal Armouries in Leeds this May for PLASA Focus 2026. In addition to the exhibition booth, EM Acoustics will also operate a dedicated demo space, a first for the brand at this event. Following the extremely successful launch of two new cardioid subwoofers at Integrated Systems Europe earlier this year, EM Acoustics is looking forwards to continuing its commitment to the UK’s professional audio community at the show.

“It’s been a year of strong growth for us, and we are thrilled to be back at Leeds,” confirms Greg Clarke, brand manager at EM Acoustics. “We are delighted to be running a demo space this year, giving attendees the chance to hear a selection of our smaller boxes and our brilliant new cardioid subs, in a welcoming and unpressurised environment.”

The decision to opt for a dedicated demo room will allow attendees who may not have heard EM Acoustics products to experience them first-hand, reflecting the manufacturers’ ongoing commitment to the live events and professional audio market in the North of the UK.

The demo space is conveniently located in the Arthur Room at the Holiday Inn Express, a moments’ walk from the exhibition floor. Here, the EM Acoustics management team will demonstrate a range of products, including the new CS Series, innovative new custom-finish products and the R4 and R6 from the flagship Reference Series, firm favourites of sound designers and production professionals.

Premiering at the event will be the new S8 super-compact 8-inch installation subwoofer, with visitors invited to enjoy an exclusive prelaunch opportunity to hear its outstanding capabilities. The CS15 compact cardioid subwoofer, designed to meet the needs of live event professionals requiring controlled low-frequency performance in space-conscious environments, will also make its PLASA debut.

Smaller models from the Reference Series, including the ultra-compact R4 and the beautifully proportioned R6, will demonstrate the exceptional full-range precision, clarity and unrivalled headroom that define EM Acoustics’ design philosophy. Also on demo will be a new range of bespoke, premium-finish wooden enclosures that offer a refined, design-led approach for visually sensitive installations.

“From our experience, the audience attending PLASA Leeds is genuinely interested in the latest innovations and technologies in the live and installed sound market,” continues Clarke. “Therefore, the chance for us to demonstrate at this show in particular, especially with a focus on some of our more compact, versatile loudspeakers, represents a brilliant opportunity.”

Attendees will be able to experience the outstanding performance of EM Acoustics loudspeakers across a variety of audio materials, and content input from visitors will be welcomed.

EM Acoustics looks forward to sharing its latest developments with PLASA Focus attendees at stand N-C10 and in the Arthur Room demo room on the 12th and 13th of May 2026. 

29th April 2026

KV2 Audio returns to PLASA Focus Leeds with a dedicated theatre demo room

UK – KV2 Audio will return to Leeds for this year’s PLASA Focus, bringing its award-winning True Point Source sound back to the Royal Armouries. Following last year’s success, KV2 will once again take over the on-site Bury Theatre for the duration of the two-day event to host a walk-in demo room experience.

 As one of the UK’s key gatherings for live AV professionals, PLASA Focus continues to provide an exciting opportunity to connect with members from the UK’s live events industry, from long-term integration partners to prospective customers. Representatives from the UK team will be available throughout the show on stand R-C01 to discuss the latest innovations and applications of KV2’s point-source portfolio, offering their expertise in creating great-sounding systems for a range of environments.

Featuring the precision-engineered ES and ESR systems, as well as active EX and passive ESD products, the walk-in demo will present these solutions in a real-world environment, highlighting their exceptional clarity and definition, so visitors can appreciate the full depth of KV2’s audio innovation. 

Building on a successful series of high-profile nightclub installations – from Ibiza’s Amnesia to London’s Ministry of Sound – KV2 continues to reinforce its status as a global leader in live sound technology. Engineered for theatres, houses of worship, sports venues, nightclubs and festivals, KV2 systems are built to deliver consistent quality and reliability in environments where sound is at the core of the experience. 

“KV2 are delighted to be taking over the Bury Theatre again this year,” says Tom Weldon, UK sales manager. “Demo rooms give us the opportunity to meet people from the live events industry and to let our loudspeakers speak for themselves. Hearing the systems in a setting like this lets visitors appreciate the detail and precision KV2 Audio is known for and to envisage how their productions, venues and audio requirements could be elevated by our equipment.” 

PLASA Focus attendees are invited to stand R-C01 and the walk-in demo room, with no obligation to book time slots, where the KV2 team will explore recent product innovations, established core solutions and how its expert approach to loudspeaker design can enhance the sonic offerings of venues, productions and audio applications across the industry.  

29th April 2026