Event News

ALPD Awards Three New Fellowships

UK - At the Annual Lighting Lunch held on Monday 15 December, the Association for Lighting Production and Design (The ALPD) awarded three new fellowships to Gerry Amies, Michael Hulls and Sarah Rushton-Read.

Fellowship of the ALPD is awarded to someone who, in the opinion of the executive have rendered signal service to the technical aspects of the art of lighting.

Gerry Amies Started theatre work at Theatre Royal Norwich in the early 70s before moving to the opera world, working for Glyndebourne Festival Opera, Kent Opera and English National Opera. Since that time he has worked on a huge variety of shows in the West End and elsewhere, including La Cage Aux Folles at the London Palladium, Beauty and The Beast (Dominion), Jesus Christ Superstar (Lyceum Theatre), Charlie and the Chocolate Factory and Lord of the Rings (Theatre Royal Drury Lane), War Horse (Gillian Lynne – UK Tour – World Tour) Crazy for You  (Gillian Lynne).

Michael Hulls trained in dance and theatre at Dartington College of Arts and by accident became a lighting designer who has worked exclusively in the dance world for the past 35 years.  He is perhaps best known for his long-term collaborations with leading choreographers such as Russell Maliphant and Akram Khan sharing four Olivier awards for Best New Dance Production with them.

He was the recipient of the 2014 Olivier Award for Outstanding Achievement in Dance and Knight of Illumination Awards in 2009 and 2016. Michael is an associate artist of Sadler’s Wells Theatre where in 2016 he created the memorable LightSpace installation at the Wells, the first presentation on the main stage without dancers or performers.

In 2023 he was awarded an OBE for services to dance and the arts. He is an honorary fellow of Rose Bruford College where he is a visiting professional on the Light in Performance MA course. He is now enjoying retirement in Hastings with his partner and their dogs.

Sarah Rushton-Read started out as an actress before moving to stage management.  Noticing the better-paid roles were in the male-dominated technical departments, she went back to college for an HND in electronic engineering, secured a placement at the Royal Opera House and found herself firmly ‘doing’ lighting.

Two years later she was teaching at Guildhall, then to Glyndebourne, where she became deputy lighting manager and designed for touring productions.

She moved into production management with PRG, co-founded an event lighting company, and after 9/11 forced another rethink, shifted into journalism as deputy editor of Lighting & Sound International. From there she built a PR firm, embarked on a masters degrees in PR and then in energy and environment, and began championing sustainability long before it became fashionable.

Her mission in press and PR has always been to make backstage work visible: through trade press, brand strategy, awards and by naming the issues usually left smouldering in the wings. That led to founding Eco Theatre, co-founding Women in Stage Entertainment with Paule Constable and helping grow the Knight of Illumination Awards into a major international celebration of design. 

She says of her career: “I was, more often than not, the first woman in the room: something that taught me how to hold space, open firmly closed doors and leave them ajar for the next under represented person coming through.”

The ALPD would like to thank Paul de Ville of Goboplus for sponsorship of the Awards presented.

16th December 2025

Macula Debuts at LDI and Wins Big in Vegas

USA – The Macula remote followspot system made a standout debut at the LDI trade show in Las Vegas, earning the Best Debuting Product – Lighting Control award. The honour was presented on 9 December at the Las Vegas Convention Center and accepted by Macula CEO Morten Bremer.

Already in use on major international productions including Hamilton, The X-Factor and Singapore National Day, Macula enters the North American market following the recent finalisation of its licensing agreement with PRG.

Built on a fully flexible, manufacturer-independent control platform, Macula can operate any moving head on the intelligent fixture market. Its exclusive high-resolution fluid head delivers the familiar, organic feel of a traditional followspot while achieving a level of precision and smoothness unmatched by other remote systems. For many LDI visitors, this was the first opportunity to experience the fluid head in action, with several describing the intuitive movement as “feeling like playing a video game.”

Macula also showcased its latest firmware update, version 0.99, which adds full support for PosiStageNet (PSN) transmission. This new capability enables Macula to send real-time positional data to any compatible device or software platform, ensuring seamless integration across advanced production environments.

“We are so excited to win this award and to be part of LDI,” said Emil Krog, global sales manager for Macula. “Show traffic was consistent, and the feedback was incredibly positive. Macula seems to check all the boxes people have been looking for. With increasing restrictions on placing operators in ceilings, blocking audience seats or modifying architecture, the demand for remote followspots continues to grow. Now lighting designers can finally hang the fixture they want in the position they want. We can’t wait to see what the future holds for Macula.”

A full list of Macula features and specifications is available at macula.systems. 

11th December 2025

Winner of ABTT Stephen Joseph Award for 2025 announced

UK - Created in 2021, the ABTT Stephen Joseph Award recognises innovative and inclusive theatre excellence as well as the relationship built between performer and audience member. Commemorating the life and work of leading British theatre pioneer and founding ABTT member Stephen Joseph, the Award celebrates the many ways contemporary theatre-makers continue to break new ground in engaging their audiences.

Run by the Stephen Joseph Committee (SJC) of the ABTT, this year’s entries were once again exceptionally strong. After careful discussion and, for the first time ever, the award panel decided to honour both a runner-up and a winner, reflecting the outstanding quality of work submitted in 2025.

Presented at the ABTT Christmas Party on Friday 5th December at the Gillian Lynne Theatre, the panel announced that the winner of the 2025 ABTT Stephen Joseph Award is INK, based in Halesworth, Suffolk, with Theatre Deli receiving a Special Commendation as runner-up.

The award panel noted that INK Festival’s impact has been “remarkable and far-reaching.” Over the past ten years, INK has transformed the arts landscape of a small Suffolk market town, becoming the country’s leading short-play festival. Last year alone, the festival received more than 1,000 new script submissions, producing over 70 plays for enthusiastic audiences across unique local venues including barns, buses, car showrooms and even food-bank larders.

The panel praised INK Festival’s meticulous and community-rooted approach: supporting new writers through workshops, carefully selecting and developing scripts and curating work into themed groups performed by professional actors. Every stage of the process leaves “a lasting ripple effect” on those involved, from writers to performers to the local community.

As the winner of the 2025 ABTT Stephen Joseph Award, INK was presented with a specially designed bronze trophy – a miniature theatre-in-the-round based on an early Stephen Joseph sketch – alongside a certificate recognising this outstanding achievement.

Julia Sowerbutts, artistic director and founder of INK responded to the announcement by noting: “When I started INK from my kitchen table a decade ago I had no idea that we would grow into the UK's largest producer of new short plays with an extended family of actors, technicians and volunteers, and submissions from over 1000 playwrights each year. For INK to be awarded the Stephen Joseph Award in 2025 is the best early Christmas present we could imagine, especially as it was set up to commemorate such a theatre visionary. This Award will inspire us in 2026 to broaden our community reach even further as we step into our next decade and help welcome a new generation of people excited, as we are, by the possibilities of live performance.”

The panel also awarded a special commendation to Theatre Deli, recognising the organisation’s “most valuable work in establishing and expanding creative opportunities” within its innovative studio spaces in London and beyond. Theatre Deli’s commitment to incubating new work: providing discounted space, rehearsal facilities and development opportunities, continues to support emerging practitioners and fringe companies in meaningful and impactful ways.

Theatre Deli Chair, Pam Fraser Solomon responded: “Throughout the last 16 years, artists have come to us for much-needed space to grow and develop, and stayed to become part of our community. We are very pleased that the Stephen Joseph committee has recognised the value of the affordable cultural production spaces that our charity creates. Theatre Deli's 'meanwhile' approach to space is an essential part of our identity and activity, an ongoing risk-taking adventure."

Together with INK Festival and Theatre Deli, this year’s entries usual drew some very strong contenders from both individuals and groups and we would like to take a moment to appreciate the other nominations received for this year’s award:

Guildford Shakespeare Company – Welcome to our Table
A community project promoting inclusion and belonging by bringing together displaced young people and local students through shared food, creativity and Shakespeare, culminating in a performance in a local church.

Nick Oliver Duncan
For exemplary technical work and design at Wellington College, training students in professional practice through varied and ambitious school productions.

Peter Small – Lighting Design for 58th Street
For inventive use of state-of-the-art technology to create a fully immersive prohibition-era speakeasy atmosphere for Lost Estate’s jazz/cabaret dining show.

Team Collective Cymru
A bold initiative connecting arts workers, communities and schoolchildren across Wales, exploring creativity as a tool for identity, awareness and inclusion through theatre-in-education and documentary video.

photo: Origin8 Photography

10th December 2025

ISE 2026: Lawo to showcase scalable software solutions and IP based infrastructure

Spain – Integrated Systems Europe (3-6 February, 2026) in Barcelona has become the global benchmark for professional AV innovation, and Lawo is using this stage to demonstrate how IP-based technologies are transforming production environments across live events, theatres, opera and stadiums. At booth 5H700, the German manufacturer will showcase its scalable mc² mixing console range with extensive integration options, alongside the HOME platform and HOME apps ecosystem delivering both audio and video processing, solutions designed to meet the Pro-AV industry’s growing demand for flexibility, scalability and software-defined workflows.

From the smallest decentralised application using a fully virtual software panel or hardware-based mc² crystal controller, through the portable mc²56 MkIII 16-fader extender, up to a fully-fledged mc²56 MkIII console surface, mc² provides the right-sized front-end for any application. All solutions will be on display in Barcelona, featuring newly introduced fader bay pop-ups with touch control for faster, more intuitive operation in distributed set-ups, ideal for dual-operator workflows in large venues or portable solutions in smaller environments.

In combination with either the A__UHD Core or the HOME mc² DSP app or both, the front-end is as flexible as its back-end. New: HOME apps can now run in converged set-ups, where HOME and HOME apps are hosted on the same physical machine, reducing weight, rack space and power consumption, making the overall solution more cost-effective than ever. While the physical footprint continues to shrink, mc² processing power has reached new heights with the addition of three dynamic filter bands to every EQ module.

For venues dedicated to music and performing arts, Lawo offers native QLab integration and showcases an integration with zactrack’s premium tracking solutions for automated actor tracking and mute control, live at the booth in Barcelona. Experience how mc2 consoles can converge multiple show control and automation providers, allowing users to over-ride data live from the mixing console surface, while continuously transferring the object data to immersive sound rendering engines.

The Lawo HOME apps platform offers a wide range of audio and video processing tools, including audio shuffling and mixing, multi-viewing, format conversion, colour correction, downstream keying, essence delay and stream transcoding. As the Pro-AV and broadcast industry moves towards virtualisation and cloud-native workflows, Lawo’s HOME apps ecosystem adds processing to your network, by providing modular, software-defined tools based on standard COTS servers, allowing to seamlessly process SMPTE ST2110, AES67, SRT, WebRTC and NDI signals, with native Dante support being added moving forward.

Spin up required processing resources in seconds, when and where you need it, while utilising the same flexible licensing, all running on commodity hardware, no matter which type of audio or video processing the particular job of the day requires.

Need to convert SDI sources to IP? Lawo has you covered with the .edge Hyper-Density SDI/IP gateway and processing platform. This edge device not only bridges SDI and IP formats but also provides advanced processing capabilities, including audio embedding and de-embedding, channel shuffling and colour correction. Wherever high-density SDI/IP conversion is required, the Lawo .edge solution delivers seamless integration with powerful edge processing functions.

Lawo’s IP solutions are already setting standards in prestigious installations worldwide. Opera houses employ mc² consoles and A__UHD Cores integrated with the HOME platform to deliver immersive audio for opera and ballet events. Stadiums and large venues rely on SMPTE ST-2110 infrastructures to power 4K workflows for sports and major live events. Institutions such as parliaments use modern audio-over-IP infrastructures based on Lawo’s IP- and software-based portfolio for flexible, high-quality productions.

Visit Lawo at ISE 2026, Booth 5H700, and experience how software-based processing and IP technology can shape the future of your application.

5th December 2025

Modulo Pi Celebrates Its 15th Anniversary at Atelier des Lumières

5th December 2025

Robe’s T32 Cyc Wins the 2025 JTSE Award for Lighting Innovation

France – Robe lighting’s T32 Cyc has won an acclaimed Award for Lighting Innovation at the 2025 Journées Techniques du Spectacle et de l’Événement (JTSE) entertainment and production technology expo staged in Paris.

The show is one of the most important professional events in France for the performing arts and associated lighting industries.

The Award highlights a fixture that redefines cyclorama lighting, combining power, uniformity and precision in a format designed for the demands of modern stages and in collaboration with input from some leading lighting designers, opera houses and theatres.

Robe’s T32 Cyc features all the performance, tools, subtlety and control to make designs more exciting and visually stimulating, offering greater reach, smoother coverage and more visual impact than previous LED luminaires of this type.

It is low-profile and easily inter-connectable, containing powerful RGBBAL multi-chip LEDs that generate high light levels and faithfully reproduce the full-spectrum colours and tints loved by designers and directors worldwide.

The industry-leading Opti-6 6:1 height-to-distance ratio optical design – with a classic asymmetric beam – provides beautiful coverage, even when in close proximity to the cyclorama or surface, potentially freeing up more stage space for performers.

The T32 Cyc perfectly embodies Robe’s DNA and in-house engineering excellence, elevating the made in Europe concept with a sharp sense of invention, combined with a deep understanding of real-world applications.

Beyond the product, the JTSE Award recognition celebrates the vision, technical boldness and excellence that is at the essence of all Robe products and has special significance for both Robe Lighting France and Robe lighting s.r.o. as a prize judged and awarded by industry professionals, from a trade show renowned for high technical standards and quality attendees.

It also honours a product designed and manufactured in Europe, at a time when industrial sovereignty and equipment reliability are more important than ever for technicians, lighting designers and rental companies.

Winning the award further reaffirms Robe’s position as a market leader in stage and performance lighting, producing ever more innovative solutions for TV studios, theatres, touring productions and live events.

This distinction is also a direct tribute to the outstanding work of Robe lighting’s brilliant research and development teams based in the Czech Republic.

As technological pillars of the brand, they are at the heart of every Robe product launch and success and their expertise, creativity and commitment have again been recognised by the French market.

Robe Lighting France and Robe lighting s.r.o. extend their sincere thanks to the JTSE Awards jury, the expo organisers and Éditions AS, to everyone who supported the T32 Cyc during the voting process, to partners and clients for their trust; and to the entire Robe lighting s.r.o. R&D department for all the thought and invention that has gone into this outstanding product.

photos: Courtesy Robe Lighting France

4th December 2025

Innovation Park at ISE 2026: The Premier Destination for Investors Seeking the Next Big Idea

Spain – Integrated Systems Europe (ISE) will bring back Innovation Park for the 2026 edition. Building on its success in 2025, the expanded initiative in Congress Square connects investors directly with game-changing startups, maximising investment opportunities.

“Innovation Park is a dynamic marketplace where start-ups, buyers and investors can come together to explore the future of AV and systems integration,” explains Mike Blackman, managing director of Integrated Systems Events. “Whether you're looking for high-growth investment opportunities or groundbreaking solutions ready for implementation, Innovation Park is the place where ideas and opportunity meet. At ISE, we’ve always championed innovation and challenged expectations, and Innovation Park is the perfect example of how we continue to push beyond today to find tomorrow’s solutions.”

Alongside start-ups and first-time ISE exhibitors, Innovation Park criteria will now include companies returning after an absence of three years or more. To support this expansion, Innovation Park at ISE 2026 will feature 130 exhibition pods.

Centrally located in Congress Square, Innovation Park will once again bring together the Pitching Stage, programmed by start-up incubator Plug and Play, the revitalised Matchmaking Area designed for targeted business connections, the Investor Forum taking place on the opening day and a full programme of start-up networking events scheduled throughout the week.

Importantly, Innovation Park extends far beyond its investor-focused offerings. It remains a vital destination for AV buyers, integrators, distributors and decision makers who are seeking market-ready solutions, emerging technologies and innovative approaches to real-world project challenges.

Following its inaugural success this year, the Investor Forum will once again bring together innovators and the global investment community, including venture capitalists, private equity and corporate investors, for high-level networking, market insights and investment opportunities.

Taking place on the first day of ISE 2026, Tuesday 3 February, the Investor Forum will explore the full company lifecycle, from early-stage start-ups to late-stage succession planning.

Sean Wargo, conference chair and principal of Apogee Insight LLC, comments: “The Investor Forum at ISE 2026 will spotlight the progressive advancements within pro AV, providing extensive insights for businesses at all stages. A wide range of panels will cover investment types, from angel to corporate and M&A collaboration, as well as industry challenges and practical advice for start-ups. Additional sessions will explore government funding and highlight experiences from recently funded organisations to support the entire ecosystem.”

This half-day conference offers a unique platform for networking, learning and discovering the next wave of industry opportunities.

Innovation Park is not only a launchpad for emerging companies, it is also a valuable resource for AV buyers seeking early access to the most advanced tools, platforms and solutions entering the market. Across the week, attendees can explore ready-to-deploy technologies, meet founders and product specialists and gain insight into the innovations shaping the industry’s future.

As a proud supporter of nurturing talent, ISE was delighted to sponsor the ‘AV Start Up of the Year’ Award at this year’s AV Awards. The winner, Turtle AV, an Australian electronics manufacturer specialising in AV-over-IP, has been awarded a complimentary turnkey booth in Innovation Park at ISE 2026, along with the opportunity to present at the Investors Forum. This will enable Turtle AV to showcase its solutions to more than 85,000 international attendees, including investors, integrators, and decision makers, ensuring visibility across the full AV value chain.

Registration for ISE 2026 is open, so take your place among the visionaries, trailblazers and creative minds from every corner of the globe. Reserve your spot at the event where tomorrow’s innovations are unveiled and let’s push beyond what’s possible together. Register at: https://www.iseurope.org/welcome/registration

3rd December 2025

Industry Spotlights Evolving Skills and Careers Across Stage, Screen and Live Events

UK – Over 1,000 young people from across the UK gathered at Production Park in West Yorkshire recently week, as Production Futures ON TOUR showcased the wide and evolving range of careers available across the stage, screen and live events sectors. From production managers and lighting designers to creative technologists and virtual production specialists, the event demonstrated how both traditional craft roles and new technology-driven disciplines are reshaping the future of the industry.

With employers adopting new workflows, platforms and emerging technologies, industry leaders say this shift is creating clear opportunities for the next generation, particularly for young people with a blend of practical, technical and creative skills.

Industry voices emphasise collaboration and future-ready skills.

Lee Brooks, CEO, Production Park, said: “The creative industries don’t stand still. New formats, new platforms and new technologies, from live generative content to AI to virtual production, are creating roles today that didn’t exist even a few years ago. To keep pace, we need industry and education working hand-in-hand, anticipating what’s coming and preparing young people with the skills to thrive in it. Our aim at Production Park, in partnership with our on-campus higher education institution and industry training centre, Academy of Live Technology (ALT), is to make those pathways visible and accessible, because the opportunities for the next generation have never been greater.”

Finn Ross, co-founder, FRAY Studio, said: “Our industry is expanding beyond traditional production roles into areas that blend creativity with cutting-edge technology. The rise of the creative technologist – someone who can bridge artistic intent and technical innovation – is a perfect example. These roles don’t replace established crafts, they build on them. But they do require new capabilities, from understanding real-time tools to working with virtual production environments. Young people with a mix of technical confidence and creativity are going to thrive in this space.”

Hannah Eakins, founder and CEO, Production Futures, said: “Young people often don’t realise just how many rewarding, hands-on roles exist across production, live events, screen and digital industries. These careers are available across the whole country, and employers are actively looking for new talent.”

Rapid developments in AI, real-time engines, virtual production and new content formats are transforming how major productions, live events and digital experiences are delivered. As these technologies take root, new hybrid roles are emerging alongside long-established production crafts.

Research from Creative PEC shows that 65% of hard-to-fill roles across the creative industries are linked to skills shortages, while 78% of creative employers experiencing these issues suggest they affect high-skill occupations. Three quarters (76%) point to a lack of specialist and technical skills needed for the role and advanced or specialist digital skills are a particular concern for creative employers who were twice as likely to point to skills deficiencies in these areas.

Rather than signalling a shortage, industry leaders say this demonstrates the scale of opportunity for young people to step into areas such as broadcast engineering, virtual production, lighting programming, set construction, content creation and technical operations.

The UK’s creative and cultural industries remain a major national employer and growth sector. Government figures show that DCMS-linked industries support four million jobs, representing 11.7% of the UK workforce, with the creative industries alone accounting for 2.4 million roles across film, TV, music, theatre, design, software and more. 

3rd December 2025

London Light Beam Mystery Solved at LiGHT 25: KVANT’s Architect W1500B Turns the Capital’s Skyline into a Spectacle

UK – Londoners looking skyward on the evening of the 19th of November were met with an unexpected and captivating sight: a brilliant, razor-sharp beam of light piercing the night sky and reaching far beyond the city. The phenomenon quickly sparked speculation across social media and local news, with the source of the display now being fully revealed.

The light installation marked the opening of LiGHT 25, the UK’s largest exhibition dedicated to architectural, technical and decorative lighting, held at the Business Design Centre in Islington. Returning for its two-day showcase, the event brought together over 200 exhibitors and thousands of lighting designers, architects, specifiers and manufacturers from around the world. This year, LiGHT 25 successfully extended its presence well beyond the exhibition hall.

The dramatic skyline display was created by KVANT, the world-renowned manufacturer behind some of the most powerful and precise laser systems used in entertainment, public art and global events.

For LiGHT 25, KVANT deployed its Architect W1500B: a super-powered, full-colour static laser beam projector outputting 1,500 watts of laser light. In the entertainment and installation sector, it is arguably the most powerful commercially available unit of its kind.

Engineered for permanent illumination of skyscrapers and monuments or for short-term major events, the projector delivers a uniquely visible, static beam with a full 360° field of view. Its scale and clarity made it possible for the LiGHT 25 beam to be spotted from extraordinary distances, with sightings reported as far away as Calais, France.

With a fixture this powerful, safety was paramount. Because the Architect W1500B is a static beam rather than a moving one, risks to the public are significantly reduced, but it must be mounted securely, positioned out of reach and expertly guided.

KVANT worked closely with the LiGHT 25 production team and the Civil Aviation Authority (CAA) to ensure full compliance. Through advanced atmospheric modelling, precise optics and meticulous alignment, technicians delivered a display that was visually stunning yet fully controlled and safe for use in dense urban airspace.

The beam ran throughout the opening night of the show, quickly becoming a focal point of conversation among attendees, London residents and curious onlookers. Social platforms, quite literally lit up with photos and videos capturing the installation, generating significant media attention and “what is that light?” speculation across the capital.

According to organisers, that impact was entirely intentional.

Helen Ankers, [d]arc thoughts programme director of LiGHT 25 said, “KVANT’s beam was the perfect symbol for this year’s show. It expressed exactly what LiGHT 25 represents: ambition, innovation, imagination and the ability of cutting-edge technology to inspire. Watching London look up together was a proud moment for the lighting community.”

Martin Pelikán of KVANT added: “Our goal was to create a moment of pure visual excitement. Something that would spark curiosity and represent the creative energy of the lighting industry. The Architect W1500B is uniquely capable of achieving this impact with exceptional efficiency and minimal environmental footprint.”

Part of what made the installation so impressive was its efficiency. To recreate a similar effect using conventional lighting equipment, dozens of fixtures would be required, consuming far more power. The Architect W1500B achieves the same visibility as a single unit with remarkable economy.

Its light source also boasts a guaranteed lifespan of 20,000 hours, significantly outlasting comparable technologies intended for outdoor landmark illumination.

This ambitious installation served as the unofficial beacon of LiGHT 25’s expanded programme, which included live demonstrations, sustainability-focused discussions, product and solution showcases and the latest advances in illumination.

The beam overhead acted as a ‘luminous marker’, guiding professionals toward the venue and symbolising the event’s overarching theme: Where lighting and design unite.

As the exhibition wrapped up, organisers confirmed that planning for LiGHT 26, taking place on the 18th and 19th of November 2026, is already well underway, with expectations high for even more unforgettable moments.

photo: NLM Photography

26th November 2025

Bandit Lites Nominated Once Again for Parnelli Award for Lighting Company of the Year

USA – Bandit Lites has announced that it has once again been nominated for the Parnelli Award for Lighting Company of the Year for the groundbreaking work on the Billy Strings Tour. Teaming up with lighting designer Saxton Waller made for a jaw-dropping visual spectacle. Bandit remains the only firm to have been nominated every year since the inception of the Parnelli Awards, a distinction that underscores the company’s decades-long commitment to quality, innovation, and service.

With nine Parnelli Awards already to its name and an astounding 31 global industry awards overall, Bandit Lites stands head and shoulders above the rest. This continued recognition reflects the passion and dedication of every member of the Bandit team.

Bandit Lites celebrates Andy Knighton who has been nominated for Lighting Director of the Year for his stellar work with country superstar Jason Aldean. Knighton’s career spans more than four decades, including 28 years with Bandit Lites and features an impressive list of artists such as Rascal Flatts, Brooks & Dunn, Reba McEntire and Corbin Easton. Knighton previously earned the 2018 Parnelli Award for Lighting Director of the Year and his ongoing recognition is a testament to his talent, creativity and leadership.

“Being nominated for a Parnelli means the world to me! I’m still trying to figure out how that happened,” shared Knighton. “When you hear and read that you’re in a list of champions, you can’t help but look in the mirror and feel proud. It’s rewarding to still be relevant. Being a lighting director is more than just pressing buttons: alterations to both programming and design occur almost daily, and everybody looks at you to make those changes. I’ve always had the ability to think fast and create solutions, that’s the only thing I know how to do.”

Knighton went on to credit Bandit Lites and the team behind each production for his success: “Bandit Lites is more than simply a gear provider. This nomination is an exact example: there is more to Bandit than just a pay cheque. Bandit has allowed me to create relationships in the industry that I would have never been able to develop on my own. I wear the Bandit badge with honour and pride; without that badge, the accomplishments I’ve achieved would have a very different face.”

He concluded: “Hearing your name recited in a list of all-star associates, all worthy of a Parnelli Award, is indeed a satisfying and humbling moment. You just don’t get to this moment by yourself.” Bandit chair and Founder Michael T. Strickland added: “Bandit is incredibly honoured to again be nominated for this defining award. All of the amazing team members at Bandit strive every day to assure everyone will experience excellence and this nomination lets us know we have done just that. We want to give a big thank you to all the people that nominated Bandit in this great industry.”

The Parnelli Awards, often described as the ‘Oscars’ of the live event industry, recognise the best in touring and live event production. This year’s nominations further affirm Bandit Lites’ ongoing influence and leadership across the global lighting community. 

19th November 2025

Introducing Spark: A show of unity for creativity and technology at ISE 2026

Spain – Integrated Systems Events has announced the launch of Spark, a new four-day showcase event dedicated to cross-vertical creative connectivity.

Incubated by Integrated Systems Europe (ISE) within its 2026 edition from 3-6 February at Fira de Barcelona, Spark will serve as a hub for creative professionals, technologists and decision-makers to connect, share ideas and explore the future of creativity from the power of convergence and cultural intelligence to new approaches in collaboration, immersive storytelling, AI and innovation. Blending hands-on labs, immersive environments, thought-leadership sessions and networking opportunities, Spark is designed to inspire both current and next-gen creative talent, offering a playground to experiment with new tools, exchange perspectives and experience creativity in action.

Spark will be built on ISE’s legacy for event design in the tech space extending the show’s reach into the adjacent and often overlapping creative economy.

With a mission to tackle the ‘Connection Paradox’, a world that is hyperconnected yet increasingly fragmented, Spark aims to assemble creative professionals around tech, tools and platforms that unlock sharper experience design, compelling storytelling and improved audience engagement. By blending the reach of digital technologies with the impact of in-person experiences, attendees can expect to not only gain exclusive access to cutting-edge tech, but also to valuable resources, professional networks including the investor community, and opportunities for personal development that can accelerate their projects and strengthen their creative practice.

“Spark connects the brightest minds in creativity and technology to push beyond, stimulate new ideas and redefine what’s possible,” explains Mike Blackman, managing director of Integrated Systems Events. “With boundaries between creative disciplines fading, Spark highlights how broadcast is merging with gaming and design integrates with live events, offering a firsthand look at the future of cross-industry collaboration. By combining the seamless connectivity of creative technology with the immersive energy of live events, Spark is more than a showcase, it’s a blueprint for the future of creative innovation.”

The boundaries between creative disciplines are fading fast. At Spark, attendees will see how areas such as gaming and broadcast, design and live events intersect, reflecting a broader shift toward convergence and collaboration over competition.

This evolution is expressed through immersive LED environments, spatial audio demonstrations, AI-enhanced production workflows and interactive storytelling, clear examples of how technology and creativity continue to advance together.

Structured around four high-impact tracks: broadcast, live events, gaming and marketing and design, Spark fosters real-time collaboration between creatives and technologists, encouraging cross-learning across all sectors. Here, broadcast intersects with gaming, design fuses with innovation and AI empowers human imagination, all through live demos, installations, participatory workshops, keynotes, panels, fireside chats and visionary discussions.

Spark’s content programme equips creative leaders with the knowledge, resources, and mindset to thrive in a converging creative economy, while connecting them with a global network of trailblazers and celebrating diversity, sustainability and purpose.

Spark’s debut marks the start of aligning Integrated Systems Events’ technology expertise with the creative industries. Set to grow into a stand-alone event in the coming years, it continues to be a show where boundaries fade, ideas ignite and creativity converges. Learn more about Spark at https://www.iseurope.org/spark.

14th November 2025

ISCVEx 2026 Announces Seminar Programme

UK – The Institute of Sound, Communications & Visual Engineers (ISCVE) has announced the seminar line-up for ISCVEx 2026, taking place at Coombe Abbey on 17–18 March 2026.

This year’s programme brings together leading voices from across the AV, communications and security sectors, tackling some of the most pressing topics facing professionals today.

Industry Forum – Tuesday 17 March 2026

Paul Davidson, Teams 9

The Criticality of Cybersecurity in Voice Communication: Preparing for Martyn’s Law

Drawing on a distinguished career in the Metropolitan Police and UK security services, Paul Davidson will explore the implications of Martyn’s Law for ISCVE members, focusing on cybersecurity risks in voice communication and practical steps organisations can take to prepare.

ISCVEx Seminars – Wednesday 18 March 2026

The Hopkins-Baldwin Seminar

Dr Brian Shannan, University of Edinburgh

Integrating Deaf Voices in Educational Design: An Automated Alternative to Loop and Auracast Systems for the AI Era

Dr Shannan presents a new approach to assistive listening that integrates digital sound, speech-to-text and AI tools, showing how embedding deaf perspectives into design ensures truly inclusive educational environments.

The Warren-Barnett Seminar

Mark Bailey MInstSCVE, MBAV Ltd

Specifications – Truth or Lie?

From exaggerated product claims to misleading specifications, Mark Bailey highlights the challenges AV professionals face in separating fact from fiction and offers guidance on how to evaluate manufacturers’ credentials with confidence.

The Walker Seminar

Adam Page, Vanguardia (a Buro Happold Company)

UNVRS Nightclub Ibiza – Venue Acoustics and Audio Design

Adam Page takes us inside the design of UNVRS, a state-of-the-art nightclub that redefines the Ibiza experience with world-class audio and acoustic performance. The project demanded an immersive, high-impact sound environment within a venue that remains virtually inaudible beyond its walls.
This presentation explores the key stages of the design process, including:

• Audio system design and technology implementation
• Acoustic finishes design and modelling
• Sound insulation and noise egress control

Registration is now open

11th November 2025

ABTT Announces Fourth Edition of MAKE A DiFFERENCE Conference Focusing on Lifelong Learning and Development Beyond Formal Education

UK - The Association of British Theatre Technicians (ABTT) has announced the fourth edition of its proactive annual event: the MAKE A DiFFERENCE Conference, returning in 2026 with a focus on bridging the gap between formal training and ongoing professional development in the theatre and live performance industry.

The 2026 MAKE A DiFFERENCE conference will be held on Thursday 16th April 2025 at Bathway Theatre, University of Greenwich, Bathway, Woolwich, London SE18 6QX. The theme is Continuing to Learn Beyond Education.

The year’s theme will focus on the employment sector as we explore how we can improve learning and development outside our formal higher education training schemes. 

By bringing together both sides of the industry, those that teach and train, together with employers we will break down the discourse between the two sides and work together to improve the career journey of our future backstage workers. 

Unlike traditional conferences, the MAKE A DiFFERENCE conference  is fully participatory. Attendees are not passive listeners, they are active contributors. Delegates are invited to share views, shape strategies and commit to real actions that help address the challenges discussed.

The day is structured to nurture communication, encourage joined-up thinking and maintain the vital link between training providers and the workplace, ensuring our industry evolves with the needs of both new entrants and established professionals.

The conference will address five key areas of development:

• Rethinking Workplace Inductions – looking beyond health and safety to foster long-term integrationSupporting Continued
• Personal Development – helping skills transfer across venues and sectors (e.g. music, live events) Understanding Generational
• Dynamics – exploring intergenerational learning challenges and opportunities
• Establishing and Evolving Industry Standards – building shared understanding across employers and educators
• Envisioning Lifelong Learning – redefining training as an ongoing journey, not a destination

This year’s event is supported by academic staff from Guildford School of Acting (GSA) and the Centre for Creative Futures at University of Greenwich, guiding and facilitating discussions that will lead to practical outcomes for the industry.

MAKE A DiFFERENCE founder and senior lecturer at Guildford School of Acting, Mig Walsh commented: “Another great topic being explored at this year’s MAKE A DiFFERENCE Conference. I can’t wait to host and get stuck into this provocative title. As a teacher it’s my job to train our next generation of backstage workers, but I can’t possibly train the nuances and specifics of your venue, job or role; that’s the job of the employer.  Come to this year’s event where we can work together to develop a lifelong approach to training and development.”

Liz Sillett, ABTT chief executive, stated: “It’s fantastic to be presenting the fourth edition of the MAKE A DiFFERENCE Conference. I’m grateful to the University of Greenwich for partnering with ABTT and GSA to deliver this event. Past conferences have proven to be truly impactful and I hope the 2026 event will help even more delegates make meaningful progress in shaping the future of backstage learning.”

David Hockham SFHEA, NTF – associate professor in higher education and scenography at University of Greenwich added: “I am delighted to be co-hosting this event at the University of Greenwich’s Bathway Theatre, sharing provocations which supports us to rethink continued learning within our industry.”

Get involved,–register your interest. Spaces are limited and the ABTT encourages businesses, employers, educators and training providers to express their interest early.
Register your interest on the MAKE A DiFFERENCE Conference 2026 Expressions of Interest Form at https://www.surveymonkey.com/r/Preview/?sm=qdnKR2sksG6GJEv_2FA1O23qd0yDHvqpBw6J9kiK0w9LI2Px7pUnlRZXjr9CMByTyO.

As part of the registration process, attendees will be asked to commit to the MAKE A DiFFERENCE participation agreement, which encourages everyone to leave the event with a clear, feasible action plan to improve recruitment, retention and professional development across the industry.

They will also be invited to attend an online pre-conference meeting which is scheduled for the 1st April 2026 12:30pm – 1.30pm to let them know what to expect on the day of the event.

To learn more about previous conferences and outcomes including discussions on “Rethinking backstage technical teaching and apprenticeships”, “Solving Our Industry’s Recruitment & Retention Crisis” and “Bridging the Gap Between Education and Employment”, visit here. 

The MAKE A DiFFERENCE Conference is more than an event—it’s a campaign for change. This year’s conference is brought to you with the support of GSA and The Centre for Creative Futures in the Institute of Inclusive Communities and Environments at the University of Greenwich who are collaborating with ABTT towards a sustainable and ethical future for the theatre industry. Join them as they work collaboratively to shape the future of the industry.

22nd October 2025

ISE partners with EduTech Cluster and Fira de Barcelona for EdTech Congress 2026

Spain – Now in its 12th edition, EdTech Congress Barcelona will run alongside ISE, taking place on 4–5 February 2026 at the Palau de Congressos, Barcelona. The two-day event, co-hosted with ISE, is one of the leading events in the education calendar. Under this new partnership, the organisations aim to take the event to the next level and broaden its international reach, creating a unique platform where ideas can flourish, visions can converge and the future of learning and technology can be transformed.

The involvement of ISE marks a pivotal moment in EdTech Congress Barcelona’s evolution as it enters a new phase focused on driving innovation in education and advancing professional development, reinforcing its commitment of creating a purpose-led community. Following the congress’s success at the beginning of the year, hosting 52 exhibitors and welcoming 1,643 attendees consisting of education decision-makers and public authorities, ambitions for the 2026 show are high. With an extensive content programme rich in industry knowledge, the next congress will focus on AI and delve into its ability to effectively enhance education processes and environments. 

Ramon Eixarch, President of EduTech Cluster states: “This collaboration is a milestone for the European EdTech ecosystem. By joining forces with ISE and Fira de Barcelona, we are creating a global platform where educational leaders, innovators and technology providers can come together to shape meaningful, scalable solutions. Our focus on AI for the 2026 edition reflects our belief that technology, when used with purpose, can empower teachers, engage students and close learning gaps worldwide.”

And Constantí Serrallonga, general manager of Fira de Barcelona adds: “At Fira de Barcelona we are excited to take this project forward as it aligns with our core values of promoting innovation in fields with a high impact potential. What's more, we consider it a privilege to act as a bridge between two professional sectors, audiovisual and education, so that, together with the latest technology, we can drive changes that take society forward.”

This strategic partnership reinforces ISE’s commitment to Barcelona and its evolving legacy within the city. ISE plans to continue its investment into the edtech market, recognising its growing importance, with initiatives such as the Connected Classroom, making a return for ISE 2026. Debuting at ISE 2025, the Connected Classroom, powered by Logitech, was an immersive showcase experience, boasting the latest edtech innovations in a 120sqm classroom set up, highlighting the possibilities for the future of ‘connected’ learning.

“I’m delighted to share this collaboration, which underscores our commitment to advancing innovation and thought leadership at the intersection of education and technology," comments Mike Blackman, managing director at Integerated Systems Events. “By co-hosting the event, we aim to introduce attendees to forward-thinking concepts and transformative products that can enrich learning environments. Together, we are creating a platform that pushes the boundaries of 21st-century learning and inspires the design of the classrooms of tomorrow.”

Together, ISE, EduTech Cluster and Fira de Barcelona are crafting a unique partnership, one that invites visitors to join and shape the future of education and systems integration.

Visitor registration for EdTech Congress Barcelona 2026 is now open. Follow this link to get an additional 10% discount on top of the early bird rate: https://registration.firabarcelona.com/?cod_prom=BYTV69WZ#/en_GB/J202026/WEB

22nd October 2025

Pixels.Partners.Possibilities – AbsenLive empowers the stage for 2025 EU Partner Summit

Portugal – Absen, a global leader in LED display technology, has celebrated its milestone achievements and plans for the future for subcategory brand, AbsenLive. In celebration, over 60 exclusive partners gathered for the 2025 Absen European Partner Summit.

Taking place in the Portuguese capital of Lisbon, the Summit gave Absen the opportunity to bring together high-level partners from across Europe to share industry insights, inspire new projects and to thank its collaborators for their on-going support.

Sponsored by leading industry brands, Disguise, NovaStar and Kommander, partners begun the two-day event with an engaging conference. Absen welcomed its guests with a comprehensive company and strategy update, highlighting industry growth and unveiling ‘The Next Generation of Live Technology’, a forward-looking exploration of pixel innovation and LED advancements. Yoav Slimobich from AVIXA followed with an insightful market update, providing a thorough overview of current industry trends and growth.

From pixels to partners, sponsors and industry partners shared exclusive insights during panel discussions and interviews, addressing the latest challenges facing the live events sector. Hannah Eakins, CEO of Production Futures, offered practical strategies for tackling the growing pressures of sustainability within the industry.

From partners to possibilities, the event finished with sessions that showcased the full capabilities of Absen LED, featuring case study presentations and interviews from a diverse range of partners.

The conference concluded with an interactive showcase, giving attendees the chance to experience AbsenLive’s latest products firsthand, each engineered for the high-end rental, staging and virtual production/xR markets. Featured displays included the award-winning SA Series, the flagship JP Pro and the cutting-edge PL Series, with Absen’s expert technicians providing in-depth demonstrations throughout the session.

The day’s activities were followed with an unforgettable evening set against breathtaking panoramic views, where guests enjoyed a welcoming cocktail reception, a three-course dinner and an awards ceremony honouring key partners for their outstanding achievements over the past year.

On the final day, guests had the opportunity to meet with their key Absen account teams and explore the sights of the city or enjoy a day of golf.

Emma Liu, general manager of Absen comments: “Returning by popular demand, the Absen EU Summit provides an invaluable opportunity for us to bring together high-level collaborators, industry leaders and innovative technology providers to drive mutual success. AbsenLive’s expanding network of global partners and strategic alliances empowers partners to grow alongside the brand. By fostering open dialogue and shared expertise, AbsenLive keeps innovation, service excellence and profitability at the heart of every collaboration, accelerating growth and raising industry standards worldwide.”

2025 marks 25 years of Absen as a pioneer in LED display innovation. Founded in 2001, the company has grown into a global powerhouse, delivering advanced LED solutions to more than 140 countries and regions. Over the years, Absen has continually advanced visual technology, transforming the way audiences experience digital content, immersive environments and storytelling across diverse industries. The company remains dedicated to innovation, raising performance standards, and creating shared value throughout the worldwide LED ecosystem.

15th October 2025

AI Trailblazer Sol Rashidi Announced as Keynote at ISE 2026

Spain – In an exciting move for attendees of the world’s most innovative pro AV and systems integration event, Integrated Systems Europe (ISE) has secured Sol Rashidi as a keynote speaker for ISE 2026. Sol will take the stage at 13:00 on Wednesday, 4 February. Her participation perfectly mirrors ISE’s 2026 theme, ‘Push Beyond,’ inviting the industry to explore every opportunity and redefine what’s possible.

Rashidi’s keynote, titled ‘The AI Reality Check: What It Takes to Scale and the Future of Leadership’, will take a deep dive into how AI is no longer just a buzzword, it’s a battlefield of hype, half-truths and hard realities. Executives are under pressure to act quickly, yet many make decisions based on noise rather than fact. In this keynote, Sol will cut through the fiction to reveal what’s truly happening in the AI marketplace, sharing frameworks, models and the essential role of AI Governance and cybersecurity as core enablers for scaling. Drawing on her experience, she will outline how to evaluate AI initiatives and safeguard data, workforce and competitive advantage.

Widely known for her groundbreaking work in the field of business innovation and technology, Sol’s career has spanned four C-suite roles across Fortune 500 companies. As the world’s first chief AI officer for enterprise in 2016, she led AI and data initiatives at Sony Music, Merck and Estee Lauder, before moving to Amazon as the company’s tech executive. She holds ten patents and is the best-selling author of ‘Your AI Survival Guide’ which is listed as one of the ‘Top 50 AI’ books. To date, Sol has participated in three TEDx speaker sessions with accumulated views of over one million and voted FORBES’ ‘AI Maverick & Visionary of the 21st Century,’ as well as ‘Top 5 Leaders Taking AI to Everyone’.

Alongside her pioneering career, Sol developed ‘The Human Amplification Index’, a new way to measure ROI to determine how well companies are strengthening their business and workforce through AI. She also offers ‘Intellectual Atrophy’ education to ensure companies and organisations outsource tasks and not critical thinking in the age of AI. Sol played a pivotal role in developing and launching IBM’s Watson in 2011 and now has over 200 deployments under her belt. As both a practitioner and an executive, Sol has earned accolades including ‘50 Most Powerful Women in Tech’, ‘Top 100 AI Thought Leaders’ and ‘Top 100 Data & Analytics Leaders’.

Sol Rashidi says: “The challenge isn’t adopting AI, it’s leading with it. I look forward to ISE 2026 to show how separating hype from fact, implementing strong governance and integrating cybersecurity makes all the difference.”

“We are honoured to host Sol Rashidi and we can’t wait to hear her keynote at ISE 2026,” adds Mike Blackman, managing director of Integrated Systems Events. “Sol’s visionary approach, extensive experience and deep understanding of the evolving business landscape will undoubtedly inspire and empower our attendees to push beyond the general realms of AI. We’re looking forward to Sol bringing her expertise to ISE as she sits at the intersection of top-tier leadership in AI, technology and corporate strategy while bridging innovation with business impact.”

Don’t Miss Your Chance to Be Part of What’s Next

Registration for ISE 2026 is now open, so take your place among the visionaries, trailblazers and creative minds from every corner of the globe. Reserve a spot at the event where tomorrow’s innovations are unveiled and let’s Push Beyond what’s possible, together. Register here to Push Beyond.

This is your invitation to be more than just witness the extraordinary, come and be part of it: https://www.iseurope.org/.

15th October 2025

Lawo at Tonmeistertagung 2025: IP-Based Audio Solutions for Broadcast, Recording and Live Performance

Germany – From 12–15 November, 2025, Lawo will present its latest innovations in professional audio production at the 33rd Tonmeistertagung, held at the Congress Center Düsseldorf (CCD). As a pioneer in IP-based technologies for audio, video and control, Lawo will showcase at booth 43 how virtualisation, workflow optimisation and seamless integration are redefining production environments across broadcast, theatre, opera and live events.

The new software release 12.2.0 brings significant upgrades to Lawo’s mc² series mixing consoles, tailored for high-demand productions. A standout feature is the expanded EQ module, now offering three dynamic bands per channel alongside the existing four fully parametric static bands, delivering enhanced tonal control and precision.

New channel strip displays – with up to three mini-displays per strip – provide improved visual feedback. Combined with decentralised touch control of the processing channel, these updates offer greater operational flexibility, especially in distributed systems and dual-operator workflows. Additionally, decentralised fader user buttons now support direct layer and bank switching via hardware keys, which can also be configured as additional user buttons.

For theatre and live productions, Lawo introduces native integration with QLab. With the release of QLab 5.5, Lawo’s OSC Showcontrol interface is now fully supported, enabling intuitive control of snapshots and scenes directly from QLab, without the need for manual OSC command input. Combined with generic OSC functionality and ADM-OSC from release 10.12.0, this integration empowers automation of complex show workflows, ideal for theatres and opera houses. These new features will be demonstrated live at the booth using Lawo’s renowned Vivace 3D processing engine.

At booth 43, visitors can experience a hands-on live demonstration. Using the mc²56 production console, Lawo will show how even complex production requirements can be handled efficiently and intuitively. Attendees will have the opportunity to explore the console’s performance and operational flexibility firsthand. Additional demonstrations will highlight how everyday tasks such as multi-viewer integration, preview camera handling, and embedding/de-embedding can be managed seamlessly using the HOME Apps Platform and .edge.

For the first time, Lawo will also present Sequoia control integration, available directly on the mc²56 or via the mc² crystal controller. These features underscore Lawo’s commitment to delivering holistic solutions for modern, IP-based production workflows by combining maximum flexibility with intuitive operation.

Visit Lawo at Tonmeistertagung 2025 and discover how IP-based technologies are transforming professional audio production. Explore solutions designed for broadcasting, theatre, opera and live events, setting new standards in flexibility, efficiency and audio excellence. 

15th October 2025

Production Futures Adds New ‘Industry’ Categories to Awards

UK – With nominations now open for its Breakthrough Talent Awards 2025, Production Futures has announced the addition of two new categories which highlight the great work of the industry itself in supporting and developing emerging talent. Whilst the principal focus of the Awards remains on recognising the achievements of newcomers across the production industries and seeking to inspire future generations, Production Futures CEO Hannah Eakins is keen to shine a spotlight on those companies and organisations who are leading the way by promoting initiatives and pathways for newcomers to the production industries, as she explains: “The two brand new categories: ‘Industry Initiative Supporting Emerging Talent’ and ‘Organisation Championing Diversity and Inclusion’ reflect the importance of welcoming and supporting newcomers to the industry. Put simply, the future of live events, festivals, TV, film, broadcast, AV, touring, theatre and corporate events, depends on creating safe, inclusive and happy working environments for emerging talent; none of it thrives unless organisations open doors, create fair opportunities and actively invest in the next generation.

“These two awards celebrate the work of companies who are committed to effecting positive change, paying it forward for the benefit of the next generation by setting powerful examples of good industry practice. Nominations for the categories are invited from companies and individuals across the production industries via our website.”

Sponsored by Production Futures’ key industry partners, the Breakthrough Talent Awards now extend to 23 categories, reflecting the diversity of opportunity within the production industries. The Awards will be presented on 27 November at Production Park, Wakefield, at the organisation’s largest ON TOUR show to date. The show promotes employability, transferable skills, diversity, free training and networking, as well as presenting paid work opportunities to newcomers across the live event and broadcast production industry.

23rd September 2025

Martin Audio / TiMax takes centre stage as Open Day bandwagon moves to Massachusetts

USA – The Martin Audio /TiMax series of roadshows moves to Massachusetts for its next US Open Day, which will take place on 28 October, with separate presentations and product demonstrations at 11am and 2pm. Hosting the event this time are Charles River Studios (Studio A), based at 495 Turnpike St. Canton, Massachusetts 02021.

The US team will be on hand to present and talk to attendees about upcoming projects and the attributes and potential applications. They will demonstrate Martin Audio FlexPoint, TORUS constant curvature and Wavefront Precision optimised line arrays, as well as TiMax immersive audio solutions, all of which will be featured.

But pride of place will go to Martin Audio’s new BlacklineQ. This series is a reimagining of the iconic Blackline range delivers improved passive two-way point source loudspeakers, all-new column speakers and a suite of subwoofers. The entire series features intelligent design details, making it equally at home in portable or install applications.

This will be matched by Martin Audio’s customary hospitality and refreshments will be served throughout the day.

Commenting on the choice of venue, Lee Stein, VP North America, said it was time to return to the north-east US and Martin Audio colleague Martha Callaghan had suggested the venue as she was familiar with the facility. “We chose Boston as we hadn’t done an event of this scale there previously,” he said. “Martha thought it would be perfect, both functionally and locationally, for a Boston based Open Day.”

As for BlacklineQ, he added: “We’re very excited to debut this product. It expands what the previous BlacklineX offered by featuring different form factors, configurations and dispersion horns. The customer response and interest have been immediate and overwhelming and customers will be delighted to hear what these speakers can do.”

 Register at https://www.eventbrite.co.uk/e/martin-audio-and-timax-us-open-day-tickets-1527183098759?aff=oddtdtcreator

16th September 2025

Claypaky and Entedi at PLASA 2025: Lighting Up the Future of Entertainment

UK – Claypaky and Entedi welcome you to the PLASA Show, the unmissable event for professionals in the entertainment technology industry. Explore cutting-edge advancements in lighting, audio, AV, rigging and staging, and connect with the creative minds driving unforgettable live experiences. Visit Claypaky and Entedi at Stand E20 and see how they are pushing the boundaries of entertainment lighting technology.

At PLASA 2025, Claypaky is unveiling a groundbreaking innovation in a world premiere: the Arolla Aqua HP. This product marks a major milestone for the industry and will be revealed for the very first time in London. Alongside it, it will showcase its latest releases from the past year, innovations that have already achieved major success and international recognition.

Claypaky and Entedi are delighted to have you join them for a special celebration of Claypaky’s 50th anniversary, taking place on Monday 8th during the show (4.00pm-7.00pm), an evening of connection, reflection and celebration of five decades of innovation with pizza, prosecco, cake and a lot of Italian flair. 

The Arolla Aqua HP is the most powerful fixture in the Arolla Aqua series, designed for lighting professionals who need a versatile, high-performance, all-weather moving head. Equipped with a custom 1400W white LED engine that delivers over 60,000 lumens, it provides exceptional brightness, precision and creative flexibility. Its rugged design ensures reliable indoor and outdoor use, making it ideal for touring and demanding environments. The fixture features a 220mm front lens, producing intense, sharp beams that remain impactful over long distances. With a zoom range of 3.6° to 55°, it seamlessly transitions from narrow beams to wide washes, making it perfect for key lighting, aerial effects and dramatic visual displays.

Ultimo Sharpy sets a new standard for compact beam fixtures. Evolving from the iconic original Sharpy, this next-gen IP66-rated moving head is brighter, faster and more durable. It features a custom 250W OSRAM HID lamp for maximum output and sustainability. Designed for any environment — indoor, outdoor, live, or broadcast — it delivers razor-sharp beams, smooth movement, and an outstanding power-to-size ratio.

Arolla Aqua LT is a cutting-edge LED moving head combining extraordinary brightness, pin-point precision and advanced control in a robust, weather-resistant IP66 design. Equipped with a custom 900W white LED light source, it delivers over 40,000 lumens. The Arolla Aqua LT's centre-weighted peaked beam is optimised for a more consistent illumination and quality of light. An external digital camera version is available, Arolla Aqua LT FS (code CL3041), ready for followspot applications allowing operators to control the fixture remotely.
 
Arolla Aqua Wash HC is a versatile LED single-lens wash light that combines exceptional colour accuracy with cutting-edge features. Engineered for performance, it delivers a uniform, soft beam of light that’s perfect for illuminating large surfaces and creating captivating atmospheres at any event. With an IP66 rating, it’s designed for both indoor and outdoor use, ensuring reliability in any weather. At its core is a 960W custom white LED engine (6500K), featuring a high CRI of up to 95. Arolla Aqua Wash HC integrates TrueCurve innovation, an RGB LED system that allows precise calibration of whites by controlling green and magenta shifts.

Tambora Stormy Linear redefines strobe lighting, merging raw power with artistic precision. Designed for creators who turn light into emotion, this hybrid fixture delivers ultra-bright, pixel-controlled graphical bursts that cut through darkness with immersive impact. Engineered for seamless modularity and built at the crossroads of innovation and creativity, it transforms productions into visceral experiences audiences don’t just see, they feel.

Tambora Glare: Lighting design is all about creating the right atmosphere. It's about evoking emotion, telling a story and making every moment shine. Tambora Glare is here to take your lighting designs to the top, merging vintage aesthetics with cutting-edge technology. Whether you’re designing for a dynamic EDM festival, a theatrical production, or a live TV broadcast, Tambora Glare delivers unparalleled performance and visual impact. Let's dive into its standout features!

In the ever-evolving world of professional lighting, boundaries are meant to be broken. Enter Volero Twins, the revolutionary hybrid fixture that refuses to be categorised. With dual powerful engines working in harmony, it delivers true versatility without sacrificing performance. This groundbreaking solution combines the creative freedom of effect lighting with precise moving head capabilities, featuring pan, tilt and zoom functions while maintaining the solid, volumetric beam that defines premium effect lights.
Volero Cube is a brand new, multi-function, multi-effect moving head is a real “four-in-one fusion fixture” boasting four powerful 60W RGBW LEDs and plus-shaped cool white LED strips for strobe that can be pixel-to-pixel controlled allowing for blending different levels of effects and unleashing your creativity like never before.

www.claypaky.it 

8th September 2025

Outline and CUK Showcase P, A and H Series at PLASA

UK – The P Series introduces a new generation of portable coaxial point-source systems, spanning from the ultra-compact P4 to the powerful dual-15" P30. Each model benefits from advanced port geometries that minimise turbulence, ensuring cleaner low-frequency output and precise time alignment that preserves phase integrity (in both mono and bi-amped configurations). Combined with their coaxial design, these refinements deliver accurate, consistent coverage and clarity across applications, setting a new benchmark in portable system performance.

The A Series embodies the motto: “Sonic excellence finally rhymes with Architectural elegance.” While slim column loudspeakers are often judged by their looks, the A Series proves that discretion and design can be matched by authentic audio fidelity. These ultra-compact systems extend Outline’s tradition of premium sound into a form factor that pleases both the eye and the ear.

The H Series is driven by a simple principle: “Utmost accuracy at vocal range in acoustically challenging spaces.” Conceived to project intelligibility into venues never intended to host sound reinforcement, these cardioid column systems achieve clarity and control without the need for costly digital beam-steering, simply through smart design and practical coverage.

“Innovation only matters if it makes the job easier and the outcome better. The P, A and H Series do just that, offering portability, architectural elegance and intelligibility where it counts by combining smart engineering with Italian design for clarity, control and rapid deployment. Together with CUK, we’re raising the bar for practical, premium sound,” said Fernando Rey Méndez, sales and marketing director, Outline.

8th September 2025

Relive the Oasis Live 25 Tour with AbsenLive at PLASA

UK – AbsenLive, the dedicated live events category brand from Absen, is recreating the Oasis Live Tour LED set at PLASA Show 2025. From 7–9 September at Olympia London, the ‘AbsenLive Experience Zone’ (located in the Oly Room) transports visitors back to experience the band on stage once more.

For this special feature at PLASA, the production team behind the official tour is partnering with Absen to provide an exceptional visual experience in the AbsenLive experience zone. Disguise will be powering the screens, while Brompton will be handling the processing. Additionally, Adam Hall is supplying the lighting and sound to ensure a first-class production.

Absen’s VN4.8 Pro, used for all sold-out UK tour dates this summer, will take centre stage, immersing visitors in the energy, the sights and sounds alongside live footage and photography of the comeback tour. Whilst touring the country, this large display was positioned prominently on stage, showcasing a range of visual content and serving as a dynamic and impressive backdrop for the performances.

Alongside the Oasis set-up, there are additional staging options for live events showcased, including the ultra-lightweight SA2.6, SA1.9 and SA2.6-C from Absen’s Saturn Series. The range offers versatile performance across a variety of configurations to give staging professionals the flexibility and efficiency needed for fast-paced live event environments. The high-impact Jupiter Pro Series’ JP8 Pro is also on display, demonstrating its remarkable visuals and streamlined installation capabilities, making it the ideal solution for touring. In addition, visitors can explore the AbsenLive hands-on area: an interactive space designed to encourage a closer look at the SA2.6 and SA2.6C from Absen’s rental and staging portfolio.

The AbsenLive experience zone at PLASA invites visitors to explore the full breadth of its premium technology with each solution crafted to meet the fast-evolving demands of touring and live event production.

“PLASA is the perfect platform to demonstrate our evolving capabilities in rental, staging and virtual production,” says Darren Jackson, business development manager, AbsenLive. “We’re excited to return to the event with our monumental Oasis project, showcasing how Absen technology continues to elevate live experiences.”

On Monday 8th September from 16:00 – 18:00 there will be an exclusive performance from Shoasis, the UK’s leading Oasis tribute band, at the AbsenLive experience zone in the Oly Room (located near the Olympia Grand entrance) during PLASA Show 2025.

8th September 2025

Showlight 2025 – Hot from Dijon, Showlight 2025 releases the first of its Speaker presentation videos

One of the most successful gatherings to date, Showlight 2025 was welcomed back with open arms as it hosted a record number of delegates in Dijon for three days of lighting, gastronomy and conviviality.

You too can get a taste of what this perennial lighting quadrennial is about with the release of the first two speaker presentation videos from 2025. These can now be viewed on the Showlight website at: https://www.showlight.org/videos

This month Brad Schiller and Lucy Carter are featured.

Brad Schiller’s presentation on improving workflows using GDTF has been the most requested presentation to date, with Showlight delegates citing it as a brilliant demystifying of the intricacies of General Device Type Format and a fantastic tool for teaching students, technicians and experienced professionals alike.

With almost 40 years of experience, Brad is an author, designer, programmer and consultant who has also worked for manufacturers including High End Systems, Vari-Lite and Martin. He has recently joined GLP as director of lighting technology engagement.

Award-winning LD, Lucy Carter, by way of contrast gave an insight into her creative process when lighting dance, ballet and stand-alone light works, showing stunning illustrations of her work in which she imbues the light with the organic character of another dancer or performer, not just a reactive medium.

Working across many creative mediums, Lucy has worked with some of the top directors, choreographers and creative teams globally, to produce unique, eclectic and critically acclaimed lighting designs, with a vibrant and abstract style.

These are the first in a series of periodic releases, with more speaker presentation videos going live in the months to come as we move towards Showlight 2029.

Ever wondered what Showlight is about? Well here’s what some of the industry’s leading publications say about Showlight 2025, just pop over to https://www.showlight.org/press to read the reviews and reports.

What better way to make sure you save a space in your diaries for Showlight 2029!

In picture: Brad Schiller and Lucy Carter 

8th September 2025

Robe at PLASA 2025

UK – Robe has a big presence at the PLASA London expo in Olympia, on stand A70 and is launching six fabulous new products: T3 Profile, iPAINTE LTM, SVOPATT Classic, Footsie1 MC and Footsie2 MC plus the super cool new PowerDolly.

These are available in one of the demo theatres for interested parties to see up close and to receive detailed demonstrations.

A new expo cycle live performance concept show “Excalibur” is also premiered. This is full of cool, high-impact surprises and gravity-defying performance thrills from acrobat Oskar Skrypko, plus surprise guests.

Produced by Robe’s in-house creative team, “Excalibur” riffs on the delight and drama of Arthurian legends, complete with the ‘lights of the round table’ and the magical sword, all with a contemporary twist and a thumping specially compiled soundtrack, capitalising on the excitement of PLASA being staged in London, one of the world’s major entertainment capitals.

The show lighting design involves over 300 fixtures chosen from current product lines, including SVB1, SVOPATT, iESPRITE LTL, iFORTE LTX, PAINTE Fresnel, WTF!, LedPOINTE, T15 Fresnel, iT12, iBOLT and Footsie, as well as RoboSpot. The show is demonstrating all of these first-hand in a live real-world situation for which they have been developed.

“Excalibur” plays five times a day throughout the PLASA expo, with the first show of each day starting at 11am.

All of Robe’s businesses are located on adjacent stands with a clear interconnection and visual harmony running through all stand designs. Avolites is on Stand C28 with Anolis, Artistic Licence and LSC on Stand A76.

This positioning enables all to benefit from the constant busy traffic to Robe’s stand and demonstrates the synergistic and collaborative reach of the whole group in offering complete innovative lighting solutions for all entertainment, leisure and commercial environment scenarios.

As in previous years, Robe features two public demo areas where customers can see and examine the new products first-hand, together with popular favourites.

Products here include iESPRITE LTL, iFORTE LTX, LedPOINTE, T.5 Profile, T1, T32 Cyc, WTF!, Footsie 1, iBeam 350, iBOLT, iT12, RoboSpot, iSpiiderX, SVB1, SVOPATT, T11 Profile and T15 Fresnel.

There is also be a private area – by invitation only – for seeing potential future technologies.

Robe’s WTF! super strobe is on display in PLASA’s Innovation Gallery, where it is one of the contenders for an Award.

WTF! is robustly built for all environments and delivers turbocharged strobe, wash and blinder effects. It has been designed to deliver blazing stroboscopic brilliance and exceptional performance for any production, anytime, anywhere, with incredible speed, three rapid motorised zooms, including a unique linear zoom for the central white LED strobe and continuous pan and tilt rotational control.

Main features include an extreme output created using 72 x 20W linear white LEDs and 16 x 60W RGBW LEDs, making WTF! the most dynamic moving multi-zoomed strobe on the market, and a great contender for an Innovation Award!

Robe always looks forward to PLASA. As one of the world’s entertainment industry hubs, PLASA is a great opportunity to meet industry acquaintances, friends and contacts, new and existing, discuss business and stay connected to the action and buzz of the technology and the individuals using it creatively and inventively for their work and projects.

Avolites

Avolites is focusing on its just-launched fresh new range of D-Series control consoles – the D3 – uniting power, performance and portability, in a family of five outstanding compact, stylish and fully-featured packages.

The D3 family is developed for a world constantly on the move, underlining a new and innovative approach from Avolites since becoming a Robe business at the end of 2023.

Smart design, robust engineering and expedient sizing are at the heart of the D3 series philosophy.

The D3-010, D3-110, D3 Wing, D3 Core and D3 Touch are all powered by Avolites’ famous Titan software, offering cost-efficient, intuitive programming and operation, coupled with flexible control for multiple lighting solutions. Thirty-minute on-stand “Intro to D3 Range” training sessions are running twice daily.

In addition to this, Avo is demonstrating its cutting-edge D9 and D7 lighting consoles and its T Range (comprising T1, T2 and T3 and the T3-Wing) and its versatile Q-Series media servers running both Prism and Ai software platforms.

Robe’s architectural sister company, Anolis, highlights two fantastic new product lines at this year’s PLASA.

First is the Appoli S MC, a compact fixture available in both Anolis and Robe editions. Designed for maximum versatility, it delivers a rich, even light output and can be tailored more precisely with different beam angles and colour options.

The Robe edition is geared to live events and entertainment environments, while the Anolis version is optimised for outdoor and architectural applications.

Joining Appoli S MC on the stand is the Lamari linear system.

Offered in four lengths, Lamari combines sleek proportions with high-performance colour mixing and precision optics. At just 43mm wide, it is ideal for discreet installations; however, its rugged housing ensures long-term reliability. Flexible mounting options further enhance its adaptability, making Lamari a smart choice where clean design statements and powerful results are essential.

LSC Control Systems is showcasing its latest lighting control innovations, including the new APSX and GENX systems. These advanced dimming and power distribution solutions now feature enhanced Ethernet connectivity, offering greater integration, flexibility and efficiency for modern A/V and lighting environments.

The company is also previewing the upcoming WPX Wall Plate range, designed for seamless playback and control of the Mantra Mini and APSX systems. Featuring a 12.5cm capacitive touchscreen and customisable surrounds, the WPX provides intuitive, wall-mounted control for fixed installations.

These developments highlight LSC’s continued focus on high-performance, reliable systems for live production, theatre, and events. Visitors also get a first look at the latest additions to the NEXEN Ethernet Gateway range, reinforcing LSC’s role as a leader in control technology.

Lighting control and integration manufacturer Artistic Licence is debuting its cueLumen series on A76.

The cueLumen series reimagines architectural and entertainment lighting control with an emphasis on openness, simplicity and user empowerment.

Engineered for flexibility and ease of use, cueLumen gives venue owners, facility managers and integrators full control without needing proprietary software, costly licences or ongoing commissioning services.

From auditoriums, façades and landscapes to museums, houses of worship, public spaces, restaurants, multi-purpose venues and theme parks, cueLumen adapts seamlessly, delivering powerful, scaleable lighting control that’s intuitive for users of all technical backgrounds.

The artPlay 10" touchscreen, a new eight-button user interface and the range of cueLumen modules will also be on display and available for hands-on demonstration.

Artistic Licence, based in the UK, invented Art-Net and is an expert in DMX, RDM, sACN and DALI, and manufacture a wide range of problem-solving products.

8th September 2025

ETC Marks 50 Years at PLASA 2025 with New Products and Seminars

UK – ETC is geared up for the PLASA Show at Olympia London from 7th–9th September, bringing new seminars and a showcase of its latest innovations, many of which were launched this year as part of ETC’s 50th anniversary celebrations.

As part of the commemoration, ETC is celebrating its 50th anniversary at its new building in Greenford, London, following the second day of the PLASA Show. Attendees are encouraged to visit stand B29 during the show to learn more about the celebrations and ETC’s latest product offerings.

On the show floor, visitors to the ETC stand can explore a wide range of new technologies, including the recently launched F-Drive RX centralised LED driver system, the next-generation Hog consoles and the latest ETC luminaires and automated fixtures.

The F-Drive RX offers a powerful, centralised approach to LED driver management, simplifying how architectural lighting systems are powered and maintained. Meanwhile, the new family of Hog consoles, including the Flex Hog and Tour Hog, deliver speed, precision and creative freedom in a familiar, user-friendly platform.

Also on display will be ETC’s newest range of automated fixtures and luminaires. Attendees can get hands-on with advanced lighting solutions including Halcyon, Ministar, Zeo and the ColorSource V family. Engineered for versatility, high output, and advanced colour control, these fixtures are designed to perform across a wide range of venues and production environments. Visitors can explore all the latest features of these products first-hand at stand B29.

In addition to product demonstrations, ETC will host two informative seminars at the show:

Held yesterday in the Lighting and Stage Theatre, this session was hosted by outreach and training specialist Declan Randall, alongside senior product manager Sarah Clausen and market manager Luke Delwiche. The panel explored how a deeper understanding of your console’s ‘DNA’ can make you a better, more efficient programmer.

Monday 8th September at 11:15 AM – "Networking for Multi-Console Sessions"
Also in the Lighting and Stage Theatre, this technical seminar led by field service engineer Tom McGuire and market manager Rory Fraser-Mackenzie, will dive into best practices for optimising networks for multi-console environments.

8th September 2025