Event News

Pharos showcases latest innovations at PLASA Focus Leeds 2026

UK – Pharos Architectural Controls is exhibiting at PLASA Focus Leeds on 12–13 May 2026, presenting its latest developments across its lighting control portfolio, led by significant new capabilities within the Pharos Express range.

Designed to deliver powerful, intuitive control for architectural lighting applications, Pharos Express continues to evolve with the release of Express 2.1, introducing a suite of new integration and automation features that expand its flexibility and connectivity.

A key focus of the update is enhanced third-party integration. New DALI integration enables incoming DALI group commands to directly control spaces or change tags in the project. This allows for seamless control of intensity changes, scene recall and project behaviour controlled by tags, all configured through a simple, table-based interface. For projects utilising RIO D4, a remote four-port DALI device, integration can be tailored independently for each DALI port, offering greater control at a granular level.

Further enhancing connectivity, MQTT integration enables simple two-way communication between Express Control and external systems via any MQTT broker. This allows lighting to be monitored and controlled in real time, with key information such as intensity levels, active scenes and tags automatically updated. A clear and predictable topic structure makes integration with popular IoT platforms like Node-RED or IFTTT straightforward and easy to scale.

Express 2.1 also introduces the ability to send Ethernet messages on scene activation, enabling direct communication with third-party devices over a network. Supporting both TCP and UDP protocols, the system allows a target device to be pre-configured, with each scene capable of triggering a specific command. This opens up new possibilities for synchronised control across wider building or entertainment systems.

In addition, enhanced scheduling functionality now allows events to recur annually across defined date ranges. This provides a simple and effective solution for seasonal or recurring events, ensuring lighting schemes can automatically respond year after year with minimal intervention. Fixture status monitoring via Pharos Cloud is also now available within Express, extending visibility and diagnostics across installations.

Alongside Express, visitors to the stand will also discover the latest advancements within the Pharos Designer platform, which continues to evolve as a highly integrated and scalable solution for more complex lighting environments.

Jack Neill, product director at Pharos, said: “The latest Designer 2.16 release enhances both capability and integration. With support for the new Pharos RIO 84 – offering expanded inputs, outputs, and multi-protocol connectivity – alongside native integration with Advatek PixLite Mk3 controllers, we’re making it easier than ever to deliver sophisticated, pixel-based lighting systems.”

Additional enhancements include trigger rate limiting for improved system stability and refinements to timeline functionality with improvements to audio rows delivering a more responsive and intuitive programming experience.

Together, these developments reinforce the Pharos commitment to delivering powerful and flexible lighting control solutions, supporting projects of all scales, from straightforward architectural schemes to highly complex, integrated environments.

Visitors to PLASA Focus Leeds can explore these latest innovations first-hand at Stand N-D19.

20th April 2026

Go Beyond Stereo at RADA with TiMax and Martin Audio

UK - TiMax and Martin Audio have announced a half-day industry event, called Beyond Stereo: Spatial Mixing for Theatre Professionals. Hosted at RADA's John Gielgud Theatre on 26th May 2026, the session is free to attend and all theatre professionals are welcome to register.

The event acknowledges that although spatial effects are used widely in theatre, most theatre sound professionals are still working in stereo because that is the reality of most loudspeaker deployments. From this working premise, Beyond Stereo aims to demonstrate, in a working theatre environment, what lies beyond.

Spatial audio expert, Phil Wright leads a session that takes attendees through the familiar structure of a three-act journey.

Act one opens with a live demonstration of stereo-only mixing. The familiar constraints of limited localisation, the realities of level-based panning and a narrow sweet spot are established through the sound system.

The second act introduces TiMax SoundHub into the same PA, demonstrating how object-based delay matrix processing shifts spatial imaging from level-based to time-based. This shift improves separation, adding genuine depth and significantly widening the sweet spot to every seat in the auditorium.

Act three delivers the climactic payoff, through RADA's full immersive deployment. The workflow principles do not change but the audio is expanded across surrounds, downfills and overheads during an active student production.

Wright maintains: “I’m always delighted to evangelise the benefits of spatial audio in all its forms and the opportunity to open up the possibilities and opportunities of TiMax alongside a Martin Audio loudspeaker deployment, to fellow sound professionals in a working theatre, is a real treat.”

The venue is central to the proposition. RADA’s John Gielgud Theatre runs a full TiMax SoundHub infrastructure alongside a Martin Audio loudspeaker system, making it one of the few spaces in the UK where this progression can be demonstrated in a genuine context rather than a purpose-built demo environment. The session takes place alongside a student musical production further demonstrating the real-world environment.

The event, which includes lunch and arrival refreshments, is a focused, educational session designed for theatre sound designers, educators, assistants and early-career professionals, looking for direct, practical insight into spatial audio workflow in a working theatre.

Places are limited so book early. Registration is open now: https://timaxspatial.com/event/beyond-stereo/    

13th April 2026

Sotlight on New Technologies: Adlib Brings Global Innovation into Real-World Focus

UK – Adlib brought the latest technology trends emerging from NAMM and ISE into a practical UK setting with its recent Spotlight event in London, bringing together manufacturers, engineers, technical managers and buyers to explore how new tools will be applied in the market.

Rather than replicating a trade show format, Adlib’s Spotlight was designed to create space for deeper evaluation and discussion, helping attendees explore how the latest technologies translate into touring, venue and integration workflows.

For many attendees, the event marked the first opportunity to experience several of the latest audio, lighting and video solutions on UK soil. This included the first public showing of GLP’s TWYN lighting fixture and Fourier Audio’s transform.go.

More than 20 manufacturers participated, with hands-on demonstrations forming the core of the experience. Adlib’s technical team worked alongside brand representatives to explore how systems integrate, how they affect workflows and where they make sense in real applications, enabling attendees to assess technologies beyond specification sheets.

Brands featured on the day included: Allen & Heath, Astera, Avolites, Ayrton, Canon, ChamSys, Chauvet, CODA Audio, DiGiCo, DPA, EM Acoustics, ETC, Fourier Audio, GLP, Karno, KLANG, L-Acoustics, MA Lighting, Martin Professional, Panasonic, Peli, ROBE, Sennheiser, Shure, Sound Devices, SSL and Yamaha.

Extending beyond Adlib’s London facility, attendees were also invited to a nearby grassroots music venue for live audio demonstrations featuring systems from L-Acoustics, CODA Audio and EM Acoustics. This gave engineers the chance to hear systems in a real-world acoustic environment, rather than a controlled showroom.

Attendees at Spotlight drew a broad cross-section of the live production industry, with professionals spanning live music venues, touring productions, system integration, theatre, houses of worship, corporate AV, broadcast and event production.

Paul McMullan, head of business development, sales and integration at Adlib, commented: “Industry shows like NAMM and ISE are invaluable for seeing the scale of what’s emerging, but they don’t always allow time to fully explore how those technologies translate into day-to-day use. Spotlight was about creating that space; bringing people together to reflect on what they’ve seen, or catch up on what they’ve missed and then discuss how these tools fit into real workflows. That process of interpretation is where we see our role, helping turn innovation into something practical and deployable.”

Bill Jones, UK sales manager, Robe, added: “Events like this are important because they connect product development directly with real-world application. Having time with engineers, integrators and specifiers in one place creates a valuable feedback loop, helping shape how these technologies evolve and where they deliver the most impact. It’s also great that Adlib has this central London space that brings the industry together in such an accessible way for these kinds of conversations”.

Chandler Whitelock, director, Coastal Events and Production comments: “We had a great time at Spotlight. Unfortunately, we couldn’t attend ISE this year, so being in a room with a range of technology including some UK first demos was a great opportunity. In addition to seeing this, it was great to talk in detail with manufacturers about how these products are used and implemented in different projects.”

By bringing together decision-makers from across the live entertainment industry, Spotlight reinforced Adlib’s role not just as a technology supplier, but as a partner in helping clients understand what works in practice and make more confident decisions.

2nd April 2026

Two weeks to go: ABTT Awards 2026 Nominations Closing Soon

 

UK – With just two weeks remaining, nominations are now open for the ABTT Awards 2026, with entries closing on 17 April 2026.

Presented at the ABTT Theatre Show this June, the awards celebrate the people, products and ideas shaping the future of theatre and live events, from emerging talent to industry-leading innovation.

The ABTT People Awards recognise the individuals who keep the industry moving,  often behind the scenes.

From technicians and apprentices to those demonstrating emerging excellence, these awards shine a light on the skill, dedication and craft that underpin every production.

Anyone can nominate, making this an opportunity to recognise colleagues, collaborators and rising talent across the sector.

The ABTT Product Awards highlight the latest advancements in theatre and live event technology.

All nominated products are showcased at the ABTT Theatre Show, giving entrants the opportunity to present their work directly to the industry.

To be eligible, products must be:

• New to market within the last 12 months
• Available for real-world use
• Featured on the show floor
• For exhibitors, the awards offer a powerful platform to elevate new products and demonstrate innovation in a live environment.
• Recognised by the industry

Winning an ABTT Award is widely regarded as a mark of excellence within the sector.

Previous winners have gone on to gain increased visibility, industry recognition and new opportunities, with the awards acting as a moment of acknowledgement from peers across theatre and live events.

As the programme continues to evolve, recent additions – including the Apprentice of the Year and Sustainable Product of the Year – reflect the industry’s growing focus on future talent and responsible innovation.

Nominations are open now and closing soon.

People Awards: https://www.abtt.org.uk/abtt-theatre-show/whats-on/abtt-awards-2/abtt-people-awards/   

Product Awards: https://www.abtt.org.uk/abtt-theatre-show/whats-on/abtt-awards-2/abtt-awards/   

The deadline is 17 April 2026.

2nd April 2026

Astera QuikBeam Wins SoundLightUp Award

France – Industry-leading wireless LED lighting manufacturer Astera’s new QuikBeam fixture, launched at the ISE expo just last month, has won another award for ‘Innovation’, this time from leading French-based industry technology portal, SoundLightUp.

QuikBeam is the newest member of Astera’s ‘QuikFamily’ and is designed and engineered to deliver the maximum intensity in the smallest, lightest and most robust form factor!

Usable in any lighting scenario, QuikBeam is speedy to set up and very compact, which SoundLightUp described as a “pocket-sized wash / beam.”

The luminaire is a super bright, rapidly deployable, Fresnel lensed fixture with a 13 – 60 degree zoom, complete with hugely convenient swappable batteries and practical plug-and-play functionality, plus all the performance, perfect colour mixing, quality and high CRI / TLCI of Astera’s outstanding Titan LED engine.

QuikBeam is ultimately flexible and portable thanks to several new smart features introduced by the Astera R&D wizards and all of which caught the eyes of the SoundLightUp team.

SoundLightUp’s panel of experts commented that the IP65-rated QuikBeam “inspires confidence with its robust and well-thought-out design and wins an SLU Innovation Award for its clever rapid-handling solutions and multiple control options, all integrated into a fixture under 15cm in size that will undoubtedly delight its users.”

QuikBeam has a truly impressive size-to-power ratio. It measures 13cm and weighs under 1.5kg, yet is capable of producing nearly 1,300 lumens: equivalent to a 200W tungsten source thanks to its 20W Titan RGB + mint + amber LED engine, which is behind a small Fresnel-style lens.

QuikBeam is an outstanding product that is definitely attracting attention as this is its second award in six weeks!

The first one was at the ISE expo itself, just after the launch, when it picked up a ‘Best of Show’ Award in the TVBEurope category which recognises stand-out, innovative broadcast-grade AV products and solutions that were on the show floor in Barcelona.

The ISE Best of Show Awards are also judged by a panel of industry experts and editorial teams with each award submission reviewed based on the product’s feature set, ease of use, innovation and uniqueness within the market. 

31st March 2026

K-array announces its 2026 K-academy programme of in-person K-experience events

Italy – K-array, a leading manufacturer of innovative audio technologies, has commenced its 2026 programme of in-person K-academy training sessions. Tailored for system integrators, consultants, distributors and industry professionals, these events offer a deep dive into the K-ARRAY, KSCAPE and KGEAR ecosystems through a unique two-day K-experience held at the company’s headquarters in Tuscany.

Taking place regularly throughout 2026, the sessions provide attendees with an opportunity to explore K-array technologies through a combination of presentations, demonstrations and real-world project examples. Hosted at the company’s headquarters near Florence, the programme offers an immersive, hands-on learning environment, while also giving participants the chance to meet the teams behind K-array’s solutions.

“We believe that a K-academy course must go beyond merely presenting technical data. It’s about warmly welcoming participants into the unique world of K-array,” says Daniele Mochi, customer support director at K-array. “In our online courses, we strive to instil our values, vision and passion for the industry. While we put our best effort into these virtual experiences, visiting our headquarters provides the complete K-experience. It’s a blend of education and entertainment, plus a unique opportunity to connect with the people developing our solutions.”

The two-day programme begins with a company presentation and an overview of the K-array ecosystem on day one, followed by an indoor product demonstration. Afternoon sessions explore case studies and practical applications of K-array technologies, alongside an introduction to the K-Framework 3 acoustical simulation software. The day concludes with an evening dinner and networking event.

Day two resumes in the morning with presentations and demonstrations focused on KGEAR and KSCAPE solutions, as well as concert system applications, including an outdoor audio demonstration (weather permitting). Following lunch and a guided factory tour, the programme concludes with sessions dedicated to K-array amplifiers, matrix systems and an overview of the K-array software suite.

“These K-experiences at our headquarters allow participants to see our technologies in action and to better understand how they can be applied in real projects,” adds Mochi. “At the same time, we recognise that not everyone can travel to Italy, which is why we are continuing to develop the K-academy online through a new e-learning platform to make our courses accessible worldwide.”

K-academy online courses are now AVIXA CTS-certified, with CTS holders earning 2 Renewal Units (RUs) per course.

K-academy sessions are scheduled for the following dates during 2026: 21-22 April, 19-20 May, 16-17 June, 21-22 July, 15-16 September and 24-25 November. For more information and to register for the upcoming sessions, visit: https://www.k-array.com/en/k-academy

photos: K-array 

31st March 2026

ISCVEx 2026 Wraps After Two Vibrant Days of AGM, Networking, Seminars and Exhibition

UK – The ever-popular event, ISCVEx 2026, was once again hosted at the historic Coombe Abbey Hotel in Coventry. With industry-informative presentations from four guest speakers and with over 30 exhibitors, it continues in its theme as an exceptional gathering for professionals across the sound, communications and visual engineering industries.

Organised annually by the Institute of Sound, Communications and Visual Engineers (ISCVE), the event welcomed both members and non-members to take part in a dynamic programme designed to support professional development, share industry insight and encourage meaningful discussions.

The event commenced on Tuesday 17 March 2026 with ISCVE Members’ Day and the Annual General Meeting, providing an important opportunity for the Institute to reflect on the past year’s achievements and outline future plans.

This was followed by an industry forum session focusing on Martyn’s Law, offering attendees a clear and practical overview of the proposed legislation and its implications for venues, events and public spaces.

As Paul Davidson, director of security consulting at Team 9 Ltd, explained: “Martyn’s Law isn’t about adding unnecessary burden, it’s about embedding a clear, proportionate approach to managing risk and protecting the public.”

The day concluded with a lively networking dinner, followed by the ISCVE Awards, celebrating the achievements and contributions of ISCVE members and industry partners. Awards presented included Fellowship and Companionship honours, and recognition of its members, highlighting the expertise, dedication and collaboration within the industry. The evening provided a relaxed and celebratory atmosphere, with plenty of opportunity for attendees to connect.

Wednesday’s programme featured a series of engaging seminars exploring innovation, best practice and real-world insight. Highlights included the Hopkins-Baldwin Seminar, where Dr Brian Shannan (University of Edinburgh) presented a forward-thinking approach to assistive listening using digital sound, speech-to-text and AI technologies, Specifications – Truth or Lie? with Mark Bailey MInstSCVE (MBAV Ltd), examining how to navigate and verify product claims and Venue Acoustics and Audio Design – UNVRS Nightclub, Ibiza, where Adam Page (Vanguardia, Buro Happold) shared insights into audio system design, acoustic modelling and noise control in a world-class venue.

The exhibition, a central part of ISCVEx, showcased the latest innovations in sound, communications and visual engineering. Attendees had the opportunity to explore new technologies, engage directly with manufacturers and suppliers, and gain practical insights into the products shaping the future of the sector.

Feedback from attendees and exhibitors reflected the continued success and unique atmosphere of the event.

Dan Woods, JIB/ECS attending as a visitor, commented: “The venue was fantastic and ideal for the weather on the day. I really enjoyed the seminars, they had a great setting and were easy to follow. Everything was well signposted and easy to navigate, and the exhibitor stands were excellent, taking the time to explain their equipment and applications. I’ll definitely be back next year.”

First time exhibitor, Peter Mytton-Bayley, LED Studio added: “The whole event was very well organised; the evening dinner was superb and the event space worked really well. The room was well set up to make it easy to step away from the stand and have proper conversations.

Out of ten0, I’d give it 11. The venue is amazing, the location works brilliantly for attendees across the UK and the overall experience – people, seminars and exhibition – was one of the best I’ve attended in over 40 years in the industry.”

ISCVEx continues to demonstrate ISCVE’s commitment to supporting its members through education, networking and innovation. By bringing together professionals from across the UK, the event reinforces the value of collaboration within a forward-thinking and supportive community.

Ros Wigmore, business manager for ISCVE, commented: “It was inspiring to see such a strong mix of attendees, including many new faces alongside familiar ones. The feedback has been incredibly positive, and we’re already looking ahead to building on this success in future events.”

Jim Smith FInstSCVE, President of ISCVE, added: “We extend our sincere thanks to everyone who contributed to ISCVEx 2026. The enthusiasm and engagement from our community highlights the strength of our industry and we look forward to welcoming you again next year.”

30th March 2026

Anolis Enjoys Light + Building Expo

Germany – LED lighting manufacturer Anolis enjoyed a busy and positive Light + Building 2026 expo in Frankfurt, where it launched two new products – Calumma Arts in collaboration with French Light and Calumma UN (Ultra Narrow) – and engaged with a host of visitors from across Europe and around the world.

Anolis also highlighted more of its premium-quality product ranges, which are proudly made in Europe for architectural and built environment applications, including Lamari MC, Agame, Appoli and Lyrae.

The demo room on the booth was constantly buzzing with activity through the six-day show, which welcomed nearly 150,000 visitors. There was a substantial number of pre-bookings made for the demo room this year as people were eager to see Anolis’ latest innovations up close and many individuals and companies organised themselves specifically to find and engage with Anolis on the booth.

The new Calumma Arts product attracted plenty of attention. In combination with textured glass and lens options, this ground-breaking fixture produces a series of multiple effects that look amazing, are flexible and easily adjustable, allowing light to be shaped precisely to suit spaces, places and building features.

The demo room showed Calumma Arts in three sizes – XS, S and M – and the high-quality looks and effects that can be produced using the products. The XS version was very popular due to its compact size and this product proved to be a key driver for visitors to check out the stand and meet the Anolis team.

In addition to being featured in the demo room, Calumma Arts fixtures were used to illuminate the lower section of the eye-catching double-decked Anolis stand, a unique approach that drew people’s attention and became a talking point on the show floor.

Visitors and lighting designers who had pre-booked demo slots were able to create their own effects with Calumma Arts and experience first-hand its adaptability and high impact potential.

Calumma UN (Ultra Narrow) was also hailed for its usefulness in many architectural applications, from picking out and pinpointing fine details to highlighting large-scale structures.

Visitors were impressed with the control options of the Lamari, a low-voltage, pixel-controllable luminaire available in SC and MC versions, with the MC additionally offering advanced colour mixing for precise, uniform output. An inground version is available in both sizes for easy integration.

The expo was a great opportunity to illustrate the advantages of using Anolis LED technology generally throughout all the different ranges in a diversity of projects.

The inground version of Lyrae was popular as it enables discreet installation and the tilt feature makes it straightforward to direct the light as needed, while Appoli attracted interest for its compact and cool design, making it versatile and seamless to integrate.

Architectural lighting professionals loved Agame’s distinctive style of illumination, which elegantly highlights and defines architectural frames, and based on visitor feedback, Anolis is planning to expand the range with a larger size option.

The Anolis team saw architects, lighting and visual designers, civic and commercial planners, manufacturers and investors in Frankfurt and the show was an excellent hub for communicating with customers and business partners, existing and new.

Many customers attending wanted to check out the new products, mainly the Calumma Arts and also discuss current and future projects and the best technical and creative solutions.

Anolis’ stand stood out from its competitors thanks to the well-designed and lit stand, the effects created by Calumma Arts and the overall colour concept of the booth, which was neutral to illustrate the slick colour mixing systems for which the products are known. The dual level design also helped the booth pop aesthetically.

An impactful and successful presence at Light+Building 2026 will strengthen Anolis’s already significant international profile in architectural lighting spheres. The brand will be a visible part of the Robe Group’s activities at the MIR trade show in Rimini next month.

photos: courtesy Anolis

26th March 2026

Lima, Peru’s Novolite Showcases Claypaky’s Sharpy Plus in Exclusive Sessions for Lighting Community

Peru – Novolite, the official distributor of Claypaky lighting in Peru, recently hosted two exclusive Sharpy Plus sessions for the local lighting community at its showroom in Lima. The event brought together rental companies, lighting designers and technical professionals from the entertainment industry to experience the performance and precision of the Sharpy Plus, one of the brand’s most iconic fixtures.

Designed as an immersive experience, each session included a specially programmed demonstration showcasing the power, beam definition and versatility of the Sharpy Plus. During the show, multiple units created striking aerial beams and visual effects clearly demonstrating the fixture’s performance in professional applications.

“We wanted lighting professionals to experience first-hand the visual impact and quality that define Claypaky,” says Luigi Sánchez, marketing and sales manager at Novolite. “When you see these fixtures in action, you immediately understand why Claypaky is considered one of the most prestigious brands in professional lighting.”

In addition to the technical demonstration, the Novolite team also shared insights into Claypaky’s legacy as one of the industry’s most influential manufacturers, globally recognised for its innovation, engineering and role in some of the world’s most important productions.

“Both sessions were a great success with active participation from clients and lighting designers who exhibited a high level of interest and engagement during the demonstrations,” reports Mauricio Brando, Claypaky’s regional sales manager for Latin America. “The programs provided guests with a positive validation of Sharpy Plus product performance under real-world conditions.”

Through initiatives like these sessions, Novolite continues to position Claypaky as a benchmark for professional lighting within Peru’s growing live entertainment and production market.

www.claypaky.com  

26th March 2026

Tickets on sale for Backup Tech Village Fete

UK – Tickets for Village Fete are about to go on sale. Backup Partner tickets will be available from 9am on 24th March, with general sale starting on 26th March. Re-vamped and at its new home of Whilton Mill Karting Circuit, this is set to be the biggest and best Village Fete yet.

The Village Fete takes place on Thursday 9th July and its new home, a nationally recognised motorsport venue means more space and more facilities, with access to a three-hour karting challenge on a UK National Karting Circuit, expanded capacity and improved facilities, more activities and ways to get involved.

There are three ticket options available:

• Kart Team cost £1,600 and include six tickets for karting
• Gamekeepers’ pitch cost £360 and include six tickets plus the space to pitch your own gazebo, so you can get involved in all the action from a comfortable base 
• Individual Estate passes cost £65 per person

All tickets include lunch and soft drinks.

“We know the change of venue and the excitement of a new karting track are going to be a big draw,” says Backup chair, Lee Dennison. “There’s also overnight camping available and the opportunity to get together the night before. There will be more details on that later and we’ll also be sharing information on local hotels. This is going to be something really special, so make sure you book your tickets quickly, before they all get snapped up!”

To book your tickets, please visit https://www.backuptech.uk/backup-village-fete-2026/

23rd March 2026

Showlight Speakers Class of 2025 – Video Releases Pt3 – the film edit!

France – Showlight has released the next two Speaker Videos from its Class of 2025 who graced the stage in Dijon, France.

Showlight prides itself on the diversity of its speaker topics, which cover aspects of lighting from a broad spectrum of different disciplines. This month Showlight focuses on cinematography, a genre that was well represented in 2025 with presentations from the highest number of film and television LDs to date, including Thierry Goron, M. Thierry Arbogast AFC and David Mullen ASC, who was recently awarded the ASC Career Achievement in Television Award.

Today Showlight features Roger Simonsz and Peter Macdonald.

A graduate and now fellow of Rose Bruford college, Roger has been part of Showlight since 2005. In a career that has taken him to 30 different countries, sometimes working in languages he didn’t understand, his award-winning work as a lighting designer, cinematographer, writer and director in many different genres has been seen on stage and screens across the world. Of his presentation on working with light outdoors, he says: “It’s very difficult in film to do the kind of slow lighting changes we do so easily in theatre. Using examples from Engrenages/Spiral as well as Piper we will explore how to achieve control on location, in daylight, while cueing the sun, with the help of Schrödinger’s dimmer.”

Born in the Netherlands, Roger began his career in the UK and now resides in France. He has recently finished working on a new feature film in the south of France, Les Voix Colorées.

Schrödinger’s was privileged to host multi award-winning industry veteran, Peter Macdonald, who brought Showlight 2025 to a close with an informal chat in which he shared memories and anecdotes from his life in cinema spanning more than 70 years.

Peter Macdonald worked with director Sir Laurence Olivier on four films as camera operator and got his break on the 1958 film “A Night to Remember” with cinematographer Geoffrey Unsworth, with whom he collaborated for the next 25 years as his camera operator (Cabaret, Superman I & II, A Bridge Too Far, Cromwell, Excalibur, Murder on the Orient Express) and with David Watkin (Yentl). Macdonald evolved into a second unit director, (Batman 1 & 4, Empire Strikes Back, the first four Harry Potters, Guardians of the Galaxy, Wolverine, The Bourne Ultimatum) and then cinematographer, director and producer. Today, Macdonald reads a lot of scripts, works as advisor and consultant, producer and executive producer in the US, participates on film festival juries in Europe where he mentors young film-makers. He is president of Le Rex, his local cinema in Veules les Roses, Normandy. 

Peter and his wife Madelyn Most have continued to attend numerous international film, photography and photojournalism festivals, including the BUFF Film Festival where Madelyn worked on the Fipresci Jury. They have visited Roger Simonsz in France and David Mullen the Czech Republic and the UK on the sets of their respective new films. They work with the Art Without Limit Film Festival for children and young adults with special needs, physical and mental disabilities/ handicaps and autism, and will head to Vienna in April to work on the first edition of this event.

These videos are part of a series of periodic releases, with more speaker presentation videos going live as we move towards the next Showlight. You too can get a taste of this perennial lighting networking event by viewing the showreel and some of the Speaker presentation videos from 2025 on the Showlight website: https://www.showlight.org/videos

Ever wondered what Showlight is about? Well, here’s what some of the industry’s leading publications say about Showlight 2025; just pop over to https://www.showlight.org/press to read their reviews and reports.

In picture: Roger Simonsz and Peter Macdonald.

image: © Jean Nguyen and © Sebastian Dewsbery

17th March 2026

Thousands Explore Creative Careers at Production Futures On Tour: London

UK – More than 4,500 registrations and over 70 industry partners highlight growing demand for roles behind the scenes in the creative industries.

Thousands of aspiring young creatives descended on the Roundhouse on 9 March 2026 for Production Futures On Tour: London, a free event connecting the next generation with careers across the live events, music, broadcast, film and creative industries.

Now in its second year at the iconic Camden venue, the event saw more than 4,500 young people register to attend, with stands, talks and networking spaces packed throughout the day. More than 70 industry and education partners were on site offering advice, insight and opportunities across a wide range of creative and technical roles.

PF On Tour also saw over 200 registrations from NEET backgrounds (Not in Education, Employment or Training) engaging directly with industry professionals, alongside members of the home-educated community, reflecting Production Futures’ continued focus on opening pathways into the creative industries for young people from all backgrounds.

Throughout the day, visitors attended a packed programme of talks, panels and technical sessions featuring professionals from across the sector, including speakers from organisations such as Red Bull, The Zoo XYZ, ourppls, Well-Being Well-Known, HELA, as well as several Breakthrough Talent Award winners, including Dylan Swann from PRG and Abby Shum, founder of Liberation Lasers and more.

Sessions explored everything from career pathways and wellbeing to highly specialised technical roles within live events. One session focused on careers in rigging, offering insight into the physical demands of the role as well as training routes and earning potential for those entering the profession.

A particularly popular session led by Work Ready Collective focused on the importance of soft skills when entering the workplace, highlighting how communication, self-awareness and resilience are often the qualities employers value most in early career talent. The session clearly struck a chord with attendees, with more than 300 young people queuing afterwards to continue the conversation and seek advice from the speakers.

Across the day’s discussions, several key themes emerged for young people looking to break into the industry: strong communication skills, resilience, initiative and the importance of building real connections with people already working in the sector.

A panel discussion also explored belonging and representation within the creative industries, with speakers encouraging attendees to seek out supportive communities, mentors and networks as they begin their careers.

The event concluded with a keynote from Freyja Lawson, live audio engineer and monitor engineer for Yungblud, who shared insights into her journey into touring and life behind the scenes on major global productions.

Hannah Eakins, CEO of Production Futures, said: “These events are all about opening doors. There are thousands of incredible careers behind the scenes in music, film, TV and live events, and most young people simply don’t know they exist.

Seeing the Roundhouse packed all day with people across all ages asking questions, meeting industry professionals and discovering new opportunities is exactly why we do this. The appetite to work in the creative industries is huge; our job is to connect that enthusiasm with the people and companies who need the next generation of talent.”

Production Futures On Tour events are designed to help address the skills shortage across the UK’s creative and live events industries by connecting young people directly with employers, training providers and professionals working across the sector.

The London event forms part of a wider national programme of Production Futures On Tour events, bringing together industry leaders, educators and emerging talent to help bridge the gap between education and employment within the creative sector.

photo: Ben Kealy

13th March 2026

More TPi Recognition for Production Futures Breakthrough Award Winners

UK – Production Futures is excited to see that two of its previous Breakthrough Talent Award winners have progressed to win recognition at this year’s prestigious TPi Awards 2026. Jake Mazzuca, head of production at Only Helix, won Production Manager of the Year, whilst Abby Shum, freelance laser designer, programmer and operator, won Laser Operator of the year. Jake and Abby who won their Breakthrough awards in 2022 and 2023, respectively, have progressed to the highest levels of the production industry through hard work and dedication to their craft and are an inspiration to new young talent according to Production Futures’ Hannah Eakins: “Having organised the TPi Awards for the first twenty years, and with Production Futures being born from it a decade ago, this moment means so much to me personally. Seeing Breakthrough Talent award-winners go on to win a TPi Award is exactly what we always hoped would happen, it truly feels like a full-circle moment.

“Watching BTA winners grow, flourish and achieve beyond the platform we created is incredibly special. We’re so proud of Abby and Jake and everything they’ve accomplished over the last few years, having seen firsthand how hard they’ve worked and how much they’ve grown. This recognition is so inspiring and so very well deserved.”

Jake Mazzuca reflects on his award: “I’m hugely proud and very grateful to have won, even to be nominated felt incredible. The Award is a nice bit of reassurance that you’re doing things in the right way because it comes from within the industry. It’s a tip of the hat from your peers and people whose work you’ve respected for years and used as an inspiration. Touring is such a collaborative effort, so it means a lot to celebrate this with the people you work with every day who have helped to make this happen.”

Abby Schum was also proud of her achievement: “TPi Awards really is the touring ‘Oscar’. It’s something so many professionals work towards, so to win feels honestly unbelievable. It’s such great recognition and acknowledges the work I’ve put in, and everything I stand for and represent. I’d add that it’s not really just about me, there are so wins wrapped up in this, from the crew members and creatives I’ve worked with on my journey, to the people who gave me the opportunity to be part of this wonderful industry in the first place. They all have a stake in this Award.”

photos: Joe Okpako

11th March 2026

Robe Shines at the TPi Awards 2026

UK – Robe Lighting was proud to be the production lighting supplier for the TPi Awards 2026, staged at Evolution in Battersea and once again ensured that the room shimmered with colour, vibrance and style that helped rock the glamour for one of the production entertainment industry’s biggest nights of the year.

This year was extra special and sparkly, as the TPi Awards celebrated its landmark 25th anniversary: a truly ‘silver’ achievement of the event organised by TPi Magazine, part of Mondiale Technology Media.

Over 300 Robe lighting fixtures were on the lighting rig, designed and curated especially for the room by Robe’s in-house creative team led by lighting director Nathan Wan, working closely with associate LD Andy Webb to deliver lighting based on a sparkly mirror ball theme.

The TPi Awards celebrate some of the best creative and technical accomplishments from the past 12 months around the globe in the wonderful world of entertainment production and for the third consecutive year, were presented by popular comedian Emmanuel Sonubi.

The primary task of lighting in the main room was to produce a look and style to impress the nearly 2000 industry professionals gathered there.

The glittering silver inspired lighting design wowed crowds using some of Robe’s newest technologies and harmonised with video content created by Observatory that appeared on a massive LED screen.

Andy produced the music track in conjunction with the TPi team – led by TPi Magazine’s commercial director Fran Begaj – whilst Nathan and the rest of the team were pre-vizzing the lighting using Capture in the week ahead of the event.

They were supported by a crew of seven NRG (Next Robe Generation) students picked from four different colleges around the UK.

The large screen filled the full width of the room and wrapped around the edges: the idea being that guests felt immersed inside a giant mirror ball and this was one of the starting points for the lighting. “We needed lots of bright and very dynamic fixtures to make sure they shone through all of that massive screen light,” the Robe team explained.

The idea was to make the just-launched GigaPointe – a super-bright, multi-functional, laser light source product – prominent on the rig and especially during the high-energy one minute and ten second visual spectacle that signals the start of the Awards ceremony, so a letterbox element was built into the screen at the back of the stage and filled with 23 GigaPointes.

Another eight GigaPointes were dotted along the back of the stage and around the sides at floor level and 40 in total were used for the show.

Seventy SVB1s – a multi-source effect, beam and wash luminaire – were dotted around all over the rig. They are currently a favourite for their versatility and compact form and these were spread out over the venue’s various roof trusses with some on the deck. They are a perfect fixture for creating twinkling eye candy looks.

Sixteen SVB1 4Bars were mounted on the top part of the curved screen trusses to highlight the screen, accenting the depth it brought to the space and also the curve of the screen, which was such a defining set piece of the room.

As the video screen consumed a lot of infrastructure over the stage area, there were fewer positions available here for lighting, so Nathan had to think smartly about where to place lights for maximum effect.

Thirty-two iESPRITE LTL fixtures were used extensively on the advanced trusses above the room, where they were ideal for creating special effects, dappling and texturing around the space, together with a total of 40 of Robe’s compact iPAINTE LTM wash beams.

Also on the rig were 12 SVOPATTS for eye candy and to add depth to the stage for that iconic retro light curtain look.

Thinking out of the box, the design objective was to show off the flexibility of all these Robe fixtures, so the 36 WTF! strobe / floods were utilised as the main wash lighting fixtures, as well as for a few retinal surprise moments!

This was to illustrate how functional and efficient they were in an asymmetrical flood role, a sharp move that also means they looked great for general eye candy looks and specials.

While guests were eating their dinner, the WTF!s washed and illuminated the tables beautifully and seamlessly, maintaining a nice ambience for this segment of the evening, ensuring it was atmospheric and comfortable for socialising, while enabling people to see what they were consuming.

On stage keylighting for the awards presentations and general front lighting was provided by a combination of seven T1 and T2 Profiles also rigged on the front trusses.

Prominent on the design were ten iBOLTS in the room: four in the roof trusses and six on three podiums a side used for all the high-impact effects looks, especially during the time coded intro that kicked off the awards presentation segment.

They were also used to zap a two-metre mirror ball rigged 20 foot into the main room.

This was done to illustrate just how safely and effectively iBOLTS can be used as part of an indoor show with the highly innovative ScanGuard system.

This is a patented Robe geo-fencing system, incorporating LIDAR technology to scan the surrounding area, identifying and locking out unsafe zones. If an object encroaches within a safe working distance, the system automatically cuts the fixture output to prevent accidents.

Six iFORTE LTX FS followspots running on six RoboSpot systems were sited around the room perimeter, used for the presenters and all the awards pick-ups: a very fast-moving part of the evening where being quick and accurate is essential to identify and pick up the winner before they walk to the stage.

The bar centrepiece was a multiple mirror ball installation with around 30 balls, hung at different heights and running at different rotational speeds, which looked extremely cool and emphasised the fun of the evening as well as the serious professional achievements being honoured.

The balls were well illuminated with a combination of the remainder of the GigaPointes, plus 16 LEDBeam 350s and 20 LedPOINTES rigged on a surrounding central box truss that was also part of the installation. This provided an eye-catching, intimate and clubby atmosphere for incoming guests as well as a great background for social media snaps.

The Robe team also lit the upstairs VIP area.

For the last few years, the lighting brief has been extended to include some ‘wow factors’ outside the Evolution venue to ramp up the excitement as guests arrive.

This year, the installation featured nine iBOLTS, together with six WTF!s used as asymmetrical floods to light up some parked up trucks from ETL Logistics and Trucking By.  

These fixtures are also IP rated and wireless for outdoor use but this year, rain and bad weather were thankfully not an issue.

The main room light show was programmed and controlled via an Avolites D9-215 console, with another for ‘hot’ backup, and an Avolites D7-215 was used for the bar area, with another D7-215 for the exterior installation.

From the NRG crew, Daniel Nunn, a third year Event Production student at Nottingham Trent University, was assistant lighting designer in the main room.

Jamie Mather, a second year Event Production Technology student, also at Nottingham Trent University, was overseeing lights in the TPi bar area. Annie Francis, completing the third year of a Live Event Production course at the Academy of Live Technology in Wakefield, co-ordinated and ran lighting for Robe’s VIP area upstairs. Tom Skinner, a Live Event Production finalist, also at the Academy of Live Technology, was LD for the exterior courtyard installation.

Jamie, Annie and Tom also operated RoboSpots for the main show, joined by three more NRG RoboSpotters: Abby Wills in the midst of her second year studying Technology & Management at the Royal Conservatoire of Scotland, Gabriel Reis a second year film lighting student at Falmouth University and Kayleigh Brown in her second year at Nottingham Trent University on the Event Production course.

The usual challenges applied, with a very short amount of time on site. The get-in commenced on the Sunday morning, so they had one furious night of on-site programming to be ready for 3pm rehearsals on Monday. While pre-vizzing is a massively useful tool that can really move things along, there’s an amount of finessing that can only be done on site.

This was coupled with the pressure of making it look good for an acutely switched on peer group audience, all involved with staging some of the most incredible world-class shows, events and tours on the planet and with exceptionally high expectations!

Once again, the entire Robe team – UK and international – was delighted to be an integral part of delivering this superlative event.

The 2026 TPi Award for ‘Lighting Designer of the Year’ was again sponsored by Robe and this year won by Matt Pittman, founder and lead creative of design studio Pixelmappers. Matt’s recent work has included the impressive lighting and production design for Dua Lipa’s 2025 Radical Optimism world tour and tours for Deftones, Disclosure, Blur and Fred Again plus many more.

The Award was presented by Ian W Brown, sales director from Robe UK. Although Matt could not be there in person to collect it, he instead thanked everyone in the room via video.

Other notable winners this year include Tess Falcone, who won Lighting Operator of the Year and Jake Vernum, who won Stage Manager of the Year.

Neg Earth won Favourite Lighting Rental Company of the Year (as they have several times previously) and the Outstanding Event Production of the Year went to Oasis Live 2025. Roger Barrett was honoured with the TPi Industry Recognition Award.

photos: Marko Polasek

6th March 2026

Backup Tech Village Fete heads to Whilton Mill for biggest event yet

UK – After 12 years as the established charity fundraiser for the live events industry, the Backup Tech Village Fete is stepping into its next era and it’s heading north. Built on momentum, shaped by feedback and driven by the community it exists to support, the Village Fete is moving to a brand-new ‘village’ for 2026, expanding its reach, scale and ambition while staying true to everything that makes it special.

This summer, the fete takes over Whilton Mill Karting Circuit, Daventry: a nationally recognised motorsport venue offering the space, facilities and atmosphere to deliver the biggest Village Fete yet. For the first time, attendees will have access to a three-hour karting challenge on a UK National Karting Circuit, expanded capacity and improved facilities, more activities and ways to get involved, and overnight camping that turns the event into a true industry gathering.

The move is built on community feedback and a desire to grow the event’s reach. While the new venue unlocks greater scale, everything that has made the Village Fete the industry’s favourite fundraiser returns in full: the iconic karting competition, the Five-Star Flight Case Challenge (now with its own dedicated track), the Village Fete Bake Off and Veg Off, game fair activities including clay pigeon shooting, fly fishing and axe throwing, exceptional food and drink, and the irreverent industry camaraderie that defines the day.

Overnight camping at the venue is also new for 2026, with plans underway for a pre-race pub night takeover in the local area the evening before the event. Tickets go on general sale in March 2026, with Backup Partners receiving priority access 48 hours before the general release. Multiple ticket options will be available for both karting and non-karting attendees.

All activities take place in support of Backup Tech, the charity providing vital help to live events professionals when they need it most.

Industry networking and next-generation mentoring remain central to the day, alongside the fun, entertainment, and shared mischief that have made the Village Fete the standout event in the live events calendar.

Save the date: Thursday 9 July 2026, Whilton Mill Karting Circuit, Daventry.

Further ticket and partner announcements to follow. For more information visit www.backuptech.uk

6th March 2026

ABTT Launches Two New Awards for the ABTT Theatre Show 2026

UK – The Association of British Theatre Technicians (ABTT) has announced the introduction of two new awards for the ABTT Theatre Show 2026, reinforcing its ongoing commitment to championing people, innovation and sustainability across the theatre and live events industry.

The new awards – the ABTT Apprentice of the Year Award and the ABTT Sustainable Product of the Year Award – will join the established ABTT Awards programme, including:

• ABTT Technician of the Year Award
• ABTT Award for Emerging Excellence
• ABTT Award for Environmental Sustainability
• ABTT Award for Costume
• ABTT Award for WHAM Design

and will be presented as part of the ABTT Awards ceremony at the ABTT Theatre Show 2026.

Introduced in 2026 as part of the relaunch of the ABTT Apprenticeship Network, the ABTT Apprentice of the Year Award recognises the achievements and exceptional contribution of individual apprentices working within the industry. The award celebrates the vital role apprenticeships play in developing future talent and maintaining high standards across theatre and live events.

Nominees may be working within any apprenticeship scheme involved in any theatre making discipline.

The award is presented to an apprentice who has demonstrated consistently high standards across all areas of their work. The recipient will normally meet the following criteria:

• They will be at least 12 months into a current active Apprenticeship scheme in one or more of the backstage, technical and/or production management crafts and disciplines by the time the ABTT show comes around that year.
• OR they will have successfully graduated from such a scheme in the 12 months since the last ABTT Show. 
• They will be predominantly working in the presentation of theatre or live events.
• They will have consistently demonstrated excellence in the work they have undertaken.

Reflecting the industry’s increasing focus on environmental responsibility, the ABTT Sustainable Product of the Year Award recognises a company or individual whose product demonstrates outstanding sustainability credentials within the technical theatre and live events sector.

Entries should provide clear evidence of positive environmental impact, which may include reduced carbon footprint, energy efficiency, responsible material sourcing, waste reduction, circular or modular design, recyclability, reusability or extended product lifespan. Meaningful innovation in design, manufacture or application that improves environmental performance will be a key consideration for the judges.

Eligible products must be:

• Substantially new to the market within the last twelve months
• Available now for purchase, immediate delivery and real-world use
• Available for adjudication on the first day of the ABTT Theatre Show, either on the entrant’s own exhibition stand or hosted by a pre-registered exhibitor

By introducing these two new awards, ABTT continues to support excellence across both people and products, recognising emerging talent and encouraging sustainable innovation that will shape the future of theatre and live events.

Commenting on the announcement, Elysia Moore, ABTT Theatre Show director, said:
“These new awards reflect two areas that are vital to the future of our industry: supporting and celebrating emerging talent, and encouraging genuine innovation in sustainable practice. We’re proud to recognise the individuals and products that are helping to shape a more skilled, inclusive and sustainable future for theatre and live events.”

Both awards will be presented at the ABTT Awards ceremony during the ABTT Theatre Show on the 3rd June at Alexandra Palace, London.

Full details including award specifications, nomination process and entry information for both awards can be found on the ABTT website.

photo: Origin8Photography

5th March 2026

Anolis Launches New Products at Light + Building 2026

Germany – LED lighting manufacturer Anolis launches two exciting new products at the Light + Building 2026 expo in Frankfurt next week, further expanding its extensive range of premium-quality products for all architectural and built environment applications. Anolis products are proudly made in Europe.

The Anolis booth (stand D40 in Hall 3.0) will be the place to be at one of the most significant trade fairs for the world of lighting and smart buildings.

The event, which regularly attracts architects, lighting and visual designers, civic and commercial planners, manufacturers and investors, is an important opportunity to present Anolis products in person.

Light + Building is a great meeting and communications hub for customers and business partners and will strengthen the brand’s already significant international presence as a go-to in the architectural lighting sphere.

The elegant Anolis stand design emphasises clarity and simplicity with a slick, predominantly white, monochromatic look that allows the products and their lighting effects – including the outstanding CT ranges and the rich colouration – to stand out.

For additional fun, the space is arranged like a “maze” with a natural flow guiding visitors through various lighting scenes and product demonstrations. Shadow play and the contrast of black fixtures add dynamism, while polycarbonate panels reveal activity inside by making it partially visible from outside, creating intrigue and attracting attention.

The upper level of the stand is reserved for meetings with invited guests. There will also be a demo room where invited visitors can create and test their own lighting effects using the new Calumma Arts fixture. Demo room appointments can be booked directly at the stand’s reception area.

Calumma Arts is the first of two new Anolis products being launched at Light + Building 2026 and this is the result of a proactive collaboration between Anolis and French Light, a specialist in the design and custom manufacturing of lighting products and DMX programming for architects and installations.

Calumma Arts works with light in creative ways, producing a variety of striking visual effects by utilising a selection of textured glasses and lens options that are easily adjustable when on site.

Light can be shaped precisely to suit a space and its architecture, and as a static luminaire, the unit delivers a strong creative impression with a sense of depth and perceived movement.

Available in XS, S and M sizes for full flexibility, Calumma Arts can be adapted to fit a variety of places and spaces.

The products will be demonstrated on the lower level of the stand, where Calumma Arts fixtures will be illuminating the stand’s exterior and displayed together with all available accessories for anyone wanting a closer look.

The second new product is the Calumma UN (Ultra Narrow), a luminaire range available in sizes from XS to XL for full flexibility in covering all architectural applications, from picking out and pinpointing fine details to highlighting large-scale structures.

The sizes XS, S and M – with 5-degree beam angle – are primarily designed for wall grazing, precisely revealing façade textures and surface details, while the L and XL versions – available in 3.5 and 5-degree beam angles – are intended for lighting tall architectural elements like towers and spires, and anything needing very narrow beam angles and minimal light spill.

All sizes of Calumma UN are available in monochromatic versions with the L and XL also available in multicolour versions.

A range of other innovative products will be featured.

iProMotion is a compact moving head effects and video projector delivering 1000 ANSI lumens with RGB and CMY colour mixing, digital gobos and a wide range of cool built-in effects that unlock numerous creative possibilities. Features like keystone, iris and motorised focus enable precise adjustment, while the optional ADM Automatic Distance Meter maintains a sharp focus. The iProMotion HDP version adds high-definition input and simplified content uploads.

Anolis’s popular Ambiane range comprises a wide and precisely calibrated colour spectrum, engineered through the careful selection of LEDs and advanced PCB technology. The fixture’s mixing chambers create a uniform, single-source light with smooth, artefact-free colour transitions, while optics deliver controlled beams with soft edges and low-glare output for visual comfort. 18-bit Low Light Linearity (L3) ensures flicker-free fades and a range of optical accessories allows further accurate custom beam tweaking for any individual project.

Lamari is a low-voltage luminaire available in SC and MC versions, including an inground variant. The Lamari is also pixel controllable in half-foot increments. Only 39mm high and available with multiple adaptable accessories, it combines compact form factors with versatility.

The MC version provides advanced colour mixing for uniform and precise output, while numerous beam angles and lengths enable precise adaptation for each project and application.

Agame delivers a uniform line of light and is designed to highlight window and arch perimeters and for outlining any other shape. The 8W output and 180° beam angle ensure wide and even coverage. The design supports precise colour blending and smooth transitions allowing the consistent illumination of architectural details. The fixture is available in multiple colour configurations.

Appoli is a neat and compact IP67-rated luminaire with four high-power multi-chip LEDs delivering up to 1100 lumens of fully homogenised light. It is great for spotlighting, accenting or flood lighting, with flexible colour options, adjustable beam angles and numerous accessories for precise adaptation on architectural projects.

Lyrae delivers high light output through powerful LEDs and versatile optics with narrow, wide and bi-symmetrical beam options, making even challenging inground installations straightforward! It has a tilt mechanism for adjustments of up to 25°, ensuring accurate illumination of the targeted surface. It offers Anolis’s exceptional colour mixing, even when fitted with anti-skid glass that is certified to the highest slip-resistance standards. 

5th March 2026

Returning for a Sixth Year the Peerless-AV Showcase is the Must Attend Event in the UK Pro AV Calendar

4th March 2026

ViewSonic Brings Art to Life with Advanced ProAV Solutions at Creative Expo Taiwan

Taiwan – The theme, Water Scapes, celebrated Taiwan’s natural and cultural landscapes as shaped by rivers and aquatic ecosystems, symbols of vitality, connection and diversity. With vivid visuals and flexible set-ups, ViewSonic’s Luminous Superior Series laser projectors and foldable 138-inch all-in-one Direct View LED display enabled curators to bring their creative visions to life.

Creative Expo Taiwan is the flagship annual showcase for cultural and creative industries in Taiwan. The latest edition explored water as a vital force in both daily life and cultural identity. Each installation presented unique visual and spatial challenges to realise curatorial vision.

In the Spirit of Water section, the exhibition captured the movement of flowing water by projecting images onto the reverse side of delicate gauze and translucent mesh. To achieve this, ViewSonic deployed its LS832WU laser projector, which offers 8,500 ANSI Lumens and a 0.2 ultra-short throw ratio. This set-up created a dual-sided viewing experience within limited projection angles. Visitors standing beneath the fabric witnessed vivid underwater hues and fluid light-and-shadow effects that remained consistent from multiple angles.

At the entrance to the Island of Seascapes section, visitors were greeted by a captivating display that brought artistic dialogue with water to life. Projections gently rippled across a white wall, echoing the rhythm of waves and drawing viewers into the exhibition’s immersive theme. This dynamic visual environment was made possible by ViewSonic LS960WU laser projectors, which ensured that images retained sharp detail and vivid brightness throughout the space.

In the Taiwan as Endless Stream section, exhibits from 22 counties and cities were displayed beside a large window where daylight and ambient lighting converged. The laser projector delivered vivid 300-inch imagery with remarkable clarity, even in a natural light area. The projector’s built-in audio system enhanced the experience with an enveloping soundscape that elevated cultural displays into a multisensory experience.

In addition to cultural exhibitions, organisers also hosted a series of live performances during the expo. throughout 2025 Creative Expo Taiwan. They wanted a visually striking centrepiece that could be installed quickly and adapt to different stage configurations. The solution came in the form of ViewSonic’s foldable 138-inch all-in-one Direct View LED display. This pre-assembled model enables easy set up and mobility, while its motorised stand allows for flexible placement across venues. With its expansive screen and true-to-life colours, the display enhanced the overall impact of performances, creating memorable experiences for audiences and performers alike.

This collaboration underscores ViewSonic’s ongoing commitment to bridging art and innovation through advanced proAV technology. By offering adaptable, immersive and sustainable solutions, the company continues to empower the creative community and inspire audiences around the world to experience and connect with art in new and meaningful ways.

3rd March 2026

GLP’s indispensable JDC Burst 1 scoops top Parnelli lighting award

27th February 2026

Building a Future in Barcelona

Spain – Production Futures enjoyed a very productive ISE 2026, during which the organisation once again took over the Live Events stage on Fast Forward Friday. Building on last year’s success with an expanded programme of events and presentations, which began with a high energy meet-and-greet for industry professionals and emerging talent, the day continued with a series of very well-attended panel presentations.

Focused on the themes of access and opportunity, the panels featured meaningful insights from industry experts, as well as valuable contributions from newcomers in the early stages of their professional journeys. Five winners of the Production Futures Breakthrough Talent Awards took part, thanks to bursaries provided by their award sponsors, whilst a further two students participated courtesy of AVIXA, the professional audio/visual trade association.

Hannah Eakins of Production Futures comments: “Everyone connected with Fast Forward Friday at ISE deserves great credit. The vast experience and expertise shared by the industry professionals who took part, offered valuable insights to those in the early stages of their careers, as well as painting a clearer picture for others considering pathways into the production industries. Our award winners also presented an inspiring and relatable framework for aspiring newcomers.

“We’re so grateful to the sponsors of the Breakthrough Talent awards who enabled five of the winners to visit ISE and take part in our event. The model for the Awards which is based around direct engagement and opportunity, has proved to be incredibly worthwhile. AVIXA’s generosity which allowed two members of the Production Futures online community to attend the show also cannot be overstated. Our mission is to break down barriers and increase access for the widest range of potential newcomers to the production sector, so it’s rewarding to see the industry responding so positively.”

The students who benefitted from the AVIXA bursaries were united in their enthusiasm for the opportunity. Siân Lewis comments: “I was really excited about being selected to go to ISE 2026 and it didn’t disappoint. Coming from a production marketing background, I had very little knowledge about the detail behind AV technologies, but my time in Barcelona gave me a much deeper understanding of how things work. There were plenty of opportunities to network with industry professionals and practice my interview skills, too.”

Fellow student Leoni Conway was similarly impressed: “I really enjoyed attending ISE 2026 in Barcelona. The energy and innovations across the show were inspiring. It was great to see the latest technologies up close, connect with industry friends and old colleagues, whilst making new contacts. The experience gave me new insights into emerging trends, broadened my professional perspective and sparked ideas which I’m excited to explore further. Overall, it was a valuable mix of learning, networking and creative inspiration.”

26th February 2026

Martin Audio Announces Revamped March 2026 UK Open Days Experience

UK – Martin Audio, alongside sister brands TiMax, Linea Research and Optimal Audio, has announced an exciting evolution of its celebrated UK Open Days event, scheduled for 24–26 March 2026 at its High Wycombe headquarters.

Renowned for high-quality insights and networking, Martin Audio’s Open Days have become an essential date in the professional audio calendar. This year, the newly imagined event will go beyond traditional product showcases to creatively demonstrate how the group’s complete audio ecosystems provide exceptional and readily-deployable solutions for today’s real-world vertical market challenges.

James King, marketing director, commented: “This fresh approach to our Open Days builds upon the success of our ISE demo room experience. By using projection mapping to create realistic environments, we will explore the challenges of modern sound design and show how our brands intersect to provide compelling solutions and a competitive edge for sound professionals.”

Ideally suited for AV installers, system integrators, consultants and live sound specialists, the programme will focus on application-specific system design, workflow, and practical deployment. The demonstrations will explore how loudspeaker systems, amplification, immersive processing and system control software can combine to deliver outstanding results for audiences in permanent installations, touring productions, and temporary event spaces.

The Open Days run across three days with a consistent daily schedule, allowing attendees to choose a single-day programme or drop in over multiple days.

The event takes place at Martin Audio’s company HQ, Century Point, Halifax Road, Cressex Business Park, High Wycombe, Bucks, HP12 3SL. Free parking is available on-site. Refreshments will be available throughout the event and guests will enjoy plenty of opportunities to meet the team. 

24th February 2026

Elation February 26th Coffee Break Gets Defiant with Rebel Wash

Europe – Elation’s Coffee Break livestream series continues Thursday, 26 February at 11am CET, with a closer look at the new Rebel Wash 4 and Rebel Wash 12, two high-powered wash moving head luminaires in the defiant Rebel Series.

Join Alistair Smyth and Frederik Afif as they dive deeper into these compact yet powerful design workhorses capable of pushing creativity without stretching the budget.

Built for a new generation of designers who demand more, the Rebel Wash delivers exceptional colour, impressive output and striking visuals from subtle gradients to high-energy mid-air beams. Advanced yet accessible, the Rebel Wash invites lighting pros to blaze their own path, challenging expectations of what a workhorse wash luminaire can be.

Each Coffee Break episode goes beyond specification sheets and standard product overviews, focusing on tangible benefits while sharing practical tips and tricks that lighting professionals can directly apply in real-world scenarios. The sessions are open to everyone and include live questions from viewers.

Streamed live on Elation Europe’s Facebook page, no registration is required.

Mark your calendars, grab your favourite cup of coffee, and join Elation on 26 February at 11am CET.

23rd February 2026

igus e-spool microphone wins Best of Show award (AV Technology) at ISE 2026

Spain – igus has won the Best of Show award (AV Technology) at Integrated Systems Europe (ISE) 2026 for its innovative e-spool microphone solution. The product achieved an exceptional 39 out of 40 points, evaluated across innovation, problem solving, feature set and ease of use.

The award recognises outstanding AV technology solutions demonstrated at ISE, the world’s leading exhibition for professional audiovisual and systems integration technologies.

The e-spool microphone is engineered to provide dynamic, safe and flexible microphone positioning in demanding live environments, with judges describing the system as an important solution for venues with limited catwalk access or where dynamic changes to microphone coverage are needed.

The technology is particularly suited to:

• Theatres
• Concert halls
• Performance, conference and live event venues
• Places of worship

By enabling controlled extension and retraction of microphone cables, the e-spool system allows coverage adjustments during performances without requiring technicians to access overhead rigging.

Safety and operational efficiency were central to the judges’ evaluation, determining that the e-spool microphone helps:

• Reduce risk to staff working at height
• Minimise manual intervention in ceiling or catwalk areas
• Enable real-time microphone coverage adjustments
• Improve workflow efficiency during rehearsals and live productions

For venues seeking to modernise infrastructure while enhancing safety compliance, the e-spool offers a compelling upfront investment with long-term operational benefits.

As a specialist in motion plastics, igus applies high-performance polymer engineering to dynamic cable management challenges. The e-spool microphone reflects growing demand within the AV industry for:

• Intelligent cable management systems
• Adaptable audio infrastructure
• Maintenance-reducing solutions
• Integrated safety-focused design

“The e-spool microphone directly improves safety, flexibility, and performance quality in live venues,” said Mark Smith, head of engineering projects at igus UK. “This award highlights the strong potential of intelligent and safe cable management in the AV sector.” 

18th February 2026

Clear-Com to Sponsor and Present USITT Stage Management Award at USITT in Long Beach

USA – Clear-Com is sponsoring and presenting the USITT Stage Management Award during the United States Institute for Theatre Technology (USITT) Annual Conference & Stage Expo, scheduled for 18–21 March, 2026, in Long Beach, California. Clear-Com has sponsored the USITT Stage Management Award continuously since 2006, highlighting the company’s long-standing support of education and professional development within the theatre and live entertainment industry.

Founded in 1960, USITT serves as a professional association for theatre design, technology and production practitioners. The organisation promotes dialogue, research and education through conferences, educational programmes, exhibitions and publications. Its Annual Conference and Stage Expo is a central gathering for professionals, educators, students and industry suppliers.

The annual USITT Stage Management Award specifically honours students who demonstrate strong organisational skills, effective communication and the ability to lead collaborative production teams in demanding live performance environments. Recipients are selected by USITT based on academic achievement, practical experience and demonstrated commitment to the profession.

In addition to sponsoring the award, Clear-Com will exhibit throughout the conference at Booth #1207, where attendees can meet with company representatives and learn more about professional communications systems used in live performance, broadcast and production environments. The booth will also serve as a space to connect with students and emerging professionals studying theatre production, sound design and live event technology, supporting the next generation of A1s, system technicians and production managers as they transition into the professional world. At the booth, visitors will get hands-on experience with Clear-Com solutions, including the new four-channel HelixNet  beltpack, FreeSpeak Icon  beltpack, Arcadia Central Station and its portfolio of virtual intercom solutions, including Gen-IC, Agent-IC mobile app and Station-IC virtual desktop client. The exhibit will feature wired, wireless and IP-based systems designed to support complex, hybrid and remote production workflows across live performance and broadcast environments.

“It is an honour to present the USITT Stage Management Award and to recognise the dedication and professionalism of emerging stage managers,” said Brian Grahn, regional sales manager at Clear-Com. “Clear-Com is proud to have supported this award since 2006 and to continue recognising students whose leadership and commitment are vital to live performance.”

The award presentation will take place Thursday, 18 March, at 2pm in the Terrace Theatre at the Long Beach Convention Center. A luncheon for award recipients and sponsors will be held immediately prior to the ceremony to provide an opportunity for informal discussion and connection ahead of the presentation.

Clear-Com’s continued sponsorship of the Stage Management Award reflects its alignment with USITT’s mission to support learning, mentorship and career development across all stages of the profession. By recognising emerging talent, Clear-Com contributes to the ongoing advancement of stage management and live production practices.

18th February 2026